Gender and Contemporary Horror in Comics, Games and Transmedia /:
Despite the constant changes in contemporary popular media, the horror genre retains its attraction for audiences of all backgrounds. This edited collection explores modern representations of gender in horror and how this factors into the genre's appeal.
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bingley :
Emerald Publishing Limited,
2019.
|
| Ausgabe: | First edition. |
| Schriftenreihe: | Emerald Studies in Popular Culture and Gender
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Despite the constant changes in contemporary popular media, the horror genre retains its attraction for audiences of all backgrounds. This edited collection explores modern representations of gender in horror and how this factors into the genre's appeal. |
| Beschreibung: | Patriarchy and the Role of Women in the Film and the Novel |
| Beschreibung: | 1 online resource (226 pages) |
| ISBN: | 9781787691094 1787691098 9781787691070 1787691071 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1114974855 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 190831t20192019enk o 000 0 eng d | ||
| 040 | |a EBLCP |b eng |e rda |e pn |c EBLCP |d YDX |d N$T |d OCLCO |d OCLCF |d UKAHL |d UKMGB |d OCLCQ |d YDXIT |d OCLCQ |d OCLCO |d SFB |d OCLCQ |d OCLCO |d K6U |d OCLCO |d OCLCQ |d OCLCO |d OCLCL |d LUN |d OCLCO | ||
| 015 | |a GBB9B9392 |2 bnb | ||
| 016 | 7 | |a 019456489 |2 Uk | |
| 019 | |a 1114767693 |a 1115010928 |a 1126133736 |a 1126782802 |a 1130662703 |a 1136529489 |a 1167393444 | ||
| 020 | |a 9781787691094 |q (electronic book) | ||
| 020 | |a 1787691098 |q (electronic book) | ||
| 020 | |a 9781787691070 |q (electronic book) | ||
| 020 | |a 1787691071 |q (electronic book) | ||
| 020 | |z 178769108X | ||
| 020 | |z 9781787691087 | ||
| 035 | |a (OCoLC)1114974855 |z (OCoLC)1114767693 |z (OCoLC)1115010928 |z (OCoLC)1126133736 |z (OCoLC)1126782802 |z (OCoLC)1130662703 |z (OCoLC)1136529489 |z (OCoLC)1167393444 | ||
| 037 | |a 9781787691094 |b Emerald Publishing | ||
| 050 | 4 | |a PN6714 |b .G45 2019 | |
| 050 | 4 | |a PN6720 | |
| 072 | 7 | |a JFSJ. |2 bicssc | |
| 072 | 7 | |a SOC032000. |2 bisacsh | |
| 080 | |a 741.5 | ||
| 082 | 7 | |a 741.5 |2 23 | |
| 049 | |a MAIN | ||
| 245 | 0 | 0 | |a Gender and Contemporary Horror in Comics, Games and Transmedia / |c Robert Shail, Samantha Holland, Steven Gerrard. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Bingley : |b Emerald Publishing Limited, |c 2019. | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (226 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Emerald Studies in Popular Culture and Gender | |
| 505 | 0 | |a Front Cover; Gender and Contemporary Horror in Comics, Games and Transmedia; Copyright Page; Contents; List of Contributors; Introduction; References; Part I Comics and Graphic Novels; Chapter 1 Blood and Fire: Monstrous Women in Carrie and 'The Dark Phoenix Saga'; Introduction; Brian De Palma's Carrie; Jean Grey and 'The Dark Phoenix Saga'; 'The Dark Phoenix Saga', Redux; Comics and Gender Normativity; Beyond Jean Grey -- A New Normal; References; Chapter 2 Anxiety and Mutation in Charles Burns' Black Hole and Junji Ito's Uzumaki; Contexts: Teenagers, Bodies and Horror | |
| 505 | 8 | |a Mutating Teens and Forbidden Desires in Black HolePoliticising the Horrific Body in Uzumaki; Concluding Thoughts: Similarity and Difference in Transnational Culture; References; Part II Video Games; Chapter 3 'Endure and Survive': Evolving Female Protagonists in Tomb Rider and The Last of Us; Introduction; Survival Horror and Women; A New Lara Croft; Ellie and Joel; Enduring Women; Conclusion; References; Chapter 4 Horrific Things: Alien Isolation and the Queer Materiality of Gender, Desire and Being; The Deck of the Nostromo; The View from the Visor; Thing Theory; Objects/Subjects | |
| 505 | 8 | |a InterfacesReferences; Chapter 5 Shattered Identities: The Weakness of the Male Hero in the Silent Hill Game Franchise; Initial Thoughts; SH and the Contradictions of Survival Horror; Masculinities in Crisis and Horror as Body Genre; Murphy's Law: Monstrous Heroes and Role Reversal in SH: Downpour; Final Considerations; References; Chapter 6 Dad Rising? Playing the Father in Post-Apocalyptic Survival Horror Games; Video Games and Gender; Fetishising the Child, Paternalism and the Player-Character Divide in The Last of Us; Violence and Sacrificial Fatherhood in The Walking Dead: Season One | |
