Reading by design :: the visual interfaces of the English Renaissance book /
"Renaissance readers perceived the print book as both a thing and a medium--a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manu...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto ; Buffalo ; London :
University of Toronto Press,
[2019]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Renaissance readers perceived the print book as both a thing and a medium--a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffuses early modern English thought also imbricates sixteenth and seventeenth century print materials. These vision troubles in turn influenced how early modern books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenuous relationship to external reality. Through situating early modern books' design elements, such as woodcuts, engravings, page borders, and layouts, as important rhetorical components of the text, Reading by Design articulates how the early modern book responded to epistemological crises of perception and competing theories of sight."-- |
| Beschreibung: | 1 online resource (xv, 283 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781487511623 1487511620 |
Internformat
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| 100 | 1 | |a Reid, Pauline, |d 1985- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjHWTYjddxPDqCPWm6MWym |0 http://id.loc.gov/authorities/names/no2018172523 | |
| 245 | 1 | 0 | |a Reading by design : |b the visual interfaces of the English Renaissance book / |c Pauline Reid. |
| 264 | 1 | |a Toronto ; |a Buffalo ; |a London : |b University of Toronto Press, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (xv, 283 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Renaissance readers perceived the print book as both a thing and a medium--a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffuses early modern English thought also imbricates sixteenth and seventeenth century print materials. These vision troubles in turn influenced how early modern books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenuous relationship to external reality. Through situating early modern books' design elements, such as woodcuts, engravings, page borders, and layouts, as important rhetorical components of the text, Reading by Design articulates how the early modern book responded to epistemological crises of perception and competing theories of sight."-- |c Provided by publisher | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Contents; List of Illustrations; Acknowledgments; Introduction; 1 Through a Looking-Glass: Rhetorical Vision and Imagination in William Caxton's Mirrour and Description of the World and Stephen Hawes's Pastime of Pleasure; 2 Memory Machines or Ephemera? Early Modern Annotated Almanacs, Edmund Spenser's Shepheardes Calender, and the Problem of Recollection; 3 Devising the Page: Poly-olbion 's Troubled Boundaries; 4 Image and Illusion in Francis Quarles's Emblems and Pamphlets: Duplication, Duality, Duplicity | |
| 505 | 8 | |a 5 Dead Lambs, False Miracles, and "Taintured Nests": The Crisis of Visual Ecologies in Shakespeare's 2 Henry VIConclusion: Mediated Vision; Notes; Bibliography; Index | |
| 650 | 0 | |a Books and reading |z England |x History |y 16th century. | |
| 650 | 0 | |a Books and reading |z England |x History |y 17th century. | |
| 650 | 0 | |a Early printed books |z England |y 16th century. | |
| 650 | 0 | |a Early printed books |z England |y 17th century. | |
| 650 | 0 | |a Literature publishing |z England |y 16th century. | |
| 650 | 0 | |a Literature publishing |z England |y 17th century. | |
| 650 | 0 | |a Visual perception |x History |y 16th century. | |
| 650 | 0 | |a Visual perception |x History |y 17th century. | |
| 650 | 0 | |a English literature |y Early modern, 1500-1700 |x History and criticism. | |
| 650 | 6 | |a Livres et lecture |z Angleterre |x Histoire |y 16e siècle. | |
| 650 | 6 | |a Livres et lecture |z Angleterre |x Histoire |y 17e siècle. | |
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| 650 | 6 | |a Livres anciens |z Angleterre |y 17e siècle. | |
| 650 | 6 | |a Littérature |x Édition |z Angleterre |y 16e siècle. | |
| 650 | 6 | |a Littérature |x Édition |z Angleterre |y 17e siècle. | |
| 650 | 6 | |a Perception visuelle |x Histoire |y 16e siècle. | |
| 650 | 6 | |a Perception visuelle |x Histoire |y 17e siècle. | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Publishing. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x Books & Reading. |2 bisacsh | |
| 650 | 7 | |a Books and reading |2 fast | |
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| 650 | 7 | |a English literature |x Early modern |2 fast | |
| 650 | 7 | |a Literature publishing |2 fast | |
| 650 | 7 | |a Visual perception |2 fast | |
| 651 | 7 | |a England |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C | |
| 648 | 7 | |a 1500-1700 |2 fast | |
| 653 | |a early modern literature. | ||
| 653 | |a epistemology. | ||
| 653 | |a history of the book. | ||
| 653 | |a media. | ||
| 653 | |a new materialism. | ||
| 653 | |a phenomenology. | ||
| 653 | |a rhetoric. | ||
| 653 | |a visuality. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Reading by design (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGf6rD7rbqRvcY6Chcc96q |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Reid, Pauline, 1985- |t Reading by design. |d Toronto ; Buffalo ; London : University of Toronto Press, 2019 |z 1487500696 |w (OCoLC)1029779178 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2097940 |3 Volltext |
