Gender and contemporary horror in film /:
The horror genre will always remain current because it reflects our anxieties, shining a light onto our worst fears whilst creating worlds defined by darkness. Horror as a genre has always engaged with era-specific societal mores and moral panics, often about isolation or abandonment, changing famil...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
United Kingdom :
Emerald Publishing,
2019.
|
| Schriftenreihe: | Emerald studies in popular culture and gender.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The horror genre will always remain current because it reflects our anxieties, shining a light onto our worst fears whilst creating worlds defined by darkness. Horror as a genre has always engaged with era-specific societal mores and moral panics, often about isolation or abandonment, changing family values and the role of women. It is often specifically about how gender is constructed in everyday life. Women are commonly defined in horror by their passivity, or monstrosity/sexuality or victimhood - or a mix of the three. At the same time women in horror are forced into psychological and physical torture ending in violent showdowns in which they emerge damaged but triumphant. Bringing together research from a wide range of established and emerging scholars this edited collection provides an insight into how modern horror films portray femininities, sexualities, masculinities, ageing, and other current issues, exploring the use of vampires, zombies, werewolves and ghosts in films made internationally. This volume, one of three by the same editorial team examining the horror genre, focuses on gender and contemporary horror in film, asking questions about how and if representations of gender in horror have changed. In these readings and re-readings, the authors examine developments in films about vampires, zombies, werewolves and ghosts, in films made internationally. |
| Beschreibung: | 1 online resource (x, 261 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781787698970 1787698971 9781787698994 1787698998 |
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| 520 | |a The horror genre will always remain current because it reflects our anxieties, shining a light onto our worst fears whilst creating worlds defined by darkness. Horror as a genre has always engaged with era-specific societal mores and moral panics, often about isolation or abandonment, changing family values and the role of women. It is often specifically about how gender is constructed in everyday life. Women are commonly defined in horror by their passivity, or monstrosity/sexuality or victimhood - or a mix of the three. At the same time women in horror are forced into psychological and physical torture ending in violent showdowns in which they emerge damaged but triumphant. Bringing together research from a wide range of established and emerging scholars this edited collection provides an insight into how modern horror films portray femininities, sexualities, masculinities, ageing, and other current issues, exploring the use of vampires, zombies, werewolves and ghosts in films made internationally. This volume, one of three by the same editorial team examining the horror genre, focuses on gender and contemporary horror in film, asking questions about how and if representations of gender in horror have changed. In these readings and re-readings, the authors examine developments in films about vampires, zombies, werewolves and ghosts, in films made internationally. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a 'It's so easy to create a Victim': subverting gender stereotypes in the new French extremity / Maddi McGillvray -- Elegiac masculinity in Bubba Ho-Tep and Late Phases / Fernando Gabriel Pagnoni Berns and Diego Foronda -- Game of Werewolves: XXI Century Spanish werewolves and the conflict of masculinity / Irene Baena-Cuder -- Navigating the mind/body divide: the female cannibal in French films Grave (Raw, 2016), Dans ma peau (In My Skin, 2002) and Trouble Every Day (2001) -- Gendering the cannibal in the postfeminist era / Louise Flockhart -- #Selfveillance: horror's slut shaming through social media, sur- and selfveillance / Hannah Bonner -- Gay