| 505 | 8 | |a Fatherhood in Post-Apocalyptic Horror GamesReferences; Part III Transmedia and Adaptation; Chapter 7 'It was an indescribable terror. So terrifying, I cannot begin to describe it. But it had tentacles.' H.P. Lovecr ... ; Introduction; Lovecraft as Cult Author; Games; Radio Adaptations; Graphic Novels; Conclusions; References; Chapter 8 A Jigsaw of all our Worst Fears: Representations of Mary Shelly as Gothic Heroine in Popular Media; Introduction; Releasing the Entwined: Mary Shelley in Frankenstein Unbound; We Need a Bigger Boat: Depictions of Mary Shelley in Rowing with the Wind | |
| 505 | 8 | |a Persistence of Vision: Fantasies of a Haunted SummerMary Shelley: A Gothic Heroine; 'Let the Dead Bury the Dead': Mary Shelley and The Frankenstein Chronicles; Conclusions; References; Chapter 9 Illusion, Reality and Fearsome Femininity in Takashi Miike's Audition; Aoyama as Representative of Classic Home Drama; Asami as an Ideal Demure Young Woman; The Presentation of Asami as a Mad Woman; Conclusion; References; Chapter 10 Masculinity, Human Hierarchy and American Exceptionalism in World War Z; Gendered and Racial Hierarchy in WWZ; Masculine Militarised Mobility and Dehumanised Minorities | |
| 500 | |a Patriarchy and the Role of Women in the Film and the Novel | ||
| 520 | |a Despite the constant changes in contemporary popular media, the horror genre retains its attraction for audiences of all backgrounds. This edited collection explores modern representations of gender in horror and how this factors into the genre's appeal. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on November 12, 2019). | |
| 650 | 0 | |a Horror comic books, strips, etc. |x History and criticism. | |
| 650 | 0 | |a Sex role in mass media. |0 http://id.loc.gov/authorities/subjects/sh85120669 | |
| 650 | 2 | |a Sex Characteristics |0 https://id.nlm.nih.gov/mesh/D012727 | |
| 650 | 6 | |a Bandes dessinées d'horreur |x Histoire et critique. | |
| 650 | 6 | |a Rôle selon le sexe dans les médias. | |
| 650 | 6 | |a Différences entre sexes. | |
| 650 | 7 | |a Gender studies, gender groups. |2 bicssc | |
| 650 | 7 | |a Social Science |x Gender Studies. |2 bisacsh | |
| 650 | 7 | |a Horror comic books, strips, etc. |2 fast | |
| 650 | 7 | |a Sex role in mass media |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Shail, Robert. |1 https://id.oclc.org/worldcat/entity/E39PCjGgKvQCRj9tXVHvTgWfVP |0 http://id.loc.gov/authorities/names/n2007027919 | |
| 700 | 1 | |a Gerrard, Steven. | |
| 700 | 1 | |a Holland, Samantha. |1 https://id.oclc.org/worldcat/entity/E39PCjCxQDJpDbKhWXVP4VMRjy |0 http://id.loc.gov/authorities/names/n2004090237 | |
| 758 | |i has work: |a Gender and contemporary horror in comics, games and transmedia (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG4YtDVBWGxC6Mf8679wwd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Shail, Robert. |t Gender and Contemporary Horror in Comics, Games and Transmedia. |d Bingley : Emerald Publishing Limited, ©2019 |z 9781787691087 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2098759 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH36161385 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n BDZ0039964861 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5883123 | ||
| 938 | |a EBSCOhost |b EBSC |n 2098759 | ||
| 938 | |a YBP Library Services |b YANK |n 16422982 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1114974855 |
|---|---|
| _version_ | 1816882499721101312 |
| adam_text | |
| any_adam_object | |
| author2 | Shail, Robert Gerrard, Steven Holland, Samantha |
| author2_role | |
| author2_variant | r s rs s g sg s h sh |
| author_GND | http://id.loc.gov/authorities/names/n2007027919 http://id.loc.gov/authorities/names/n2004090237 |
| author_facet | Shail, Robert Gerrard, Steven Holland, Samantha |
| author_sort | Shail, Robert |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN6714 |
| callnumber-raw | PN6714 .G45 2019 PN6720 |
| callnumber-search | PN6714 .G45 2019 PN6720 |
