Sense Knowledge and the Challenge of Italian Renaissance Art :: El Greco, Velázquez, Rembrandt.
Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam :
Amsterdam University Press,
2019.
|
| Schriftenreihe: | Visual and Material Culture, 1300-1700 Ser.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art, and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velázquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted. |
| Beschreibung: | 1 online resource (243 pages) |
| Bibliographie: | Includes bibliographical references (pages 219-228) and index. |
| ISBN: | 9789048544585 9048544580 |
Internformat
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| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Acknowledgements -- |t List of Illustrations -- |t Introduction: Polemics of Painting -- |t Part One. Origin Stories and the Challenge of Italy -- |t 1. El Greco: Italy, Crete, Toledo -- |t 2. From El Greco to Velázquez: Juan Bautista Maíno -- |t Part Two. Illusion, Materiality, Touch -- |t 3. Velázquez and Inversion: Making and Illusion -- |t 4. Vulcan, Mars, and Venus: Erotic Touch -- |t 5. Late Rembrandt I: Texture and the Skilled Touch -- |t 6. Late Rembrandt II: Feeling with the Eyes -- |t Conclusion -- |t Bibliography -- |t About the Author -- |t Index |
| 520 | |a Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art, and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velázquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted. | ||
| 546 | |a In English. | ||
| 504 | |a Includes bibliographical references (pages 219-228) and index. | ||
| 600 | 0 | 0 | |a Greco, |d 1541?-1614 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Velázquez, Diego, |d 1599-1660 |x Criticism and interpretation. |
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| 650 | 0 | |a Painting, Renaissance |x Italian influences. |0 http://id.loc.gov/authorities/subjects/sh88007461 | |
| 650 | 7 | |a Theory of art. |2 bicssc | |
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| 776 | 0 | 8 | |i Print version: |a Knox, Giles. |t Sense Knowledge and the Challenge of Italian Renaissance Art : El Greco, Velázquez, Rembrandt. |d Amsterdam : Amsterdam University Press, ©2019 |
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| contents | Frontmatter -- Table of Contents -- Acknowledgements -- List of Illustrations -- Introduction: Polemics of Painting -- Part One. Origin Stories and the Challenge of Italy -- 1. El Greco: Italy, Crete, Toledo -- 2. From El Greco to Velázquez: Juan Bautista Maíno -- Part Two. Illusion, Materiality, Touch -- 3. Velázquez and Inversion: Making and Illusion -- 4. Vulcan, Mars, and Venus: Erotic Touch -- 5. Late Rembrandt I: Texture and the Skilled Touch -- 6. Late Rembrandt II: Feeling with the Eyes -- Conclusion -- Bibliography -- About the Author -- Index |
| ctrlnum | (OCoLC)1126212575 |
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| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:29:40Z |
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| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (243 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Amsterdam University Press, |
| record_format | marc |
| series | Visual and Material Culture, 1300-1700 Ser. |
| series2 | Visual and Material Culture, 1300-1700 Ser. |
