Energy and forces as aesthetic interventions :: politics of bodily scenarios /
This volume collects academic as well as artistic explorations highlighting historical and contemporary approaches to 'the energetic' in its aesthetic and political potential. Energetic processes straddle dance, performance art and installations. They transform the body, evoke specific sta...
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Bielefeld :
transcript,
[2019]
|
Schriftenreihe: | Theater (Transcript (Firm)) ;
Bd. 123. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | This volume collects academic as well as artistic explorations highlighting historical and contemporary approaches to 'the energetic' in its aesthetic and political potential. Energetic processes straddle dance, performance art and installations. They transform the body, evoke specific states and push towards intensities. In contemporary dance and performance art, energetic processes are no longer mere conditions of form but appear as distinct aesthetic interventions. The contributions in this volume submit these to thorough investigation, elucidating maneuvers of mobilization, activation, initiation, regulation, navigation and containment of forces as well as different potentials and. |
Beschreibung: | 1 online resource (212 pages) : illustrations (some color). |
Bibliographie: | Includes bibliographical references. |
ISBN: | 9783839447031 3839447038 383764703X 9783837647037 |
Internformat
MARC
LEADER | 00000cam a2200000 i 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-on1109837223 | ||
003 | OCoLC | ||
005 | 20241004212047.0 | ||
006 | m o d | ||
007 | cr ||||||||||| | ||
008 | 190810t20192019gw a ob 000 0 eng d | ||
040 | |a EBLCP |b eng |e pn |e rda |c EBLCP |d OCLCQ |d EBLCP |d CUY |d CHVBK |d OCLCQ |d OCLCF |d OCLCQ |d OCLCO |d YDX |d N$T |d OCLCQ |d SFB |d UKMGB |d LUN |d WAU |d OCLCO |d OCLCQ |d JSTOR |d DEGRU |d OCLCO |d OCLCL | ||
015 | |a GBC041746 |2 bnb | ||
016 | 7 | |a 019522596 |2 Uk | |
019 | |a 1142223759 |a 1143796771 |a 1167532448 | ||
020 | |a 9783839447031 |q (electronic book) | ||
020 | |a 3839447038 |q (electronic book) | ||
020 | |a 383764703X | ||
020 | |a 9783837647037 | ||
024 | 3 | |a 9783837647037 | |
024 | 7 | |a 10.14361/9783839447031. |2 doi | |
035 | |a (OCoLC)1109837223 |z (OCoLC)1142223759 |z (OCoLC)1143796771 |z (OCoLC)1167532448 | ||
037 | |a 9783839447031 |b transcript Verlag | ||
037 | |a 22573/ctv36z8qxt |b JSTOR | ||
046 | |k 2019 |2 edtf | ||
050 | 4 | |a PN1590.E54 | |
072 | 7 | |a PER011020. |2 bisacsh | |
072 | 7 | |a PER |x 011020 |2 bisacsh | |
082 | 7 | |a 790.2 |2 23 | |
049 | |a MAIN | ||
245 | 0 | 0 | |a Energy and forces as aesthetic interventions : |b politics of bodily scenarios / |c Sabine Huschka, Barbara Gronau (eds.). |
264 | 1 | |a Bielefeld : |b transcript, |c [2019] | |
264 | 4 | |c ©2019 | |
300 | |a 1 online resource (212 pages) : |b illustrations (some color). | ||
336 | |a text |b txt |2 rdacontent | ||
336 | |a still image |b sti |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Theatre studies ; |v volume 123 | |
504 | |a Includes bibliographical references. | ||
505 | 0 | |a Energy and forces as aesthetic interventions : an introduction -- How to talk about energy? -- Dancing the energy/energizing the dancing -- Aesthetic scenarios of energeia -- "I was seeking and finally discovered the central spring of all movement" -- Energetic forces as aesthetic forces -- Cosmology of forces, performative fields -- Gesture, energy, critique -- Training neoliberal dancers -- Energy, eukinetics, and effort -- Margrét Sara Guðjónsdóttir's "Full Drop into the Body" -- Working processes in dance. | |
520 | |a This volume collects academic as well as artistic explorations highlighting historical and contemporary approaches to 'the energetic' in its aesthetic and political potential. Energetic processes straddle dance, performance art and installations. They transform the body, evoke specific states and push towards intensities. In contemporary dance and performance art, energetic processes are no longer mere conditions of form but appear as distinct aesthetic interventions. The contributions in this volume submit these to thorough investigation, elucidating maneuvers of mobilization, activation, initiation, regulation, navigation and containment of forces as well as different potentials and. | ||
