Possessed voices :: aural remains from modernist Hebrew theater /
"Audio recordings are a valuable tool for understanding historical theater, yet they have seldom been used in scholarship. Possessed Voices tells the intriguing story of a largely unknown collection of recordings preserving performances of modernist interwar Hebrew plays. Ruthie Abeliovich focu...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Albany :
State University of New York,
[2019]
|
| Schriftenreihe: | SUNY series in contemporary Jewish literature and culture.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Audio recordings are a valuable tool for understanding historical theater, yet they have seldom been used in scholarship. Possessed Voices tells the intriguing story of a largely unknown collection of recordings preserving performances of modernist interwar Hebrew plays. Ruthie Abeliovich focuses on four case studies: a 1931 recording of The Eternal Jew (1919), a 1965 recording of The Dybbuk (1922), a 1961 radio play of The Golem (1925), and a 1952 radio play of Yaakov and Rachel (1928). The book traces the spoken language of modernist Hebrew theater as grounded in multiple modalities of expressive practices, including spoken Hebrew, Jewish liturgical sensibilities supplemented by Yiddish intonation and other vernacular accents, and in relation to prevalent theatrical forms. Abeliovich shows how these performances provided Jewish immigrants from Europe with a venue for lamenting the decline of their home communities and for connecting their memories to the present. Analyzing sonic material against the backdrop of its artistic, cultural, and ideological contexts, she develops a critical framework for the study of sound as a discipline in its own right in theater scholarship."-- |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references (pages 197-211) and index. |
| ISBN: | 9781438474458 1438474458 |
Internformat
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| 100 | 1 | |a Abeliovich, Ruthie, |d 1978- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjCtP4Wd9P4TgXgbGQgGBP |0 http://id.loc.gov/authorities/names/n2018040417 | |
| 245 | 1 | 0 | |a Possessed voices : |b aural remains from modernist Hebrew theater / |c Ruthie Abeliovich. |
| 264 | 1 | |a Albany : |b State University of New York, |c [2019] | |
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| 490 | 1 | |a SUNY series in contemporary Jewish literature and culture | |
| 505 | 0 | |a Intro; Contents; List of Illustrations; Acknowledgments; Preface: In the Synagogue; Introduction; Modernist Hebrew Theater; Melodies of the Hebrew Language; Possessed Voices; Nostalgic "Sound Souvenirs"; Listening to Theater; Chapter One The Messiah's Mother Lamentation: The Sonic Imagination of The Eternal Jew; The Messiah's Mother Lamentation; Franz Rosenzweig's Cry: What Does Melodious Recitation Do?; Habima Imagining Grief; The Liminality of Voice; Chapter Two The Rise and Fall: The Return of The Dybbuk and the Making of the Acoustic Community | |
| 505 | 8 | |a Between Two Worlds: Visual Imaginations and Aural RealmsThe Haunting Archive and the Voices of the Dead; "Mipnei Ma?" An Oratorical Moment of Participatory Singing; The Speech Community: The Rise-Fall Contour in Speech and Melody; The Heterophonic Chorus: Noise and Disorder on Stage; In Plural Voice: Performing Dissociation; Where Do We Meet? The Making of the Acoustic Theatrical Community; Chapter Three "Who Will Save Us?" Hebrew Specters and the Performativity of Cultural Rupture in The Golem; The Golem-A Medium; Inside The Golem: Spectral Voices; How to Revive Spirits with Words | |
| 505 | 8 | |a The Paradigm Shift in Habima's Dramatic RecitationA Hebrew Actor or a Golem? A Machine Learning Language; Distorted Voices: Forgetting the Past, Inventing Tradition; "Who Will Save Us?" Post-Holocaust Vocal Apparitions; Chapter Four Yaakov and Rachel: The Experience of Source; Experience of Source: Attending the Archive; Modernizing the Biblical Drama: Embodying Myth; "Being There": Cross-Cultural Vocal Gestures; Enacting the Sources of the Hebrew Language; From Possession to Dispossession: 1928/1952; Epilogue: Against Ephemerality; The Dead Sing; Notes; Bibliography; Index | |
