The Fu Genre of Imperial China :: Studies in the Rhapsodic Imagination /
The first volume in English to examine the fu, one of the major genres of Chinese literature, from its origins up to the late imperial era.
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leeds :
ARC Humanities Press,
[2019]
|
| Schriftenreihe: | East meets West
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The first volume in English to examine the fu, one of the major genres of Chinese literature, from its origins up to the late imperial era. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781641893336 1641893338 |
Internformat
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| 245 | 0 | 4 | |a The Fu Genre of Imperial China : |b Studies in the Rhapsodic Imagination / |c edited by Nicholas Morrow Williams. |
| 264 | 1 | |a Leeds : |b ARC Humanities Press, |c [2019] | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 0 | |a East meets West | |
| 588 | |a Online resource; title from PDF title page (EBSCO, viewed November 22, 2019). | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Front Cover; Half-title; Series information; Title page; Copyright information; Table of contents; Preface; Body; Chapter 1. Introduction: The Rhapsodic Imagination; Part One. Recitation and Display; Chapter 2. The Origins of the Term "Fu" as a Literary Genre of Recitation; The Puchen . Theory: "Directly Displaying"; Challenging the Puchen Theory; The Recitation Theory; The Liu shi and the Recitation Theory; An Etymological Approach by Jia Jinhua; Another Etymological Approach by Chen Yunzhu; Fu as a Literary Genre of Recitation61; Chapter 3. Into the New Realm of Belles Lettres | |
| 505 | 8 | |a Part Two. Lyricism and FormChapter 4. The Assimilation and Dissimilation of Fu and Shi Poetry up to the Tang Dynasty; The Pre-Qin Period and Han Dynasty; "Fu Is an Outflow of the Ancient Songs": Canonizing a Genre Through Assimilation; "To Recite without Singing Is Called Fu": Establishing Self-Identity through Dissimilation; The Wei, Jin, and Northern and Southern Dynasties; Shi and Fu Pieces with the Same Title; Lyricization of the Fu in the Southern Dynasties; The "Fu-icization" of Verse and the Rise of the Fu de ti; Conclusion | |
| 505 | 8 | |a Chapter 5. Xu Wei's Early Modern Rhapsodies: Catalogue and Critique, Lyricism and LogicDreams of Good Taste: "What Others Ignore, I Alone Study in Detail"; The Garden of Metaphors: Xu Wei's "Rhapsody on (Poems about) Peonies"; Evoking the Self as Aesthetic Object: Evolution of the Yongwu Mode; Influence; Conclusion; Part Three. Philosophy and Dialogue; Chapter 6. The Metaphysical Rhapsody of the Six Dynasties; The Rise of the Metaphysical Rhapsody: In Search of Nonbeing; The Buddhist Conquest of the Metaphysical Rhapsody; Coda | |
| 505 | 8 | |a Chapter 7. Argumentation and Generic Change in the Mid-Tang FuLi Guan's "Ku yu fu"; The Interplay of Modes: Readings of "Ku yu fu"; Textual Affinities; Further Lexical Considerations; Rhyme; Reconsidering the Fu/Shelun Relationship; Conclusions; Part Four. Critique and Protest; Chapter 8. The Hidden Message of Zhang Heng's "Contemplating the Mystery"; The Imaginary Journey in the "Contemplating the Mystery"; Comparing the Five Imaginary Journey Poems; The Journeys to the Four Cardinal Points; Conclusions | |
| 505 | 8 | |a Chapter 9. A New Discourse on "Lament for the South" in the Fu of the Ming-Qing Transition1The Collective Understanding of "Lament for the South"; The Yu Xin Controversy; "What Soil Remains Untainted?"; Bibliography; Index | |
| 520 | |a The first volume in English to examine the fu, one of the major genres of Chinese literature, from its origins up to the late imperial era. | ||
| 650 | 0 | |a Chinese poetry |x History and criticism. | |
| 650 | 0 | |a Fu |x History and criticism. | |
| 650 | 6 | |a Poésie chinoise |x Histoire et critique. | |
| 650 | 6 | |a Fu |x Histoire et critique. | |
| 650 | 7 | |a LITERARY CRITICISM |x Asian |x Chinese. |2 bisacsh | |