| callnumber-sort | PN 46714 G45 42019 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Front Cover; Gender and Contemporary Horror in Comics, Games and Transmedia; Copyright Page; Contents; List of Contributors; Introduction; References; Part I Comics and Graphic Novels; Chapter 1 Blood and Fire: Monstrous Women in Carrie and 'The Dark Phoenix Saga'; Introduction; Brian De Palma's Carrie; Jean Grey and 'The Dark Phoenix Saga'; 'The Dark Phoenix Saga', Redux; Comics and Gender Normativity; Beyond Jean Grey -- A New Normal; References; Chapter 2 Anxiety and Mutation in Charles Burns' Black Hole and Junji Ito's Uzumaki; Contexts: Teenagers, Bodies and Horror Mutating Teens and Forbidden Desires in Black HolePoliticising the Horrific Body in Uzumaki; Concluding Thoughts: Similarity and Difference in Transnational Culture; References; Part II Video Games; Chapter 3 'Endure and Survive': Evolving Female Protagonists in Tomb Rider and The Last of Us; Introduction; Survival Horror and Women; A New Lara Croft; Ellie and Joel; Enduring Women; Conclusion; References; Chapter 4 Horrific Things: Alien Isolation and the Queer Materiality of Gender, Desire and Being; The Deck of the Nostromo; The View from the Visor; Thing Theory; Objects/Subjects InterfacesReferences; Chapter 5 Shattered Identities: The Weakness of the Male Hero in the Silent Hill Game Franchise; Initial Thoughts; SH and the Contradictions of Survival Horror; Masculinities in Crisis and Horror as Body Genre; Murphy's Law: Monstrous Heroes and Role Reversal in SH: Downpour; Final Considerations; References; Chapter 6 Dad Rising? Playing the Father in Post-Apocalyptic Survival Horror Games; Video Games and Gender; Fetishising the Child, Paternalism and the Player-Character Divide in The Last of Us; Violence and Sacrificial Fatherhood in The Walking Dead: Season One Fatherhood in Post-Apocalyptic Horror GamesReferences; Part III Transmedia and Adaptation; Chapter 7 'It was an indescribable terror. So terrifying, I cannot begin to describe it. But it had tentacles.' H.P. Lovecr ... ; Introduction; Lovecraft as Cult Author; Games; Radio Adaptations; Graphic Novels; Conclusions; References; Chapter 8 A Jigsaw of all our Worst Fears: Representations of Mary Shelly as Gothic Heroine in Popular Media; Introduction; Releasing the Entwined: Mary Shelley in Frankenstein Unbound; We Need a Bigger Boat: Depictions of Mary Shelley in Rowing with the Wind Persistence of Vision: Fantasies of a Haunted SummerMary Shelley: A Gothic Heroine; 'Let the Dead Bury the Dead': Mary Shelley and The Frankenstein Chronicles; Conclusions; References; Chapter 9 Illusion, Reality and Fearsome Femininity in Takashi Miike's Audition; Aoyama as Representative of Classic Home Drama; Asami as an Ideal Demure Young Woman; The Presentation of Asami as a Mad Woman; Conclusion; References; Chapter 10 Masculinity, Human Hierarchy and American Exceptionalism in World War Z; Gendered and Racial Hierarchy in WWZ; Masculine Militarised Mobility and Dehumanised Minorities |
| ctrlnum | (OCoLC)1114974855 |
| dewey-full | 741.5 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 741 - Drawing and drawings |
| dewey-raw | 741.5 |
| dewey-search | 741.5 |
| dewey-sort | 3741.5 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| edition | First edition. |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06934cam a2200805 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1114974855</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">190831t20192019enk o 000 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">EBLCP</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">EBLCP</subfield><subfield code="d">YDX</subfield><subfield code="d">N$T</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCF</subfield><subfield code="d">UKAHL</subfield><subfield code="d">UKMGB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDXIT</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">SFB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">K6U</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">LUN</subfield><subfield code="d">OCLCO</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB9B9392</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">019456489</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1114767693</subfield><subfield code="a">1115010928</subfield><subfield code="a">1126133736</subfield><subfield code="a">1126782802</subfield><subfield code="a">1130662703</subfield><subfield code="a">1136529489</subfield><subfield code="a">1167393444</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781787691094</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1787691098</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781787691070</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1787691071</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">178769108X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781787691087</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1114974855</subfield><subfield code="z">(OCoLC)1114767693</subfield><subfield code="z">(OCoLC)1115010928</subfield><subfield code="z">(OCoLC)1126133736</subfield><subfield code="z">(OCoLC)1126782802</subfield><subfield code="z">(OCoLC)1130662703</subfield><subfield code="z">(OCoLC)1136529489</subfield><subfield code="z">(OCoLC)1167393444</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">9781787691094</subfield><subfield code="b">Emerald Publishing</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN6714</subfield><subfield code="b">.G45 2019</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN6720</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">JFSJ.