545 | 0 | |a Sabine Huschka is head of the research project Transgressionen funded by the German Research Fund (DFG) at the Inter-University Centre for Dance (HZT) and Berlin University of the Arts. She submitted her habilitation on Wissenskultur Tanz: Der choreographierte Körper im Theater in 2011 at the University of Leipzig and received her Ph.D. at Humboldt University, Berlin for her dissertation Merce Cunningham und der Moderne Tanz (summa cum laude). Her research focusses on cultural-theoretical approaches to stage dance, dance and knowledge, historiography of stage dance, re-enactment, as well as aesthetic theories of modern, postmodern and contemporary dance with special emphasis on aisthesiological and performance-analytical approaches. Barbara Gronau is Professor of Theatre Studies at the Berlin University of Arts and Spokesperson of the Research Training Group »Knowledge in the Arts«, funded by the German Research Fund (DFG). She received her Ph.D. for her dissertation Theaterinstallationen. Performative Räume bei Beuys, Boltanski und Kabakov (2010), for which she obtained the »Joseph Beuys Award for Research«. Since her interest is also in theatre practice, she worked as a dramaturg and curator for several theatre productions and festivals. | |
546 | |a In English. | ||
588 | 0 | |a Print version record. | |
650 | 0 | |a Movement, Aesthetics of. |0 http://id.loc.gov/authorities/subjects/sh85088013 | |
650 | 0 | |a Motion. |0 http://id.loc.gov/authorities/subjects/sh85087557 | |
650 | 0 | |a Performing arts. |0 http://id.loc.gov/authorities/subjects/sh85099818 | |
650 | 6 | |a Esthétique du mouvement. | |
650 | 6 | |a Mouvement. | |
650 | 6 | |a Arts du spectacle. | |
650 | 7 | |a motion. |2 aat | |
650 | 7 | |a performing arts (discipline) |2 aat | |
650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
650 | 7 | |a PERFORMING ARTS / Theater / History & Criticism |2 bisacsh | |
650 | 7 | |a Motion |2 fast | |
650 | 7 | |a Movement, Aesthetics of |2 fast | |
650 | 7 | |a Performing arts |2 fast | |
700 | 1 | |a Huschka, Sabine, |e editor. |0 http://id.loc.gov/authorities/names/nr00002456 | |
700 | 1 | |a Gronau, Barbara, |e editor. |0 http://id.loc.gov/authorities/names/no2009206080 | |
758 | |i has work: |a Energy and forces as aesthetic interventions (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFtKyMQWPrwVtfkbQwbVvd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |t Energy and forces as aesthetic interventions. |d Bielefeld : transcript, [2019] |z 9783837647037 |w (OCoLC)1112498450 |
830 | 0 | |a Theater (Transcript (Firm)) ; |v Bd. 123. |0 http://id.loc.gov/authorities/names/no2008182981 | |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2201462 |3 Volltext |
938 | |a De Gruyter |b DEGR |n 9783839447031 | ||
938 | |a ProQuest Ebook Central |b EBLB |n EBL5830660 | ||
938 | |a EBSCOhost |b EBSC |n 2201462 | ||
938 | |a YBP Library Services |b YANK |n 16024406 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
049 | |a DE-863 |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1109837223 |
---|---|
_version_ | 1816882497192984579 |
adam_text | |
any_adam_object | |
author2 | Huschka, Sabine Gronau, Barbara |
author2_role | edt edt |
author2_variant | s h sh b g bg |
author_GND | http://id.loc.gov/authorities/names/nr00002456 http://id.loc.gov/authorities/names/no2009206080 |
author_facet | Huschka, Sabine Gronau, Barbara |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1590 |
callnumber-raw | PN1590.E54 |
callnumber-search | PN1590.E54 |
callnumber-sort | PN 41590 E54 |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Energy and forces as aesthetic interventions : an introduction -- How to talk about energy? -- Dancing the energy/energizing the dancing -- Aesthetic scenarios of energeia -- "I was seeking and finally discovered the central spring of all movement" -- Energetic forces as aesthetic forces -- Cosmology of forces, performative fields -- Gesture, energy, critique -- Training neoliberal dancers -- Energy, eukinetics, and effort -- Margrét Sara Guðjónsdóttir's "Full Drop into the Body" -- Working processes in dance. |
ctrlnum | (OCoLC)1109837223 |
dewey-full | 790.2 |
dewey-hundreds | 700 - The arts |
dewey-ones | 790 - Recreational and performing arts |
dewey-raw | 790.2 |
dewey-search | 790.2 |
dewey-sort | 3790.2 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05874cam a2200793 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1109837223</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">190810t20192019gw a ob 000 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">EBLCP</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="e">rda</subfield><subfield code="c">EBLCP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">EBLCP</subfield><subfield code="d">CUY</subfield><subfield code="d">CHVBK</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">YDX</subfield><subfield code="d">N$T</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SFB</subfield><subfield code="d">UKMGB</subfield><subfield code="d">LUN</subfield><subfield code="d">WAU</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">JSTOR</subfield><subfield code="d">DEGRU</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBC041746</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">019522596</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1142223759</subfield><subfield code="a">1143796771</subfield><subfield code="a">1167532448</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783839447031</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">3839447038</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">383764703X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783837647037</subfield></datafield><datafield tag="024" ind1="3" ind2=" "><subfield code="a">9783837647037</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.14361/9783839447031.