| 650 | 7 | |a Chinese poetry |2 fast | |
| 650 | 7 | |a Fu |2 fast | |
| 653 | |a Chinese poetry. | ||
| 653 | |a imperial China. | ||
| 653 | |a late imperial Chinese literature. | ||
| 653 | |a medieval Chinese literature. | ||
| 653 | |a rhapsody. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Williams, Nicholas Morrow, |e editor. | |
| 758 | |i has work: |a The Fu Genre of Imperial China (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFRyqRC38WhBXxGGJGr8qP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1128094186 |
|---|---|
| _version_ | 1813901664011157507 |
| adam_text | |
| any_adam_object | |
| author2 | Williams, Nicholas Morrow |
| author2_role | edt |
| author2_variant | n m w nm nmw |
| author_facet | Williams, Nicholas Morrow |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PL2309 |
| callnumber-raw | PL2309.F8 |
| callnumber-search | PL2309.F8 |
| callnumber-sort | PL 42309 F8 |
| callnumber-subject | PL - Eastern Asia, Africa, Oceania |
| collection | ZDB-4-EBA |
| contents | Front Cover; Half-title; Series information; Title page; Copyright information; Table of contents; Preface; Body; Chapter 1. Introduction: The Rhapsodic Imagination; Part One. Recitation and Display; Chapter 2. The Origins of the Term "Fu" as a Literary Genre of Recitation; The Puchen . Theory: "Directly Displaying"; Challenging the Puchen Theory; The Recitation Theory; The Liu shi and the Recitation Theory; An Etymological Approach by Jia Jinhua; Another Etymological Approach by Chen Yunzhu; Fu as a Literary Genre of Recitation61; Chapter 3. Into the New Realm of Belles Lettres Part Two. Lyricism and FormChapter 4. The Assimilation and Dissimilation of Fu and Shi Poetry up to the Tang Dynasty; The Pre-Qin Period and Han Dynasty; "Fu Is an Outflow of the Ancient Songs": Canonizing a Genre Through Assimilation; "To Recite without Singing Is Called Fu": Establishing Self-Identity through Dissimilation; The Wei, Jin, and Northern and Southern Dynasties; Shi and Fu Pieces with the Same Title; Lyricization of the Fu in the Southern Dynasties; The "Fu-icization" of Verse and the Rise of the Fu de ti; Conclusion Chapter 5. Xu Wei's Early Modern Rhapsodies: Catalogue and Critique, Lyricism and LogicDreams of Good Taste: "What Others Ignore, I Alone Study in Detail"; The Garden of Metaphors: Xu Wei's "Rhapsody on (Poems about) Peonies"; Evoking the Self as Aesthetic Object: Evolution of the Yongwu Mode; Influence; Conclusion; Part Three. Philosophy and Dialogue; Chapter 6. The Metaphysical Rhapsody of the Six Dynasties; The Rise of the Metaphysical Rhapsody: In Search of Nonbeing; The Buddhist Conquest of the Metaphysical Rhapsody; Coda Chapter 7. Argumentation and Generic Change in the Mid-Tang FuLi Guan's "Ku yu fu"; The Interplay of Modes: Readings of "Ku yu fu"; Textual Affinities; Further Lexical Considerations; Rhyme; Reconsidering the Fu/Shelun Relationship; Conclusions; Part Four. Critique and Protest; Chapter 8. The Hidden Message of Zhang Heng's "Contemplating the Mystery"; The Imaginary Journey in the "Contemplating the Mystery"; Comparing the Five Imaginary Journey Poems; The Journeys to the Four Cardinal Points; Conclusions Chapter 9. A New Discourse on "Lament for the South" in the Fu of the Ming-Qing Transition1The Collective Understanding of "Lament for the South"; The Yu Xin Controversy; "What Soil Remains Untainted?"; Bibliography; Index |
| ctrlnum | (OCoLC)1128094186 |
| dewey-full | 895.11/04 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 895 - Literatures of East and Southeast Asia |
| dewey-raw | 895.11/04 |
| dewey-search | 895.11/04 |
| dewey-sort | 3895.11 14 |
| dewey-tens | 890 - Literatures of other languages |
| discipline | Außereuropäische Sprachen und Literaturen |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-on1128094186 |
| illustrated | Not Illustrated |
| indexdate | 2024-10-25T15:50:29Z |
| institution | BVB |
