Creolized aurality :: Guadeloupean gwoka and postcolonial politics /
In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music - a secular, drum-based tradition - captures the entangled histories of French colonization, movements against it, and the uneasy process of...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Chicago :
The University of Chicago Press,
2019.
|
| Series: | Chicago studies in ethnomusicology.
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music - a secular, drum-based tradition - captures the entangled histories of French colonization, movements against it, and the uneasy process of the island's decolonization as an overseas territory of France. In Creolized Aurality, J r me Camal demonstrates that musical sounds and practices express the multiple--and often seemingly contradictory--cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are "creolized auralities"--Expressions of a culture both of and against French coloniality and postcoloniality |
| Physical Description: | 1 online resource (1 volume) |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9780226631806 022663180X |
Staff View
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| 505 | 0 | |a Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi. | |
| 520 | 8 | |a In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music - a secular, drum-based tradition - captures the entangled histories of French colonization, movements against it, and the uneasy process of the island's decolonization as an overseas territory of France. In Creolized Aurality, J r me Camal demonstrates that musical sounds and practices express the multiple--and often seemingly contradictory--cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are "creolized auralities"--Expressions of a culture both of and against French coloniality and postcoloniality | |
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Record in the Search Index
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| adam_text | |
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| author | Camal, Jerome |
| author_GND | http://id.loc.gov/authorities/names/no2011162277 |
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| author_role | aut |
| author_sort | Camal, Jerome |
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| contents | Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi. |
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| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2025-04-11T08:46:56Z |
| institution | BVB |
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| series | Chicago studies in ethnomusicology. |
| series2 | Chicago studies in ethnomusicology |
| spelling | Camal, Jerome, author. https://id.oclc.org/worldcat/entity/E39PCjqvfRjDWgKtWjfXPCTF4y http://id.loc.gov/authorities/names/no2011162277 Creolized aurality : Guadeloupean gwoka and postcolonial politics / Jérôme Camal. Chicago : The University of Chicago Press, 2019. 1 online resource (1 volume) text txt rdacontent computer c rdamedia online resource cr rdacarrier Chicago studies in ethnomusicology Includes bibliographical references and index. Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi. In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music - a secular, drum-based tradition - captures the entangled histories of French colonization, movements against it, and the uneasy process of the island's decolonization as an overseas territory of France. In Creolized Aurality, J r me Camal demonstrates that musical sounds and practices express the multiple--and often seemingly contradictory--cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are "creolized auralities"--Expressions of a culture both of and against French coloniality and postcoloniality Online resource; title from PDF title page (EBSCO; viewed June 21, 2019) Popular music Guadeloupe History and criticism. Popular music Political aspects Guadeloupe. Postcolonialism and music Guadeloupe. Musique populaire Guadeloupe Histoire et critique. Musique populaire Aspect politique Guadeloupe. Postcolonialisme et musique Guadeloupe. MUSIC Instruction & Study Theory. bisacsh Popular music fast Popular music Political aspects fast Postcolonialism and music fast Guadeloupe fast https://id.oclc.org/worldcat/entity/E39PBJjtcvTQkFKcMTp4FRXw4q Glissant. Guadeloupe. aurality. citizenship. creolization. music. nationalism. politics. postcolonialism. sovereignty. Electronic books. Criticism, interpretation, etc. fast has work: Creolized aurality (Text) https://id.oclc.org/worldcat/entity/E39PCGmwWXjyCmhkpWp9whdqgq https://id.oclc.org/worldcat/ontology/hasWork Chicago studies in ethnomusicology. http://id.loc.gov/authorities/names/n88539613 |
| spellingShingle | Camal, Jerome Creolized aurality : Guadeloupean gwoka and postcolonial politics / Chicago studies in ethnomusicology. Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi. Popular music Guadeloupe History and criticism. Popular music Political aspects Guadeloupe. Postcolonialism and music Guadeloupe. Musique populaire Guadeloupe Histoire et critique. Musique populaire Aspect politique Guadeloupe. Postcolonialisme et musique Guadeloupe. MUSIC Instruction & Study Theory. bisacsh Popular music fast Popular music Political aspects fast Postcolonialism and music fast |
| title | Creolized aurality : Guadeloupean gwoka and postcolonial politics / |
| title_auth | Creolized aurality : Guadeloupean gwoka and postcolonial politics / |
| title_exact_search | Creolized aurality : Guadeloupean gwoka and postcolonial politics / |
| title_full | Creolized aurality : Guadeloupean gwoka and postcolonial politics / Jérôme Camal. |
| title_fullStr | Creolized aurality : Guadeloupean gwoka and postcolonial politics / Jérôme Camal. |
| title_full_unstemmed | Creolized aurality : Guadeloupean gwoka and postcolonial politics / Jérôme Camal. |
| title_short | Creolized aurality : |
| title_sort | creolized aurality guadeloupean gwoka and postcolonial politics |
| title_sub | Guadeloupean gwoka and postcolonial politics / |
| topic | Popular music Guadeloupe History and criticism. Popular music Political aspects Guadeloupe. Postcolonialism and music Guadeloupe. Musique populaire Guadeloupe Histoire et critique. Musique populaire Aspect politique Guadeloupe. Postcolonialisme et musique Guadeloupe. MUSIC Instruction & Study Theory. bisacsh Popular music fast Popular music Political aspects fast Postcolonialism and music fast |
| topic_facet | Popular music Guadeloupe History and criticism. Popular music Political aspects Guadeloupe. Postcolonialism and music Guadeloupe. Musique populaire Guadeloupe Histoire et critique. Musique populaire Aspect politique Guadeloupe. Postcolonialisme et musique Guadeloupe. MUSIC Instruction & Study Theory. Popular music Popular music Political aspects Postcolonialism and music Guadeloupe Electronic books. Criticism, interpretation, etc. |
| work_keys_str_mv | AT camaljerome creolizedauralityguadeloupeangwokaandpostcolonialpolitics |