Film and identity in Kazakhstan :: Soviet and post-Soviet culture in Central Asia /
Cinema and nationalism are two fundamentally modern phenomena, but how have films shaped our understanding of the creation--the 'imagining'--of Central Asian nations? Here, Rico Isaacs uses cinema as an analytical lens to explore how Kazakh national identity has been constructed and contes...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
I.B. Tauris & Co. Ltd,
2018.
|
| Schriftenreihe: | International library of Central Asian studies ;
11. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Cinema and nationalism are two fundamentally modern phenomena, but how have films shaped our understanding of the creation--the 'imagining'--of Central Asian nations? Here, Rico Isaacs uses cinema as an analytical lens to explore how Kazakh national identity has been constructed and contested. Drawing on an analysis of Kazakh films from the last century, and featuring new interviews with directors and critics involved in the Central Asian film industry, his book traces the construction of nationalism within Kazakh cinema from the country's inception as a Soviet Republic to its current status as a modern independent nation. Isaacs identifies four narratives since the collapse of the Soviet Union: a warrior-like 'ethnic' narrative rooted in the eighteenth-century struggles against the Mongolian Oirat tribes; a 'civic' inspired narrative cemented in the Stalinist deportations of the 1930s and 1940s; a religious narrative founded within the mystic and philosophical religion of Tengrism and the cult of the Sky God; and a socio-economic narrative which roots Kazakh nationhood and identity in contemporary social divisions, the lived day-to-day experiences of ordinary citizens and the struggles they face with authority. These last two tropes demonstrate how cinema has emerged as a site of dissent against the country's authoritarian regime under President Nazarbayev. Film and Identity in Kazakhstan advances our understanding of Kazakhstan and nationalism by demonstrating the multiple and inessential character of each, and illustrates the important role of cinema in contesting political power in the post-Soviet space--back cover. |
| Beschreibung: | 1 online resource (xv, 332 pages) : illustrations |
| Bibliographie: | Includes bibliographical references, filmography, and index. |
| ISBN: | 9781838608538 1838608532 |
Internformat
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| 504 | |a Includes bibliographical references, filmography, and index. | ||
| 505 | 0 | |a Introduction: From Constructed to Contested Nations: Theorising and Analysing Nation and Cinema -- 1. Kazakh Khanate to Kazakh Eli: Nation-building in Kazakhstan in Historical and Political Context -- 2. Between Two Worlds: Kazakh Film and Nation-building in the Soviet Era -- 3. The Disruption of Time: The 'Kazakh New Wave' 1985-95 -- 4. Naked in the Mirror: The Ethno-centric Narrative of Kazakh Nationhood -- 5. May the Grass Never Grow at Your Door: The Civic Conception of Nationhood in Kazakh Cinema -- 6. 'Hymn to Mother': Tengrism, Motherhood and Nationhood -- 7. The Steppe, Disorienatin, Division and Corruption: Social and Economic Visions of Modern Nationhood -- Conclusion. | |
| 520 | |a Cinema and nationalism are two fundamentally modern phenomena, but how have films shaped our understanding of the creation--the 'imagining'--of Central Asian nations? Here, Rico Isaacs uses cinema as an analytical lens to explore how Kazakh national identity has been constructed and contested. Drawing on an analysis of Kazakh films from the last century, and featuring new interviews with directors and critics involved in the Central Asian film industry, his book traces the construction of nationalism within Kazakh cinema from the country's inception as a Soviet Republic to its current status as a modern independent nation. Isaacs identifies four narratives since the collapse of the Soviet Union: a warrior-like 'ethnic' narrative rooted in the eighteenth-century struggles against the Mongolian Oirat tribes; a 'civic' inspired narrative cemented in the Stalinist deportations of the 1930s and 1940s; a religious narrative founded within the mystic and philosophical religion of Tengrism and the cult of the Sky God; and a socio-economic narrative which roots Kazakh nationhood and identity in contemporary social divisions, the lived day-to-day experiences of ordinary citizens and the struggles they face with authority. These last two tropes demonstrate how cinema has emerged as a site of dissent against the country's authoritarian regime under President Nazarbayev. Film and Identity in Kazakhstan advances our understanding of Kazakhstan and nationalism by demonstrating the multiple and inessential character of each, and illustrates the important role of cinema in contesting political power in the post-Soviet space--back cover. | ||