| 520 | |a "Audio recordings are a valuable tool for understanding historical theater, yet they have seldom been used in scholarship. Possessed Voices tells the intriguing story of a largely unknown collection of recordings preserving performances of modernist interwar Hebrew plays. Ruthie Abeliovich focuses on four case studies: a 1931 recording of The Eternal Jew (1919), a 1965 recording of The Dybbuk (1922), a 1961 radio play of The Golem (1925), and a 1952 radio play of Yaakov and Rachel (1928). The book traces the spoken language of modernist Hebrew theater as grounded in multiple modalities of expressive practices, including spoken Hebrew, Jewish liturgical sensibilities supplemented by Yiddish intonation and other vernacular accents, and in relation to prevalent theatrical forms. Abeliovich shows how these performances provided Jewish immigrants from Europe with a venue for lamenting the decline of their home communities and for connecting their memories to the present. Analyzing sonic material against the backdrop of its artistic, cultural, and ideological contexts, she develops a critical framework for the study of sound as a discipline in its own right in theater scholarship."-- |c Provided by publisher. | ||
| 504 | |a Includes bibliographical references (pages 197-211) and index. | ||
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| 758 | |i has work: |a Possessed voices (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFD6FYmGwP7Mh7gmRkYGxP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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|---|---|
| _version_ | 1816882496593199104 |
| adam_text | |
| any_adam_object | |
| author | Abeliovich, Ruthie, 1978- |
| author_GND | http://id.loc.gov/authorities/names/n2018040417 |
| author_facet | Abeliovich, Ruthie, 1978- |
| author_role | aut |
| author_sort | Abeliovich, Ruthie, 1978- |
| author_variant | r a ra |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN2919 |
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| collection | ZDB-4-EBA |
| contents | Intro; Contents; List of Illustrations; Acknowledgments; Preface: In the Synagogue; Introduction; Modernist Hebrew Theater; Melodies of the Hebrew Language; Possessed Voices; Nostalgic "Sound Souvenirs"; Listening to Theater; Chapter One The Messiah's Mother Lamentation: The Sonic Imagination of The Eternal Jew; The Messiah's Mother Lamentation; Franz Rosenzweig's Cry: What Does Melodious Recitation Do?; Habima Imagining Grief; The Liminality of Voice; Chapter Two The Rise and Fall: The Return of The Dybbuk and the Making of the Acoustic Community Between Two Worlds: Visual Imaginations and Aural RealmsThe Haunting Archive and the Voices of the Dead; "Mipnei Ma?" An Oratorical Moment of Participatory Singing; The Speech Community: The Rise-Fall Contour in Speech and Melody; The Heterophonic Chorus: Noise and Disorder on Stage; In Plural Voice: Performing Dissociation; Where Do We Meet? The Making of the Acoustic Theatrical Community; Chapter Three "Who Will Save Us?" Hebrew Specters and the Performativity of Cultural Rupture in The Golem; The Golem-A Medium; Inside The Golem: Spectral Voices; How to Revive Spirits with Words The Paradigm Shift in Habima's Dramatic RecitationA Hebrew Actor or a Golem? A Machine Learning Language; Distorted Voices: Forgetting the Past, Inventing Tradition; "Who Will Save Us?" Post-Holocaust Vocal Apparitions; Chapter Four Yaakov and Rachel: The Experience of Source; Experience of Source: Attending the Archive; Modernizing the Biblical Drama: Embodying Myth; "Being There": Cross-Cultural Vocal Gestures; Enacting the Sources of the Hebrew Language; From Possession to Dispossession: 1928/1952; Epilogue: Against Ephemerality; The Dead Sing; Notes; Bibliography; Index |
| ctrlnum | (OCoLC)1109169417 |
| dewey-full | 792.095694 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.095694 |
| dewey-search | 792.095694 |
