Empires of light :: vision, visibility and power in colonial India /
Light was central to the visual politics and imaginative geographies of empire, even beyond its role as a symbol of knowledge and progress in post-Enlightenment narratives. This book describes how imperial mappings of geographical space in terms of 'cities of light' and 'hearts of dar...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Manchester :
Manchester University Press,
2019.
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Schriftenreihe: | Rethinking art's histories.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Light was central to the visual politics and imaginative geographies of empire, even beyond its role as a symbol of knowledge and progress in post-Enlightenment narratives. This book describes how imperial mappings of geographical space in terms of 'cities of light' and 'hearts of darkness' coincided with the industrialisation of light (in homes, streets, theatres) and its instrumentalisation through new representative forms (photography, film, magic lanterns, theatrical lighting). Cataloguing the imperial vision in its engagement with colonial India, the book evaluates responses by the celebrated Indian painter Ravi Varma (1848-1906) to reveal the centrality of light in technologies of vision, not merely as an ideological effect but as a material presence that produces spaces and inscribes bodies. |
Beschreibung: | 1 online resource (xiii, 284 pages) : illustrations |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781526139641 1526139642 9781526139658 1526139650 |
Internformat
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504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Introduction : writing photo-graphic histories of empire -- Part I. Technologies of illumination. Through the glass darkly : the phantasmagoria of Elephanta -- Four acts of seeing : the veil as technology of illumination -- Part II. 'Visibility is a trap' : battles of the veil. 'Purdah hai purdah!' : proscenium theatre and technologies of illusionism -- Erotics of the body politic : the naked and the clothed -- Part III. Chiaroscuro, portraiture and subjectivity. Private lives and interior spaces : masculine subjects in Ravi Varma's scholar paintings -- Impossible subjects : the subaltern in the shadows. | |
520 | |a Light was central to the visual politics and imaginative geographies of empire, even beyond its role as a symbol of knowledge and progress in post-Enlightenment narratives. This book describes how imperial mappings of geographical space in terms of 'cities of light' and 'hearts of darkness' coincided with the industrialisation of light (in homes, streets, theatres) and its instrumentalisation through new representative forms (photography, film, magic lanterns, theatrical lighting). Cataloguing the imperial vision in its engagement with colonial India, the book evaluates responses by the celebrated Indian painter Ravi Varma (1848-1906) to reveal the centrality of light in technologies of vision, not merely as an ideological effect but as a material presence that produces spaces and inscribes bodies. | ||
588 | 0 | |a Print version record. | |
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adam_text | |
any_adam_object | |
author | Dinkar, Niharika |
author_facet | Dinkar, Niharika |
author_role | aut |
author_sort | Dinkar, Niharika |
author_variant | n d nd |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | N - Fine Arts |
callnumber-label | N7303 |
callnumber-raw | N7303 .D56 2019 |
callnumber-search | N7303 .D56 2019 |
callnumber-sort | N 47303 D56 42019 |
callnumber-subject | N - Visual Arts |
collection | ZDB-4-EBA |
contents | Introduction : writing photo-graphic histories of empire -- Part I. Technologies of illumination. Through the glass darkly : the phantasmagoria of Elephanta -- Four acts of seeing : the veil as technology of illumination -- Part II. 'Visibility is a trap' : battles of the veil. 'Purdah hai purdah!' : proscenium theatre and technologies of illusionism -- Erotics of the body politic : the naked and the clothed -- Part III. Chiaroscuro, portraiture and subjectivity. Private lives and interior spaces : masculine subjects in Ravi Varma's scholar paintings -- Impossible subjects : the subaltern in the shadows. |
ctrlnum | (OCoLC)1120689636 |
dewey-full | 709.54 |
dewey-hundreds | 700 - The arts |
dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.54 |
dewey-search | 709.54 |
dewey-sort | 3709.54 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
format | Electronic eBook |
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indexdate | 2024-11-27T13:29:37Z |
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isbn | 9781526139641 1526139642 9781526139658 1526139650 |
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series2 | Rethinking art's histories |