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC032000.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="080" ind1=" " ind2=" "><subfield code="a">741.5</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">741.5</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Gender and Contemporary Horror in Comics, Games and Transmedia /</subfield><subfield code="c">Robert Shail, Samantha Holland, Steven Gerrard.</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bingley :</subfield><subfield code="b">Emerald Publishing Limited,</subfield><subfield code="c">2019.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (226 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Emerald Studies in Popular Culture and Gender</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Front Cover; Gender and Contemporary Horror in Comics, Games and Transmedia; Copyright Page; Contents; List of Contributors; Introduction; References; Part I Comics and Graphic Novels; Chapter 1 Blood and Fire: Monstrous Women in Carrie and 'The Dark Phoenix Saga'; Introduction; Brian De Palma's Carrie; Jean Grey and 'The Dark Phoenix Saga'; 'The Dark Phoenix Saga', Redux; Comics and Gender Normativity; Beyond Jean Grey -- A New Normal; References; Chapter 2 Anxiety and Mutation in Charles Burns' Black Hole and Junji Ito's Uzumaki; Contexts: Teenagers, Bodies and Horror</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Mutating Teens and Forbidden Desires in Black HolePoliticising the Horrific Body in Uzumaki; Concluding Thoughts: Similarity and Difference in Transnational Culture; References; Part II Video Games; Chapter 3 'Endure and Survive': Evolving Female Protagonists in Tomb Rider and The Last of Us; Introduction; Survival Horror and Women; A New Lara Croft; Ellie and Joel; Enduring Women; Conclusion; References; Chapter 4 Horrific Things: Alien Isolation and the Queer Materiality of Gender, Desire and Being; The Deck of the Nostromo; The View from the Visor; Thing Theory; Objects/Subjects</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">InterfacesReferences; Chapter 5 Shattered Identities: The Weakness of the Male Hero in the Silent Hill Game Franchise; Initial Thoughts; SH and the Contradictions of Survival Horror; Masculinities in Crisis and Horror as Body Genre; Murphy's Law: Monstrous Heroes and Role Reversal in SH: Downpour; Final Considerations; References; Chapter 6 Dad Rising? Playing the Father in Post-Apocalyptic Survival Horror Games; Video Games and Gender; Fetishising the Child, Paternalism and the Player-Character Divide in The Last of Us; Violence and Sacrificial Fatherhood in The Walking Dead: Season One</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Fatherhood in Post-Apocalyptic Horror GamesReferences; Part III Transmedia and Adaptation; Chapter 7 'It was an indescribable terror. So terrifying, I cannot begin to describe it. But it had tentacles.' H.P. Lovecr ... ; Introduction; Lovecraft as Cult Author; Games; Radio Adaptations; Graphic Novels; Conclusions; References; Chapter 8 A Jigsaw of all our Worst Fears: Representations of Mary Shelly as Gothic Heroine in Popular Media; Introduction; Releasing the Entwined: Mary Shelley in Frankenstein Unbound; We Need a Bigger Boat: Depictions of Mary Shelley in Rowing with the Wind</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Persistence of Vision: Fantasies of a Haunted SummerMary Shelley: A Gothic Heroine; 'Let the Dead Bury the Dead': Mary Shelley and The Frankenstein Chronicles; Conclusions; References; Chapter 9 Illusion, Reality and Fearsome Femininity in Takashi Miike's Audition; Aoyama as Representative of Classic Home Drama; Asami as an Ideal Demure Young Woman; The Presentation of Asami as a Mad Woman; Conclusion; References; Chapter 10 Masculinity, Human Hierarchy and American Exceptionalism in World War Z; Gendered and Racial Hierarchy in WWZ; Masculine Militarised Mobility and Dehumanised Minorities</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Patriarchy and the Role of Women in the Film and the Novel</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Despite the constant changes in contemporary popular media, the horror genre retains its attraction for audiences of all backgrounds. This edited collection explores modern representations of gender in horror and how this factors into the genre's appeal.