The dramaturgy of the spectator :: Italian theatre and the public sphere, 1600-1800 /
"The Dramaturgy of the Spectator: pioneers a shift in the way we think about theatre audience as both theoretical concept and historical phenomenon by examining the metomorphosis of spectators from an uncritical mass of early modern theatre-goers to an Enlightenment audience of experts and crit...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto ; Buffalo ; London :
University of Toronto Press,
[2019]
|
| Schriftenreihe: | Toronto Italian studies.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "The Dramaturgy of the Spectator: pioneers a shift in the way we think about theatre audience as both theoretical concept and historical phenomenon by examining the metomorphosis of spectators from an uncritical mass of early modern theatre-goers to an Enlightenment audience of experts and critics. This study argues for a gradual change in the self-conception of the spectatorship during the two"golden" centuries of Italian dramatic literature, outlining the dramatic strategies by which theatre called into being an adjusting audience capable of both aesthetics and political analysis. The author shows that, contrary to expectations, the public's progressive centrality to the theatre helped to create rather than hinder the playwrights's self-assertion and expression. At the same time, the discussion moves beyond spectatorship per se to consider a range of cultural assumptions and practices. These include the emergent public sphere, the power structures and social and cultural politics in Italy."-- |
| Beschreibung: | 1 online resource (xii, 261 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781487532093 1487532091 9781487532086 1487532083 |
Internformat
MARC
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|---|---|---|---|
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| 100 | 1 | |a Korneeva, Tatiana, |e author. |0 http://id.loc.gov/authorities/names/no2012018941 | |
| 245 | 1 | 4 | |a The dramaturgy of the spectator : |b Italian theatre and the public sphere, 1600-1800 / |c Tatiana Korneeva. |
| 264 | 1 | |a Toronto ; |a Buffalo ; |a London : |b University of Toronto Press, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (xii, 261 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Toronto Italian studies | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "The Dramaturgy of the Spectator: pioneers a shift in the way we think about theatre audience as both theoretical concept and historical phenomenon by examining the metomorphosis of spectators from an uncritical mass of early modern theatre-goers to an Enlightenment audience of experts and critics. This study argues for a gradual change in the self-conception of the spectatorship during the two"golden" centuries of Italian dramatic literature, outlining the dramatic strategies by which theatre called into being an adjusting audience capable of both aesthetics and political analysis. The author shows that, contrary to expectations, the public's progressive centrality to the theatre helped to create rather than hinder the playwrights's self-assertion and expression. At the same time, the discussion moves beyond spectatorship per se to consider a range of cultural assumptions and practices. These include the emergent public sphere, the power structures and social and cultural politics in Italy."-- |c Provided by publisher | ||
| 505 | 0 | |a Chronology -- Introduction -- 1. How Theatre Invents the Public Sphere -- 2. The Privileged Visibility of the Viewer -- 3. The Politics of Spectatorship -- 4. Public Emotions and Emotional Publics -- 5. Playwrights Fight Back -- 6. Liberty and the Audience -- Epilogue. | |
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Theater audiences |z Italy |x History |y 17th century. | |
| 650 | 0 | |a Theater audiences |z Italy |x History |y 18th century. | |
| 650 | 0 | |a Theater audiences |z Italy |x Psychology |x History |y 17th century. | |
| 650 | 0 | |a Theater audiences |z Italy |x Psychology |x History |y 18th century. | |
| 650 | 0 | |a Spectators |z Italy |x History |y 17th century. | |
| 650 | 0 | |a Spectators |z Italy |x History |y 18th century. | |
| 650 | 0 | |a Italian drama |y To 1700 |x History and criticism. | |
| 650 | 0 | |a Italian drama |y 18th century |x History and criticism. | |
| 650 | 6 | |a Théâtre |x Publics |z Italie |x Histoire |y 17e siècle. | |
| 650 | 6 | |a Théâtre |x Publics |z Italie |x Histoire |y 18e siècle. | |
| 650 | 6 | |a Spectateurs |z Italie |x Histoire |y 17e siècle. | |
| 650 | 6 | |a Spectateurs |z Italie |x Histoire |y 18e siècle. | |
| 650 | 6 | |a Théâtre italien |y Jusqu'à 1700 |x Histoire et critique. | |
| 650 | 6 | |a Théâtre italien |y 18e siècle |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x Italian. |2 bisacsh | |
| 650 | 7 | |a Italian drama |2 fast | |
| 650 | 7 | |a Spectators |2 fast | |
| 650 | 7 | |a Theater audiences |2 fast | |
| 650 | 7 | |a Theater audiences |x Psychology |2 fast | |
| 651 | 7 | |a Italy |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP | |
| 648 | 7 | |a To 1799 |2 fast | |
