Eugene O'Neill and the Reinvention of Theatre Aesthetics /:
The plays of Eugene O'Neill testify to his continued search for new dramatic strategies. The author explores the Nobel Prize winner's attempts at creating a new Modern play. He shows how, moving away from melodrama or "the problem play," O'Neill revisited the classical frame...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Jefferson, North Carolina :
McFarland,
[2019]
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | The plays of Eugene O'Neill testify to his continued search for new dramatic strategies. The author explores the Nobel Prize winner's attempts at creating a new Modern play. He shows how, moving away from melodrama or "the problem play," O'Neill revisited the classical frames of drama and reinvented theater aesthetics by resorting to masks, the chorus, acoustics, silence or immobility for the creation of his dramatic works. |
Beschreibung: | 1 online resource (278 pages) |
Bibliographie: | Includes bibliographical references (pages 258-264) and index. |
ISBN: | 1476635684 9781476635682 |
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245 | 1 | 0 | |a Eugene O'Neill and the Reinvention of Theatre Aesthetics / |c Thierry Dubost. |
264 | 1 | |a Jefferson, North Carolina : |b McFarland, |c [2019] | |
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505 | 0 | |a Cover; Acknowledgments; Table of Contents; Acknowledgments; List of Abbreviations; Introduction; 1. Aristotle Got His Gun: From A Wife for a Life, Now I Ask You! ... to A Touch of the Poet; 2. Thirst: A Theatrical Appetizer; 3. Human and Aesthetic Migrations in Fog; 4. Bound East for Cardiff, an Immobile Crossing; 5. The Movie Man: The Failure of Aesthetics?; 6. Servitude: Portrait of the Artist as a Committed Playwright; 7. Before Breakfast: An Overemphasized Monologue?; 8. Exorcism: The Road Not Taken; 9. "Harmless Foights" in the Sea Plays | |
505 | 8 | |a 10. Home, Elsewhere: Tragic (Im)mobility in Beyond the Horizon11. Madness in Where the Cross Is Made and Gold; 12. A Long, Long Kiss: Labial Contacts in The Straw, Diff'rent, The First Man, The Fountain and Welded; 13. The Aesthetics of (Fake) Salvation in "Anna Christie"; 14. The Emperor Jones: Inventing a New Dramaturgy; 15. The Hairy Ape: An Orphean Journey into Thought; 16. A Playwright-Director Staging The Rime of the Ancient Mariner; 17. A Thing Is Not Just a Thing: An Uncanny Stage Presence in All God's Chillun Got Wings | |
505 | 8 | |a 18. Opaque or Transparent Representations of Desire in Desire Under the Elms19. Home Away from Home: Greed in Marco Millions; 20. The Great God Brown: Shedding Old-Fashioned Staging Models?; 21. Lazarus Laughed and Dynamo: Nonverbal Communications; 22. Strange Interlude: Exposing the Invisible; 23. The Ways of the Flesh in Mourning Becomes Electra; 24. A Kierkegaardian Comedy: The Painless Contradictions of a Festive Meal in Ah, Wilderness!; 25. Days Without End: A Modern Miracle Play?; 26. The Origin of a World: Male Privacy and Tragedy in A Touch of the Poet | |
505 | 8 | |a 27. A Garden of One's Own: Heterotopia in More Stately Mansions28. O'Neill's Choric Designs in The Iceman Cometh; 29. Long Day's Journey into Night: Words for the Birth of a Ghostly Irish Playwright; 30. Hughie, Written More to be Read Than Staged?; 31. The Road to Salvation in A Moon for the Misbegotten; Conclusion; Chapter Notes; Bibliography; Index | |
588 | 0 | |a Online resource; title from digital title page (viewed on August 01, 2019). | |
504 | |a Includes bibliographical references (pages 258-264) and index. | ||
