In the flesh :: embodied identities in Roman elegy /
In the Flesh deeply engages postmodern and new materialist feminist thought in close readings of three significant poets-Propertius, Tibullus, and Ovid-writing in the early years of Rome's Augustan Principate. In their poems, they represent the flesh-and-blood body in both its integrity and vul...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Madison, Wisconsin :
The University of Wisconsin Press,
[2019]
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| Schriftenreihe: | Wisconsin studies in classics.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In the Flesh deeply engages postmodern and new materialist feminist thought in close readings of three significant poets-Propertius, Tibullus, and Ovid-writing in the early years of Rome's Augustan Principate. In their poems, they represent the flesh-and-blood body in both its integrity and vulnerability, as an index of social position along intersecting axes of sex, gender, status, and class. Erika Zimmermann Damer underscores the fluid, dynamic, and contingent nature of identities in Roman elegy, in response to a period of rapid legal, political, and social change.Recognizing this power of material flesh to shape elegiac poetry, she asserts, grants figures at the margins of this poetic discourse-mistresses, rivals, enslaved characters, overlooked members of households-their own identities, even when they do not speak. She demonstrates how the three poets create a prominent aesthetic of corporeal abjection and imperfection, associating the body as much with blood, wounds, and corporeal disintegration as with elegance, refinement, and sensuality. |
| Beschreibung: | 1 online resource |
| ISBN: | 9780299318734 0299318737 |
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| 505 | 0 | |a Intro; Contents; Acknowledgments; Introduction: Embodied Selves and the Body in Elegy; Part 1: Our Bodies, Ourselves; 1. Embodied Identity and the Scripta Puella in Propertius; 2. Tibullan Embodiments: Slaves, Soldiers, and the Body as Costume; 3. The Body in Bad Faith: Gender and Embodiment in the Amores; Part 2: Blood, Sex, and Tears: Problems of Embodiment in Roman Elegy; 4. Naked Selves: Sex, Violence, and Embodied Identities; 5. Body Talk: Cynthia Speaks; 6. Not the Elegiac Ideal: Gendering Blood, Wounds, and Gore in Roman Love Elegy; Conclusion; Notes; References; Index Locorum; Index | |
| 520 | |a In the Flesh deeply engages postmodern and new materialist feminist thought in close readings of three significant poets-Propertius, Tibullus, and Ovid-writing in the early years of Rome's Augustan Principate. In their poems, they represent the flesh-and-blood body in both its integrity and vulnerability, as an index of social position along intersecting axes of sex, gender, status, and class. Erika Zimmermann Damer underscores the fluid, dynamic, and contingent nature of identities in Roman elegy, in response to a period of rapid legal, political, and social change.Recognizing this power of material flesh to shape elegiac poetry, she asserts, grants figures at the margins of this poetic discourse-mistresses, rivals, enslaved characters, overlooked members of households-their own identities, even when they do not speak. She demonstrates how the three poets create a prominent aesthetic of corporeal abjection and imperfection, associating the body as much with blood, wounds, and corporeal disintegration as with elegance, refinement, and sensuality. | ||
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| contents | Intro; Contents; Acknowledgments; Introduction: Embodied Selves and the Body in Elegy; Part 1: Our Bodies, Ourselves; 1. Embodied Identity and the Scripta Puella in Propertius; 2. Tibullan Embodiments: Slaves, Soldiers, and the Body as Costume; 3. The Body in Bad Faith: Gender and Embodiment in the Amores; Part 2: Blood, Sex, and Tears: Problems of Embodiment in Roman Elegy; 4. Naked Selves: Sex, Violence, and Embodied Identities; 5. Body Talk: Cynthia Speaks; 6. Not the Elegiac Ideal: Gendering Blood, Wounds, and Gore in Roman Love Elegy; Conclusion; Notes; References; Index Locorum; Index |
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| spelling | Zimmermann Damer, Erika, author. http://id.loc.gov/authorities/names/no2018077990 In the flesh : embodied identities in Roman elegy / Erika Zimmermann Damer. Madison, Wisconsin : The University of Wisconsin Press, [2019] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Wisconsin studies in classics Online resource; title from digital title page (viewed on February 21, 2019). Intro; Contents; Acknowledgments; Introduction: Embodied Selves and the Body in Elegy; Part 1: Our Bodies, Ourselves; 1. Embodied Identity and the Scripta Puella in Propertius; 2. Tibullan Embodiments: Slaves, Soldiers, and the Body as Costume; 3. The Body in Bad Faith: Gender and Embodiment in the Amores; Part 2: Blood, Sex, and Tears: Problems of Embodiment in Roman Elegy; 4. Naked Selves: Sex, Violence, and Embodied Identities; 5. Body Talk: Cynthia Speaks; 6. Not the Elegiac Ideal: Gendering Blood, Wounds, and Gore in Roman Love Elegy; Conclusion; Notes; References; Index Locorum; Index In the Flesh deeply engages postmodern and new materialist feminist thought in close readings of three significant poets-Propertius, Tibullus, and Ovid-writing in the early years of Rome's Augustan Principate. In their poems, they represent the flesh-and-blood body in both its integrity and vulnerability, as an index of social position along intersecting axes of sex, gender, status, and class. Erika Zimmermann Damer underscores the fluid, dynamic, and contingent nature of identities in Roman elegy, in response to a period of rapid legal, political, and social change.Recognizing this power of material flesh to shape elegiac poetry, she asserts, grants figures at the margins of this poetic discourse-mistresses, rivals, enslaved characters, overlooked members of households-their own identities, even when they do not speak. She demonstrates how the three poets create a prominent aesthetic of corporeal abjection and imperfection, associating the body as much with blood, wounds, and corporeal disintegration as with elegance, refinement, and sensuality. Elegiac poetry, Latin History and criticism. Love poetry, Latin History and criticism. Human body in literature. http://id.loc.gov/authorities/subjects/sh85015234 Poésie élégiaque latine Histoire et critique. Poésie d'amour latine Histoire et critique. Corps humain dans la littérature. LITERARY CRITICISM Poetry. bisacsh LITERARY CRITICISM General. bisacsh Elegiac poetry, Latin fast Human body in literature fast Love poetry, Latin fast Criticism, interpretation, etc. fast has work: In the flesh (Text) https://id.oclc.org/worldcat/entity/E39PCGDqCM3qGPK9BDRxkJGF4y https://id.oclc.org/worldcat/ontology/hasWork Print version: Zimmermann Damer, Erika. In the flesh. Madison, Wisconsin : The University of Wisconsin Press, [2018] 9780299318703 (DLC) 2018014263 (OCoLC)1041247113 Wisconsin studies in classics. http://id.loc.gov/authorities/names/n42026622 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2026262 Volltext |
| spellingShingle | Zimmermann Damer, Erika In the flesh : embodied identities in Roman elegy / