Play time :: Jacques Tati and comedic modernism /
"Jacques Tati is viewed as one of the most innovative filmmakers in the history of cinema. At the same time, he also achieved global box-office success and a devoted following. In drawing on and subverting the conventions of film comedy, Tati not only satirized aspects of modern life, he attemp...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York :
Columbia University Press,
[2020]
|
Schriftenreihe: | Film and culture.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "Jacques Tati is viewed as one of the most innovative filmmakers in the history of cinema. At the same time, he also achieved global box-office success and a devoted following. In drawing on and subverting the conventions of film comedy, Tati not only satirized aspects of modern life, he attempted to develop in his viewers a playful, participatory attitude toward the modern world in order to overcome what he saw as a passivity characteristic of modernity. Malcolm Turvey argues that Tati captured both an elite and a popular audience by combining a modernist aesthetic with slapstick, sight gags, and other popular traditions of comedian-centered comedy that had developed in the silent era. In discussing films such as Play Time, Mon Oncle, and Mr. Hulot's Holiday, Turvey describes Tati's distinct comedic sensibility as one that was 'democratic' in allowing the viewer to choose what to look at in a particular scene. In addition to considering Tati's distinct comedic style, Turvey also considers the director's satirical view of the bourgeoisie and his love/hate relationship with modernity. Amply illustrated with images from the Tati's films, Play Time provides an illuminating and in-depth understanding of the richness of Tati's work"--Publisher's description |
Beschreibung: | 1 online resource (xiv, 282 pages, 8 unnumbered pages of plates : illustrations (some color) |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 0231550111 9780231550116 |
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245 | 1 | 0 | |a Play time : |b Jacques Tati and comedic modernism / |c Malcolm Turvey. |
264 | 1 | |a New York : |b Columbia University Press, |c [2020] | |
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505 | 0 | |a Comedic modernism -- Comedy of everyday life -- The beholder's share -- Satirizing modernity. | |
520 | |a "Jacques Tati is viewed as one of the most innovative filmmakers in the history of cinema. At the same time, he also achieved global box-office success and a devoted following. In drawing on and subverting the conventions of film comedy, Tati not only satirized aspects of modern life, he attempted to develop in his viewers a playful, participatory attitude toward the modern world in order to overcome what he saw as a passivity characteristic of modernity. Malcolm Turvey argues that Tati captured both an elite and a popular audience by combining a modernist aesthetic with slapstick, sight gags, and other popular traditions of comedian-centered comedy that had developed in the silent era. In discussing films such as Play Time, Mon Oncle, and Mr. Hulot's Holiday, Turvey describes Tati's distinct comedic sensibility as one that was 'democratic' in allowing the viewer to choose what to look at in a particular scene. In addition to considering Tati's distinct comedic style, Turvey also considers the director's satirical view of the bourgeoisie and his love/hate relationship with modernity. Amply illustrated with images from the Tati's films, Play Time provides an illuminating and in-depth understanding of the richness of Tati's work"--Publisher's description | ||
588 | 0 | |a Online resource; title from resource home page (ProQuest Ebook Central, viewed February 18, 2021). | |
600 | 1 | 0 | |a Tati, Jacques |x Criticism and interpretation. |
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author | Turvey, Malcolm, 1969- |
author_GND | http://id.loc.gov/authorities/names/n2001093582 |
author_facet | Turvey, Malcolm, 1969- |
author_role | aut |
author_sort | Turvey, Malcolm, 1969- |
author_variant | m t mt |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1998 |
callnumber-raw | PN1998.3.T374 T87 2020eb |
callnumber-search | PN1998.3.T374 T87 2020eb |
callnumber-sort | PN 41998.3 T374 T87 42020EB |
callnumber-subject | PN - General Literature |
classification_rvk | AP 51342 |
collection | ZDB-4-EBA |
contents | Comedic modernism -- Comedy of everyday life -- The beholder's share -- Satirizing modernity. |
ctrlnum | (OCoLC)1125114357 |
dewey-full | 791.4302/8092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4302/8092 |
dewey-search | 791.4302/8092 |
dewey-sort | 3791.4302 48092 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
era | 1900-1999 fast |
era_facet | 1900-1999 |
format | Electronic eBook |
