Musical authorship from Schütz to Bach /:
Explores the meanings of the term 'author' for seventeenth-century German musicians, examining how compositions were made and used.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge :
Cambridge University Press,
2019.
|
| Schriftenreihe: | Musical performance and reception.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Explores the meanings of the term 'author' for seventeenth-century German musicians, examining how compositions were made and used. |
| Beschreibung: | 1 online resource (262 pages) |
| ISBN: | 1108372953 9781108372954 9781108363280 1108363288 |
Internformat
MARC
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| 245 | 1 | 0 | |a Musical authorship from Schütz to Bach / |c Stephen Rose. |
| 264 | 1 | |a Cambridge : |b Cambridge University Press, |c 2019. | |
| 300 | |a 1 online resource (262 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Musical Performance and Reception | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half-title; Series information; Title page; Copyright information; Dedication; Contents; List of Figures; Music Examples; Acknowledgements; Author's Note; List of Abbreviations; Introduction; Chapter 1 God, Talent, Craft: Concepts of Musical Creativity; Theological Concepts of Creativity; Humanist Notions of Authorship; The Artisanal View of Production; Debates about Invention; Epilogue; Chapter 2 Between Imitatio and Plagiarism; Imitatio and Authority; Emulation and Allusion; Plagiarism versus Honest Theft; Early Capitalism and Musical Borrowing; Epilogue | |
| 505 | 8 | |a Chapter 3 Signs of IndividualityCapitalism and the Crisis of Authentication; Composers and Authentication Marks; Composer Portraits in Printed Music; Individuality and Compositional Style; Chapter 4 Rites of Musical Ownership; Common Good versus Princely Secrecy; Privileges as Princely Protection; Privileges versus Piracy; Musical Ownership in the Age of Manuscript; Chapter 5 The Regulation of Novelty; Social Discipline and Music; The 1580 Edict and Its Implementation; The Cantor as Composer; Choosing a New Cantor; Chapter 6 Authorship and Performance | |
| 505 | 8 | |a Models for the Composer-Performer Relationship Composition and Performance as Separate Spheres; The Composer as Ideal Performer; Authorial Intentions and Performance; Conclusion; Bibliography; Primary Sources; Manuscripts; Printed Primary Sources; Secondary sources; Modern editions of music; Index | |
| 520 | |a Explores the meanings of the term 'author' for seventeenth-century German musicians, examining how compositions were made and used. | ||
| 650 | 0 | |a Composition (Music) |x History |y 17th century. | |
| 650 | 0 | |a Composition (Music) |x History |y 18th century. | |
| 650 | 0 | |a Authorship. |0 http://id.loc.gov/authorities/subjects/sh85010030 | |
| 650 | 2 | |a Authorship |0 https://id.nlm.nih.gov/mesh/D001319 | |
| 650 | 6 | |a Composition (Musique) |x Histoire |y 17e siècle. | |
| 650 | 6 | |a Composition (Musique) |x Histoire |y 18e siècle. | |
| 650 | 6 | |a Art d'écrire. | |
| 650 | 7 | |a authorship. |2 aat | |
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| 776 | 0 | 8 | |i Print version: |a Rose, Stephen. |t Musical Authorship from Schütz to Bach. |d Cambridge : Cambridge University Press, ©2019 |z 9781108421072 |
| 830 | 0 | |a Musical performance and reception. |0 http://id.loc.gov/authorities/names/n2002071372 | |
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| author_facet | Rose, Stephen, 1975- |
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| author_sort | Rose, Stephen, 1975- |
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| contents | Cover; Half-title; Series information; Title page; Copyright information; Dedication; Contents; List of Figures; Music Examples; Acknowledgements; Author's Note; List of Abbreviations; Introduction; Chapter 1 God, Talent, Craft: Concepts of Musical Creativity; Theological Concepts of Creativity; Humanist Notions of Authorship; The Artisanal View of Production; Debates about Invention; Epilogue; Chapter 2 Between Imitatio and Plagiarism; Imitatio and Authority; Emulation and Allusion; Plagiarism versus Honest Theft; Early Capitalism and Musical Borrowing; Epilogue Chapter 3 Signs of IndividualityCapitalism and the Crisis of Authentication; Composers and Authentication Marks; Composer Portraits in Printed Music; Individuality and Compositional Style; Chapter 4 Rites of Musical Ownership; Common Good versus Princely Secrecy; Privileges as Princely Protection; Privileges versus Piracy; Musical Ownership in the Age of Manuscript; Chapter 5 The Regulation of Novelty; Social Discipline and Music; The 1580 Edict and Its Implementation; The Cantor as Composer; Choosing a New Cantor; Chapter 6 Authorship and Performance Models for the Composer-Performer Relationship Composition and Performance as Separate Spheres; The Composer as Ideal Performer; Authorial Intentions and Performance; Conclusion; Bibliography; Primary Sources; Manuscripts; Printed Primary Sources; Secondary sources; Modern editions of music; Index |
| ctrlnum | (OCoLC)1103219938 |
| dewey-full | 781.30943/09032 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.30943/09032 |
| dewey-search | 781.30943/09032 |
| dewey-sort | 3781.30943 49032 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1600-1799 fast |
| era_facet | 1600-1799 |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1103219938 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:29Z |
| institution | BVB |
| isbn | 1108372953 9781108372954 9781108363280 1108363288 |
| language | English |