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| _version_ | 1813901649649860608 |
| adam_text | |
| any_adam_object | |
| author | Isaacs, Rico |
| author_facet | Isaacs, Rico |
| author_role | aut |
| author_sort | Isaacs, Rico |
| author_variant | r i ri |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
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| callnumber-search | PN1993.5.K3 I87 2018eb |
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| contents | Introduction: From Constructed to Contested Nations: Theorising and Analysing Nation and Cinema -- 1. Kazakh Khanate to Kazakh Eli: Nation-building in Kazakhstan in Historical and Political Context -- 2. Between Two Worlds: Kazakh Film and Nation-building in the Soviet Era -- 3. The Disruption of Time: The 'Kazakh New Wave' 1985-95 -- 4. Naked in the Mirror: The Ethno-centric Narrative of Kazakh Nationhood -- 5. May the Grass Never Grow at Your Door: The Civic Conception of Nationhood in Kazakh Cinema -- 6. 'Hymn to Mother': Tengrism, Motherhood and Nationhood -- 7. The Steppe, Disorienatin, Division and Corruption: Social and Economic Visions of Modern Nationhood -- Conclusion. |
| ctrlnum | (OCoLC)1099790963 |
| dewey-full | 791.74095845 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.74095845 |
| dewey-search | 791.74095845 |
| dewey-sort | 3791.74095845 |
| dewey-tens | 790 - Recreational and performing arts |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | Kazakhstan fast https://id.oclc.org/worldcat/entity/E39PBJv4jmDKWMFmwMcfHbyTpP |
| geographic_facet | Kazakhstan |
| id | ZDB-4-EBA-on1099790963 |
| illustrated | Illustrated |
| indexdate | 2024-10-25T15:50:15Z |
| institution | BVB |
| isbn | 9781838608538 1838608532 |
| language | English |
| oclc_num | 1099790963 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource (xv, 332 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | I.B. Tauris & Co. Ltd, |
| record_format | marc |
| series | International library of Central Asian studies ; |
| series2 | International library of Central Asian studies ; |
| spelling | Isaacs, Rico, author. Film and identity in Kazakhstan : Soviet and post-Soviet culture in Central Asia / Rico Isaacs. London : I.B. Tauris & Co. Ltd, 2018. ©2018 1 online resource (xv, 332 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier International library of Central Asian studies ; 11 Includes bibliographical references, filmography, and index. Introduction: From Constructed to Contested Nations: Theorising and Analysing Nation and Cinema -- 1. Kazakh Khanate to Kazakh Eli: Nation-building in Kazakhstan in Historical and Political Context -- 2. Between Two Worlds: Kazakh Film and Nation-building in the Soviet Era -- 3. The Disruption of Time: The 'Kazakh New Wave' 1985-95 -- 4. Naked in the Mirror: The Ethno-centric Narrative of Kazakh Nationhood -- 5. May the Grass Never Grow at Your Door: The Civic Conception of Nationhood in Kazakh Cinema -- 6. 'Hymn to Mother': Tengrism, Motherhood and Nationhood -- 7. The Steppe, Disorienatin, Division and Corruption: Social and Economic Visions of Modern Nationhood -- Conclusion. Cinema and nationalism are two fundamentally modern phenomena, but how have films shaped our understanding of the creation--the 'imagining'--of Central Asian nations? Here, Rico Isaacs uses cinema as an analytical lens to explore how Kazakh national identity has been constructed and contested. Drawing on an analysis of Kazakh films from the last century, and featuring new interviews with directors and critics involved in the Central Asian film industry, his book traces the construction of nationalism within Kazakh cinema from the country's inception as a Soviet Republic to its current status as a modern independent nation. Isaacs identifies four narratives since the collapse of the Soviet Union: a warrior-like 'ethnic' narrative rooted in the eighteenth-century struggles against the Mongolian Oirat tribes; a 'civic' inspired narrative cemented in the Stalinist deportations of the 1930s and 1940s; a religious narrative founded within the mystic and philosophical religion of Tengrism and the cult of the Sky God; and a socio-economic narrative