The visionary art of William Blake :: Christianity, romanticism and the pictorial imagination /
"William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
I.B. Tauris,
2018.
|
| Schriftenreihe: | Library of modern religion ;
57. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived."--Jacket flap |
| Beschreibung: | 1 online resource (xxiii, 246 pages, 16 unnumbered pages of plates) : illustrations (some color) |
| Bibliographie: | Includes bibliographical references (pages 226-238) and index. |
| ISBN: | 9781838609658 1838609652 9781838609665 1838609660 |
| Zugangseinschränkungen: | Legal Deposit; |
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| 100 | 1 | |a Billingsley, Naomi, |e author. | |
| 245 | 1 | 4 | |a The visionary art of William Blake : |b Christianity, romanticism and the pictorial imagination / |c Naomi Billingsley. |
| 264 | 1 | |a London : |b I.B. Tauris, |c 2018. | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (xxiii, 246 pages, 16 unnumbered pages of plates) : |b illustrations (some color) | ||
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| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Library of Modern Religion ; |v 57 | |
| 504 | |a Includes bibliographical references (pages 226-238) and index. | ||
| 520 | 8 | |a "William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived."--Jacket flap | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Front Cover; Author Biography; Title; Copyright; Dedication; Contents; List of Illustrations; Abbreviations; Notes on Quotations; Preface; Introduction; Blakeanisms; Blake's Theory of Art and Romantic Aesthetics; Religious Art in Blake's Time; Blake's Work as an Artist; Five Themes in Blake's Religious Aesthetic; 1. Regeneration: Resurrection and Apocalypse in Night Thoughts (1795-7); Blake's Night Thoughts; Resurrection and Apocalypse in Night Thoughts; Conclusion; 2. Inspiration: Illumination and Prophecy in the Biblical Temperas (1799-1800); The Butts Biblical Temperas | |
| 505 | 8 | |a The Nativity Narratives in Blake's OeuvreThe Infancy of Christ in the Biblical Temperas; Conclusion; 3. Facilitator: Ministry as Community-Building in the Biblical Watercolours (1800-6); The Butts Biblical Watercolours; Conclusion; 4. Eternal: Christ as Universal Human Form Divine (Works of 1805-c.1811); Christ in Cosmic History in Paradise Lost; Emblems of Judgement; Icons of Divine Humanity; An Allegory of the Spiritual Condition of Man; Conclusion; 5. Iconoclasm: Crucifixion as Self-Annihilation in Late Works (1804-27); The Crucifixion in Art; The Crucifixion in Blake's Oeuvre | |
| 505 | 8 | |a Jerusalem 76 and Michael Foretells the CrucifixionEnvisioning the Crucifixion in Bunyan and Dante; Conclusion; Conclusion; Notes; Bibliography; Index; Back Cover | |
| 506 | 1 | |a Legal Deposit; |c Only available on premises controlled by the deposit library and to one user at any one time; |e The Legal Deposit Libraries (Non-Print Works) Regulations (UK). |5 WlAbNL | |
| 600 | 1 | 0 | |a Blake, William, |d 1757-1827 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Blake, William, |d 1757-1827 |x Religion. |
| 600 | 1 | 7 | |a Blake, William, |d 1757-1827 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJmpdWcVwPG6Hrj8MRxCcP |
| 600 | 1 | 7 | |a Blake, William |d 1757-1827 |2 gnd |
| 650 | 0 | |a Christianity and art. |0 http://id.loc.gov/authorities/subjects/sh98005350 | |
| 650 | 6 | |a Christianisme et art. | |
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| 650 | 7 | |a Christliche Kunst |2 gnd |0 http://d-nb.info/gnd/4010109-5 | |
| 650 | 7 | |a Kunst |2 gnd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Billingsley, Naomi. |t Visionary art of William Blake. |d London : I.B. Tauris, 2018 |z 9781784539832 |w (OCoLC)1028627895 |
| 830 | 0 | |a Library of modern religion ; |v 57. |0 http://id.loc.gov/authorities/names/no2009015270 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1090540788 |
|---|---|
| _version_ | 1816882488041013248 |
| adam_text | |
| any_adam_object | |
| author | Billingsley, Naomi |
| author_facet | Billingsley, Naomi |
| author_role | aut |
| author_sort | Billingsley, Naomi |
| author_variant | n b nb |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6797 |
| callnumber-raw | N6797.B57 B55 2018eb |
| callnumber-search | N6797.B57 B55 2018eb |
