Chinese revolutionary cinema :: propaganda, aesthetics and internationalism, 1949-1966 /
Engaging with fiction films devoted to heroic tales from the decade and a half between 1949 and 1966, this book reconceives state propaganda as aesthetic experiments that not only radically transformed acting, cinematography and screenwriting in socialist China, but also articulated a new socialist...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
I.B. Tauris,
2019.
|
| Schriftenreihe: | International library of the moving image ;
48. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Engaging with fiction films devoted to heroic tales from the decade and a half between 1949 and 1966, this book reconceives state propaganda as aesthetic experiments that not only radically transformed acting, cinematography and screenwriting in socialist China, but also articulated a new socialist film theory and criticism. Rooted in the interwar avant-garde and commercial cinema, Chinese revolutionary cinema, as a state cinema for the newly established People's Republic, adapted Chinese literature for the screen, incorporated Hollywood narration, appropriated Soviet montage theory and orchestrated a new, glamorous, socialist star culture. In the wake of decolonisation, Chinese film journals were quick to project and disseminate the country's redefined self-image to Asia, Africa and Latin America as they helped to create an alternative vision of modernity and internationalism. Revealing the historical contingency of the term'propaganda', Chan uncovers the visual, aural, kinaesthetic, sexual and ideological dynamics that gave rise to a new aesthetic of revolutionary heroism in world cinema. Based on extensive archival research, this book's focus on the distinctive rhetoric of post-war socialist China will be of value to East Asian Cinema scholars, Chinese Studies academics and those interested in the history of twentieth-century socialist culture. |
| Beschreibung: | 1 online resource (xiv, 274 pages, 4 unnumbered pages of plates) : illustrations (some color). |
| Bibliographie: | Includes bibliographical references (pages 225-236) and index. Filmography: pages 222-224. |
| ISBN: | 9781786724342 1786724340 9781786734341 1786734346 9781788318914 1788318919 |
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| 490 | 1 | |a International library of the moving image ; |v 48 | |
| 520 | |a Engaging with fiction films devoted to heroic tales from the decade and a half between 1949 and 1966, this book reconceives state propaganda as aesthetic experiments that not only radically transformed acting, cinematography and screenwriting in socialist China, but also articulated a new socialist film theory and criticism. Rooted in the interwar avant-garde and commercial cinema, Chinese revolutionary cinema, as a state cinema for the newly established People's Republic, adapted Chinese literature for the screen, incorporated Hollywood narration, appropriated Soviet montage theory and orchestrated a new, glamorous, socialist star culture. In the wake of decolonisation, Chinese film journals were quick to project and disseminate the country's redefined self-image to Asia, Africa and Latin America as they helped to create an alternative vision of modernity and internationalism. Revealing the historical contingency of the term'propaganda', Chan uncovers the visual, aural, kinaesthetic, sexual and ideological dynamics that gave rise to a new aesthetic of revolutionary heroism in world cinema. Based on extensive archival research, this book's focus on the distinctive rhetoric of post-war socialist China will be of value to East Asian Cinema scholars, Chinese Studies academics and those interested in the history of twentieth-century socialist culture. | ||
| 504 | |a Includes bibliographical references (pages 225-236) and index. | ||
| 504 | |a Filmography: pages 222-224. | ||
| 505 | 0 | |a Propaganda and film aesthetics -- Literature on screen: recasting classical Hollywood narration in family melodrama -- Translating Soviet montage -- Socialist glamour: the socialist star craze, Stanislavski's system and cinematic iconography of the gaze -- Visions of internationalism in Chinese film journals. | |
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| 650 | 6 | |a Cinéma dans la propagande |z Chine |x Histoire |y 20e siècle. | |
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| author | Chan, Jessica Ka Yee |
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| contents | Propaganda and film aesthetics -- Literature on screen: recasting classical Hollywood narration in family melodrama -- Translating Soviet montage -- Socialist glamour: the socialist star craze, Stanislavski's system and cinematic iconography of the gaze -- Visions of internationalism in Chinese film journals. |
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| genre | History fast |
| genre_facet | History |
| geographic | China History 1949-1976. http://id.loc.gov/authorities/subjects/sh85024122 Chine Histoire 1949-1976. China fast https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3 |
| geographic_facet | China History 1949-1976. Chine Histoire 1949-1976. China |
| id | ZDB-4-EBA-on1090800351 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:29:24Z |
| institution | BVB |
| isbn | 9781786724342 1786724340 9781786734341 1786734346 9781788318914 1788318919 |
| language | English |
| oclc_num | 1090800351 |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiv, 274 pages, 4 unnumbered pages of plates) : illustrations (some color). |
| psigel | ZDB-4-EBA |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | I.B. Tauris, |
| record_format | marc |
| series | International library of the moving image ; |
| series2 | International library of the moving image ; |
