Face-to-face in Shakespearean drama :: ethics, performance, philosophy /
This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare.
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2019]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare. |
| Beschreibung: | 1 online resource (i-viii, 296 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 264-284) and index. |
| ISBN: | 9781474435703 147443570X 1474435688 9781474435680 9781474465014 1474465013 9781474435710 1474435718 |
Internformat
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| 245 | 0 | 0 | |a Face-to-face in Shakespearean drama : |b ethics, performance, philosophy / |c edited by Matthew James Smith and Julia Reinhard Lupton. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2019] | |
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| 505 | 0 | |a Intro -- List of Illustrations -- Acknowledgements -- Introduction -- Part I Foundational Face Work -- Chapter 1 Outface and Interface -- Chapter 2 'Everybody's Somebody's Fool': Folie à Deux in Shakespeare's Love Duets -- Chapter 3 The Course of Recognition in Cymbeline -- Part II Composing Intimacy and Conflict -- Chapter 4 Face to Face, Hand to Hand: Relations of Exchange in Hamlet -- Chapter 5 Bed Tricks and Fantasies of Facelessness: All's Well that Ends Well and Macbeth in the Dark -- Part III Facing Judgement -- Chapter 6 The Face of Judgement in Measure for Measure | |
| 505 | 8 | |a Chapter 7 Then Face to Face: Timing Trust in Macbeth -- Part IV Moving Pictures -- Chapter 8 The Man of Sorrows: Edgar's Disguise and Dürer's Self-portraits -- Chapter 9 The Face as Rhetorical Self in Ben Jonson's Literature -- Chapter 10 Hamlet's Face -- Afterword: Theatre and Speculation -- Notes on Contributors -- Bibliography -- Index | |
| 520 | |a This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare. | ||
| 504 | |a Includes bibliographical references (pages 264-284) and index. | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Dramatic production. |0 http://id.loc.gov/authorities/subjects/sh85120938 |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd |
| 650 | 0 | |a Acting |x Philosophy. | |
| 650 | 6 | |a Art dramatique |x Philosophie. | |
| 650 | 7 | |a Acting |x Philosophy |2 fast | |
| 650 | 7 | |a Theater |2 fast | |
| 700 | 1 | |a Smith, Matthew James, |e editor. | |
| 700 | 1 | |a Lupton, Julia Reinhard, |d 1963- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PBJdmj3JpP9MPp7mDhwyw4q |0 http://id.loc.gov/authorities/names/n92104305 | |
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| adam_text | |
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| author2 | Smith, Matthew James Lupton, Julia Reinhard, 1963- |
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| author_GND | http://id.loc.gov/authorities/names/n92104305 |
| author_facet | Smith, Matthew James Lupton, Julia Reinhard, 1963- |
| building | Verbundindex |
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| contents | Intro -- List of Illustrations -- Acknowledgements -- Introduction -- Part I Foundational Face Work -- Chapter 1 Outface and Interface -- Chapter 2 'Everybody's Somebody's Fool': Folie à Deux in Shakespeare's Love Duets -- Chapter 3 The Course of Recognition in Cymbeline -- Part II Composing Intimacy and Conflict -- Chapter 4 Face to Face, Hand to Hand: Relations of Exchange in Hamlet -- Chapter 5 Bed Tricks and Fantasies of Facelessness: All's Well that Ends Well and Macbeth in the Dark -- Part III Facing Judgement -- Chapter 6 The Face of Judgement in Measure for Measure Chapter 7 Then Face to Face: Timing Trust in Macbeth -- Part IV Moving Pictures -- Chapter 8 The Man of Sorrows: Edgar's Disguise and Dürer's Self-portraits -- Chapter 9 The Face as Rhetorical Self in Ben Jonson's Literature -- Chapter 10 Hamlet's Face -- Afterword: Theatre and Speculation -- Notes on Contributors -- Bibliography -- Index |
| ctrlnum | (OCoLC)1124786312 |
| dewey-full | 822.33 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.33 |
| dewey-search | 822.33 |
