Hollywood at the intersection of race and identity /:
Hollywood at the Intersection of Race and Identity explores the ways Hollywood represents race, gender, class, and nationality at the intersection of aesthetics and ideology and its productive tensions. This collection of essays asks to what degree can a close critical analysis of films, that is, re...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick :
Rutgers University Press,
[2019]
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Hollywood at the Intersection of Race and Identity explores the ways Hollywood represents race, gender, class, and nationality at the intersection of aesthetics and ideology and its productive tensions. This collection of essays asks to what degree can a close critical analysis of films, that is, reading them against their own ideological grain, reveal contradictions and tensions in Hollywood's task of erecting normative cultural standards? How do some films perhaps knowingly undermine their inherent ideology by opening a field of conflicting and competing intersecting identities? The challenge set out in this volume is to revisit well-known films in search for a narrative not exclusively constituted by the Hollywood formula and to answer the questions: What lies beyond the frame? What elements contradict a film's sustained illusion of a normative world? Where do films betray their own ideology and most importantly what intersectional spaces of identity do they reveal or conceal? |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780813599359 0813599350 |
Internformat
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| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t Introduction -- |t Part 1. HOLLYWOOD FORMULAS -- |t 1 Daydreams of Society -- |t 2 The Death of Lon Chaney -- |t 3 MGM's Sleeping Lion -- |t 4 Yellowface, Minstrelsy, and Hollywood Happy Endings -- |t Part 2. GENRE AND RACE IN CLASSICAL HOLLYWOOD -- |t 5 "A Queer, Strangled Look" -- |t 6 By Herself -- |t 7 Disruptive Mother-Daughter Relationships -- |t 8 The Egotistical Sublime -- |t Part 3. RACE AND ETHNICITY IN POST-WORLD WAR II HOLLYWOOD -- |t 9 Women and Class Mobility in Classical Hollywood's Immigrant Dramas -- |t 10 Hawai'i Statehood, Indigeneity, and Go for Broke! (1951) -- |t 11 Savage Whiteness -- |t 12 Rita Moreno's Hair -- |t Part 4. INTERSECTIONALITY, HOLLYWOOD, AND CONTEMPORARY POPULAR CULTURE -- |t 13 "Everything Glee in 'America' " -- |t 14 Hip-Hop "Hearts" Ballet -- |t 15 Fakin' da Funk (1997) and Gook (2017) -- |t 16 "Let Us Roam the Night Together" -- |t Acknowledgments -- |t Bibliography -- |t Notes on Contributors -- |t Index |
| 520 | |a Hollywood at the Intersection of Race and Identity explores the ways Hollywood represents race, gender, class, and nationality at the intersection of aesthetics and ideology and its productive tensions. This collection of essays asks to what degree can a close critical analysis of films, that is, reading them against their own ideological grain, reveal contradictions and tensions in Hollywood's task of erecting normative cultural standards? How do some films perhaps knowingly undermine their inherent ideology by opening a field of conflicting and competing intersecting identities? The challenge set out in this volume is to revisit well-known films in search for a narrative not exclusively constituted by the Hollywood formula and to answer the questions: What lies beyond the frame? What elements contradict a film's sustained illusion of a normative world? Where do films betray their own ideology and most importantly what intersectional spaces of identity do they reveal or conceal? | ||
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| 650 | 0 | |a Motion pictures |z United States |x History. | |
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| 650 | 6 | |a Race au cinéma. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire. | |