| 938 | |a Project MUSE |b MUSE |n musev2_107347 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH36195868 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH36175609 | ||
| 938 | |a Canadian Electronic Library |b CELB |n 457643 | ||
| 938 | |a De Gruyter |b DEGR |n 9781487511623 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5743862 | ||
| 938 | |a EBSCOhost |b EBSC |n 2097940 | ||
| 938 | |a YBP Library Services |b YANK |n 16149983 | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1091899632 |
|---|---|
| _version_ | 1816882489043451904 |
| adam_text | |
| any_adam_object | |
| author | Reid, Pauline, 1985- |
| author_GND | http://id.loc.gov/authorities/names/no2018172523 |
| author_facet | Reid, Pauline, 1985- |
| author_role | aut |
| author_sort | Reid, Pauline, 1985- |
| author_variant | p r pr |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | Z - Library Science |
| callnumber-label | Z1003 |
| callnumber-raw | Z1003.5.G7 R45 2019 |
| callnumber-search | Z1003.5.G7 R45 2019 |
| callnumber-sort | Z 41003.5 G7 R45 42019 |
| callnumber-subject | Z - Books and Writing |
| collection | ZDB-4-EBA |
| contents | Cover; Contents; List of Illustrations; Acknowledgments; Introduction; 1 Through a Looking-Glass: Rhetorical Vision and Imagination in William Caxton's Mirrour and Description of the World and Stephen Hawes's Pastime of Pleasure; 2 Memory Machines or Ephemera? Early Modern Annotated Almanacs, Edmund Spenser's Shepheardes Calender, and the Problem of Recollection; 3 Devising the Page: Poly-olbion 's Troubled Boundaries; 4 Image and Illusion in Francis Quarles's Emblems and Pamphlets: Duplication, Duality, Duplicity 5 Dead Lambs, False Miracles, and "Taintured Nests": The Crisis of Visual Ecologies in Shakespeare's 2 Henry VIConclusion: Mediated Vision; Notes; Bibliography; Index |
| ctrlnum | (OCoLC)1091899632 |
| dewey-full | 002.094209/031 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 002 - The book |
| dewey-raw | 002.094209/031 |
| dewey-search | 002.094209/031 |
| dewey-sort | 12.094209 231 |
| dewey-tens | 000 - Computer science, information, general works |
| discipline | Allgemeines |
| era | 1500-1700 fast |
| era_facet | 1500-1700 |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| geographic | England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C |
| geographic_facet | England |
| id | ZDB-4-EBA-on1091899632 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:29:25Z |
| institution | BVB |
| isbn | 9781487511623 1487511620 |
| language | English |
| oclc_num | 1091899632 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xv, 283 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | University of Toronto Press, |
| record_format | marc |
| spelling | Reid, Pauline, 1985- author. https://id.oclc.org/worldcat/entity/E39PCjHWTYjddxPDqCPWm6MWym http://id.loc.gov/authorities/names/no2018172523 Reading by design : the visual interfaces of the English Renaissance book / Pauline Reid. Toronto ; Buffalo ; London : University of Toronto Press, [2019] ©2019 1 online resource (xv, 283 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. "Renaissance readers perceived the print book as both a thing and a medium--a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffuses early modern English thought also imbricates sixteenth and seventeenth century print materials. These vision troubles in turn influenced how early modern books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenuous relationship to external reality. Through situating early modern books' design elements, such as woodcuts, engravings, page borders, and layouts, as important rhetorical components of the text, Reading by Design articulates how the early modern book responded to epistemological crises of perception and competing theories of sight."-- Provided by publisher Print version record. Cover; Contents; List of Illustrations; Acknowledgments; Introduction; 1 Through a Looking-Glass: Rhetorical Vision and Imagination in William Caxton's Mirrour and Description of the World and Stephen Hawes's Pastime of Pleasure; 2 Memory Machines or Ephemera? Early Modern Annotated Almanacs, Edmund Spenser's Shepheardes Calender, and the Problem of Recollection; 3 Devising the Page: Poly-olbion 's Troubled Boundaries; 4 Image and Illusion in Francis Quarles's Emblems and Pamphlets: Duplication, Duality, Duplicity 5 Dead Lambs, False Miracles, and "Taintured Nests": The Crisis of Visual Ecologies in Shakespeare's 2 Henry VIConclusion: Mediated Vision; Notes; Bibliography; Index Books and reading England History 16th century. Books and reading England History 17th century. Early printed books England 16th century. Early printed books England 17th century. Literature publishing England 16th century. Literature publishing England 17th century. Visual perception History 16th century. Visual perception History 17th century. English literature Early modern, 1500-1700 History and criticism. Livres et lecture Angleterre Histoire 16e siècle. Livres et lecture Angleterre Histoire 17e siècle. Livres anciens Angleterre 16e siècle. Livres anciens Angleterre 17e siècle. Littérature Édition Angleterre 16e siècle. Littérature Édition Angleterre 17e siècle. Perception visuelle Histoire 16e siècle. Perception visuelle Histoire 17e siècle. LANGUAGE ARTS & DISCIPLINES Publishing. bisacsh LITERARY CRITICISM Books & Reading. bisacsh Books and reading fast Early printed books fast English literature Early modern fast Literature publishing fast Visual perception fast England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C 1500-1700 fast early modern literature. epistemology. history of the book. media. new materialism. phenomenology. rhetoric. visuality. Criticism, interpretation, etc. fast History fast has work: Reading by design (Text) https://id.oclc.org/worldcat/entity/E39PCGf6rD7rbqRvcY6Chcc96q https://id.oclc.org/worldcat/ontology/hasWork Print version: Reid, Pauline, 1985- Reading by design. Toronto ; Buffalo ; London : University of Toronto Press, 2019 1487500696 (OCoLC)1029779178 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2097940 Volltext |
