Tonality since 1950.:
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Stuttgart :
Franz Steiner Verlag,
2017.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | 1 online resource |
| ISBN: | 3515115897 9783515115896 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1107565033 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 190706s2017 gw o 000 0 eng d | ||
| 040 | |a EBLCP |b eng |e rda |e pn |c EBLCP |d YDX |d OCLCQ |d YDXIT |d OCLCF |d OCLCQ |d N$T |d OCLCO |d K6U |d OCLCQ |d OCLCO |d OCLCL | ||
| 019 | |a 1107334426 |a 1148804302 | ||
| 020 | |a 3515115897 |q (electronic book) | ||
| 020 | |a 9783515115896 |q (electronic bk.) | ||
| 035 | |a (OCoLC)1107565033 |z (OCoLC)1107334426 |z (OCoLC)1148804302 | ||
| 050 | 4 | |a ML3811 |b .T66 2017 | |
| 082 | 7 | |a 781.2/2 |2 23 | |
| 049 | |a MAIN | ||
| 245 | 0 | 0 | |a Tonality since 1950. |
| 264 | 1 | |a Stuttgart : |b Franz Steiner Verlag, |c 2017. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Intro; Contents; Contributors; Felix Wörner, Ullrich Scheideler, and Philip Rupprecht Introduction; Concepts and Contexts; Ulrich Mosch: Foundation or Mere Quotation? Conditions for Applying the Tonality Concept to Music After 1950; Wolfgang Rathert: Total Tonality or Tonal Totality: A Compositional Issue in Music After 1945; Joseph Auner: The Stopped Clock: Tape Loops, Synthesizers, and the Transfiguration of Harmony; Nicole Biamonte: Pop/Rock Tonalities; Perspectives of the Mid-Century; Thomas Ahrend: "Das Wunderland": Tonality and (Political) Topography in Eisler's Songs Around 1950 | |
| 505 | 8 | |a Ullrich Scheideler: Tonality in Henze's Music of the 1950s and Early 1960sFelix Meyer: "Everything we love belongs to us": George Rochberg's Adoption of Tonality; Judit Frigyesi: The Macro- and Micro-Lives of Sounds in Morton Feldman's The Viola in My Life I; Processes, Objects, Functions, and Resonances: Directions Since 1970; Keith Potter: Harmonic Progressions as a Gradual Process: Towards an Understanding of the Development of Tonality in the Music of Steve Reich; Philip Rupprecht: Tonality Rediscovered: Oliver Knussen and the Musical "Object" in the 1970s | |
| 505 | 8 | |a Peter J. Schmelz: Tonality After "New Tonality": Silvestrov, Schnittke, and Polystylism in the Late USSREric Drott: Saariaho, Timbre, and Tonality; Simone Heilgendorff: Projected Resonance: Tonal Dimensions of Microtonal Composition in Music by Georg Friedrich Haas; Felix Wörner: Tonality as "Irrationally Functional Harmony": Thomas Adès's Piano Quintet; Volker Helbing: "Hungarian Tonality"? György Kurtág's ... rappel des oiseaux ... from the Perspective of Albert Simon's Theory of Tonfelder; Index | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on April 14, 2020). | |
| 650 | 0 | |a Tonality |x History. | |
| 650 | 6 | |a Tonalité |x Histoire. | |
| 650 | 7 | |a Tonality |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Wörner, Felix. | |
| 700 | 1 | |a Scheideler, Ullrich. | |
| 700 | 1 | |a Rupprecht, Philip. | |
| 758 | |i has work: |a Tonality Since 1950 (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGcXCfXGjqQgTdtrjqVm7d |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Wörner, Felix. |t Tonality Since 1950. |d Stuttgart : Franz Steiner Verlag, ©2017 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2182311 |3 Volltext |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5806195 | ||
| 938 | |a YBP Library Services |b YANK |n 16327923 | ||
| 938 | |a EBSCOhost |b EBSC |n 2182311 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1107565033 |
|---|---|
| _version_ | 1816882495582371840 |
| adam_text | |
| any_adam_object | |
| author2 | Wörner, Felix Scheideler, Ullrich Rupprecht, Philip |
| author2_role | |
| author2_variant | f w fw u s us p r pr |
| author_facet | Wörner, Felix Scheideler, Ullrich Rupprecht, Philip |
| author_sort | Wörner, Felix |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3811 |
| callnumber-raw | ML3811 .T66 2017 |
| callnumber-search | ML3811 .T66 2017 |
| callnumber-sort | ML 43811 T66 42017 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Intro; Contents; Contributors; Felix Wörner, Ullrich Scheideler, and Philip Rupprecht Introduction; Concepts and Contexts; Ulrich Mosch: Foundation or Mere Quotation? Conditions for Applying the Tonality Concept to Music After 1950; Wolfgang Rathert: Total Tonality or Tonal Totality: A Compositional Issue in Music After 1945; Joseph Auner: The Stopped Clock: Tape Loops, Synthesizers, and the Transfiguration of Harmony; Nicole Biamonte: Pop/Rock Tonalities; Perspectives of the Mid-Century; Thomas Ahrend: "Das Wunderland": Tonality and (Political) Topography in Eisler's Songs Around 1950 Ullrich Scheideler: Tonality in Henze's Music of the 1950s and Early 1960sFelix Meyer: "Everything we love belongs to us": George Rochberg's Adoption of Tonality; Judit Frigyesi: The Macro- and Micro-Lives of Sounds in Morton Feldman's The Viola in My Life I; Processes, Objects, Functions, and Resonances: Directions Since 1970; Keith Potter: Harmonic Progressions as a Gradual Process: Towards an Understanding of the Development of Tonality in the Music of Steve Reich; Philip Rupprecht: Tonality Rediscovered: Oliver Knussen and the Musical "Object" in the 1970s Peter J. Schmelz: Tonality After "New Tonality": Silvestrov, Schnittke, and Polystylism in the Late USSREric Drott: Saariaho, Timbre, and Tonality; Simone Heilgendorff: Projected Resonance: Tonal Dimensions of Microtonal Composition in Music by Georg Friedrich Haas; Felix Wörner: Tonality as "Irrationally Functional Harmony": Thomas Adès's Piano Quintet; Volker Helbing: "Hungarian Tonality"? György Kurtág's ... rappel des oiseaux ... from the Perspective of Albert Simon's Theory of Tonfelder; Index |