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| contents | Frontmatter -- CONTENTS -- Introduction -- Part 1. HOLLYWOOD FORMULAS -- 1 Daydreams of Society -- 2 The Death of Lon Chaney -- 3 MGM's Sleeping Lion -- 4 Yellowface, Minstrelsy, and Hollywood Happy Endings -- Part 2. GENRE AND RACE IN CLASSICAL HOLLYWOOD -- 5 "A Queer, Strangled Look" -- 6 By Herself -- 7 Disruptive Mother-Daughter Relationships -- 8 The Egotistical Sublime -- Part 3. RACE AND ETHNICITY IN POST-WORLD WAR II HOLLYWOOD -- 9 Women and Class Mobility in Classical Hollywood's Immigrant Dramas -- 10 Hawai'i Statehood, Indigeneity, and Go for Broke! (1951) -- 11 Savage Whiteness -- 12 Rita Moreno's Hair -- Part 4. INTERSECTIONALITY, HOLLYWOOD, AND CONTEMPORARY POPULAR CULTURE -- 13 "Everything Glee in 'America' " -- 14 Hip-Hop "Hearts" Ballet -- 15 Fakin' da Funk (1997) and Gook (2017) -- 16 "Let Us Roam the Night Together" -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index |
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| spelling | Hollywood at the intersection of race and identity / edited by Delia Malia Caparoso Konzett. New Brunswick : Rutgers University Press, [2019] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Frontmatter -- CONTENTS -- Introduction -- Part 1. HOLLYWOOD FORMULAS -- 1 Daydreams of Society -- 2 The Death of Lon Chaney -- 3 MGM's Sleeping Lion -- 4 Yellowface, Minstrelsy, and Hollywood Happy Endings -- Part 2. GENRE AND RACE IN CLASSICAL HOLLYWOOD -- 5 "A Queer, Strangled Look" -- 6 By Herself -- 7 Disruptive Mother-Daughter Relationships -- 8 The Egotistical Sublime -- Part 3. RACE AND ETHNICITY IN POST-WORLD WAR II HOLLYWOOD -- 9 Women and Class Mobility in Classical Hollywood's Immigrant Dramas -- 10 Hawai'i Statehood, Indigeneity, and Go for Broke! (1951) -- 11 Savage Whiteness -- 12 Rita Moreno's Hair -- Part 4. INTERSECTIONALITY, HOLLYWOOD, AND CONTEMPORARY POPULAR CULTURE -- 13 "Everything Glee in 'America' " -- 14 Hip-Hop "Hearts" Ballet -- 15 Fakin' da Funk (1997) and Gook (2017) -- 16 "Let Us Roam the Night Together" -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index Hollywood at the Intersection of Race and Identity explores the ways Hollywood represents race, gender, class, and nationality at the intersection of aesthetics and ideology and its productive tensions. This collection of essays asks to what degree can a close critical analysis of films, that is, reading them against their own ideological grain, reveal contradictions and tensions in Hollywood's task of erecting normative cultural standards? How do some films perhaps knowingly undermine their inherent ideology by opening a field of conflicting and competing intersecting identities? The challenge set out in this volume is to revisit well-known films in search for a narrative not exclusively constituted by the Hollywood formula and to answer the questions: What lies beyond the frame? What elements contradict a film's sustained illusion of a normative world? Where do films betray their own ideology and most importantly what intersectional spaces of identity do they reveal or conceal? Identity (Psychology) in motion pictures. http://id.loc.gov/authorities/subjects/sh85064154 Race in motion pictures. http://id.loc.gov/authorities/subjects/sh2001008935 Motion pictures United States History. Intersectionality (Sociology) United States. Identité (Psychologie) au cinéma. Race au cinéma. Cinéma États-Unis Histoire. Intersectionnalité États-Unis. PERFORMING ARTS / General. bisacsh Identity (Psychology) in motion pictures fast Intersectionality (Sociology) fast Motion pictures fast Race in motion pictures fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq History fast Konzett, Delia Caparoso, editor. has work: Hollywood at the intersection of race and identity (Text) https://id.oclc.org/worldcat/entity/E39PCFvymjMYdVhYCFyy4kqyBd https://id.oclc.org/worldcat/ontology/hasWork Print version: Hollywood at the intersection of race and identity. New Brunswick : Rutgers University Press, [2019] 9780813599311 (DLC) 2019007367 (OCoLC)1090279632 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2275657 Volltext |