which roots Kazakh nationhood and identity in contemporary social divisions, the lived day-to-day experiences of ordinary citizens and the struggles they face with authority. These last two tropes demonstrate how cinema has emerged as a site of dissent against the country's authoritarian regime under President Nazarbayev. Film and Identity in Kazakhstan advances our understanding of Kazakhstan and nationalism by demonstrating the multiple and inessential character of each, and illustrates the important role of cinema in contesting political power in the post-Soviet space--back cover. Online resource; title from PDF title page (EBSCO, viewed May 3, 2019). Motion pictures Kazakhstan History. Nationalism in motion pictures. http://id.loc.gov/authorities/subjects/sh95005642 Identity (Psychology) in motion pictures. http://id.loc.gov/authorities/subjects/sh85064154 Cinéma Kazakhstan Histoire. Nationalisme au cinéma. Identité (Psychologie) au cinéma. PERFORMING ARTS Reference. bisacsh Identity (Psychology) in motion pictures fast Motion pictures fast Nationalism in motion pictures fast Kazakhstan fast https://id.oclc.org/worldcat/entity/E39PBJv4jmDKWMFmwMcfHbyTpP History fast International library of Central Asian studies ; 11. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2112887 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2112887 Volltext |
| spellingShingle | Isaacs, Rico Film and identity in Kazakhstan : Soviet and post-Soviet culture in Central Asia / International library of Central Asian studies ; Introduction: From Constructed to Contested Nations: Theorising and Analysing Nation and Cinema -- 1. Kazakh Khanate to Kazakh Eli: Nation-building in Kazakhstan in Historical and Political Context -- 2. Between Two Worlds: Kazakh Film and Nation-building in the Soviet Era -- 3. The Disruption of Time: The 'Kazakh New Wave' 1985-95 -- 4. Naked in the Mirror: The Ethno-centric Narrative of Kazakh Nationhood -- 5. May the Grass Never Grow at Your Door: The Civic Conception of Nationhood in Kazakh Cinema -- 6. 'Hymn to Mother': Tengrism, Motherhood and Nationhood -- 7. The Steppe, Disorienatin, Division and Corruption: Social and Economic Visions of Modern Nationhood -- Conclusion. Motion pictures Kazakhstan History. Nationalism in motion pictures. http://id.loc.gov/authorities/subjects/sh95005642 Identity (Psychology) in motion pictures. http://id.loc.gov/authorities/subjects/sh85064154 Cinéma Kazakhstan Histoire. Nationalisme au cinéma. Identité (Psychologie) au cinéma. PERFORMING ARTS Reference. bisacsh Identity (Psychology) in motion pictures fast Motion pictures fast Nationalism in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh95005642 http://id.loc.gov/authorities/subjects/sh85064154 |
| title | Film and identity in Kazakhstan : Soviet and post-Soviet culture in Central Asia / |
| title_auth | Film and identity in Kazakhstan : Soviet and post-Soviet culture in Central Asia / |
| title_exact_search | Film and identity in Kazakhstan : Soviet and post-Soviet culture in Central Asia / |
| title_full | Film and identity in Kazakhstan : Soviet and post-Soviet culture in Central Asia / Rico Isaacs. |
| title_fullStr | Film and identity in Kazakhstan : Soviet and post-Soviet culture in Central Asia / Rico Isaacs. |
| title_full_unstemmed | Film and identity in Kazakhstan : Soviet and post-Soviet culture in Central Asia / Rico Isaacs. |
| title_short | Film and identity in Kazakhstan : |
| title_sort | film and identity in kazakhstan soviet and post soviet culture in central asia |
| title_sub | Soviet and post-Soviet culture in Central Asia / |
| topic | Motion pictures Kazakhstan History. Nationalism in motion pictures. http://id.loc.gov/authorities/subjects/sh95005642 Identity (Psychology) in motion pictures. http://id.loc.gov/authorities/subjects/sh85064154 Cinéma Kazakhstan Histoire. Nationalisme au cinéma. Identité (Psychologie) au cinéma. PERFORMING ARTS Reference. bisacsh Identity (Psychology) in motion pictures fast Motion pictures fast Nationalism in motion pictures fast |
| topic_facet | Motion pictures Kazakhstan History. Nationalism in motion pictures. Identity (Psychology) in motion pictures. Cinéma Kazakhstan Histoire. Nationalisme au cinéma. Identité (Psychologie) au cinéma. PERFORMING ARTS Reference. Identity (Psychology) in motion pictures Motion pictures Nationalism in motion pictures Kazakhstan History |
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| work_keys_str_mv | AT isaacsrico filmandidentityinkazakhstansovietandpostsovietcultureincentralasia |