| ctrlnum | (OCoLC)1107565033 |
| dewey-full | 781.2/2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.2/2 |
| dewey-search | 781.2/2 |
| dewey-sort | 3781.2 12 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03470cam a2200481 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1107565033</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">190706s2017 gw o 000 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">EBLCP</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">EBLCP</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDXIT</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">N$T</subfield><subfield code="d">OCLCO</subfield><subfield code="d">K6U</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1107334426</subfield><subfield code="a">1148804302</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">3515115897</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783515115896</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1107565033</subfield><subfield code="z">(OCoLC)1107334426</subfield><subfield code="z">(OCoLC)1148804302</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML3811</subfield><subfield code="b">.T66 2017</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">781.2/2</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Tonality since 1950.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Stuttgart :</subfield><subfield code="b">Franz Steiner Verlag,</subfield><subfield code="c">2017.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Intro; Contents; Contributors; Felix Wörner, Ullrich Scheideler, and Philip Rupprecht Introduction; Concepts and Contexts; Ulrich Mosch: Foundation or Mere Quotation? Conditions for Applying the Tonality Concept to Music After 1950; Wolfgang Rathert: Total Tonality or Tonal Totality: A Compositional Issue in Music After 1945; Joseph Auner: The Stopped Clock: Tape Loops, Synthesizers, and the Transfiguration of Harmony; Nicole Biamonte: Pop/Rock Tonalities; Perspectives of the Mid-Century; Thomas Ahrend: "Das Wunderland": Tonality and (Political) Topography in Eisler's Songs Around 1950</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Ullrich Scheideler: Tonality in Henze's Music of the 1950s and Early 1960sFelix Meyer: "Everything we love belongs to us": George Rochberg's Adoption of Tonality; Judit Frigyesi: The Macro- and Micro-Lives of Sounds in Morton Feldman's The Viola in My Life I; Processes, Objects, Functions, and Resonances: Directions Since 1970; Keith Potter: Harmonic Progressions as a Gradual Process: Towards an Understanding of the Development of Tonality in the Music of Steve Reich; Philip Rupprecht: Tonality Rediscovered: Oliver Knussen and the Musical "Object" in the 1970s</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Peter J. Schmelz: Tonality After "New Tonality": Silvestrov, Schnittke, and Polystylism in the Late USSREric Drott: Saariaho, Timbre, and Tonality; Simone Heilgendorff: Projected Resonance: Tonal Dimensions of Microtonal Composition in Music by Georg Friedrich Haas; Felix Wörner: Tonality as "Irrationally Functional Harmony": Thomas Adès's Piano Quintet; Volker Helbing: "Hungarian Tonality"? György Kurtág's ... rappel des oiseaux ... from the Perspective of Albert Simon's Theory of Tonfelder; Index</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from digital title page (viewed on April 14, 2020).</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Tonality</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Tonalité</subfield><subfield code="x">Histoire.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Tonality</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">History</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wörner, Felix.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Scheideler, Ullrich.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rupprecht, Philip.</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Tonality Since 1950 (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGcXCfXGjqQgTdtrjqVm7d</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Wörner, Felix.</subfield><subfield code="t">Tonality Since 1950.</subfield><subfield code="d">Stuttgart : Franz Steiner Verlag, ©2017</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2182311</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL5806195</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">16327923</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">2182311</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | History fast |