| isbn | 9781641893336 1641893338 |
| language | English |
| oclc_num | 1128094186 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | ARC Humanities Press, |
| record_format | marc |
| series2 | East meets West |
| spelling | The Fu Genre of Imperial China : Studies in the Rhapsodic Imagination / edited by Nicholas Morrow Williams. Leeds : ARC Humanities Press, [2019] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier East meets West Online resource; title from PDF title page (EBSCO, viewed November 22, 2019). Includes bibliographical references and index. Front Cover; Half-title; Series information; Title page; Copyright information; Table of contents; Preface; Body; Chapter 1. Introduction: The Rhapsodic Imagination; Part One. Recitation and Display; Chapter 2. The Origins of the Term "Fu" as a Literary Genre of Recitation; The Puchen . Theory: "Directly Displaying"; Challenging the Puchen Theory; The Recitation Theory; The Liu shi and the Recitation Theory; An Etymological Approach by Jia Jinhua; Another Etymological Approach by Chen Yunzhu; Fu as a Literary Genre of Recitation61; Chapter 3. Into the New Realm of Belles Lettres Part Two. Lyricism and FormChapter 4. The Assimilation and Dissimilation of Fu and Shi Poetry up to the Tang Dynasty; The Pre-Qin Period and Han Dynasty; "Fu Is an Outflow of the Ancient Songs": Canonizing a Genre Through Assimilation; "To Recite without Singing Is Called Fu": Establishing Self-Identity through Dissimilation; The Wei, Jin, and Northern and Southern Dynasties; Shi and Fu Pieces with the Same Title; Lyricization of the Fu in the Southern Dynasties; The "Fu-icization" of Verse and the Rise of the Fu de ti; Conclusion Chapter 5. Xu Wei's Early Modern Rhapsodies: Catalogue and Critique, Lyricism and LogicDreams of Good Taste: "What Others Ignore, I Alone Study in Detail"; The Garden of Metaphors: Xu Wei's "Rhapsody on (Poems about) Peonies"; Evoking the Self as Aesthetic Object: Evolution of the Yongwu Mode; Influence; Conclusion; Part Three. Philosophy and Dialogue; Chapter 6. The Metaphysical Rhapsody of the Six Dynasties; The Rise of the Metaphysical Rhapsody: In Search of Nonbeing; The Buddhist Conquest of the Metaphysical Rhapsody; Coda Chapter 7. Argumentation and Generic Change in the Mid-Tang FuLi Guan's "Ku yu fu"; The Interplay of Modes: Readings of "Ku yu fu"; Textual Affinities; Further Lexical Considerations; Rhyme; Reconsidering the Fu/Shelun Relationship; Conclusions; Part Four. Critique and Protest; Chapter 8. The Hidden Message of Zhang Heng's "Contemplating the Mystery"; The Imaginary Journey in the "Contemplating the Mystery"; Comparing the Five Imaginary Journey Poems; The Journeys to the Four Cardinal Points; Conclusions Chapter 9. A New Discourse on "Lament for the South" in the Fu of the Ming-Qing Transition1The Collective Understanding of "Lament for the South"; The Yu Xin Controversy; "What Soil Remains Untainted?"; Bibliography; Index The first volume in English to examine the fu, one of the major genres of Chinese literature, from its origins up to the late imperial era. Chinese poetry History and criticism. Fu History and criticism. Poésie chinoise Histoire et critique. Fu Histoire et critique. LITERARY CRITICISM Asian Chinese. bisacsh Chinese poetry fast Fu fast Chinese poetry. imperial China. late imperial Chinese literature. medieval Chinese literature. rhapsody. Criticism, interpretation, etc. fast Williams, Nicholas Morrow, editor. has work: The Fu Genre of Imperial China (Text) https://id.oclc.org/worldcat/entity/E39PCFRyqRC38WhBXxGGJGr8qP https://id.oclc.org/worldcat/ontology/hasWork Print version : 9781641893312 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2297675 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2297675 Volltext |
