Positioning art cinema :: film and cultural value /
"Art cinema occupies a space in the film landscape that is accorded a particular kind of value. From films that claim the status of harsh realism to others which embody aspects of the tradition of modernism or the poetic, art cinema encompasses a variety of work from across the globe. But how i...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
I.B. Tauris & Co. Ltd,
2019.
|
| Schriftenreihe: | International library of the moving image ;
58. |
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | "Art cinema occupies a space in the film landscape that is accorded a particular kind of value. From films that claim the status of harsh realism to others which embody aspects of the tradition of modernism or the poetic, art cinema encompasses a variety of work from across the globe. But how is art cinema positioned in the film marketplace, or by critics and in academic analysis? Exactly what kinds of cultural value are attributed to films of this type and how can this be explained? This book offers a unique analysis of how such processes work, including the broader cultural basis of the appeal of art cinema to particular audiences. Geoff King argues that there is no single definition of art cinema, but a number of distinct and recurrent tendencies are identified. At one end of the spectrum are films accorded the most 'heavyweight' status, offering the greatest challenges to viewers. Others mix aspects of art cinema with more accessible dimensions such as uses of popular genre frameworks and 'exploitation' elements involving explicit sex and violence. Including case studies of key figures such as Michael Haneke, Pedro Almodóvar and Jean-Pierre and Luc Dardenne, this is a crucial contribution to understanding both art cinema itself and the discourses through which its value is established."--Bloomsbury Publishing. |
| Beschreibung: | 1 online resource (ix, 330 pages) : illustrations. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781786725561 1786725568 9781788318945 1788318943 9781786735560 1786735563 |
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| 100 | 1 | |a King, Geoff, |d 1960- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjGB8DrpdwrvdkQ86FFvQC |0 http://id.loc.gov/authorities/names/n2002025977 | |
| 245 | 1 | 0 | |a Positioning art cinema : |b film and cultural value / |c Geoff King. |
| 264 | 1 | |a London : |b I.B. Tauris & Co. Ltd, |c 2019. | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (ix, 330 pages) : |b illustrations. | ||
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| 490 | 1 | |a International library of the moving image ; |v 58 | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed March 28, 2019). | |
| 505 | 0 | |a Cover; Author Biography; Title Page; Copyright; Contents; List of Figures; Acknowledgements; Introduction: Positioning Art Cinema; 1 Situating the Art Cinema Field of Cultural Production and Consumption; 2 Art Film and American Indie Cinema: Points of Distinction and Overlap; 3 The Hard-Core Art Film and Heavyweight Modality; 4 Celebrating 'Slow' Cinema; 5 Positioning The Turin Horse and Hidden; 6 Serious Restrained Drama and Realism; 7 Art Cinema and Genre: Uses and Departures; 8 Art Cinema and Exploitation; Conclusion; Notes; Select Bibliography; Index | |
| 520 | |a "Art cinema occupies a space in the film landscape that is accorded a particular kind of value. From films that claim the status of harsh realism to others which embody aspects of the tradition of modernism or the poetic, art cinema encompasses a variety of work from across the globe. But how is art cinema positioned in the film marketplace, or by critics and in academic analysis? Exactly what kinds of cultural value are attributed to films of this type and how can this be explained? This book offers a unique analysis of how such processes work, including the broader cultural basis of the appeal of art cinema to particular audiences. Geoff King argues that there is no single definition of art cinema, but a number of distinct and recurrent tendencies are identified. At one end of the spectrum are films accorded the most 'heavyweight' status, offering the greatest challenges to viewers. Others mix aspects of art cinema with more accessible dimensions such as uses of popular genre frameworks and 'exploitation' elements involving explicit sex and violence. Including case studies of key figures such as Michael Haneke, Pedro Almodóvar and Jean-Pierre and Luc Dardenne, this is a crucial contribution to understanding both art cinema itself and the discourses through which its value is established."--Bloomsbury Publishing. | ||
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Datensatz im Suchindex
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| adam_text | |
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| author | King, Geoff, 1960- |
| author_GND | http://id.loc.gov/authorities/names/n2002025977 |
| author_facet | King, Geoff, 1960- |
| author_role | aut |
| author_sort | King, Geoff, 1960- |
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| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
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| callnumber-search | PN1995 .K4875 2019eb |
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| contents | Cover; Author Biography; Title Page; Copyright; Contents; List of Figures; Acknowledgements; Introduction: Positioning Art Cinema; 1 Situating the Art Cinema Field of Cultural Production and Consumption; 2 Art Film and American Indie Cinema: Points of Distinction and Overlap; 3 The Hard-Core Art Film and Heavyweight Modality; 4 Celebrating 'Slow' Cinema; 5 Positioning The Turin Horse and Hidden; 6 Serious Restrained Drama and Realism; 7 Art Cinema and Genre: Uses and Departures; 8 Art Cinema and Exploitation; Conclusion; Notes; Select Bibliography; Index |