| dewey-sort | 3822.33 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| spelling | Face-to-face in Shakespearean drama : ethics, performance, philosophy / edited by Matthew James Smith and Julia Reinhard Lupton. Edinburgh : Edinburgh University Press, [2019] ©2019 1 online resource (i-viii, 296 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Intro -- List of Illustrations -- Acknowledgements -- Introduction -- Part I Foundational Face Work -- Chapter 1 Outface and Interface -- Chapter 2 'Everybody's Somebody's Fool': Folie à Deux in Shakespeare's Love Duets -- Chapter 3 The Course of Recognition in Cymbeline -- Part II Composing Intimacy and Conflict -- Chapter 4 Face to Face, Hand to Hand: Relations of Exchange in Hamlet -- Chapter 5 Bed Tricks and Fantasies of Facelessness: All's Well that Ends Well and Macbeth in the Dark -- Part III Facing Judgement -- Chapter 6 The Face of Judgement in Measure for Measure Chapter 7 Then Face to Face: Timing Trust in Macbeth -- Part IV Moving Pictures -- Chapter 8 The Man of Sorrows: Edgar's Disguise and Dürer's Self-portraits -- Chapter 9 The Face as Rhetorical Self in Ben Jonson's Literature -- Chapter 10 Hamlet's Face -- Afterword: Theatre and Speculation -- Notes on Contributors -- Bibliography -- Index This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare. Includes bibliographical references (pages 264-284) and index. Shakespeare, William, 1564-1616 Dramatic production. http://id.loc.gov/authorities/subjects/sh85120938 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Acting Philosophy. Art dramatique Philosophie. Acting Philosophy fast Theater fast Smith, Matthew James, editor. Lupton, Julia Reinhard, 1963- editor. https://id.oclc.org/worldcat/entity/E39PBJdmj3JpP9MPp7mDhwyw4q http://id.loc.gov/authorities/names/n92104305 has work: Face-to-face in Shakespearean drama (Text) https://id.oclc.org/worldcat/entity/E39PCGvkPXmqbJCKKgMJpPvXMP https://id.oclc.org/worldcat/ontology/hasWork Print version: 1474435688 9781474435680 (OCoLC)1039938207 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2409356 Volltext |
| spellingShingle | Face-to-face in Shakespearean drama : ethics, performance, philosophy / Intro -- List of Illustrations -- Acknowledgements -- Introduction -- Part I Foundational Face Work -- Chapter 1 Outface and Interface -- Chapter 2 'Everybody's Somebody's Fool': Folie à Deux in Shakespeare's Love Duets -- Chapter 3 The Course of Recognition in Cymbeline -- Part II Composing Intimacy and Conflict -- Chapter 4 Face to Face, Hand to Hand: Relations of Exchange in Hamlet -- Chapter 5 Bed Tricks and Fantasies of Facelessness: All's Well that Ends Well and Macbeth in the Dark -- Part III Facing Judgement -- Chapter 6 The Face of Judgement in Measure for Measure Chapter 7 Then Face to Face: Timing Trust in Macbeth -- Part IV Moving Pictures -- Chapter 8 The Man of Sorrows: Edgar's Disguise and Dürer's Self-portraits -- Chapter 9 The Face as Rhetorical Self in Ben Jonson's Literature -- Chapter 10 Hamlet's Face -- Afterword: Theatre and Speculation -- Notes on Contributors -- Bibliography -- Index Shakespeare, William, 1564-1616 Dramatic production. http://id.loc.gov/authorities/subjects/sh85120938 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Acting Philosophy. Art dramatique Philosophie. Acting Philosophy fast Theater fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85120938 |
| title | Face-to-face in Shakespearean drama : ethics, performance, philosophy / |
| title_auth | Face-to-face in Shakespearean drama : ethics, performance, philosophy / |
| title_exact_search | Face-to-face in Shakespearean drama : ethics, performance, philosophy / |
| title_full | Face-to-face in Shakespearean drama : ethics, performance, philosophy / edited by Matthew James Smith and Julia Reinhard Lupton. |
| title_fullStr | Face-to-face in Shakespearean drama : ethics, performance, philosophy / edited by Matthew James Smith and Julia Reinhard Lupton. |
| title_full_unstemmed | Face-to-face in Shakespearean drama : ethics, performance, philosophy / edited by Matthew James Smith and Julia Reinhard Lupton. |
| title_short | Face-to-face in Shakespearean drama : |
| title_sort | face to face in shakespearean drama ethics performance philosophy |
| title_sub | ethics, performance, philosophy / |
| topic | Shakespeare, William, 1564-1616 Dramatic production. http://id.loc.gov/authorities/subjects/sh85120938 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Acting Philosophy. Art dramatique Philosophie. Acting Philosophy fast Theater fast |
| topic_facet | Shakespeare, William, 1564-1616 Dramatic production. Shakespeare, William, 1564-1616 Acting Philosophy. Art dramatique Philosophie. Acting Philosophy Theater |
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