spelling | Dinkar, Niharika, author. Empires of light : vision, visibility and power in colonial India / Niharika Dinkar. Manchester : Manchester University Press, 2019. ©2019 1 online resource (xiii, 284 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Rethinking art's histories Includes bibliographical references and index. Introduction : writing photo-graphic histories of empire -- Part I. Technologies of illumination. Through the glass darkly : the phantasmagoria of Elephanta -- Four acts of seeing : the veil as technology of illumination -- Part II. 'Visibility is a trap' : battles of the veil. 'Purdah hai purdah!' : proscenium theatre and technologies of illusionism -- Erotics of the body politic : the naked and the clothed -- Part III. Chiaroscuro, portraiture and subjectivity. Private lives and interior spaces : masculine subjects in Ravi Varma's scholar paintings -- Impossible subjects : the subaltern in the shadows. Light was central to the visual politics and imaginative geographies of empire, even beyond its role as a symbol of knowledge and progress in post-Enlightenment narratives. This book describes how imperial mappings of geographical space in terms of 'cities of light' and 'hearts of darkness' coincided with the industrialisation of light (in homes, streets, theatres) and its instrumentalisation through new representative forms (photography, film, magic lanterns, theatrical lighting). Cataloguing the imperial vision in its engagement with colonial India, the book evaluates responses by the celebrated Indian painter Ravi Varma (1848-1906) to reveal the centrality of light in technologies of vision, not merely as an ideological effect but as a material presence that produces spaces and inscribes bodies. Print version record. Ravi Varma, 1848-1906 Criticism and interpretation. Ravi Varma, 1848-1906 fast https://id.oclc.org/worldcat/entity/E39PBJhX7Bbb9Vkt4h6GQ3wHmd Art, Indic. http://id.loc.gov/authorities/subjects/sh85007703 Art, Colonial India. Light in art. http://id.loc.gov/authorities/subjects/sh85076896 Art de l'Inde. Art colonial Inde. Lumière dans l'art. ART / Asian / Indian & South Asian. bisacsh Art, Colonial fast Art, Indic fast Light in art fast India fast https://id.oclc.org/worldcat/entity/E39PBJmdx47cDXrRhBXHtbvPwC Criticism, interpretation, etc. fast has work: Empires of light (Text) https://id.oclc.org/worldcat/entity/E39PCGjtWCbFjtq6gTBV4pcDxC https://id.oclc.org/worldcat/ontology/hasWork Print version: Dinkar, Niharika. Empires of light. Manchester : Manchester University Press, 2019 1526139634 (OCoLC)1090687969 Rethinking art's histories. http://id.loc.gov/authorities/names/no2010146175 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2254517 Volltext |
spellingShingle | Dinkar, Niharika Empires of light : vision, visibility and power in colonial India / Rethinking art's histories. Introduction : writing photo-graphic histories of empire -- Part I. Technologies of illumination. Through the glass darkly : the phantasmagoria of Elephanta -- Four acts of seeing : the veil as technology of illumination -- Part II. 'Visibility is a trap' : battles of the veil. 'Purdah hai purdah!' : proscenium theatre and technologies of illusionism -- Erotics of the body politic : the naked and the clothed -- Part III. Chiaroscuro, portraiture and subjectivity. Private lives and interior spaces : masculine subjects in Ravi Varma's scholar paintings -- Impossible subjects : the subaltern in the shadows. Ravi Varma, 1848-1906 Criticism and interpretation. Ravi Varma, 1848-1906 fast https://id.oclc.org/worldcat/entity/E39PBJhX7Bbb9Vkt4h6GQ3wHmd Art, Indic. http://id.loc.gov/authorities/subjects/sh85007703 Art, Colonial India. Light in art. http://id.loc.gov/authorities/subjects/sh85076896 Art de l'Inde. Art colonial Inde. Lumière dans l'art. ART / Asian / Indian & South Asian. bisacsh Art, Colonial fast Art, Indic fast Light in art fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85007703 http://id.loc.gov/authorities/subjects/sh85076896 |
title | Empires of light : vision, visibility and power in colonial India / |
title_auth | Empires of light : vision, visibility and power in colonial India / |
title_exact_search | Empires of light : vision, visibility and power in colonial India / |
title_full | Empires of light : vision, visibility and power in colonial India / Niharika Dinkar. |
title_fullStr | Empires of light : vision, visibility and power in colonial India / Niharika Dinkar. |
title_full_unstemmed | Empires of light : vision, visibility and power in colonial India / Niharika Dinkar. |
title_short | Empires of light : |
title_sort | empires of light vision visibility and power in colonial india |
title_sub | vision, visibility and power in colonial India / |
topic | Ravi Varma, 1848-1906 Criticism and interpretation. Ravi Varma, 1848-1906 fast https://id.oclc.org/worldcat/entity/E39PBJhX7Bbb9Vkt4h6GQ3wHmd Art, Indic. http://id.loc.gov/authorities/subjects/sh85007703 Art, Colonial India. Light in art. http://id.loc.gov/authorities/subjects/sh85076896 Art de l'Inde. Art colonial Inde. Lumière dans l'art. ART / Asian / Indian & South Asian. bisacsh Art, Colonial fast Art, Indic fast Light in art fast |
topic_facet | Ravi Varma, 1848-1906 Criticism and interpretation. Ravi Varma, 1848-1906 Art, Indic. Art, Colonial India. Light in art. Art de l'Inde. Art colonial Inde. Lumière dans l'art. ART / Asian / Indian & South Asian. Art, Colonial Art, Indic Light in art India Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2254517 |
work_keys_str_mv | AT dinkarniharika empiresoflightvisionvisibilityandpowerincolonialindia |