</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1109837223</subfield><subfield code="z">(OCoLC)1142223759</subfield><subfield code="z">(OCoLC)1143796771</subfield><subfield code="z">(OCoLC)1167532448</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">9783839447031</subfield><subfield code="b">transcript Verlag</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv36z8qxt</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="046" ind1=" " ind2=" "><subfield code="k">2019</subfield><subfield code="2">edtf</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1590.E54</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER011020.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">011020</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">790.2</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Energy and forces as aesthetic interventions :</subfield><subfield code="b">politics of bodily scenarios /</subfield><subfield code="c">Sabine Huschka, Barbara Gronau (eds.).</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bielefeld :</subfield><subfield code="b">transcript,</subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (212 pages) :</subfield><subfield code="b">illustrations (some color).</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">still image</subfield><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Theatre studies ;</subfield><subfield code="v">volume 123</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Energy and forces as aesthetic interventions : an introduction -- How to talk about energy? -- Dancing the energy/energizing the dancing -- Aesthetic scenarios of energeia -- "I was seeking and finally discovered the central spring of all movement" -- Energetic forces as aesthetic forces -- Cosmology of forces, performative fields -- Gesture, energy, critique -- Training neoliberal dancers -- Energy, eukinetics, and effort -- Margrét Sara Guðjónsdóttir's "Full Drop into the Body" -- Working processes in dance.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This volume collects academic as well as artistic explorations highlighting historical and contemporary approaches to 'the energetic' in its aesthetic and political potential. Energetic processes straddle dance, performance art and installations. They transform the body, evoke specific states and push towards intensities. In contemporary dance and performance art, energetic processes are no longer mere conditions of form but appear as distinct aesthetic interventions. The contributions in this volume submit these to thorough investigation, elucidating maneuvers of mobilization, activation, initiation, regulation, navigation and containment of forces as well as different potentials and.</subfield></datafield><datafield tag="545" ind1="0" ind2=" "><subfield code="a">Sabine Huschka is head of the research project Transgressionen funded by the German Research Fund (DFG) at the Inter-University Centre for Dance (HZT) and Berlin University of the Arts. She submitted her habilitation on Wissenskultur Tanz: Der choreographierte Körper im Theater in 2011 at the University of Leipzig and received her Ph.D. at Humboldt University, Berlin for her dissertation Merce Cunningham und der Moderne Tanz (summa cum laude). Her research focusses on cultural-theoretical approaches to stage dance, dance and knowledge, historiography of stage dance, re-enactment, as well as aesthetic theories of modern, postmodern and contemporary dance with special emphasis on aisthesiological and performance-analytical approaches. Barbara Gronau is Professor of Theatre Studies at the Berlin University of Arts and Spokesperson of the Research Training Group »Knowledge in the Arts«, funded by the German Research Fund (DFG). She received her Ph.D. for her dissertation Theaterinstallationen. Performative Räume bei Beuys, Boltanski und Kabakov (2010), for which she obtained the »Joseph Beuys Award for Research«. Since her interest is also in theatre practice, she worked as a dramaturg and curator for several theatre productions and festivals.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Movement, Aesthetics of.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088013</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85087557</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Performing arts.