| spellingShingle | Reid, Pauline, 1985- Reading by design : the visual interfaces of the English Renaissance book / Cover; Contents; List of Illustrations; Acknowledgments; Introduction; 1 Through a Looking-Glass: Rhetorical Vision and Imagination in William Caxton's Mirrour and Description of the World and Stephen Hawes's Pastime of Pleasure; 2 Memory Machines or Ephemera? Early Modern Annotated Almanacs, Edmund Spenser's Shepheardes Calender, and the Problem of Recollection; 3 Devising the Page: Poly-olbion 's Troubled Boundaries; 4 Image and Illusion in Francis Quarles's Emblems and Pamphlets: Duplication, Duality, Duplicity 5 Dead Lambs, False Miracles, and "Taintured Nests": The Crisis of Visual Ecologies in Shakespeare's 2 Henry VIConclusion: Mediated Vision; Notes; Bibliography; Index Books and reading England History 16th century. Books and reading England History 17th century. Early printed books England 16th century. Early printed books England 17th century. Literature publishing England 16th century. Literature publishing England 17th century. Visual perception History 16th century. Visual perception History 17th century. English literature Early modern, 1500-1700 History and criticism. Livres et lecture Angleterre Histoire 16e siècle. Livres et lecture Angleterre Histoire 17e siècle. Livres anciens Angleterre 16e siècle. Livres anciens Angleterre 17e siècle. Littérature Édition Angleterre 16e siècle. Littérature Édition Angleterre 17e siècle. Perception visuelle Histoire 16e siècle. Perception visuelle Histoire 17e siècle. LANGUAGE ARTS & DISCIPLINES Publishing. bisacsh LITERARY CRITICISM Books & Reading. bisacsh Books and reading fast Early printed books fast English literature Early modern fast Literature publishing fast Visual perception fast |
| title | Reading by design : the visual interfaces of the English Renaissance book / |
| title_auth | Reading by design : the visual interfaces of the English Renaissance book / |
| title_exact_search | Reading by design : the visual interfaces of the English Renaissance book / |
| title_full | Reading by design : the visual interfaces of the English Renaissance book / Pauline Reid. |
| title_fullStr | Reading by design : the visual interfaces of the English Renaissance book / Pauline Reid. |
| title_full_unstemmed | Reading by design : the visual interfaces of the English Renaissance book / Pauline Reid. |
| title_short | Reading by design : |
| title_sort | reading by design the visual interfaces of the english renaissance book |
| title_sub | the visual interfaces of the English Renaissance book / |
| topic | Books and reading England History 16th century. Books and reading England History 17th century. Early printed books England 16th century. Early printed books England 17th century. Literature publishing England 16th century. Literature publishing England 17th century. Visual perception History 16th century. Visual perception History 17th century. English literature Early modern, 1500-1700 History and criticism. Livres et lecture Angleterre Histoire 16e siècle. Livres et lecture Angleterre Histoire 17e siècle. Livres anciens Angleterre 16e siècle. Livres anciens Angleterre 17e siècle. Littérature Édition Angleterre 16e siècle. Littérature Édition Angleterre 17e siècle. Perception visuelle Histoire 16e siècle. Perception visuelle Histoire 17e siècle. LANGUAGE ARTS & DISCIPLINES Publishing. bisacsh LITERARY CRITICISM Books & Reading. bisacsh Books and reading fast Early printed books fast English literature Early modern fast Literature publishing fast Visual perception fast |
| topic_facet | Books and reading England History 16th century. Books and reading England History 17th century. Early printed books England 16th century. Early printed books England 17th century. Literature publishing England 16th century. Literature publishing England 17th century. Visual perception History 16th century. Visual perception History 17th century. English literature Early modern, 1500-1700 History and criticism. Livres et lecture Angleterre Histoire 16e siècle. Livres et lecture Angleterre Histoire 17e siècle. Livres anciens Angleterre 16e siècle. Livres anciens Angleterre 17e siècle. Littérature Édition Angleterre 16e siècle. Littérature Édition Angleterre 17e siècle. Perception visuelle Histoire 16e siècle. Perception visuelle Histoire 17e siècle. LANGUAGE ARTS & DISCIPLINES Publishing. LITERARY CRITICISM Books & Reading. Books and reading Early printed books English literature Early modern Literature publishing Visual perception England Criticism, interpretation, etc. History |
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| work_keys_str_mv | AT reidpauline readingbydesignthevisualinterfacesoftheenglishrenaissancebook |