| callnumber-sort | N 46797 B57 B55 42018EB |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | Front Cover; Author Biography; Title; Copyright; Dedication; Contents; List of Illustrations; Abbreviations; Notes on Quotations; Preface; Introduction; Blakeanisms; Blake's Theory of Art and Romantic Aesthetics; Religious Art in Blake's Time; Blake's Work as an Artist; Five Themes in Blake's Religious Aesthetic; 1. Regeneration: Resurrection and Apocalypse in Night Thoughts (1795-7); Blake's Night Thoughts; Resurrection and Apocalypse in Night Thoughts; Conclusion; 2. Inspiration: Illumination and Prophecy in the Biblical Temperas (1799-1800); The Butts Biblical Temperas The Nativity Narratives in Blake's OeuvreThe Infancy of Christ in the Biblical Temperas; Conclusion; 3. Facilitator: Ministry as Community-Building in the Biblical Watercolours (1800-6); The Butts Biblical Watercolours; Conclusion; 4. Eternal: Christ as Universal Human Form Divine (Works of 1805-c.1811); Christ in Cosmic History in Paradise Lost; Emblems of Judgement; Icons of Divine Humanity; An Allegory of the Spiritual Condition of Man; Conclusion; 5. Iconoclasm: Crucifixion as Self-Annihilation in Late Works (1804-27); The Crucifixion in Art; The Crucifixion in Blake's Oeuvre Jerusalem 76 and Michael Foretells the CrucifixionEnvisioning the Crucifixion in Bunyan and Dante; Conclusion; Conclusion; Notes; Bibliography; Index; Back Cover |
| ctrlnum | (OCoLC)1090540788 |
| dewey-full | 700.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.92 |
| dewey-search | 700.92 |
| dewey-sort | 3700.92 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-on1090540788 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:29:24Z |
| institution | BVB |
| isbn | 9781838609658 1838609652 9781838609665 1838609660 |
| language | English |
| oclc_num | 1090540788 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xxiii, 246 pages, 16 unnumbered pages of plates) : illustrations (some color) |
| psigel | ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | I.B. Tauris, |
| record_format | marc |
| series | Library of modern religion ; |
| series2 | Library of Modern Religion ; |
| spelling | Billingsley, Naomi, author. The visionary art of William Blake : Christianity, romanticism and the pictorial imagination / Naomi Billingsley. London : I.B. Tauris, 2018. ©2018 1 online resource (xxiii, 246 pages, 16 unnumbered pages of plates) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier Library of Modern Religion ; 57 Includes bibliographical references (pages 226-238) and index. "William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived."--Jacket flap Print version record. Front Cover; Author Biography; Title; Copyright; Dedication; Contents; List of Illustrations; Abbreviations; Notes on Quotations; Preface; Introduction; Blakeanisms; Blake's Theory of Art and Romantic Aesthetics; Religious Art in Blake's Time; Blake's Work as an Artist; Five Themes in Blake's Religious Aesthetic; 1. Regeneration: Resurrection and Apocalypse in Night Thoughts (1795-7); Blake's Night Thoughts; Resurrection and Apocalypse in Night Thoughts; Conclusion; 2. Inspiration: Illumination and Prophecy in the Biblical Temperas (1799-1800); The Butts Biblical Temperas The Nativity Narratives in Blake's OeuvreThe Infancy of Christ in the Biblical Temperas; Conclusion; 3. Facilitator: Ministry as Community-Building in the Biblical Watercolours (1800-6); The Butts Biblical Watercolours; Conclusion; 4. Eternal: Christ as Universal Human Form Divine (Works of 1805-c.1811); Christ in Cosmic History in Paradise Lost; Emblems of Judgement; Icons of Divine Humanity; An Allegory of the Spiritual Condition of Man; Conclusion; 5. Iconoclasm: Crucifixion as Self-Annihilation in Late Works (1804-27); The Crucifixion in Art; The Crucifixion in Blake's Oeuvre Jerusalem 76 and Michael Foretells the CrucifixionEnvisioning the Crucifixion in Bunyan and Dante; Conclusion; Conclusion; Notes; Bibliography; Index; Back Cover Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK). WlAbNL Blake, William, 1757-1827 Criticism and interpretation. Blake, William, 1757-1827 Religion. Blake, William, 1757-1827 fast https://id.oclc.org/worldcat/entity/E39PBJmpdWcVwPG6Hrj8MRxCcP Blake, William 1757-1827 gnd Christianity and art. http://id.loc.gov/authorities/subjects/sh98005350 Christianisme et art. ART Performance. bisacsh ART Reference. bisacsh Christianity and art fast Religion fast Christliche Kunst gnd http://d-nb.info/gnd/4010109-5 Kunst gnd Criticism, interpretation, etc. fast Print version: Billingsley, Naomi. Visionary art of William Blake. London : I.B. Tauris, 2018 9781784539832 (OCoLC)1028627895 Library of modern religion ; 57. http://id.loc.gov/authorities/names/no2009015270 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2089927 Volltext |
