The Bloomsbury handbook of music production /:
"A summary of current research on the production of stereo and mono recorded music"--
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Bloomsbury Academic,
2020.
|
| Schriftenreihe: | Bloomsbury handbooks.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "A summary of current research on the production of stereo and mono recorded music"-- |
| Beschreibung: | 1 online resource (xviii, 414 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781501334047 1501334042 9781501334030 1501334034 |
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| 505 | 0 | |a Part I. Background. Recorded Music / Simon Zagorski-Thomas ; Authenticity in Music Production / Mike Alleyne ; How to Study Record Production ; Carlo Nardi -- Part II. Technologies. From Tubes to Transistors : Developments in Recording Technology up to 1970 / Albin Zak III ; Transition : The History of Recording Technology from 1970 to the present / Paul Théberge ; How does vintage equipment fit into a modern working process? / Anthony Meynell -- Part III. Places. Recording Studios in the First Half of the 20th Century / Susan Schmidt-Horning ; Recording Studios Since 1970 / Eliot Bates -- Part IV. Organising the Production Process. Information (Inter)action and Collaboration in Record Production Environments / M. Nyssim Lefford ; Creative Communities of Practice : Role Delineation in Record Production In Different Eras and Across Different Genres and Production Settings / Tuomas Auvinen ; Pre-Production ; Mike Howlett -- Part V. Creating Recorded Music. Songwriting in the Studio / Simon Barber ; The Influence of Technology on Performance : Classical Perspectives / Amy Blier-Carruthers ; Welcome to the Machine : Musicians, Technology and Industry / Alan Williams ; Studying Recording Techniques / Kirk McNally and Toby Seay ; Materialising Identity in the Recording Studio / Alexa Woloshyn -- Part VI. Creating Desktop Music. Desktop Production and Groove / Anne Danielsen ; Bass and Heaviness in Dance Music / Robert Fink ; Maximum Sonic Impact : (Authenticity/Commerciality) Fidelity-Dualism in Contemporary Metal Music Production / Mark Mynett ; Desktop Production and Commerciality / Phil Harding -- Part VII. Post-Production. Audio Processing / Mike Exarchos and Simon Zagorski-Thomas ; Mixing / Andrew Bourbon -- Part VIII. Distribution. Producer Compensation in the Digital Age / Richard James Burgess ; Evolving Technologies of Music Distribution : Consumer Music Formats -- Past, Present and Future / Rob Toulson ; Listening to Recorded Sound / Mark Katz ; Interpreting the Materials of a Transmedia Storyworld : Word-Music-Image in Steven Wilson's Hand. Cannot. Erase. (2015) / Lori A. Burns and Laura McLaren. | |
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| contents | Part I. Background. Recorded Music / Simon Zagorski-Thomas ; Authenticity in Music Production / Mike Alleyne ; How to Study Record Production ; Carlo Nardi -- Part II. Technologies. From Tubes to Transistors : Developments in Recording Technology up to 1970 / Albin Zak III ; Transition : The History of Recording Technology from 1970 to the present / Paul Théberge ; How does vintage equipment fit into a modern working process? / Anthony Meynell -- Part III. Places. Recording Studios in the First Half of the 20th Century / Susan Schmidt-Horning ; Recording Studios Since 1970 / Eliot Bates -- Part IV. Organising the Production Process. Information (Inter)action and Collaboration in Record Production Environments / M. Nyssim Lefford ; Creative Communities of Practice : Role Delineation in Record Production In Different Eras and Across Different Genres and Production Settings / Tuomas Auvinen ; Pre-Production ; Mike Howlett -- Part V. Creating Recorded Music. Songwriting in the Studio / Simon Barber ; The Influence of Technology on Performance : Classical Perspectives / Amy Blier-Carruthers ; Welcome to the Machine : Musicians, Technology and Industry / Alan Williams ; Studying Recording Techniques / Kirk McNally and Toby Seay ; Materialising Identity in the Recording Studio / Alexa Woloshyn -- Part VI. Creating Desktop Music. Desktop Production and Groove / Anne Danielsen ; Bass and Heaviness in Dance Music / Robert Fink ; Maximum Sonic Impact : (Authenticity/Commerciality) Fidelity-Dualism in Contemporary Metal Music Production / Mark Mynett ; Desktop Production and Commerciality / Phil Harding -- Part VII. Post-Production. Audio Processing / Mike Exarchos and Simon Zagorski-Thomas ; Mixing / Andrew Bourbon -- Part VIII. Distribution. Producer Compensation in the Digital Age / Richard James Burgess ; Evolving Technologies of Music Distribution : Consumer Music Formats -- Past, Present and Future / Rob Toulson ; Listening to Recorded Sound / Mark Katz ; Interpreting the Materials of a Transmedia Storyworld : Word-Music-Image in Steven Wilson's Hand. Cannot. Erase. (2015) / Lori A. Burns and Laura McLaren. |