| spelling | Knox, Giles. http://id.loc.gov/authorities/names/n2008073611 Sense Knowledge and the Challenge of Italian Renaissance Art : El Greco, Velázquez, Rembrandt. Amsterdam : Amsterdam University Press, 2019. 1 online resource (243 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Visual and Material Culture, 1300-1700 Ser. Print version record. Frontmatter -- Table of Contents -- Acknowledgements -- List of Illustrations -- Introduction: Polemics of Painting -- Part One. Origin Stories and the Challenge of Italy -- 1. El Greco: Italy, Crete, Toledo -- 2. From El Greco to Velázquez: Juan Bautista Maíno -- Part Two. Illusion, Materiality, Touch -- 3. Velázquez and Inversion: Making and Illusion -- 4. Vulcan, Mars, and Venus: Erotic Touch -- 5. Late Rembrandt I: Texture and the Skilled Touch -- 6. Late Rembrandt II: Feeling with the Eyes -- Conclusion -- Bibliography -- About the Author -- Index Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art, and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velázquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted. In English. Includes bibliographical references (pages 219-228) and index. Greco, 1541?-1614 Criticism and interpretation. Velázquez, Diego, 1599-1660 Criticism and interpretation. Rembrandt Harmenszoon van Rijn, 1606-1669 Criticism and interpretation. Greco, 1541?-1614 fast Rembrandt Harmenszoon van Rijn, 1606-1669 fast Velázquez, Diego, 1599-1660 fast https://id.oclc.org/worldcat/entity/E39PBJth7fpCQWG34g7pvqY9Dq El Greco 1541-1614 gnd http://d-nb.info/gnd/118722778 Rembrandt Harmensz van Rijn 1606-1669 gnd http://d-nb.info/gnd/11859964X Velázquez, Diego Rodríguez de Silva y 1599-1660 gnd http://d-nb.info/gnd/118626426 Painting, Renaissance Italian influences. http://id.loc.gov/authorities/subjects/sh88007461 Theory of art. bicssc History of art and design styles: c 1400 to c 1600. bicssc ART History Renaissance. bisacsh Painting, Renaissance Italian influences fast Malerei gnd http://d-nb.info/gnd/4037220-0 Renaissance gnd http://d-nb.info/gnd/4049450-0 Rezeption gnd http://d-nb.info/gnd/4049716-1 Italien gnd http://d-nb.info/gnd/4027833-5 El Greco, Velázquez, Rembrandt. Criticism, interpretation, etc. fast has work: Sense knowledge and the challenge of Italian Renaissance art (Text) https://id.oclc.org/worldcat/entity/E39PCG73fWPpJ9GQDwj9jB6D4q https://id.oclc.org/worldcat/ontology/hasWork Print version: Knox, Giles. Sense Knowledge and the Challenge of Italian Renaissance Art : El Greco, Velázquez, Rembrandt. Amsterdam : Amsterdam University Press, ©2019 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2291618 Volltext |
| spellingShingle | Knox, Giles Sense Knowledge and the Challenge of Italian Renaissance Art : El Greco, Velázquez, Rembrandt. Visual and Material Culture, 1300-1700 Ser. Frontmatter -- Table of Contents -- Acknowledgements -- List of Illustrations -- Introduction: Polemics of Painting -- Part One. Origin Stories and the Challenge of Italy -- 1. El Greco: Italy, Crete, Toledo -- 2. From El Greco to Velázquez: Juan Bautista Maíno -- Part Two. Illusion, Materiality, Touch -- 3. Velázquez and Inversion: Making and Illusion -- 4. Vulcan, Mars, and Venus: Erotic Touch -- 5. Late Rembrandt I: Texture and the Skilled Touch -- 6. Late Rembrandt II: Feeling with the Eyes -- Conclusion -- Bibliography -- About the Author -- Index Greco, 1541?-1614 Criticism and interpretation. Velázquez, Diego, 1599-1660 Criticism and interpretation. Rembrandt Harmenszoon van Rijn, 1606-1669 Criticism and interpretation. Greco, 1541?-1614 fast Rembrandt Harmenszoon van Rijn, 1606-1669 fast Velázquez, Diego, 1599-1660 fast https://id.oclc.org/worldcat/entity/E39PBJth7fpCQWG34g7pvqY9Dq El Greco 1541-1614 gnd http://d-nb.info/gnd/118722778 Rembrandt Harmensz van Rijn 1606-1669 gnd http://d-nb.info/gnd/11859964X Velázquez, Diego Rodríguez de Silva y 1599-1660 gnd http://d-nb.info/gnd/118626426 Painting, Renaissance Italian influences. http://id.loc.gov/authorities/subjects/sh88007461 Theory of art. bicssc History of art and design styles: c 1400 to c 1600. bicssc ART History Renaissance. bisacsh Painting, Renaissance Italian influences fast Malerei gnd http://d-nb.info/gnd/4037220-0 Renaissance gnd http://d-nb.info/gnd/4049450-0 Rezeption gnd http://d-nb.info/gnd/4049716-1 |