| 653 | |a art. | ||
| 653 | |a audience. | ||
| 653 | |a drama. | ||
| 653 | |a dramaturgy. | ||
| 653 | |a history of the theatre. | ||
| 653 | |a italian history. | ||
| 653 | |a italian literature. | ||
| 653 | |a italian theatre. | ||
| 653 | |a literature. | ||
| 653 | |a performance studies. | ||
| 653 | |a public sphere. | ||
| 653 | |a spectators. | ||
| 653 | |a theatre studies. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a The dramaturgy of the spectator (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFM7FyMxWBWtbGTG7Vrpfq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Korneeva, Tatiana. |t Dramaturgy of the spectator. |d Toronto ; Buffalo ; London : University of Toronto Press, 2019 |z 9781487505356 |w (OCoLC)1085566474 |
| 830 | 0 | |a Toronto Italian studies. |0 http://id.loc.gov/authorities/names/n95026425 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2127274 |3 Volltext |
| 938 | |a Project MUSE |b MUSE |n musev2_108125 | ||
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| 938 | |a Askews and Holts Library Services |b ASKH |n AH36345167 | ||
| 938 | |a Canadian Electronic Library |b CELB |n 457569 | ||
| 938 | |a De Gruyter |b DEGR |n 9781487532086 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5774589 | ||
| 938 | |a EBSCOhost |b EBSC |n 2127274 | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1101101121 |
|---|---|
| _version_ | 1816882492757508097 |
| adam_text | |
| any_adam_object | |
| author | Korneeva, Tatiana |
| author_GND | http://id.loc.gov/authorities/names/no2012018941 |
| author_facet | Korneeva, Tatiana |
| author_role | aut |
| author_sort | Korneeva, Tatiana |
| author_variant | t k tk |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN2672 |
| callnumber-raw | PN2672.A84 K67 2019 |
| callnumber-search | PN2672.A84 K67 2019 |
| callnumber-sort | PN 42672 A84 K67 42019 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Chronology -- Introduction -- 1. How Theatre Invents the Public Sphere -- 2. The Privileged Visibility of the Viewer -- 3. The Politics of Spectatorship -- 4. Public Emotions and Emotional Publics -- 5. Playwrights Fight Back -- 6. Liberty and the Audience -- Epilogue. |
| ctrlnum | (OCoLC)1101101121 |
| dewey-full | 792.0945 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.0945 |
| dewey-search | 792.0945 |
| dewey-sort | 3792.0945 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | To 1799 fast |
| era_facet | To 1799 |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| geographic | Italy fast https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP |
| geographic_facet | Italy |
| id | ZDB-4-EBA-on1101101121 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:28Z |
| institution | BVB |
| isbn | 9781487532093 1487532091 9781487532086 1487532083 |
| language | English |
| oclc_num | 1101101121 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 261 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | University of Toronto Press, |
| record_format | marc |
| series | Toronto Italian studies. |
| series2 | Toronto Italian studies |
| spelling | Korneeva, Tatiana, author. http://id.loc.gov/authorities/names/no2012018941 The dramaturgy of the spectator : Italian theatre and the public sphere, 1600-1800 / Tatiana Korneeva. Toronto ; Buffalo ; London : University of Toronto Press, [2019] ©2019 1 online resource (xii, 261 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Toronto Italian studies Includes bibliographical references and index. "The Dramaturgy of the Spectator: pioneers a shift in the way we think about theatre audience as both theoretical concept and historical phenomenon by examining the metomorphosis of spectators from an uncritical mass of early modern theatre-goers to an Enlightenment audience of experts and critics. This study argues for a gradual change in the self-conception of the spectatorship during the two"golden" centuries of Italian dramatic literature, outlining the dramatic strategies by which theatre called into being an adjusting audience capable of both aesthetics and political analysis. The author shows that, contrary to expectations, the public's progressive centrality to the theatre helped to create rather than hinder the playwrights's self-assertion and expression. At the same time, the discussion moves beyond spectatorship per se to consider a range of cultural assumptions and practices. These include the emergent public sphere, the power structures and social and cultural politics in Italy."