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from digital title page (viewed on November 12, 2019).</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Horror comic books, strips, etc.</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Sex role in mass media.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85120669</subfield></datafield><datafield tag="650" ind1=" " ind2="2"><subfield code="a">Sex Characteristics</subfield><subfield code="0">https://id.nlm.nih.gov/mesh/D012727</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Bandes dessinées d'horreur</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Rôle selon le sexe dans les médias.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Différences entre sexes.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Gender studies, gender groups.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Social Science</subfield><subfield code="x">Gender Studies.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Horror comic books, strips, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Sex role in mass media</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Shail, Robert.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjGgKvQCRj9tXVHvTgWfVP</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2007027919</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gerrard, Steven.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Holland, Samantha.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjCxQDJpDbKhWXVP4VMRjy</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2004090237</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Gender and contemporary horror in comics, games and transmedia (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCG4YtDVBWGxC6Mf8679wwd</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Shail, Robert.</subfield><subfield code="t">Gender and Contemporary Horror in Comics, Games and Transmedia.</subfield><subfield code="d">Bingley : Emerald Publishing Limited, ©2019</subfield><subfield code="z">9781787691087</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2098759</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH36161385</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">BDZ0039964861</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL5883123</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">2098759</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">16422982</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-on1114974855 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:35Z |
| institution | BVB |
| isbn | 9781787691094 1787691098 9781787691070 1787691071 |
| language | English |
| oclc_num | 1114974855 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (226 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Emerald Publishing Limited, |
| record_format | marc |
| series2 | Emerald Studies in Popular Culture and Gender |
| spelling | Gender and Contemporary Horror in Comics, Games and Transmedia / Robert Shail, Samantha Holland, Steven Gerrard. First edition. Bingley : Emerald Publishing Limited, 2019. ©2019 1 online resource (226 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Emerald Studies in Popular Culture and Gender Front Cover; Gender and Contemporary Horror in Comics, Games and Transmedia; Copyright Page; Contents; List of Contributors; Introduction; References; Part I Comics and Graphic Novels; Chapter 1 Blood and Fire: Monstrous Women in Carrie and 'The Dark Phoenix Saga'; Introduction; Brian De Palma's Carrie; Jean Grey and 'The Dark Phoenix Saga'; 'The Dark Phoenix Saga', Redux; Comics and Gender Normativity; Beyond Jean Grey -- A New Normal; References; Chapter 2 Anxiety and Mutation in Charles Burns' Black Hole and Junji Ito's Uzumaki; Contexts: Teenagers, Bodies and Horror Mutating Teens and Forbidden Desires in Black HolePoliticising the Horrific Body in Uzumaki; Concluding Thoughts: Similarity and Difference in Transnational Culture; References; Part II Video Games; Chapter 3 'Endure and Survive': Evolving Female Protagonists in Tomb Rider and The Last of Us; Introduction; Survival