| dewey-sort | 3792.095694 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1109169417 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:32Z |
| institution | BVB |
| isbn | 9781438474458 1438474458 |
| language | English |
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| publishDate | 2019 |
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| publisher | State University of New York, |
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| series | SUNY series in contemporary Jewish literature and culture. |
| series2 | SUNY series in contemporary Jewish literature and culture |
| spelling | Abeliovich, Ruthie, 1978- author. https://id.oclc.org/worldcat/entity/E39PCjCtP4Wd9P4TgXgbGQgGBP http://id.loc.gov/authorities/names/n2018040417 Possessed voices : aural remains from modernist Hebrew theater / Ruthie Abeliovich. Albany : State University of New York, [2019] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier SUNY series in contemporary Jewish literature and culture Intro; Contents; List of Illustrations; Acknowledgments; Preface: In the Synagogue; Introduction; Modernist Hebrew Theater; Melodies of the Hebrew Language; Possessed Voices; Nostalgic "Sound Souvenirs"; Listening to Theater; Chapter One The Messiah's Mother Lamentation: The Sonic Imagination of The Eternal Jew; The Messiah's Mother Lamentation; Franz Rosenzweig's Cry: What Does Melodious Recitation Do?; Habima Imagining Grief; The Liminality of Voice; Chapter Two The Rise and Fall: The Return of The Dybbuk and the Making of the Acoustic Community Between Two Worlds: Visual Imaginations and Aural RealmsThe Haunting Archive and the Voices of the Dead; "Mipnei Ma?" An Oratorical Moment of Participatory Singing; The Speech Community: The Rise-Fall Contour in Speech and Melody; The Heterophonic Chorus: Noise and Disorder on Stage; In Plural Voice: Performing Dissociation; Where Do We Meet? The Making of the Acoustic Theatrical Community; Chapter Three "Who Will Save Us?" Hebrew Specters and the Performativity of Cultural Rupture in The Golem; The Golem-A Medium; Inside The Golem: Spectral Voices; How to Revive Spirits with Words The Paradigm Shift in Habima's Dramatic RecitationA Hebrew Actor or a Golem? A Machine Learning Language; Distorted Voices: Forgetting the Past, Inventing Tradition; "Who Will Save Us?" Post-Holocaust Vocal Apparitions; Chapter Four Yaakov and Rachel: The Experience of Source; Experience of Source: Attending the Archive; Modernizing the Biblical Drama: Embodying Myth; "Being There": Cross-Cultural Vocal Gestures; Enacting the Sources of the Hebrew Language; From Possession to Dispossession: 1928/1952; Epilogue: Against Ephemerality; The Dead Sing; Notes; Bibliography; Index "Audio recordings are a valuable tool for understanding historical theater, yet they have seldom been used in scholarship. Possessed Voices tells the intriguing story of a largely unknown collection of recordings preserving performances of modernist interwar Hebrew plays. Ruthie Abeliovich focuses on four case studies: a 1931 recording of The Eternal Jew (1919), a 1965 recording of The Dybbuk (1922), a 1961 radio play of The Golem (1925), and a 1952 radio play of Yaakov and Rachel (1928). The book traces the spoken language of modernist Hebrew theater as grounded in multiple modalities of expressive practices, including spoken Hebrew, Jewish liturgical sensibilities supplemented by Yiddish intonation and other vernacular accents, and in relation to prevalent theatrical forms. Abeliovich shows how these performances provided Jewish immigrants from Europe with a venue for lamenting the decline of their home communities and for connecting their memories to the present. Analyzing sonic material against the backdrop of its artistic, cultural, and ideological contexts, she develops a critical framework for the study of sound as a discipline in its own right in theater scholarship."-- Provided by publisher. Includes bibliographical references (pages 197-211) and index. Theater Israel. http://id.loc.gov/authorities/subjects/sh85134556 Jewish theater. http://id.loc.gov/authorities/subjects/sh85070353 Théâtre Israël. Théâtre juif. Jewish theater fast Theater fast Israel fast https://id.oclc.org/worldcat/entity/E39PBJdgWx83Xb7cjjrMXBJYyd Literary criticism. lcgft http://id.loc.gov/authorities/genreForms/gf2017026126 Critiques littéraires. rvmgf has work: Possessed voices (Text) https://id.oclc.org/worldcat/entity/E39PCFD6FYmGwP7Mh7gmRkYGxP https://id.oclc.org/worldcat/ontology/hasWork Print version: 9781438474434 1438474431 (DLC) 2018033265 (OCoLC)1044867250 SUNY series in contemporary Jewish literature and culture. http://id.loc.gov/authorities/names/no2018019831 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2201310 Volltext |