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| spelling | Rose, Stephen, 1975- author. https://id.oclc.org/worldcat/entity/E39PCjrVy8MBGTm33mYTkRhdkP http://id.loc.gov/authorities/names/n2010057068 Musical authorship from Schütz to Bach / Stephen Rose. Cambridge : Cambridge University Press, 2019. 1 online resource (262 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Musical Performance and Reception Print version record. Cover; Half-title; Series information; Title page; Copyright information; Dedication; Contents; List of Figures; Music Examples; Acknowledgements; Author's Note; List of Abbreviations; Introduction; Chapter 1 God, Talent, Craft: Concepts of Musical Creativity; Theological Concepts of Creativity; Humanist Notions of Authorship; The Artisanal View of Production; Debates about Invention; Epilogue; Chapter 2 Between Imitatio and Plagiarism; Imitatio and Authority; Emulation and Allusion; Plagiarism versus Honest Theft; Early Capitalism and Musical Borrowing; Epilogue Chapter 3 Signs of IndividualityCapitalism and the Crisis of Authentication; Composers and Authentication Marks; Composer Portraits in Printed Music; Individuality and Compositional Style; Chapter 4 Rites of Musical Ownership; Common Good versus Princely Secrecy; Privileges as Princely Protection; Privileges versus Piracy; Musical Ownership in the Age of Manuscript; Chapter 5 The Regulation of Novelty; Social Discipline and Music; The 1580 Edict and Its Implementation; The Cantor as Composer; Choosing a New Cantor; Chapter 6 Authorship and Performance Models for the Composer-Performer Relationship Composition and Performance as Separate Spheres; The Composer as Ideal Performer; Authorial Intentions and Performance; Conclusion; Bibliography; Primary Sources; Manuscripts; Printed Primary Sources; Secondary sources; Modern editions of music; Index Explores the meanings of the term 'author' for seventeenth-century German musicians, examining how compositions were made and used. Composition (Music) History 17th century. Composition (Music) History 18th century. Authorship. http://id.loc.gov/authorities/subjects/sh85010030 Authorship https://id.nlm.nih.gov/mesh/D001319 Composition (Musique) Histoire 17e siècle. Composition (Musique) Histoire 18e siècle. Art d'écrire. authorship. aat MUSIC Instruction & Study Theory. bisacsh Authorship fast Composition (Music) fast 1600-1799 fast History fast has work: Musical authorship from Schütz to Bach (Text) https://id.oclc.org/worldcat/entity/E39PCGjtbqyhvv7wpBRydKPtgC https://id.oclc.org/worldcat/ontology/hasWork Print version: Rose, Stephen. Musical Authorship from Schütz to Bach. Cambridge : Cambridge University Press, ©2019 9781108421072 Musical performance and reception. http://id.loc.gov/authorities/names/n2002071372 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2112070 Volltext |
| spellingShingle | Rose, Stephen, 1975- Musical authorship from Schütz to Bach / Musical performance and reception. Cover; Half-title; Series information; Title page; Copyright information; Dedication; Contents; List of Figures; Music Examples; Acknowledgements; Author's Note; List of Abbreviations; Introduction; Chapter 1 God, Talent, Craft: Concepts of Musical Creativity; Theological Concepts of Creativity; Humanist Notions of Authorship; The Artisanal View of Production; Debates about Invention; Epilogue; Chapter 2 Between Imitatio and Plagiarism; Imitatio and Authority; Emulation and Allusion; Plagiarism versus Honest Theft; Early Capitalism and Musical Borrowing; Epilogue Chapter 3 Signs of IndividualityCapitalism and the Crisis of Authentication; Composers and Authentication Marks; Composer Portraits in Printed Music; Individuality and Compositional Style; Chapter 4 Rites of Musical Ownership; Common Good versus Princely Secrecy; Privileges as Princely Protection; Privileges versus Piracy; Musical Ownership in the Age of Manuscript; Chapter 5 The Regulation of Novelty; Social Discipline and Music; The 1580 Edict and Its Implementation; The Cantor as Composer; Choosing a New Cantor; Chapter 6 Authorship and Performance Models for the Composer-Performer Relationship Composition and Performance as Separate Spheres; The Composer as Ideal Performer; Authorial Intentions and Performance; Conclusion; Bibliography; Primary Sources; Manuscripts; Printed Primary Sources; Secondary sources; Modern editions of music; Index Composition (Music) History 17th century. Composition (Music) History 18th century. Authorship. http://id.loc.gov/authorities/subjects/sh85010030 Authorship https://id.nlm.nih.gov/mesh/D001319 Composition (Musique) Histoire 17e siècle. Composition (Musique) Histoire 18e siècle. Art d'écrire. authorship. aat MUSIC Instruction & Study Theory. bisacsh Authorship fast Composition (Music) fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85010030 https://id.nlm.nih.gov/mesh/D001319 |
| title | Musical authorship from Schütz to Bach / |
| title_auth | Musical authorship from Schütz to Bach / |
| title_exact_search | Musical authorship from Schütz to Bach / |
| title_full | Musical authorship from Schütz to Bach / Stephen Rose. |
| title_fullStr | Musical authorship from Schütz to Bach / Stephen Rose. |
| title_full_unstemmed | Musical authorship from Schütz to Bach / Stephen Rose. |
| title_short | Musical authorship from Schütz to Bach / |
| title_sort | musical authorship from schutz to bach |
| topic | Composition (Music) History 17th century. Composition (Music) History 18th century. Authorship. http://id.loc.gov/authorities/subjects/sh85010030 Authorship https://id.nlm.nih.gov/mesh/D001319 Composition (Musique) Histoire 17e siècle. Composition (Musique) Histoire 18e siècle. Art d'écrire. authorship. aat MUSIC Instruction & Study Theory. bisacsh Authorship fast Composition (Music) fast |
| topic_facet | Composition (Music) History 17th century. Composition (Music) History 18th century. Authorship. Authorship Composition (Musique) Histoire 17e siècle. Composition (Musique) Histoire 18e siècle. Art d'écrire. authorship. MUSIC Instruction & Study Theory. Composition (Music) History |
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