520 | |a The plays of Eugene O'Neill testify to his continued search for new dramatic strategies. The author explores the Nobel Prize winner's attempts at creating a new Modern play. He shows how, moving away from melodrama or "the problem play," O'Neill revisited the classical frames of drama and reinvented theater aesthetics by resorting to masks, the chorus, acoustics, silence or immobility for the creation of his dramatic works. | ||
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650 | 0 | |a Modernism (Literature) |z United States. | |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1108539062 |
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adam_text | |
any_adam_object | |
author | Dubost, Thierry, 1958- |
author_GND | http://id.loc.gov/authorities/names/n96066744 |
author_facet | Dubost, Thierry, 1958- |
author_role | |
author_sort | Dubost, Thierry, 1958- |
author_variant | t d td |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PS3529 |
callnumber-raw | PS3529.N5 Z6285 2019 |
callnumber-search | PS3529.N5 Z6285 2019 |
callnumber-sort | PS 43529 N5 Z6285 42019 |
callnumber-subject | PS - American Literature |
collection | ZDB-4-EBA |
contents | Cover; Acknowledgments; Table of Contents; Acknowledgments; List of Abbreviations; Introduction; 1. Aristotle Got His Gun: From A Wife for a Life, Now I Ask You! ... to A Touch of the Poet; 2. Thirst: A Theatrical Appetizer; 3. Human and Aesthetic Migrations in Fog; 4. Bound East for Cardiff, an Immobile Crossing; 5. The Movie Man: The Failure of Aesthetics?; 6. Servitude: Portrait of the Artist as a Committed Playwright; 7. Before Breakfast: An Overemphasized Monologue?; 8. Exorcism: The Road Not Taken; 9. "Harmless Foights" in the Sea Plays 10. Home, Elsewhere: Tragic (Im)mobility in Beyond the Horizon11. Madness in Where the Cross Is Made and Gold; 12. A Long, Long Kiss: Labial Contacts in The Straw, Diff'rent, The First Man, The Fountain and Welded; 13. The Aesthetics of (Fake) Salvation in "Anna Christie"; 14. The Emperor Jones: Inventing a New Dramaturgy; 15. The Hairy Ape: An Orphean Journey into Thought; 16. A Playwright-Director Staging The Rime of the Ancient Mariner; 17. A Thing Is Not Just a Thing: An Uncanny Stage Presence in All God's Chillun Got Wings 18. Opaque or Transparent Representations of Desire in Desire Under the Elms19. Home Away from Home: Greed in Marco Millions; 20. The Great God Brown: Shedding Old-Fashioned Staging Models?; 21. Lazarus Laughed and Dynamo: Nonverbal Communications; 22. Strange Interlude: Exposing the Invisible; 23. The Ways of the Flesh in Mourning Becomes Electra; 24. A Kierkegaardian Comedy: The Painless Contradictions of a Festive Meal in Ah, Wilderness!; 25. Days Without End: A Modern Miracle Play?; 26. The Origin of a World: Male Privacy and Tragedy in A Touch of the Poet 27. A Garden of One's Own: Heterotopia in More Stately Mansions28. O'Neill's Choric Designs in The Iceman Cometh; 29. Long Day's Journey into Night: Words for the Birth of a Ghostly Irish Playwright; 30. Hughie, Written More to be Read Than Staged?; 31. The Road to Salvation in A Moon for the Misbegotten; Conclusion; Chapter Notes; Bibliography; Index |
ctrlnum | (OCoLC)1108539062 |
dewey-full | 812/.52 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 812 - American drama in English |
dewey-raw | 812/.52 |
dewey-search | 812/.52 |
dewey-sort | 3812 252 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
format | Electronic eBook |
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id | ZDB-4-EBA-on1108539062 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:29:32Z |
institution | BVB |
isbn | 1476635684 9781476635682 |
language | English |
oclc_num | 1108539062 |
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psigel | ZDB-4-EBA |
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publisher | McFarland, |
record_format | marc |