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| dewey-ones | 781 - General principles and musical forms |
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| dewey-search | 781.49 |
| dewey-sort | 3781.49 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| series2 | Bloomsbury handbooks |
| spelling | The Bloomsbury handbook of music production / edited by Andrew Bourbon and Simon Zagorski-Thomas. New York : Bloomsbury Academic, 2020. ©2020 1 online resource (xviii, 414 pages) text txt rdacontent computer n rdamedia online resource nc rdacarrier Bloomsbury handbooks Includes bibliographical references and index. Part I. Background. Recorded Music / Simon Zagorski-Thomas ; Authenticity in Music Production / Mike Alleyne ; How to Study Record Production ; Carlo Nardi -- Part II. Technologies. From Tubes to Transistors : Developments in Recording Technology up to 1970 / Albin Zak III ; Transition : The History of Recording Technology from 1970 to the present / Paul Théberge ; How does vintage equipment fit into a modern working process? / Anthony Meynell -- Part III. Places. Recording Studios in the First Half of the 20th Century / Susan Schmidt-Horning ; Recording Studios Since 1970 / Eliot Bates -- Part IV. Organising the Production Process. Information (Inter)action and Collaboration in Record Production Environments / M. Nyssim Lefford ; Creative Communities of Practice : Role Delineation in Record Production In Different Eras and Across Different Genres and Production Settings / Tuomas Auvinen ; Pre-Production ; Mike Howlett -- Part V. Creating Recorded Music. Songwriting in the Studio / Simon Barber ; The Influence of Technology on Performance : Classical Perspectives / Amy Blier-Carruthers ; Welcome to the Machine : Musicians, Technology and Industry / Alan Williams ; Studying Recording Techniques / Kirk McNally and Toby Seay ; Materialising Identity in the Recording Studio / Alexa Woloshyn -- Part VI. Creating Desktop Music. Desktop Production and Groove / Anne Danielsen ; Bass and Heaviness in Dance Music / Robert Fink ; Maximum Sonic Impact : (Authenticity/Commerciality) Fidelity-Dualism in Contemporary Metal Music Production / Mark Mynett ; Desktop Production and Commerciality / Phil Harding -- Part VII. Post-Production. Audio Processing / Mike Exarchos and Simon Zagorski-Thomas ; Mixing / Andrew Bourbon -- Part VIII. Distribution. Producer Compensation in the Digital Age / Richard James Burgess ; Evolving Technologies of Music Distribution : Consumer Music Formats -- Past, Present and Future / Rob Toulson ; Listening to Recorded Sound / Mark Katz ; Interpreting the Materials of a Transmedia Storyworld : Word-Music-Image in Steven Wilson's Hand. Cannot. Erase. (2015) / Lori A. Burns and Laura McLaren. "A summary of current research on the production of stereo and mono recorded music"-- Provided by publisher. Online resource; title from digital title page (viewed on March 17, 2020). Sound recordings Production and direction. http://id.loc.gov/authorities/subjects/sh88003431 Popular music Production and direction. Sound Recording and reproducing History. Son Enregistrement et reproduction Histoire. Music recording & reproduction. bicssc Sound Recording and reproducing fast Sound recordings Production and direction fast Electronic books. History fast Bourbon, Andrew, editor. http://id.loc.gov/authorities/names/n2019048362 Zagorski-Thomas, Simon, editor. http://id.loc.gov/authorities/names/n2012002761 has work: The Bloomsbury handbook of music production (Text) https://id.oclc.org/worldcat/entity/E39PCGvhdV8bRm4fryhvPbDP43 https://id.oclc.org/worldcat/ontology/hasWork Print version: Bloomsbury handbook of music production. New York : Bloomsbury Academic, 2020 9781501334023 (DLC) 2019035761 Bloomsbury handbooks. http://id.loc.gov/authorities/names/no2020087575 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2330029 Volltext |