| subject_GND | http://d-nb.info/gnd/118722778 http://d-nb.info/gnd/11859964X http://d-nb.info/gnd/118626426 http://id.loc.gov/authorities/subjects/sh88007461 http://d-nb.info/gnd/4037220-0 http://d-nb.info/gnd/4049450-0 http://d-nb.info/gnd/4049716-1 http://d-nb.info/gnd/4027833-5 |
| title | Sense Knowledge and the Challenge of Italian Renaissance Art : El Greco, Velázquez, Rembrandt. |
| title_alt | Frontmatter -- Table of Contents -- Acknowledgements -- List of Illustrations -- Introduction: Polemics of Painting -- Part One. Origin Stories and the Challenge of Italy -- 1. El Greco: Italy, Crete, Toledo -- 2. From El Greco to Velázquez: Juan Bautista Maíno -- Part Two. Illusion, Materiality, Touch -- 3. Velázquez and Inversion: Making and Illusion -- 4. Vulcan, Mars, and Venus: Erotic Touch -- 5. Late Rembrandt I: Texture and the Skilled Touch -- 6. Late Rembrandt II: Feeling with the Eyes -- Conclusion -- Bibliography -- About the Author -- Index |
| title_auth | Sense Knowledge and the Challenge of Italian Renaissance Art : El Greco, Velázquez, Rembrandt. |
| title_exact_search | Sense Knowledge and the Challenge of Italian Renaissance Art : El Greco, Velázquez, Rembrandt. |
| title_full | Sense Knowledge and the Challenge of Italian Renaissance Art : El Greco, Velázquez, Rembrandt. |
| title_fullStr | Sense Knowledge and the Challenge of Italian Renaissance Art : El Greco, Velázquez, Rembrandt. |
| title_full_unstemmed | Sense Knowledge and the Challenge of Italian Renaissance Art : El Greco, Velázquez, Rembrandt. |
| title_short | Sense Knowledge and the Challenge of Italian Renaissance Art : |
| title_sort | sense knowledge and the challenge of italian renaissance art el greco velazquez rembrandt |
| title_sub | El Greco, Velázquez, Rembrandt. |
| topic | Greco, 1541?-1614 Criticism and interpretation. Velázquez, Diego, 1599-1660 Criticism and interpretation. Rembrandt Harmenszoon van Rijn, 1606-1669 Criticism and interpretation. Greco, 1541?-1614 fast Rembrandt Harmenszoon van Rijn, 1606-1669 fast Velázquez, Diego, 1599-1660 fast https://id.oclc.org/worldcat/entity/E39PBJth7fpCQWG34g7pvqY9Dq El Greco 1541-1614 gnd http://d-nb.info/gnd/118722778 Rembrandt Harmensz van Rijn 1606-1669 gnd http://d-nb.info/gnd/11859964X Velázquez, Diego Rodríguez de Silva y 1599-1660 gnd http://d-nb.info/gnd/118626426 Painting, Renaissance Italian influences. http://id.loc.gov/authorities/subjects/sh88007461 Theory of art. bicssc History of art and design styles: c 1400 to c 1600. bicssc ART History Renaissance. bisacsh Painting, Renaissance Italian influences fast Malerei gnd http://d-nb.info/gnd/4037220-0 Renaissance gnd http://d-nb.info/gnd/4049450-0 Rezeption gnd http://d-nb.info/gnd/4049716-1 |
| topic_facet | Greco, 1541?-1614 Criticism and interpretation. Velázquez, Diego, 1599-1660 Criticism and interpretation. Rembrandt Harmenszoon van Rijn, 1606-1669 Criticism and interpretation. Greco, 1541?-1614 Rembrandt Harmenszoon van Rijn, 1606-1669 Velázquez, Diego, 1599-1660 El Greco 1541-1614 Rembrandt Harmensz van Rijn 1606-1669 Velázquez, Diego Rodríguez de Silva y 1599-1660 Painting, Renaissance Italian influences. Theory of art. History of art and design styles: c 1400 to c 1600. ART History Renaissance. Painting, Renaissance Italian influences Malerei Renaissance Rezeption Italien Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2291618 |
| work_keys_str_mv | AT knoxgiles senseknowledgeandthechallengeofitalianrenaissanceartelgrecovelazquezrembrandt |