spelling | Dubost, Thierry, 1958- https://id.oclc.org/worldcat/entity/E39PCjHvJkfFmyCtH6hV3FBqw3 http://id.loc.gov/authorities/names/n96066744 Eugene O'Neill and the Reinvention of Theatre Aesthetics / Thierry Dubost. Jefferson, North Carolina : McFarland, [2019] 1 online resource (278 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cover; Acknowledgments; Table of Contents; Acknowledgments; List of Abbreviations; Introduction; 1. Aristotle Got His Gun: From A Wife for a Life, Now I Ask You! ... to A Touch of the Poet; 2. Thirst: A Theatrical Appetizer; 3. Human and Aesthetic Migrations in Fog; 4. Bound East for Cardiff, an Immobile Crossing; 5. The Movie Man: The Failure of Aesthetics?; 6. Servitude: Portrait of the Artist as a Committed Playwright; 7. Before Breakfast: An Overemphasized Monologue?; 8. Exorcism: The Road Not Taken; 9. "Harmless Foights" in the Sea Plays 10. Home, Elsewhere: Tragic (Im)mobility in Beyond the Horizon11. Madness in Where the Cross Is Made and Gold; 12. A Long, Long Kiss: Labial Contacts in The Straw, Diff'rent, The First Man, The Fountain and Welded; 13. The Aesthetics of (Fake) Salvation in "Anna Christie"; 14. The Emperor Jones: Inventing a New Dramaturgy; 15. The Hairy Ape: An Orphean Journey into Thought; 16. A Playwright-Director Staging The Rime of the Ancient Mariner; 17. A Thing Is Not Just a Thing: An Uncanny Stage Presence in All God's Chillun Got Wings 18. Opaque or Transparent Representations of Desire in Desire Under the Elms19. Home Away from Home: Greed in Marco Millions; 20. The Great God Brown: Shedding Old-Fashioned Staging Models?; 21. Lazarus Laughed and Dynamo: Nonverbal Communications; 22. Strange Interlude: Exposing the Invisible; 23. The Ways of the Flesh in Mourning Becomes Electra; 24. A Kierkegaardian Comedy: The Painless Contradictions of a Festive Meal in Ah, Wilderness!; 25. Days Without End: A Modern Miracle Play?; 26. The Origin of a World: Male Privacy and Tragedy in A Touch of the Poet 27. A Garden of One's Own: Heterotopia in More Stately Mansions28. O'Neill's Choric Designs in The Iceman Cometh; 29. Long Day's Journey into Night: Words for the Birth of a Ghostly Irish Playwright; 30. Hughie, Written More to be Read Than Staged?; 31. The Road to Salvation in A Moon for the Misbegotten; Conclusion; Chapter Notes; Bibliography; Index Online resource; title from digital title page (viewed on August 01, 2019). Includes bibliographical references (pages 258-264) and index. The plays of Eugene O'Neill testify to his continued search for new dramatic strategies. The author explores the Nobel Prize winner's attempts at creating a new Modern play. He shows how, moving away from melodrama or "the problem play," O'Neill revisited the classical frames of drama and reinvented theater aesthetics by resorting to masks, the chorus, acoustics, silence or immobility for the creation of his dramatic works. O'Neill, Eugene, 1888-1953 Criticism and interpretation. O'Neill, Eugene, 1888-1953 fast https://id.oclc.org/worldcat/entity/E39PBJwmQrYMYpwq7833c9mfMP Modernism (Literature) United States. Modernisme (Littérature) États-Unis. Drama / American. bisacsh Modernism (Literature) fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Drama fast Criticism, interpretation, etc. fast Drama. lcgft http://id.loc.gov/authorities/genreForms/gf2014026297 Théâtre. rvmgf has work: Eugene O'Neill and the reinvention of theatre aesthetics (Text) https://id.oclc.org/worldcat/entity/E39PCGtdJwfqPrTChwJVHtbWpd https://id.oclc.org/worldcat/ontology/hasWork Print version: Dubost, Thierry. Eugene o'Neill and the Reinvention of Theatre Aesthetics. Jefferson : McFarland & Company, Incorporated Publishers, ©2019 9781476677286 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2184087 Volltext |