porn (horror) parodies / Joseph Brennan -- 'In celebration of her wickedness?': critical intertextuality and the female vampire in Byzantium / Matthew Denny -- 'There's a ghost in my house': the female gothic and the supernatural in What Lies Beneath (2000) / Frances A. Kamm -- The Monstrous-feminine and masculinity as abjection in Turkish horror cinema: an analysis of Haunted (Musallat, Alper Mestçi, 2007) / Zeynep Koçer -- Gender ideologies, social realities and new technologies in recent Latin American 'abduction' horror / Niall Brennan -- Misogyny or commentary? Gendered violence outside and inside Captivity / Shellie McMurdo and Wickham Clayton -- "My name is Alice, and I remember everything." Project Alice and Milla Jovovich in the Resident Evil films / Steven Gerrard -- The Final Girls (2015) as a video essay: a metalinguistic play with genre and gender conventions / Emilio Audissino -- Dissecting depictions of black masculinity in Get Out / Francesca Sobande. | |
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Horror films |x History and criticism. | |
| 650 | 0 | |a Sex role in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh89005585 | |
| 650 | 6 | |a Films d'horreur |x Histoire et critique. | |
| 650 | 6 | |a Rôle selon le sexe au cinéma. | |
| 650 | 7 | |a TV & society. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Horror films |2 fast | |
| 650 | 7 | |a Sex role in motion pictures |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Holland, Samantha, |e editor. |0 http://id.loc.gov/authorities/names/n2004090237 | |
| 700 | 1 | |a Gerrard, Steven, |d 1970- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjvPwctXK7BDDwrKkDvHBX |0 http://id.loc.gov/authorities/names/n2017040668 | |
| 700 | 1 | |a Shail, Robert, |e editor. |0 http://id.loc.gov/authorities/names/n2007027919 | |
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| 776 | 0 | 8 | |i Print version: |t Gender and contemporary horror in film. |b First edition. |d Bingley, UK : Emerald Publishing, 2019 |z 178769898X |w (OCoLC)1052877339 |
| 830 | 0 | |a Emerald studies in popular culture and gender. |0 http://id.loc.gov/authorities/names/no2021155357 | |
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| contents | 'It's so easy to create a Victim': subverting gender stereotypes in the new French extremity / Maddi McGillvray -- Elegiac masculinity in Bubba Ho-Tep and Late Phases / Fernando Gabriel Pagnoni Berns and Diego Foronda -- Game of Werewolves: XXI Century Spanish werewolves and the conflict of masculinity / Irene Baena-Cuder -- Navigating the mind/body divide: the female cannibal in French films Grave (Raw, 2016), Dans ma peau (In My Skin, 2002) and Trouble Every Day (2001) -- Gendering the cannibal in the postfeminist era / Louise Flockhart -- #Selfveillance: horror's slut shaming through social media, sur- and selfveillance / Hannah Bonner -- Gay porn (horror) parodies / Joseph Brennan -- 'In celebration of her wickedness?': critical intertextuality and the female vampire in Byzantium / Matthew Denny -- 'There's a ghost in my house': the female gothic and the supernatural in What Lies Beneath (2000) / Frances A. Kamm -- The Monstrous-feminine and masculinity as abjection in Turkish horror cinema: an analysis of Haunted (Musallat, Alper Mestçi, 2007) / Zeynep Koçer -- Gender ideologies, social realities and new technologies in recent Latin American 'abduction' horror / Niall Brennan -- Misogyny or commentary? Gendered violence outside and inside Captivity / Shellie McMurdo and Wickham Clayton -- "My name is Alice, and I remember everything." Project Alice and Milla Jovovich in the Resident Evil films / Steven Gerrard -- The Final Girls (2015) as a video essay: a metalinguistic play with genre and gender conventions / Emilio Audissino -- Dissecting depictions of black masculinity in Get Out / Francesca Sobande. |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.456164 |
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| discipline | Allgemeines |
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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:23Z |
| institution | BVB |
| isbn | 9781787698970 1787698971 9781787698994 1787698998 |
| language | English |