| spelling | Chan, Jessica Ka Yee, author. http://id.loc.gov/authorities/names/no2019064826 Chinese revolutionary cinema : propaganda, aesthetics and internationalism, 1949-1966 / Jessica Ka Yee Chan. London : I.B. Tauris, 2019. ©2019 1 online resource (xiv, 274 pages, 4 unnumbered pages of plates) : illustrations (some color). text txt rdacontent computer c rdamedia online resource cr rdacarrier International library of the moving image ; 48 Engaging with fiction films devoted to heroic tales from the decade and a half between 1949 and 1966, this book reconceives state propaganda as aesthetic experiments that not only radically transformed acting, cinematography and screenwriting in socialist China, but also articulated a new socialist film theory and criticism. Rooted in the interwar avant-garde and commercial cinema, Chinese revolutionary cinema, as a state cinema for the newly established People's Republic, adapted Chinese literature for the screen, incorporated Hollywood narration, appropriated Soviet montage theory and orchestrated a new, glamorous, socialist star culture. In the wake of decolonisation, Chinese film journals were quick to project and disseminate the country's redefined self-image to Asia, Africa and Latin America as they helped to create an alternative vision of modernity and internationalism. Revealing the historical contingency of the term'propaganda', Chan uncovers the visual, aural, kinaesthetic, sexual and ideological dynamics that gave rise to a new aesthetic of revolutionary heroism in world cinema. Based on extensive archival research, this book's focus on the distinctive rhetoric of post-war socialist China will be of value to East Asian Cinema scholars, Chinese Studies academics and those interested in the history of twentieth-century socialist culture. Includes bibliographical references (pages 225-236) and index. Filmography: pages 222-224. Propaganda and film aesthetics -- Literature on screen: recasting classical Hollywood narration in family melodrama -- Translating Soviet montage -- Socialist glamour: the socialist star craze, Stanislavski's system and cinematic iconography of the gaze -- Visions of internationalism in Chinese film journals. Print version record. Motion pictures China History 20th century. Motion pictures Political aspects China History 20th century. Motion pictures in propaganda China History 20th century. China History 1949-1976. http://id.loc.gov/authorities/subjects/sh85024122 Cinéma Chine Histoire 20e siècle. Cinéma dans la propagande Chine Histoire 20e siècle. Chine Histoire 1949-1976. Cinéma Aspect politique Chine Histoire 20e siècle. PERFORMING ARTS Reference. bisacsh Motion pictures fast Motion pictures in propaganda fast Motion pictures Political aspects fast China fast https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3 1900-1999 fast History fast Print version: Chan, Jessica Ka Yee. Chinese revolutionary cinema. London: I.B. Tauris, 2019 1788311906 (OCoLC)1014067391 International library of the moving image ; 48. http://id.loc.gov/authorities/names/no2012142204 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2091952 Volltext |
| spellingShingle | Chan, Jessica Ka Yee Chinese revolutionary cinema : propaganda, aesthetics and internationalism, 1949-1966 / International library of the moving image ; Propaganda and film aesthetics -- Literature on screen: recasting classical Hollywood narration in family melodrama -- Translating Soviet montage -- Socialist glamour: the socialist star craze, Stanislavski's system and cinematic iconography of the gaze -- Visions of internationalism in Chinese film journals. Motion pictures China History 20th century. Motion pictures Political aspects China History 20th century. Motion pictures in propaganda China History 20th century. Cinéma Chine Histoire 20e siècle. Cinéma dans la propagande Chine Histoire 20e siècle. Cinéma Aspect politique Chine Histoire 20e siècle. PERFORMING ARTS Reference. bisacsh Motion pictures fast Motion pictures in propaganda fast Motion pictures Political aspects fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85024122 |
| title | Chinese revolutionary cinema : propaganda, aesthetics and internationalism, 1949-1966 / |
| title_auth | Chinese revolutionary cinema : propaganda, aesthetics and internationalism, 1949-1966 / |
| title_exact_search | Chinese revolutionary cinema : propaganda, aesthetics and internationalism, 1949-1966 / |
| title_full | Chinese revolutionary cinema : propaganda, aesthetics and internationalism, 1949-1966 / Jessica Ka Yee Chan. |
| title_fullStr | Chinese revolutionary cinema : propaganda, aesthetics and internationalism, 1949-1966 / Jessica Ka Yee Chan. |
| title_full_unstemmed | Chinese revolutionary cinema : propaganda, aesthetics and internationalism, 1949-1966 / Jessica Ka Yee Chan. |
| title_short | Chinese revolutionary cinema : |
| title_sort | chinese revolutionary cinema propaganda aesthetics and internationalism 1949 1966 |
| title_sub | propaganda, aesthetics and internationalism, 1949-1966 / |
| topic | Motion pictures China History 20th century. Motion pictures Political aspects China History 20th century. Motion pictures in propaganda China History 20th century. Cinéma Chine Histoire 20e siècle. Cinéma dans la propagande Chine Histoire 20e siècle. Cinéma Aspect politique Chine Histoire 20e siècle. PERFORMING ARTS Reference. bisacsh Motion pictures fast Motion pictures in propaganda fast Motion pictures Political aspects fast |
| topic_facet | Motion pictures China History 20th century. Motion pictures Political aspects China History 20th century. Motion pictures in propaganda China History 20th century. China History 1949-1976. Cinéma Chine Histoire 20e siècle. Cinéma dans la propagande Chine Histoire 20e siècle. Chine Histoire 1949-1976. Cinéma Aspect politique Chine Histoire 20e siècle. PERFORMING ARTS Reference. Motion pictures Motion pictures in propaganda Motion pictures Political aspects China History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2091952 |
| work_keys_str_mv | AT chanjessicakayee chineserevolutionarycinemapropagandaaestheticsandinternationalism19491966 |