spellingShingle | Dubost, Thierry, 1958- Eugene O'Neill and the Reinvention of Theatre Aesthetics / Cover; Acknowledgments; Table of Contents; Acknowledgments; List of Abbreviations; Introduction; 1. Aristotle Got His Gun: From A Wife for a Life, Now I Ask You! ... to A Touch of the Poet; 2. Thirst: A Theatrical Appetizer; 3. Human and Aesthetic Migrations in Fog; 4. Bound East for Cardiff, an Immobile Crossing; 5. The Movie Man: The Failure of Aesthetics?; 6. Servitude: Portrait of the Artist as a Committed Playwright; 7. Before Breakfast: An Overemphasized Monologue?; 8. Exorcism: The Road Not Taken; 9. "Harmless Foights" in the Sea Plays 10. Home, Elsewhere: Tragic (Im)mobility in Beyond the Horizon11. Madness in Where the Cross Is Made and Gold; 12. A Long, Long Kiss: Labial Contacts in The Straw, Diff'rent, The First Man, The Fountain and Welded; 13. The Aesthetics of (Fake) Salvation in "Anna Christie"; 14. The Emperor Jones: Inventing a New Dramaturgy; 15. The Hairy Ape: An Orphean Journey into Thought; 16. A Playwright-Director Staging The Rime of the Ancient Mariner; 17. A Thing Is Not Just a Thing: An Uncanny Stage Presence in All God's Chillun Got Wings 18. Opaque or Transparent Representations of Desire in Desire Under the Elms19. Home Away from Home: Greed in Marco Millions; 20. The Great God Brown: Shedding Old-Fashioned Staging Models?; 21. Lazarus Laughed and Dynamo: Nonverbal Communications; 22. Strange Interlude: Exposing the Invisible; 23. The Ways of the Flesh in Mourning Becomes Electra; 24. A Kierkegaardian Comedy: The Painless Contradictions of a Festive Meal in Ah, Wilderness!; 25. Days Without End: A Modern Miracle Play?; 26. The Origin of a World: Male Privacy and Tragedy in A Touch of the Poet 27. A Garden of One's Own: Heterotopia in More Stately Mansions28. O'Neill's Choric Designs in The Iceman Cometh; 29. Long Day's Journey into Night: Words for the Birth of a Ghostly Irish Playwright; 30. Hughie, Written More to be Read Than Staged?; 31. The Road to Salvation in A Moon for the Misbegotten; Conclusion; Chapter Notes; Bibliography; Index O'Neill, Eugene, 1888-1953 Criticism and interpretation. O'Neill, Eugene, 1888-1953 fast https://id.oclc.org/worldcat/entity/E39PBJwmQrYMYpwq7833c9mfMP Modernism (Literature) United States. Modernisme (Littérature) États-Unis. Drama / American. bisacsh Modernism (Literature) fast |
subject_GND | http://id.loc.gov/authorities/genreForms/gf2014026297 |
title | Eugene O'Neill and the Reinvention of Theatre Aesthetics / |
title_auth | Eugene O'Neill and the Reinvention of Theatre Aesthetics / |
title_exact_search | Eugene O'Neill and the Reinvention of Theatre Aesthetics / |
title_full | Eugene O'Neill and the Reinvention of Theatre Aesthetics / Thierry Dubost. |
title_fullStr | Eugene O'Neill and the Reinvention of Theatre Aesthetics / Thierry Dubost. |
title_full_unstemmed | Eugene O'Neill and the Reinvention of Theatre Aesthetics / Thierry Dubost. |
title_short | Eugene O'Neill and the Reinvention of Theatre Aesthetics / |
title_sort | eugene o neill and the reinvention of theatre aesthetics |
topic | O'Neill, Eugene, 1888-1953 Criticism and interpretation. O'Neill, Eugene, 1888-1953 fast https://id.oclc.org/worldcat/entity/E39PBJwmQrYMYpwq7833c9mfMP Modernism (Literature) United States. Modernisme (Littérature) États-Unis. Drama / American. bisacsh Modernism (Literature) fast |
topic_facet | O'Neill, Eugene, 1888-1953 Criticism and interpretation. O'Neill, Eugene, 1888-1953 Modernism (Literature) United States. Modernisme (Littérature) États-Unis. Drama / American. Modernism (Literature) United States Drama Criticism, interpretation, etc. Drama. Théâtre. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2184087 |
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