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| series | Emerald studies in popular culture and gender. |
| series2 | Emerald studies in popular culture and gender |
| spelling | Gender and contemporary horror in film / edited by Samantha Holland, Leeds Beckett University, UK ; Robert Shail, Leeds Beckett University, UK ; Steven Gerrard, Leeds Beckett University, UK. United Kingdom : Emerald Publishing, 2019. ©2019 1 online resource (x, 261 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Emerald studies in popular culture and gender The horror genre will always remain current because it reflects our anxieties, shining a light onto our worst fears whilst creating worlds defined by darkness. Horror as a genre has always engaged with era-specific societal mores and moral panics, often about isolation or abandonment, changing family values and the role of women. It is often specifically about how gender is constructed in everyday life. Women are commonly defined in horror by their passivity, or monstrosity/sexuality or victimhood - or a mix of the three. At the same time women in horror are forced into psychological and physical torture ending in violent showdowns in which they emerge damaged but triumphant. Bringing together research from a wide range of established and emerging scholars this edited collection provides an insight into how modern horror films portray femininities, sexualities, masculinities, ageing, and other current issues, exploring the use of vampires, zombies, werewolves and ghosts in films made internationally. This volume, one of three by the same editorial team examining the horror genre, focuses on gender and contemporary horror in film, asking questions about how and if representations of gender in horror have changed. In these readings and re-readings, the authors examine developments in films about vampires, zombies, werewolves and ghosts, in films made internationally. Includes bibliographical references and index. 'It's so easy to create a Victim': subverting gender stereotypes in the new French extremity / Maddi McGillvray -- Elegiac masculinity in Bubba Ho-Tep and Late Phases / Fernando Gabriel Pagnoni Berns and Diego Foronda -- Game of Werewolves: XXI Century Spanish werewolves and the conflict of masculinity / Irene Baena-Cuder -- Navigating the mind/body divide: the female cannibal in French films Grave (Raw, 2016), Dans ma peau (In My Skin, 2002) and Trouble Every Day (2001) -- Gendering the cannibal in the postfeminist era / Louise Flockhart -- #Selfveillance: horror's slut shaming through social media, sur- and selfveillance / Hannah Bonner -- Gay porn (horror) parodies / Joseph Brennan -- 'In celebration of her wickedness?': critical intertextuality and the female vampire in Byzantium / Matthew Denny -- 'There's a ghost in my house': the female gothic and the supernatural in What Lies Beneath (2000) / Frances A. Kamm -- The Monstrous-feminine and masculinity as abjection in Turkish horror cinema: an analysis of Haunted (Musallat, Alper Mestçi, 2007) / Zeynep Koçer -- Gender ideologies, social realities and new technologies in recent Latin American 'abduction' horror / Niall Brennan -- Misogyny or commentary? Gendered violence outside and inside Captivity / Shellie McMurdo and Wickham Clayton -- "My name is Alice, and I remember everything." Project Alice and Milla Jovovich in the Resident Evil films / Steven Gerrard -- The Final Girls (2015) as a video essay: a metalinguistic play with genre and gender conventions / Emilio Audissino -- Dissecting depictions of black masculinity in Get Out / Francesca Sobande. Print version record. Horror films History and criticism. Sex role in motion pictures. http://id.loc.gov/authorities/subjects/sh89005585 Films d'horreur Histoire et critique. Rôle selon le sexe au cinéma. TV & society. bicssc PERFORMING ARTS Reference. bisacsh Horror films fast Sex role in motion pictures fast Electronic books. Criticism, interpretation, etc. fast Holland, Samantha, editor. http://id.loc.gov/authorities/names/n2004090237 Gerrard, Steven, 1970- editor. https://id.oclc.org/worldcat/entity/E39PCjvPwctXK7BDDwrKkDvHBX http://id.loc.gov/authorities/names/n2017040668 Shail, Robert, editor. http://id.loc.gov/authorities/names/n2007027919 has work: Gender and contemporary horror in film (Text) https://id.oclc.org/worldcat/entity/E39PCGFm83B78xXg7hGMDP7rFX https://id.oclc.org/worldcat/ontology/hasWork Print version: Gender and contemporary horror in film. First edition. Bingley, UK : Emerald Publishing, 2019 178769898X (OCoLC)1052877339 Emerald studies in popular culture and gender. http://id.loc.gov/authorities/names/no2021155357 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1887131 Volltext |