| genre_facet | History |
| id | ZDB-4-EBA-on1107565033 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:31Z |
| institution | BVB |
| isbn | 3515115897 9783515115896 |
| language | English |
| oclc_num | 1107565033 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Franz Steiner Verlag, |
| record_format | marc |
| spelling | Tonality since 1950. Stuttgart : Franz Steiner Verlag, 2017. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Intro; Contents; Contributors; Felix Wörner, Ullrich Scheideler, and Philip Rupprecht Introduction; Concepts and Contexts; Ulrich Mosch: Foundation or Mere Quotation? Conditions for Applying the Tonality Concept to Music After 1950; Wolfgang Rathert: Total Tonality or Tonal Totality: A Compositional Issue in Music After 1945; Joseph Auner: The Stopped Clock: Tape Loops, Synthesizers, and the Transfiguration of Harmony; Nicole Biamonte: Pop/Rock Tonalities; Perspectives of the Mid-Century; Thomas Ahrend: "Das Wunderland": Tonality and (Political) Topography in Eisler's Songs Around 1950 Ullrich Scheideler: Tonality in Henze's Music of the 1950s and Early 1960sFelix Meyer: "Everything we love belongs to us": George Rochberg's Adoption of Tonality; Judit Frigyesi: The Macro- and Micro-Lives of Sounds in Morton Feldman's The Viola in My Life I; Processes, Objects, Functions, and Resonances: Directions Since 1970; Keith Potter: Harmonic Progressions as a Gradual Process: Towards an Understanding of the Development of Tonality in the Music of Steve Reich; Philip Rupprecht: Tonality Rediscovered: Oliver Knussen and the Musical "Object" in the 1970s Peter J. Schmelz: Tonality After "New Tonality": Silvestrov, Schnittke, and Polystylism in the Late USSREric Drott: Saariaho, Timbre, and Tonality; Simone Heilgendorff: Projected Resonance: Tonal Dimensions of Microtonal Composition in Music by Georg Friedrich Haas; Felix Wörner: Tonality as "Irrationally Functional Harmony": Thomas Adès's Piano Quintet; Volker Helbing: "Hungarian Tonality"? György Kurtág's ... rappel des oiseaux ... from the Perspective of Albert Simon's Theory of Tonfelder; Index Online resource; title from digital title page (viewed on April 14, 2020). Tonality History. Tonalité Histoire. Tonality fast History fast Wörner, Felix. Scheideler, Ullrich. Rupprecht, Philip. has work: Tonality Since 1950 (Text) https://id.oclc.org/worldcat/entity/E39PCGcXCfXGjqQgTdtrjqVm7d https://id.oclc.org/worldcat/ontology/hasWork Print version: Wörner, Felix. Tonality Since 1950. Stuttgart : Franz Steiner Verlag, ©2017 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2182311 Volltext |
| spellingShingle | Tonality since 1950. Intro; Contents; Contributors; Felix Wörner, Ullrich Scheideler, and Philip Rupprecht Introduction; Concepts and Contexts; Ulrich Mosch: Foundation or Mere Quotation? Conditions for Applying the Tonality Concept to Music After 1950; Wolfgang Rathert: Total Tonality or Tonal Totality: A Compositional Issue in Music After 1945; Joseph Auner: The Stopped Clock: Tape Loops, Synthesizers, and the Transfiguration of Harmony; Nicole Biamonte: Pop/Rock Tonalities; Perspectives of the Mid-Century; Thomas Ahrend: "Das Wunderland": Tonality and (Political) Topography in Eisler's Songs Around 1950 Ullrich Scheideler: Tonality in Henze's Music of the 1950s and Early 1960sFelix Meyer: "Everything we love belongs to us": George Rochberg's Adoption of Tonality; Judit Frigyesi: The Macro- and Micro-Lives of Sounds in Morton Feldman's The Viola in My Life I; Processes, Objects, Functions, and Resonances: Directions Since 1970; Keith Potter: Harmonic Progressions as a Gradual Process: Towards an Understanding of the Development of Tonality in the Music of Steve Reich; Philip Rupprecht: Tonality Rediscovered: Oliver Knussen and the Musical "Object" in the 1970s Peter J. Schmelz: Tonality After "New Tonality": Silvestrov, Schnittke, and Polystylism in the Late USSREric Drott: Saariaho, Timbre, and Tonality; Simone Heilgendorff: Projected Resonance: Tonal Dimensions of Microtonal Composition in Music by Georg Friedrich Haas; Felix Wörner: Tonality as "Irrationally Functional Harmony": Thomas Adès's Piano Quintet; Volker Helbing: "Hungarian Tonality"? György Kurtág's ... rappel des oiseaux ... from the Perspective of Albert Simon's Theory of Tonfelder; Index Tonality History. Tonalité Histoire. Tonality fast |
| title | Tonality since 1950. |
| title_auth | Tonality since 1950. |
| title_exact_search | Tonality since 1950. |
| title_full | Tonality since 1950. |
| title_fullStr | Tonality since 1950. |
| title_full_unstemmed | Tonality since 1950. |
| title_short | Tonality since 1950. |
| title_sort | tonality since 1950 |
| topic | Tonality History. Tonalité Histoire. Tonality fast |
| topic_facet | Tonality History. Tonalité Histoire. Tonality History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2182311 |
| work_keys_str_mv | AT wornerfelix tonalitysince1950 AT scheidelerullrich tonalitysince1950 AT rupprechtphilip tonalitysince1950 |