| spellingShingle | The Fu Genre of Imperial China : Studies in the Rhapsodic Imagination / Front Cover; Half-title; Series information; Title page; Copyright information; Table of contents; Preface; Body; Chapter 1. Introduction: The Rhapsodic Imagination; Part One. Recitation and Display; Chapter 2. The Origins of the Term "Fu" as a Literary Genre of Recitation; The Puchen . Theory: "Directly Displaying"; Challenging the Puchen Theory; The Recitation Theory; The Liu shi and the Recitation Theory; An Etymological Approach by Jia Jinhua; Another Etymological Approach by Chen Yunzhu; Fu as a Literary Genre of Recitation61; Chapter 3. Into the New Realm of Belles Lettres Part Two. Lyricism and FormChapter 4. The Assimilation and Dissimilation of Fu and Shi Poetry up to the Tang Dynasty; The Pre-Qin Period and Han Dynasty; "Fu Is an Outflow of the Ancient Songs": Canonizing a Genre Through Assimilation; "To Recite without Singing Is Called Fu": Establishing Self-Identity through Dissimilation; The Wei, Jin, and Northern and Southern Dynasties; Shi and Fu Pieces with the Same Title; Lyricization of the Fu in the Southern Dynasties; The "Fu-icization" of Verse and the Rise of the Fu de ti; Conclusion Chapter 5. Xu Wei's Early Modern Rhapsodies: Catalogue and Critique, Lyricism and LogicDreams of Good Taste: "What Others Ignore, I Alone Study in Detail"; The Garden of Metaphors: Xu Wei's "Rhapsody on (Poems about) Peonies"; Evoking the Self as Aesthetic Object: Evolution of the Yongwu Mode; Influence; Conclusion; Part Three. Philosophy and Dialogue; Chapter 6. The Metaphysical Rhapsody of the Six Dynasties; The Rise of the Metaphysical Rhapsody: In Search of Nonbeing; The Buddhist Conquest of the Metaphysical Rhapsody; Coda Chapter 7. Argumentation and Generic Change in the Mid-Tang FuLi Guan's "Ku yu fu"; The Interplay of Modes: Readings of "Ku yu fu"; Textual Affinities; Further Lexical Considerations; Rhyme; Reconsidering the Fu/Shelun Relationship; Conclusions; Part Four. Critique and Protest; Chapter 8. The Hidden Message of Zhang Heng's "Contemplating the Mystery"; The Imaginary Journey in the "Contemplating the Mystery"; Comparing the Five Imaginary Journey Poems; The Journeys to the Four Cardinal Points; Conclusions Chapter 9. A New Discourse on "Lament for the South" in the Fu of the Ming-Qing Transition1The Collective Understanding of "Lament for the South"; The Yu Xin Controversy; "What Soil Remains Untainted?"; Bibliography; Index Chinese poetry History and criticism. Fu History and criticism. Poésie chinoise Histoire et critique. Fu Histoire et critique. LITERARY CRITICISM Asian Chinese. bisacsh Chinese poetry fast Fu fast |
| title | The Fu Genre of Imperial China : Studies in the Rhapsodic Imagination / |
| title_auth | The Fu Genre of Imperial China : Studies in the Rhapsodic Imagination / |
| title_exact_search | The Fu Genre of Imperial China : Studies in the Rhapsodic Imagination / |
| title_full | The Fu Genre of Imperial China : Studies in the Rhapsodic Imagination / edited by Nicholas Morrow Williams. |
| title_fullStr | The Fu Genre of Imperial China : Studies in the Rhapsodic Imagination / edited by Nicholas Morrow Williams. |
| title_full_unstemmed | The Fu Genre of Imperial China : Studies in the Rhapsodic Imagination / edited by Nicholas Morrow Williams. |
| title_short | The Fu Genre of Imperial China : |
| title_sort | fu genre of imperial china studies in the rhapsodic imagination |
| title_sub | Studies in the Rhapsodic Imagination / |
| topic | Chinese poetry History and criticism. Fu History and criticism. Poésie chinoise Histoire et critique. Fu Histoire et critique. LITERARY CRITICISM Asian Chinese. bisacsh Chinese poetry fast Fu fast |
| topic_facet | Chinese poetry History and criticism. Fu History and criticism. Poésie chinoise Histoire et critique. Fu Histoire et critique. LITERARY CRITICISM Asian Chinese. Chinese poetry Fu Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2297675 |
| work_keys_str_mv | AT williamsnicholasmorrow thefugenreofimperialchinastudiesintherhapsodicimagination AT williamsnicholasmorrow fugenreofimperialchinastudiesintherhapsodicimagination |