Philosophy-screens :: from cinema to the digital revolution /
"In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty's interest in film as it relates to his aesthetic theory. Philosophy-Screens broadens the work undertaken in this earlier book, looking at the ideas of other twentieth-century thinkers concerning the relationship between philoso...
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| Format: | Elektronisch E-Book |
| Sprache: | English French |
| Veröffentlicht: |
Albany :
State University of New York Press,
[2019]
|
| Schriftenreihe: | SUNY series in contemporary continental philosophy.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty's interest in film as it relates to his aesthetic theory. Philosophy-Screens broadens the work undertaken in this earlier book, looking at the ideas of other twentieth-century thinkers concerning the relationship between philosophy and film, and also extending that analysis to address the wider proliferation of screens in the twenty-first century. In the first part of the book, Carbone examines the ways that Sartre, Merleau-Ponty, Lyotard, and Deleuze grappled with the philosophical significance of cinema as a novel aesthetic medium unfolding in the twentieth century. He then considers the significance of this philosophical framework for understanding the digital revolution, in particular the extent to we are increasingly and comprehensively connected with screens. Smart phones, tablets, and computers have become a primary referential optical apparatus for everyday life in ways that influence the experience not only of seeing but also of thinking and desiring. Carbone's Philosophy-Screens follows Deleuze's call for "a philosophy-cinema" that can account for these fundamental changes in perception and aesthetic production, and adapts it to twenty-first century concerns"-- |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781438474663 1438474660 |
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| 520 | |a "In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty's interest in film as it relates to his aesthetic theory. Philosophy-Screens broadens the work undertaken in this earlier book, looking at the ideas of other twentieth-century thinkers concerning the relationship between philosophy and film, and also extending that analysis to address the wider proliferation of screens in the twenty-first century. In the first part of the book, Carbone examines the ways that Sartre, Merleau-Ponty, Lyotard, and Deleuze grappled with the philosophical significance of cinema as a novel aesthetic medium unfolding in the twentieth century. He then considers the significance of this philosophical framework for understanding the digital revolution, in particular the extent to we are increasingly and comprehensively connected with screens. Smart phones, tablets, and computers have become a primary referential optical apparatus for everyday life in ways that influence the experience not only of seeing but also of thinking and desiring. Carbone's Philosophy-Screens follows Deleuze's call for "a philosophy-cinema" that can account for these fundamental changes in perception and aesthetic production, and adapts it to twenty-first century concerns"-- |c Provided by publisher | ||
| 504 | |a Includes bibliographical references and index. | ||
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| contents | Sartre and Deleuze Via Bergson -- The philosopher and the moviemaker: Merleau-Ponty and the thinking of cinema -- The torn curtain: Lyotard, the screen and a cinema named desire -- Delimiting to exceed -- Come live with me -- Making philosophy among and through the screens. |
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| indexdate | 2024-11-27T13:29:31Z |
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| language | English French |
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| spelling | Carbone, Mauro, 1956- author. https://id.oclc.org/worldcat/entity/E39PBJvmKkFqdJDm9qwVyCgtKd http://id.loc.gov/authorities/names/nr94036545 Philosophie-écrans. English Philosophy-screens : from cinema to the digital revolution / Mauro Carbone ; translated by Marta Nijhuis. Albany : State University of New York Press, [2019] ©2019 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier SUNY series in contemporary continental philosophy "In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty's interest in film as it relates to his aesthetic theory. Philosophy-Screens broadens the work undertaken in this earlier