| spellingShingle | Hollywood at the intersection of race and identity / Frontmatter -- CONTENTS -- Introduction -- Part 1. HOLLYWOOD FORMULAS -- 1 Daydreams of Society -- 2 The Death of Lon Chaney -- 3 MGM's Sleeping Lion -- 4 Yellowface, Minstrelsy, and Hollywood Happy Endings -- Part 2. GENRE AND RACE IN CLASSICAL HOLLYWOOD -- 5 "A Queer, Strangled Look" -- 6 By Herself -- 7 Disruptive Mother-Daughter Relationships -- 8 The Egotistical Sublime -- Part 3. RACE AND ETHNICITY IN POST-WORLD WAR II HOLLYWOOD -- 9 Women and Class Mobility in Classical Hollywood's Immigrant Dramas -- 10 Hawai'i Statehood, Indigeneity, and Go for Broke! (1951) -- 11 Savage Whiteness -- 12 Rita Moreno's Hair -- Part 4. INTERSECTIONALITY, HOLLYWOOD, AND CONTEMPORARY POPULAR CULTURE -- 13 "Everything Glee in 'America' " -- 14 Hip-Hop "Hearts" Ballet -- 15 Fakin' da Funk (1997) and Gook (2017) -- 16 "Let Us Roam the Night Together" -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index Identity (Psychology) in motion pictures. http://id.loc.gov/authorities/subjects/sh85064154 Race in motion pictures. http://id.loc.gov/authorities/subjects/sh2001008935 Motion pictures United States History. Intersectionality (Sociology) United States. Identité (Psychologie) au cinéma. Race au cinéma. Cinéma États-Unis Histoire. Intersectionnalité États-Unis. PERFORMING ARTS / General. bisacsh Identity (Psychology) in motion pictures fast Intersectionality (Sociology) fast Motion pictures fast Race in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85064154 http://id.loc.gov/authorities/subjects/sh2001008935 |
| title | Hollywood at the intersection of race and identity / |
| title_alt | Frontmatter -- CONTENTS -- Introduction -- Part 1. HOLLYWOOD FORMULAS -- 1 Daydreams of Society -- 2 The Death of Lon Chaney -- 3 MGM's Sleeping Lion -- 4 Yellowface, Minstrelsy, and Hollywood Happy Endings -- Part 2. GENRE AND RACE IN CLASSICAL HOLLYWOOD -- 5 "A Queer, Strangled Look" -- 6 By Herself -- 7 Disruptive Mother-Daughter Relationships -- 8 The Egotistical Sublime -- Part 3. RACE AND ETHNICITY IN POST-WORLD WAR II HOLLYWOOD -- 9 Women and Class Mobility in Classical Hollywood's Immigrant Dramas -- 10 Hawai'i Statehood, Indigeneity, and Go for Broke! (1951) -- 11 Savage Whiteness -- 12 Rita Moreno's Hair -- Part 4. INTERSECTIONALITY, HOLLYWOOD, AND CONTEMPORARY POPULAR CULTURE -- 13 "Everything Glee in 'America' " -- 14 Hip-Hop "Hearts" Ballet -- 15 Fakin' da Funk (1997) and Gook (2017) -- 16 "Let Us Roam the Night Together" -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index |
| title_auth | Hollywood at the intersection of race and identity / |
| title_exact_search | Hollywood at the intersection of race and identity / |
| title_full | Hollywood at the intersection of race and identity / edited by Delia Malia Caparoso Konzett. |
| title_fullStr | Hollywood at the intersection of race and identity / edited by Delia Malia Caparoso Konzett. |
| title_full_unstemmed | Hollywood at the intersection of race and identity / edited by Delia Malia Caparoso Konzett. |
| title_short | Hollywood at the intersection of race and identity / |
| title_sort | hollywood at the intersection of race and identity |
| topic | Identity (Psychology) in motion pictures. http://id.loc.gov/authorities/subjects/sh85064154 Race in motion pictures. http://id.loc.gov/authorities/subjects/sh2001008935 Motion pictures United States History. Intersectionality (Sociology) United States. Identité (Psychologie) au cinéma. Race au cinéma. Cinéma États-Unis Histoire. Intersectionnalité États-Unis. PERFORMING ARTS / General. bisacsh Identity (Psychology) in motion pictures fast Intersectionality (Sociology) fast Motion pictures fast Race in motion pictures fast |
| topic_facet | Identity (Psychology) in motion pictures. Race in motion pictures. Motion pictures United States History. Intersectionality (Sociology) United States. Identité (Psychologie) au cinéma. Race au cinéma. Cinéma États-Unis Histoire. Intersectionnalité États-Unis. PERFORMING ARTS / General. Identity (Psychology) in motion pictures Intersectionality (Sociology) Motion pictures Race in motion pictures United States History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2275657 |
| work_keys_str_mv | AT konzettdeliacaparoso hollywoodattheintersectionofraceandidentity |