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85099818</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Esthétique du mouvement.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Mouvement.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Arts du spectacle.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">motion.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">performing arts (discipline)</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Theater</subfield><subfield code="x">History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Theater / History & Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Movement, Aesthetics of</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Performing arts</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Huschka, Sabine,</subfield><subfield code="e">editor.</subfield><subfield code="0">http://id.loc.gov/authorities/names/nr00002456</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gronau, Barbara,</subfield><subfield code="e">editor.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2009206080</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Energy and forces as aesthetic interventions (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCFtKyMQWPrwVtfkbQwbVvd</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="t">Energy and forces as aesthetic interventions.</subfield><subfield code="d">Bielefeld : transcript, [2019]</subfield><subfield code="z">9783837647037</subfield><subfield code="w">(OCoLC)1112498450</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Theater (Transcript (Firm)) ;</subfield><subfield code="v">Bd. 123.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2008182981</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2201462</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9783839447031</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL5830660</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">2201462</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">16024406</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
id | ZDB-4-EBA-on1109837223 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:29:33Z |
institution | BVB |
isbn | 9783839447031 3839447038 383764703X 9783837647037 |
language | English |
oclc_num | 1109837223 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (212 pages) : illustrations (some color). |
psigel | ZDB-4-EBA |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | transcript, |
record_format | marc |
series | Theater (Transcript (Firm)) ; |
series2 | Theatre studies ; |
spelling | Energy and forces as aesthetic interventions : politics of bodily scenarios / Sabine Huschka, Barbara Gronau (eds.). Bielefeld : transcript, [2019] ©2019 1 online resource (212 pages) : illustrations (some color). text txt rdacontent still image sti rdacontent computer c rdamedia online resource cr rdacarrier Theatre studies ; volume 123 Includes bibliographical references. Energy and forces as aesthetic interventions : an introduction -- How to talk about energy? -- Dancing the energy/energizing the dancing -- Aesthetic scenarios of energeia -- "I was seeking and finally discovered the central spring of all movement" -- Energetic forces as aesthetic forces -- Cosmology of forces, performative fields -- Gesture, energy, critique -- Training neoliberal dancers -- Energy, eukinetics, and effort -- Margrét Sara Guðjónsdóttir's "Full Drop into the Body" -- Working processes in dance. This volume collects academic as well as artistic explorations highlighting historical and contemporary approaches to 'the energetic' in its aesthetic and political potential. Energetic processes straddle dance, performance art and installations. They transform the body, evoke specific states and push towards intensities. In contemporary dance and performance art, energetic processes are no longer mere conditions of form but appear as distinct aesthetic interventions. The contributions in this volume submit these to thorough investigation, elucidating maneuvers of mobilization, activation, initiation, regulation, navigation and containment of forces as well as different potentials and. Sabine Huschka is head of the research project Transgressionen funded by the German Research Fund (DFG) at the Inter-University Centre for Dance (HZT) and Berlin University of the Arts. She submitted her habilitation on Wissenskultur Tanz: Der choreographierte Körper im Theater in 2011 at the University of Leipzig and received her Ph.D. at Humboldt University, Berlin for her dissertation Merce Cunningham und der Moderne Tanz (summa cum laude). Her research focusses on cultural-theoretical approaches to stage dance, dance and knowledge, historiography of stage dance, re-enactment, as well as aesthetic theories of modern, postmodern and contemporary dance with special