| spellingShingle | Gender and contemporary horror in film / Emerald studies in popular culture and gender. 'It's so easy to create a Victim': subverting gender stereotypes in the new French extremity / Maddi McGillvray -- Elegiac masculinity in Bubba Ho-Tep and Late Phases / Fernando Gabriel Pagnoni Berns and Diego Foronda -- Game of Werewolves: XXI Century Spanish werewolves and the conflict of masculinity / Irene Baena-Cuder -- Navigating the mind/body divide: the female cannibal in French films Grave (Raw, 2016), Dans ma peau (In My Skin, 2002) and Trouble Every Day (2001) -- Gendering the cannibal in the postfeminist era / Louise Flockhart -- #Selfveillance: horror's slut shaming through social media, sur- and selfveillance / Hannah Bonner -- Gay porn (horror) parodies / Joseph Brennan -- 'In celebration of her wickedness?': critical intertextuality and the female vampire in Byzantium / Matthew Denny -- 'There's a ghost in my house': the female gothic and the supernatural in What Lies Beneath (2000) / Frances A. Kamm -- The Monstrous-feminine and masculinity as abjection in Turkish horror cinema: an analysis of Haunted (Musallat, Alper Mestçi, 2007) / Zeynep Koçer -- Gender ideologies, social realities and new technologies in recent Latin American 'abduction' horror / Niall Brennan -- Misogyny or commentary? Gendered violence outside and inside Captivity / Shellie McMurdo and Wickham Clayton -- "My name is Alice, and I remember everything." Project Alice and Milla Jovovich in the Resident Evil films / Steven Gerrard -- The Final Girls (2015) as a video essay: a metalinguistic play with genre and gender conventions / Emilio Audissino -- Dissecting depictions of black masculinity in Get Out / Francesca Sobande. Horror films History and criticism. Sex role in motion pictures. http://id.loc.gov/authorities/subjects/sh89005585 Films d'horreur Histoire et critique. Rôle selon le sexe au cinéma. TV & society. bicssc PERFORMING ARTS Reference. bisacsh Horror films fast Sex role in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh89005585 |
| title | Gender and contemporary horror in film / |
| title_auth | Gender and contemporary horror in film / |
| title_exact_search | Gender and contemporary horror in film / |
| title_full | Gender and contemporary horror in film / edited by Samantha Holland, Leeds Beckett University, UK ; Robert Shail, Leeds Beckett University, UK ; Steven Gerrard, Leeds Beckett University, UK. |
| title_fullStr | Gender and contemporary horror in film / edited by Samantha Holland, Leeds Beckett University, UK ; Robert Shail, Leeds Beckett University, UK ; Steven Gerrard, Leeds Beckett University, UK. |
| title_full_unstemmed | Gender and contemporary horror in film / edited by Samantha Holland, Leeds Beckett University, UK ; Robert Shail, Leeds Beckett University, UK ; Steven Gerrard, Leeds Beckett University, UK. |
| title_short | Gender and contemporary horror in film / |
| title_sort | gender and contemporary horror in film |
| topic | Horror films History and criticism. Sex role in motion pictures. http://id.loc.gov/authorities/subjects/sh89005585 Films d'horreur Histoire et critique. Rôle selon le sexe au cinéma. TV & society. bicssc PERFORMING ARTS Reference. bisacsh Horror films fast Sex role in motion pictures fast |
| topic_facet | Horror films History and criticism. Sex role in motion pictures. Films d'horreur Histoire et critique. Rôle selon le sexe au cinéma. TV & society. PERFORMING ARTS Reference. Horror films Sex role in motion pictures Electronic books. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1887131 |
| work_keys_str_mv | AT hollandsamantha genderandcontemporaryhorrorinfilm AT gerrardsteven genderandcontemporaryhorrorinfilm AT shailrobert genderandcontemporaryhorrorinfilm |