| spellingShingle | The Bloomsbury handbook of music production / Bloomsbury handbooks. Part I. Background. Recorded Music / Simon Zagorski-Thomas ; Authenticity in Music Production / Mike Alleyne ; How to Study Record Production ; Carlo Nardi -- Part II. Technologies. From Tubes to Transistors : Developments in Recording Technology up to 1970 / Albin Zak III ; Transition : The History of Recording Technology from 1970 to the present / Paul Théberge ; How does vintage equipment fit into a modern working process? / Anthony Meynell -- Part III. Places. Recording Studios in the First Half of the 20th Century / Susan Schmidt-Horning ; Recording Studios Since 1970 / Eliot Bates -- Part IV. Organising the Production Process. Information (Inter)action and Collaboration in Record Production Environments / M. Nyssim Lefford ; Creative Communities of Practice : Role Delineation in Record Production In Different Eras and Across Different Genres and Production Settings / Tuomas Auvinen ; Pre-Production ; Mike Howlett -- Part V. Creating Recorded Music. Songwriting in the Studio / Simon Barber ; The Influence of Technology on Performance : Classical Perspectives / Amy Blier-Carruthers ; Welcome to the Machine : Musicians, Technology and Industry / Alan Williams ; Studying Recording Techniques / Kirk McNally and Toby Seay ; Materialising Identity in the Recording Studio / Alexa Woloshyn -- Part VI. Creating Desktop Music. Desktop Production and Groove / Anne Danielsen ; Bass and Heaviness in Dance Music / Robert Fink ; Maximum Sonic Impact : (Authenticity/Commerciality) Fidelity-Dualism in Contemporary Metal Music Production / Mark Mynett ; Desktop Production and Commerciality / Phil Harding -- Part VII. Post-Production. Audio Processing / Mike Exarchos and Simon Zagorski-Thomas ; Mixing / Andrew Bourbon -- Part VIII. Distribution. Producer Compensation in the Digital Age / Richard James Burgess ; Evolving Technologies of Music Distribution : Consumer Music Formats -- Past, Present and Future / Rob Toulson ; Listening to Recorded Sound / Mark Katz ; Interpreting the Materials of a Transmedia Storyworld : Word-Music-Image in Steven Wilson's Hand. Cannot. Erase. (2015) / Lori A. Burns and Laura McLaren. Sound recordings Production and direction. http://id.loc.gov/authorities/subjects/sh88003431 Popular music Production and direction. Sound Recording and reproducing History. Son Enregistrement et reproduction Histoire. Music recording & reproduction. bicssc Sound Recording and reproducing fast Sound recordings Production and direction fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh88003431 |
| title | The Bloomsbury handbook of music production / |
| title_auth | The Bloomsbury handbook of music production / |
| title_exact_search | The Bloomsbury handbook of music production / |
| title_full | The Bloomsbury handbook of music production / edited by Andrew Bourbon and Simon Zagorski-Thomas. |
| title_fullStr | The Bloomsbury handbook of music production / edited by Andrew Bourbon and Simon Zagorski-Thomas. |
| title_full_unstemmed | The Bloomsbury handbook of music production / edited by Andrew Bourbon and Simon Zagorski-Thomas. |
| title_short | The Bloomsbury handbook of music production / |
| title_sort | bloomsbury handbook of music production |
| topic | Sound recordings Production and direction. http://id.loc.gov/authorities/subjects/sh88003431 Popular music Production and direction. Sound Recording and reproducing History. Son Enregistrement et reproduction Histoire. Music recording & reproduction. bicssc Sound Recording and reproducing fast Sound recordings Production and direction fast |
| topic_facet | Sound recordings Production and direction. Popular music Production and direction. Sound Recording and reproducing History. Son Enregistrement et reproduction Histoire. Music recording & reproduction. Sound Recording and reproducing Sound recordings Production and direction Electronic books. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2330029 |
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