Horror and Women; A New Lara Croft; Ellie and Joel; Enduring Women; Conclusion; References; Chapter 4 Horrific Things: Alien Isolation and the Queer Materiality of Gender, Desire and Being; The Deck of the Nostromo; The View from the Visor; Thing Theory; Objects/Subjects InterfacesReferences; Chapter 5 Shattered Identities: The Weakness of the Male Hero in the Silent Hill Game Franchise; Initial Thoughts; SH and the Contradictions of Survival Horror; Masculinities in Crisis and Horror as Body Genre; Murphy's Law: Monstrous Heroes and Role Reversal in SH: Downpour; Final Considerations; References; Chapter 6 Dad Rising? Playing the Father in Post-Apocalyptic Survival Horror Games; Video Games and Gender; Fetishising the Child, Paternalism and the Player-Character Divide in The Last of Us; Violence and Sacrificial Fatherhood in The Walking Dead: Season One Fatherhood in Post-Apocalyptic Horror GamesReferences; Part III Transmedia and Adaptation; Chapter 7 'It was an indescribable terror. So terrifying, I cannot begin to describe it. But it had tentacles.' H.P. Lovecr ... ; Introduction; Lovecraft as Cult Author; Games; Radio Adaptations; Graphic Novels; Conclusions; References; Chapter 8 A Jigsaw of all our Worst Fears: Representations of Mary Shelly as Gothic Heroine in Popular Media; Introduction; Releasing the Entwined: Mary Shelley in Frankenstein Unbound; We Need a Bigger Boat: Depictions of Mary Shelley in Rowing with the Wind Persistence of Vision: Fantasies of a Haunted SummerMary Shelley: A Gothic Heroine; 'Let the Dead Bury the Dead': Mary Shelley and The Frankenstein Chronicles; Conclusions; References; Chapter 9 Illusion, Reality and Fearsome Femininity in Takashi Miike's Audition; Aoyama as Representative of Classic Home Drama; Asami as an Ideal Demure Young Woman; The Presentation of Asami as a Mad Woman; Conclusion; References; Chapter 10 Masculinity, Human Hierarchy and American Exceptionalism in World War Z; Gendered and Racial Hierarchy in WWZ; Masculine Militarised Mobility and Dehumanised Minorities Patriarchy and the Role of Women in the Film and the Novel Despite the constant changes in contemporary popular media, the horror genre retains its attraction for audiences of all backgrounds. This edited collection explores modern representations of gender in horror and how this factors into the genre's appeal. Online resource; title from digital title page (viewed on November 12, 2019). Horror comic books, strips, etc. History and criticism. Sex role in mass media. http://id.loc.gov/authorities/subjects/sh85120669 Sex Characteristics https://id.nlm.nih.gov/mesh/D012727 Bandes dessinées d'horreur Histoire et critique. Rôle selon le sexe dans les médias. Différences entre sexes. Gender studies, gender groups. bicssc Social Science Gender Studies. bisacsh Horror comic books, strips, etc. fast Sex role in mass media fast Criticism, interpretation, etc. fast Shail, Robert. https://id.oclc.org/worldcat/entity/E39PCjGgKvQCRj9tXVHvTgWfVP http://id.loc.gov/authorities/names/n2007027919 Gerrard, Steven. Holland, Samantha. https://id.oclc.org/worldcat/entity/E39PCjCxQDJpDbKhWXVP4VMRjy http://id.loc.gov/authorities/names/n2004090237 has work: Gender and contemporary horror in comics, games and transmedia (Text) https://id.oclc.org/worldcat/entity/E39PCG4YtDVBWGxC6Mf8679wwd https://id.oclc.org/worldcat/ontology/hasWork Print version: Shail, Robert. Gender and Contemporary Horror in Comics, Games and Transmedia. Bingley : Emerald Publishing Limited, ©2019 9781787691087 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2098759 Volltext |
| spellingShingle | Gender and Contemporary Horror in Comics, Games and Transmedia / Front Cover; Gender and Contemporary Horror in Comics, Games and Transmedia; Copyright Page; Contents; List of Contributors; Introduction; References; Part I Comics and Graphic Novels; Chapter 1 Blood and Fire: Monstrous Women in Carrie and 'The Dark Phoenix Saga'; Introduction; Brian De Palma's Carrie; Jean Grey and 'The Dark Phoenix Saga'; 'The Dark Phoenix Saga', Redux; Comics and Gender Normativity; Beyond Jean Grey -- A New Normal; References; Chapter 2 Anxiety and Mutation in Charles Burns' Black Hole and Junji Ito's Uzumaki; Contexts: Teenagers, Bodies and Horror Mutating Teens and Forbidden Desires in Black HolePoliticising the Horrific Body in Uzumaki; Concluding Thoughts: Similarity and Difference in Transnational Culture; References; Part II Video Games; Chapter 3 'Endure and Survive': Evolving Female Protagonists in Tomb