emphasis on aisthesiological and performance-analytical approaches. Barbara Gronau is Professor of Theatre Studies at the Berlin University of Arts and Spokesperson of the Research Training Group »Knowledge in the Arts«, funded by the German Research Fund (DFG). She received her Ph.D. for her dissertation Theaterinstallationen. Performative Räume bei Beuys, Boltanski und Kabakov (2010), for which she obtained the »Joseph Beuys Award for Research«. Since her interest is also in theatre practice, she worked as a dramaturg and curator for several theatre productions and festivals. In English. Print version record. Movement, Aesthetics of. http://id.loc.gov/authorities/subjects/sh85088013 Motion. http://id.loc.gov/authorities/subjects/sh85087557 Performing arts. http://id.loc.gov/authorities/subjects/sh85099818 Esthétique du mouvement. Mouvement. Arts du spectacle. motion. aat performing arts (discipline) aat PERFORMING ARTS Theater History & Criticism. bisacsh PERFORMING ARTS / Theater / History & Criticism bisacsh Motion fast Movement, Aesthetics of fast Performing arts fast Huschka, Sabine, editor. http://id.loc.gov/authorities/names/nr00002456 Gronau, Barbara, editor. http://id.loc.gov/authorities/names/no2009206080 has work: Energy and forces as aesthetic interventions (Text) https://id.oclc.org/worldcat/entity/E39PCFtKyMQWPrwVtfkbQwbVvd https://id.oclc.org/worldcat/ontology/hasWork Print version: Energy and forces as aesthetic interventions. Bielefeld : transcript, [2019] 9783837647037 (OCoLC)1112498450 Theater (Transcript (Firm)) ; Bd. 123. http://id.loc.gov/authorities/names/no2008182981 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2201462 Volltext |
spellingShingle | Energy and forces as aesthetic interventions : politics of bodily scenarios / Theater (Transcript (Firm)) ; Energy and forces as aesthetic interventions : an introduction -- How to talk about energy? -- Dancing the energy/energizing the dancing -- Aesthetic scenarios of energeia -- "I was seeking and finally discovered the central spring of all movement" -- Energetic forces as aesthetic forces -- Cosmology of forces, performative fields -- Gesture, energy, critique -- Training neoliberal dancers -- Energy, eukinetics, and effort -- Margrét Sara Guðjónsdóttir's "Full Drop into the Body" -- Working processes in dance. Movement, Aesthetics of. http://id.loc.gov/authorities/subjects/sh85088013 Motion. http://id.loc.gov/authorities/subjects/sh85087557 Performing arts. http://id.loc.gov/authorities/subjects/sh85099818 Esthétique du mouvement. Mouvement. Arts du spectacle. motion. aat performing arts (discipline) aat PERFORMING ARTS Theater History & Criticism. bisacsh PERFORMING ARTS / Theater / History & Criticism bisacsh Motion fast Movement, Aesthetics of fast Performing arts fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85088013 http://id.loc.gov/authorities/subjects/sh85087557 http://id.loc.gov/authorities/subjects/sh85099818 |
title | Energy and forces as aesthetic interventions : politics of bodily scenarios / |
title_auth | Energy and forces as aesthetic interventions : politics of bodily scenarios / |
title_exact_search | Energy and forces as aesthetic interventions : politics of bodily scenarios / |
title_full | Energy and forces as aesthetic interventions : politics of bodily scenarios / Sabine Huschka, Barbara Gronau (eds.). |
title_fullStr | Energy and forces as aesthetic interventions : politics of bodily scenarios / Sabine Huschka, Barbara Gronau (eds.). |
title_full_unstemmed | Energy and forces as aesthetic interventions : politics of bodily scenarios / Sabine Huschka, Barbara Gronau (eds.). |
title_short | Energy and forces as aesthetic interventions : |
title_sort | energy and forces as aesthetic interventions politics of bodily scenarios |
title_sub | politics of bodily scenarios / |
topic | Movement, Aesthetics of. http://id.loc.gov/authorities/subjects/sh85088013 Motion. http://id.loc.gov/authorities/subjects/sh85087557 Performing arts. http://id.loc.gov/authorities/subjects/sh85099818 Esthétique du mouvement. Mouvement. Arts du spectacle. motion. aat performing arts (discipline) aat PERFORMING ARTS Theater History & Criticism. bisacsh PERFORMING ARTS / Theater / History & Criticism bisacsh Motion fast Movement, Aesthetics of fast Performing arts fast |
topic_facet | Movement, Aesthetics of. Motion. Performing arts. Esthétique du mouvement. Mouvement. Arts du spectacle. motion. performing arts (discipline) PERFORMING ARTS Theater History & Criticism. PERFORMING ARTS / Theater / History & Criticism Motion Movement, Aesthetics of Performing arts |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2201462 |
work_keys_str_mv | AT huschkasabine energyandforcesasaestheticinterventionspoliticsofbodilyscenarios AT gronaubarbara energyandforcesasaestheticinterventionspoliticsofbodilyscenarios |