| spellingShingle | Billingsley, Naomi The visionary art of William Blake : Christianity, romanticism and the pictorial imagination / Library of modern religion ; Front Cover; Author Biography; Title; Copyright; Dedication; Contents; List of Illustrations; Abbreviations; Notes on Quotations; Preface; Introduction; Blakeanisms; Blake's Theory of Art and Romantic Aesthetics; Religious Art in Blake's Time; Blake's Work as an Artist; Five Themes in Blake's Religious Aesthetic; 1. Regeneration: Resurrection and Apocalypse in Night Thoughts (1795-7); Blake's Night Thoughts; Resurrection and Apocalypse in Night Thoughts; Conclusion; 2. Inspiration: Illumination and Prophecy in the Biblical Temperas (1799-1800); The Butts Biblical Temperas The Nativity Narratives in Blake's OeuvreThe Infancy of Christ in the Biblical Temperas; Conclusion; 3. Facilitator: Ministry as Community-Building in the Biblical Watercolours (1800-6); The Butts Biblical Watercolours; Conclusion; 4. Eternal: Christ as Universal Human Form Divine (Works of 1805-c.1811); Christ in Cosmic History in Paradise Lost; Emblems of Judgement; Icons of Divine Humanity; An Allegory of the Spiritual Condition of Man; Conclusion; 5. Iconoclasm: Crucifixion as Self-Annihilation in Late Works (1804-27); The Crucifixion in Art; The Crucifixion in Blake's Oeuvre Jerusalem 76 and Michael Foretells the CrucifixionEnvisioning the Crucifixion in Bunyan and Dante; Conclusion; Conclusion; Notes; Bibliography; Index; Back Cover Blake, William, 1757-1827 Criticism and interpretation. Blake, William, 1757-1827 Religion. Blake, William, 1757-1827 fast https://id.oclc.org/worldcat/entity/E39PBJmpdWcVwPG6Hrj8MRxCcP Blake, William 1757-1827 gnd Christianity and art. http://id.loc.gov/authorities/subjects/sh98005350 Christianisme et art. ART Performance. bisacsh ART Reference. bisacsh Christianity and art fast Religion fast Christliche Kunst gnd http://d-nb.info/gnd/4010109-5 Kunst gnd |
| subject_GND | http://id.loc.gov/authorities/subjects/sh98005350 http://d-nb.info/gnd/4010109-5 |
| title | The visionary art of William Blake : Christianity, romanticism and the pictorial imagination / |
| title_auth | The visionary art of William Blake : Christianity, romanticism and the pictorial imagination / |
| title_exact_search | The visionary art of William Blake : Christianity, romanticism and the pictorial imagination / |
| title_full | The visionary art of William Blake : Christianity, romanticism and the pictorial imagination / Naomi Billingsley. |
| title_fullStr | The visionary art of William Blake : Christianity, romanticism and the pictorial imagination / Naomi Billingsley. |
| title_full_unstemmed | The visionary art of William Blake : Christianity, romanticism and the pictorial imagination / Naomi Billingsley. |
| title_short | The visionary art of William Blake : |
| title_sort | visionary art of william blake christianity romanticism and the pictorial imagination |
| title_sub | Christianity, romanticism and the pictorial imagination / |
| topic | Blake, William, 1757-1827 Criticism and interpretation. Blake, William, 1757-1827 Religion. Blake, William, 1757-1827 fast https://id.oclc.org/worldcat/entity/E39PBJmpdWcVwPG6Hrj8MRxCcP Blake, William 1757-1827 gnd Christianity and art. http://id.loc.gov/authorities/subjects/sh98005350 Christianisme et art. ART Performance. bisacsh ART Reference. bisacsh Christianity and art fast Religion fast Christliche Kunst gnd http://d-nb.info/gnd/4010109-5 Kunst gnd |
| topic_facet | Blake, William, 1757-1827 Criticism and interpretation. Blake, William, 1757-1827 Religion. Blake, William, 1757-1827 Blake, William 1757-1827 Christianity and art. Christianisme et art. ART Performance. ART Reference. Christianity and art Religion Christliche Kunst Kunst Criticism, interpretation, etc. |
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