| ctrlnum | (OCoLC)1090800364 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| series2 | International library of the moving image ; |
| spelling | King, Geoff, 1960- author. https://id.oclc.org/worldcat/entity/E39PCjGB8DrpdwrvdkQ86FFvQC http://id.loc.gov/authorities/names/n2002025977 Positioning art cinema : film and cultural value / Geoff King. London : I.B. Tauris & Co. Ltd, 2019. ©2019 1 online resource (ix, 330 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier International library of the moving image ; 58 Includes bibliographical references and index. Online resource; title from PDF title page (EBSCO, viewed March 28, 2019). Cover; Author Biography; Title Page; Copyright; Contents; List of Figures; Acknowledgements; Introduction: Positioning Art Cinema; 1 Situating the Art Cinema Field of Cultural Production and Consumption; 2 Art Film and American Indie Cinema: Points of Distinction and Overlap; 3 The Hard-Core Art Film and Heavyweight Modality; 4 Celebrating 'Slow' Cinema; 5 Positioning The Turin Horse and Hidden; 6 Serious Restrained Drama and Realism; 7 Art Cinema and Genre: Uses and Departures; 8 Art Cinema and Exploitation; Conclusion; Notes; Select Bibliography; Index "Art cinema occupies a space in the film landscape that is accorded a particular kind of value. From films that claim the status of harsh realism to others which embody aspects of the tradition of modernism or the poetic, art cinema encompasses a variety of work from across the globe. But how is art cinema positioned in the film marketplace, or by critics and in academic analysis? Exactly what kinds of cultural value are attributed to films of this type and how can this be explained? This book offers a unique analysis of how such processes work, including the broader cultural basis of the appeal of art cinema to particular audiences. Geoff King argues that there is no single definition of art cinema, but a number of distinct and recurrent tendencies are identified. At one end of the spectrum are films accorded the most 'heavyweight' status, offering the greatest challenges to viewers. Others mix aspects of art cinema with more accessible dimensions such as uses of popular genre frameworks and 'exploitation' elements involving explicit sex and violence. Including case studies of key figures such as Michael Haneke, Pedro Almodóvar and Jean-Pierre and Luc Dardenne, this is a crucial contribution to understanding both art cinema itself and the discourses through which its value is established."--Bloomsbury Publishing. Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Motion picture audiences. http://id.loc.gov/authorities/subjects/sh85088029 Cinéma Esthétique. Cinéma Publics. PERFORMING ARTS Reference. bisacsh Motion picture audiences fast Motion pictures Aesthetics fast has work: Positioning art cinema (Text) https://id.oclc.org/worldcat/entity/E39PCFT4MBqPhD33WfTxjf96fC https://id.oclc.org/worldcat/ontology/hasWork Print version: King, Geoff. Positioning Art Cinema : Film and Cultural Value. London : I.B. Tauris & Company, Limited, ©2019 International library of the moving image ; 58. http://id.loc.gov/authorities/names/no2012142204 |
| spellingShingle | King, Geoff, 1960- Positioning art cinema : film and cultural value / International library of the moving image ; Cover; Author Biography; Title Page; Copyright; Contents; List of Figures; Acknowledgements; Introduction: Positioning Art Cinema; 1 Situating the Art Cinema Field of Cultural Production and Consumption; 2 Art Film and American Indie Cinema: Points of Distinction and Overlap; 3 The Hard-Core Art Film and Heavyweight Modality; 4 Celebrating 'Slow' Cinema; 5 Positioning The Turin Horse and Hidden; 6 Serious Restrained Drama and Realism; 7 Art Cinema and Genre: Uses and Departures; 8 Art Cinema and Exploitation; Conclusion; Notes; Select Bibliography; Index Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Motion picture audiences. http://id.loc.gov/authorities/subjects/sh85088029 Cinéma Esthétique. Cinéma Publics. PERFORMING ARTS Reference. bisacsh Motion picture audiences fast Motion pictures Aesthetics fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088085 http://id.loc.gov/authorities/subjects/sh85088029 |
| title | Positioning art cinema : film and cultural value / |
| title_auth | Positioning art cinema : film and cultural value / |
| title_exact_search | Positioning art cinema : film and cultural value / |
| title_full | Positioning art cinema : film and cultural value / Geoff King. |
| title_fullStr | Positioning art cinema : film and cultural value / Geoff King. |
| title_full_unstemmed | Positioning art cinema : film and cultural value / Geoff King. |
| title_short | Positioning art cinema : |
| title_sort | positioning art cinema film and cultural value |
| title_sub | film and cultural value / |
| topic | Motion pictures Aesthetics. http://id.loc.gov/authorities/subjects/sh85088085 Motion picture audiences. http://id.loc.gov/authorities/subjects/sh85088029 Cinéma Esthétique. Cinéma Publics. PERFORMING ARTS Reference. bisacsh Motion picture audiences fast Motion pictures Aesthetics fast |
| topic_facet | Motion pictures Aesthetics. Motion picture audiences. Cinéma Esthétique. Cinéma Publics. PERFORMING ARTS Reference. Motion picture audiences Motion pictures Aesthetics |
| work_keys_str_mv | AT kinggeoff positioningartcinemafilmandculturalvalue |