| spellingShingle | Abeliovich, Ruthie, 1978- Possessed voices : aural remains from modernist Hebrew theater / SUNY series in contemporary Jewish literature and culture. Intro; Contents; List of Illustrations; Acknowledgments; Preface: In the Synagogue; Introduction; Modernist Hebrew Theater; Melodies of the Hebrew Language; Possessed Voices; Nostalgic "Sound Souvenirs"; Listening to Theater; Chapter One The Messiah's Mother Lamentation: The Sonic Imagination of The Eternal Jew; The Messiah's Mother Lamentation; Franz Rosenzweig's Cry: What Does Melodious Recitation Do?; Habima Imagining Grief; The Liminality of Voice; Chapter Two The Rise and Fall: The Return of The Dybbuk and the Making of the Acoustic Community Between Two Worlds: Visual Imaginations and Aural RealmsThe Haunting Archive and the Voices of the Dead; "Mipnei Ma?" An Oratorical Moment of Participatory Singing; The Speech Community: The Rise-Fall Contour in Speech and Melody; The Heterophonic Chorus: Noise and Disorder on Stage; In Plural Voice: Performing Dissociation; Where Do We Meet? The Making of the Acoustic Theatrical Community; Chapter Three "Who Will Save Us?" Hebrew Specters and the Performativity of Cultural Rupture in The Golem; The Golem-A Medium; Inside The Golem: Spectral Voices; How to Revive Spirits with Words The Paradigm Shift in Habima's Dramatic RecitationA Hebrew Actor or a Golem? A Machine Learning Language; Distorted Voices: Forgetting the Past, Inventing Tradition; "Who Will Save Us?" Post-Holocaust Vocal Apparitions; Chapter Four Yaakov and Rachel: The Experience of Source; Experience of Source: Attending the Archive; Modernizing the Biblical Drama: Embodying Myth; "Being There": Cross-Cultural Vocal Gestures; Enacting the Sources of the Hebrew Language; From Possession to Dispossession: 1928/1952; Epilogue: Against Ephemerality; The Dead Sing; Notes; Bibliography; Index Theater Israel. http://id.loc.gov/authorities/subjects/sh85134556 Jewish theater. http://id.loc.gov/authorities/subjects/sh85070353 Théâtre Israël. Théâtre juif. Jewish theater fast Theater fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85134556 http://id.loc.gov/authorities/subjects/sh85070353 http://id.loc.gov/authorities/genreForms/gf2017026126 |
| title | Possessed voices : aural remains from modernist Hebrew theater / |
| title_auth | Possessed voices : aural remains from modernist Hebrew theater / |
| title_exact_search | Possessed voices : aural remains from modernist Hebrew theater / |
| title_full | Possessed voices : aural remains from modernist Hebrew theater / Ruthie Abeliovich. |
| title_fullStr | Possessed voices : aural remains from modernist Hebrew theater / Ruthie Abeliovich. |
| title_full_unstemmed | Possessed voices : aural remains from modernist Hebrew theater / Ruthie Abeliovich. |
| title_short | Possessed voices : |
| title_sort | possessed voices aural remains from modernist hebrew theater |
| title_sub | aural remains from modernist Hebrew theater / |
| topic | Theater Israel. http://id.loc.gov/authorities/subjects/sh85134556 Jewish theater. http://id.loc.gov/authorities/subjects/sh85070353 Théâtre Israël. Théâtre juif. Jewish theater fast Theater fast |
| topic_facet | Theater Israel. Jewish theater. Théâtre Israël. Théâtre juif. Jewish theater Theater Israel Literary criticism. Critiques littéraires. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2201310 |
| work_keys_str_mv | AT abeliovichruthie possessedvoicesauralremainsfrommodernisthebrewtheater |