-- Provided by publisher Chronology -- Introduction -- 1. How Theatre Invents the Public Sphere -- 2. The Privileged Visibility of the Viewer -- 3. The Politics of Spectatorship -- 4. Public Emotions and Emotional Publics -- 5. Playwrights Fight Back -- 6. Liberty and the Audience -- Epilogue. Print version record. Theater audiences Italy History 17th century. Theater audiences Italy History 18th century. Theater audiences Italy Psychology History 17th century. Theater audiences Italy Psychology History 18th century. Spectators Italy History 17th century. Spectators Italy History 18th century. Italian drama To 1700 History and criticism. Italian drama 18th century History and criticism. Théâtre Publics Italie Histoire 17e siècle. Théâtre Publics Italie Histoire 18e siècle. Spectateurs Italie Histoire 17e siècle. Spectateurs Italie Histoire 18e siècle. Théâtre italien Jusqu'à 1700 Histoire et critique. Théâtre italien 18e siècle Histoire et critique. PERFORMING ARTS Theater General. bisacsh LITERARY CRITICISM European Italian. bisacsh Italian drama fast Spectators fast Theater audiences fast Theater audiences Psychology fast Italy fast https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP To 1799 fast art. audience. drama. dramaturgy. history of the theatre. italian history. italian literature. italian theatre. literature. performance studies. public sphere. spectators. theatre studies. Criticism, interpretation, etc. fast History fast has work: The dramaturgy of the spectator (Text) https://id.oclc.org/worldcat/entity/E39PCFM7FyMxWBWtbGTG7Vrpfq https://id.oclc.org/worldcat/ontology/hasWork Print version: Korneeva, Tatiana. Dramaturgy of the spectator. Toronto ; Buffalo ; London : University of Toronto Press, 2019 9781487505356 (OCoLC)1085566474 Toronto Italian studies. http://id.loc.gov/authorities/names/n95026425 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2127274 Volltext |
| spellingShingle | Korneeva, Tatiana The dramaturgy of the spectator : Italian theatre and the public sphere, 1600-1800 / Toronto Italian studies. Chronology -- Introduction -- 1. How Theatre Invents the Public Sphere -- 2. The Privileged Visibility of the Viewer -- 3. The Politics of Spectatorship -- 4. Public Emotions and Emotional Publics -- 5. Playwrights Fight Back -- 6. Liberty and the Audience -- Epilogue. Theater audiences Italy History 17th century. Theater audiences Italy History 18th century. Theater audiences Italy Psychology History 17th century. Theater audiences Italy Psychology History 18th century. Spectators Italy History 17th century. Spectators Italy History 18th century. Italian drama To 1700 History and criticism. Italian drama 18th century History and criticism. Théâtre Publics Italie Histoire 17e siècle. Théâtre Publics Italie Histoire 18e siècle. Spectateurs Italie Histoire 17e siècle. Spectateurs Italie Histoire 18e siècle. Théâtre italien Jusqu'à 1700 Histoire et critique. Théâtre italien 18e siècle Histoire et critique. PERFORMING ARTS Theater General. bisacsh LITERARY CRITICISM European Italian. bisacsh Italian drama fast Spectators fast Theater audiences fast Theater audiences Psychology fast |
| title | The dramaturgy of the spectator : Italian theatre and the public sphere, 1600-1800 / |
| title_auth | The dramaturgy of the spectator : Italian theatre and the public sphere, 1600-1800 / |
| title_exact_search | The dramaturgy of the spectator : Italian theatre and the public sphere, 1600-1800 / |
| title_full | The dramaturgy of the spectator : Italian theatre and the public sphere, 1600-1800 / Tatiana Korneeva. |
| title_fullStr | The dramaturgy of the spectator : Italian theatre and the public sphere, 1600-1800 / Tatiana Korneeva. |
| title_full_unstemmed | The dramaturgy of the spectator : Italian theatre and the public sphere, 1600-1800 / Tatiana Korneeva. |
| title_short | The dramaturgy of the spectator : |
| title_sort | dramaturgy of the spectator italian theatre and the public sphere 1600 1800 |
| title_sub | Italian theatre and the public sphere, 1600-1800 / |
| topic | Theater audiences Italy History 17th century. Theater audiences Italy History 18th century. Theater audiences Italy Psychology History 17th century. Theater audiences Italy Psychology History 18th century. Spectators Italy History 17th century. Spectators Italy History 18th century. Italian drama To 1700 History and criticism. Italian drama 18th century History and criticism. Théâtre Publics Italie Histoire 17e siècle. Théâtre Publics Italie Histoire 18e siècle. Spectateurs Italie Histoire 17e siècle. Spectateurs Italie Histoire 18e siècle. Théâtre italien Jusqu'à 1700 Histoire et critique. Théâtre italien 18e siècle Histoire et critique. PERFORMING ARTS Theater General. bisacsh LITERARY CRITICISM European Italian. bisacsh Italian drama fast Spectators fast Theater audiences fast Theater audiences Psychology fast |
| topic_facet | Theater audiences Italy History 17th century. Theater audiences Italy History 18th century. Theater audiences Italy Psychology History 17th century. Theater audiences Italy Psychology History 18th century. Spectators Italy History 17th century. Spectators Italy History 18th century. Italian drama To 1700 History and criticism. Italian drama 18th century History and criticism. Théâtre Publics Italie Histoire 17e siècle. Théâtre Publics Italie Histoire 18e siècle. Spectateurs Italie Histoire 17e siècle. Spectateurs Italie Histoire 18e siècle. Théâtre italien Jusqu'à 1700 Histoire et critique. Théâtre italien 18e siècle Histoire et critique. PERFORMING ARTS Theater General. LITERARY CRITICISM European Italian. Italian drama Spectators Theater audiences Theater audiences Psychology Italy Criticism, interpretation, etc. History |
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