book, looking at the ideas of other twentieth-century thinkers concerning the relationship between philosophy and film, and also extending that analysis to address the wider proliferation of screens in the twenty-first century. In the first part of the book, Carbone examines the ways that Sartre, Merleau-Ponty, Lyotard, and Deleuze grappled with the philosophical significance of cinema as a novel aesthetic medium unfolding in the twentieth century. He then considers the significance of this philosophical framework for understanding the digital revolution, in particular the extent to we are increasingly and comprehensively connected with screens. Smart phones, tablets, and computers have become a primary referential optical apparatus for everyday life in ways that influence the experience not only of seeing but also of thinking and desiring. Carbone's Philosophy-Screens follows Deleuze's call for "a philosophy-cinema" that can account for these fundamental changes in perception and aesthetic production, and adapts it to twenty-first century concerns"-- Provided by publisher Includes bibliographical references and index. Sartre and Deleuze Via Bergson -- The philosopher and the moviemaker: Merleau-Ponty and the thinking of cinema -- The torn curtain: Lyotard, the screen and a cinema named desire -- Delimiting to exceed -- Come live with me -- Making philosophy among and through the screens. Online resource; title from PDF title page (EBSCO; viewed June 20, 2019) Motion pictures Philosophy. Philosophy, Modern 20th century. http://id.loc.gov/authorities/subjects/sh85100964 Philosophy, Modern. http://id.loc.gov/authorities/subjects/sh85100960 Philosophie 20e siècle. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh Motion pictures Philosophy fast Philosophy, Modern fast 1900-1999 fast Nijhuis, Marta, 1983- translator. https://id.oclc.org/worldcat/entity/E39PCjxPmDhG4XvwqqjgJw4hh3 http://id.loc.gov/authorities/names/n2015003283 has work: Philosophy-screens (Text) https://id.oclc.org/worldcat/entity/E39PCGVWxBdHJHMw9PRtwYmPgq https://id.oclc.org/worldcat/ontology/hasWork SUNY series in contemporary continental philosophy. http://id.loc.gov/authorities/names/n84720871 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2168110 Volltext |
| spellingShingle | Carbone, Mauro, 1956- Philosophy-screens : from cinema to the digital revolution / SUNY series in contemporary continental philosophy. Sartre and Deleuze Via Bergson -- The philosopher and the moviemaker: Merleau-Ponty and the thinking of cinema -- The torn curtain: Lyotard, the screen and a cinema named desire -- Delimiting to exceed -- Come live with me -- Making philosophy among and through the screens. Motion pictures Philosophy. Philosophy, Modern 20th century. http://id.loc.gov/authorities/subjects/sh85100964 Philosophy, Modern. http://id.loc.gov/authorities/subjects/sh85100960 Philosophie 20e siècle. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh Motion pictures Philosophy fast Philosophy, Modern fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85100964 http://id.loc.gov/authorities/subjects/sh85100960 |
| title | Philosophy-screens : from cinema to the digital revolution / |
| title_alt | Philosophie-écrans. |
| title_auth | Philosophy-screens : from cinema to the digital revolution / |
| title_exact_search | Philosophy-screens : from cinema to the digital revolution / |
| title_full | Philosophy-screens : from cinema to the digital revolution / Mauro Carbone ; translated by Marta Nijhuis. |
| title_fullStr | Philosophy-screens : from cinema to the digital revolution / Mauro Carbone ; translated by Marta Nijhuis. |
| title_full_unstemmed | Philosophy-screens : from cinema to the digital revolution / Mauro Carbone ; translated by Marta Nijhuis. |
| title_short | Philosophy-screens : |
| title_sort | philosophy screens from cinema to the digital revolution |
| title_sub | from cinema to the digital revolution / |
| topic | Motion pictures Philosophy. Philosophy, Modern 20th century. http://id.loc.gov/authorities/subjects/sh85100964 Philosophy, Modern. http://id.loc.gov/authorities/subjects/sh85100960 Philosophie 20e siècle. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh Motion pictures Philosophy fast Philosophy, Modern fast |
| topic_facet | Motion pictures Philosophy. Philosophy, Modern 20th century. Philosophy, Modern. Philosophie 20e siècle. Cinéma Philosophie. PERFORMING ARTS Reference. Motion pictures Philosophy Philosophy, Modern |
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