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illustrated | Illustrated |
indexdate | 2024-11-27T13:29:39Z |
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isbn | 0231550111 9780231550116 |
language | English |
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spelling | Turvey, Malcolm, 1969- author. https://id.oclc.org/worldcat/entity/E39PBJrrqh6cFjKjTVTkx8mjmd http://id.loc.gov/authorities/names/n2001093582 Play time : Jacques Tati and comedic modernism / Malcolm Turvey. New York : Columbia University Press, [2020] ©2020 1 online resource (xiv, 282 pages, 8 unnumbered pages of plates : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier Film and culture series Includes bibliographical references and index. Comedic modernism -- Comedy of everyday life -- The beholder's share -- Satirizing modernity. "Jacques Tati is viewed as one of the most innovative filmmakers in the history of cinema. At the same time, he also achieved global box-office success and a devoted following. In drawing on and subverting the conventions of film comedy, Tati not only satirized aspects of modern life, he attempted to develop in his viewers a playful, participatory attitude toward the modern world in order to overcome what he saw as a passivity characteristic of modernity. Malcolm Turvey argues that Tati captured both an elite and a popular audience by combining a modernist aesthetic with slapstick, sight gags, and other popular traditions of comedian-centered comedy that had developed in the silent era. In discussing films such as Play Time, Mon Oncle, and Mr. Hulot's Holiday, Turvey describes Tati's distinct comedic sensibility as one that was 'democratic' in allowing the viewer to choose what to look at in a particular scene. In addition to considering Tati's distinct comedic style, Turvey also considers the director's satirical view of the bourgeoisie and his love/hate relationship with modernity. Amply illustrated with images from the Tati's films, Play Time provides an illuminating and in-depth understanding of the richness of Tati's work"--Publisher's description Online resource; title from resource home page (ProQuest Ebook Central, viewed February 18, 2021). Tati, Jacques Criticism and interpretation. Tati, Jacques fast https://id.oclc.org/worldcat/entity/E39PBJq6YxK9bJ9wTqgWVpvfv3 Comedy films France 20th century History and criticism. Films comiques France 20e siècle Histoire et critique. PERFORMING ARTS Film & Video Direction & Production. bisacsh Comedy films fast France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP 1900-1999 fast Criticism, interpretation, etc. fast has work: Play time (Text) https://id.oclc.org/worldcat/entity/E39PCGMdhDYWxcjGYhjfJGwhBP https://id.oclc.org/worldcat/ontology/hasWork Print version: Turvey, Malcolm, 1969- Play time. New York : Columbia University Press, [2020] 9780231193023 (DLC) 2019013487 (OCoLC)1096212783 Film and culture. http://id.loc.gov/authorities/names/n92059833 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2111853 Volltext |
spellingShingle | Turvey, Malcolm, 1969- Play time : Jacques Tati and comedic modernism / Film and culture. Comedic modernism -- Comedy of everyday life -- The beholder's share -- Satirizing modernity. Tati, Jacques Criticism and interpretation. Tati, Jacques fast https://id.oclc.org/worldcat/entity/E39PBJq6YxK9bJ9wTqgWVpvfv3 Comedy films France 20th century History and criticism. Films comiques France 20e siècle Histoire et critique. PERFORMING ARTS Film & Video Direction & Production. bisacsh Comedy films fast |
title | Play time : Jacques Tati and comedic modernism / |
title_auth | Play time : Jacques Tati and comedic modernism / |
title_exact_search | Play time : Jacques Tati and comedic modernism / |
title_full | Play time : Jacques Tati and comedic modernism / Malcolm Turvey. |
title_fullStr | Play time : Jacques Tati and comedic modernism / Malcolm Turvey. |
title_full_unstemmed | Play time : Jacques Tati and comedic modernism / Malcolm Turvey. |
title_short | Play time : |
title_sort | play time jacques tati and comedic modernism |
title_sub | Jacques Tati and comedic modernism / |
topic | Tati, Jacques Criticism and interpretation. Tati, Jacques fast https://id.oclc.org/worldcat/entity/E39PBJq6YxK9bJ9wTqgWVpvfv3 Comedy films France 20th century History and criticism. Films comiques France 20e siècle Histoire et critique. PERFORMING ARTS Film & Video Direction & Production. bisacsh Comedy films fast |
topic_facet | Tati, Jacques Criticism and interpretation. Tati, Jacques Comedy films France 20th century History and criticism. Films comiques France 20e siècle Histoire et critique. PERFORMING ARTS Film & Video Direction & Production. Comedy films France Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2111853 |
work_keys_str_mv | AT turveymalcolm playtimejacquestatiandcomedicmodernism |