Rider and The Last of Us; Introduction; Survival Horror and Women; A New Lara Croft; Ellie and Joel; Enduring Women; Conclusion; References; Chapter 4 Horrific Things: Alien Isolation and the Queer Materiality of Gender, Desire and Being; The Deck of the Nostromo; The View from the Visor; Thing Theory; Objects/Subjects InterfacesReferences; Chapter 5 Shattered Identities: The Weakness of the Male Hero in the Silent Hill Game Franchise; Initial Thoughts; SH and the Contradictions of Survival Horror; Masculinities in Crisis and Horror as Body Genre; Murphy's Law: Monstrous Heroes and Role Reversal in SH: Downpour; Final Considerations; References; Chapter 6 Dad Rising? Playing the Father in Post-Apocalyptic Survival Horror Games; Video Games and Gender; Fetishising the Child, Paternalism and the Player-Character Divide in The Last of Us; Violence and Sacrificial Fatherhood in The Walking Dead: Season One Fatherhood in Post-Apocalyptic Horror GamesReferences; Part III Transmedia and Adaptation; Chapter 7 'It was an indescribable terror. So terrifying, I cannot begin to describe it. But it had tentacles.' H.P. Lovecr ... ; Introduction; Lovecraft as Cult Author; Games; Radio Adaptations; Graphic Novels; Conclusions; References; Chapter 8 A Jigsaw of all our Worst Fears: Representations of Mary Shelly as Gothic Heroine in Popular Media; Introduction; Releasing the Entwined: Mary Shelley in Frankenstein Unbound; We Need a Bigger Boat: Depictions of Mary Shelley in Rowing with the Wind Persistence of Vision: Fantasies of a Haunted SummerMary Shelley: A Gothic Heroine; 'Let the Dead Bury the Dead': Mary Shelley and The Frankenstein Chronicles; Conclusions; References; Chapter 9 Illusion, Reality and Fearsome Femininity in Takashi Miike's Audition; Aoyama as Representative of Classic Home Drama; Asami as an Ideal Demure Young Woman; The Presentation of Asami as a Mad Woman; Conclusion; References; Chapter 10 Masculinity, Human Hierarchy and American Exceptionalism in World War Z; Gendered and Racial Hierarchy in WWZ; Masculine Militarised Mobility and Dehumanised Minorities Horror comic books, strips, etc. History and criticism. Sex role in mass media. http://id.loc.gov/authorities/subjects/sh85120669 Sex Characteristics https://id.nlm.nih.gov/mesh/D012727 Bandes dessinées d'horreur Histoire et critique. Rôle selon le sexe dans les médias. Différences entre sexes. Gender studies, gender groups. bicssc Social Science Gender Studies. bisacsh Horror comic books, strips, etc. fast Sex role in mass media fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85120669 https://id.nlm.nih.gov/mesh/D012727 |
| title | Gender and Contemporary Horror in Comics, Games and Transmedia / |
| title_auth | Gender and Contemporary Horror in Comics, Games and Transmedia / |
| title_exact_search | Gender and Contemporary Horror in Comics, Games and Transmedia / |
| title_full | Gender and Contemporary Horror in Comics, Games and Transmedia / Robert Shail, Samantha Holland, Steven Gerrard. |
| title_fullStr | Gender and Contemporary Horror in Comics, Games and Transmedia / Robert Shail, Samantha Holland, Steven Gerrard. |
| title_full_unstemmed | Gender and Contemporary Horror in Comics, Games and Transmedia / Robert Shail, Samantha Holland, Steven Gerrard. |
| title_short | Gender and Contemporary Horror in Comics, Games and Transmedia / |
| title_sort | gender and contemporary horror in comics games and transmedia |
| topic | Horror comic books, strips, etc. History and criticism. Sex role in mass media. http://id.loc.gov/authorities/subjects/sh85120669 Sex Characteristics https://id.nlm.nih.gov/mesh/D012727 Bandes dessinées d'horreur Histoire et critique. Rôle selon le sexe dans les médias. Différences entre sexes. Gender studies, gender groups. bicssc Social Science Gender Studies. bisacsh Horror comic books, strips, etc. fast Sex role in mass media fast |
| topic_facet | Horror comic books, strips, etc. History and criticism. Sex role in mass media. Sex Characteristics Bandes dessinées d'horreur Histoire et critique. Rôle selon le sexe dans les médias. Différences entre sexes. Gender studies, gender groups. Social Science Gender Studies. Horror comic books, strips, etc. Sex role in mass media Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2098759 |
| work_keys_str_mv | AT shailrobert genderandcontemporaryhorrorincomicsgamesandtransmedia AT gerrardsteven genderandcontemporaryhorrorincomicsgamesandtransmedia AT hollandsamantha genderandcontemporaryhorrorincomicsgamesandtransmedia |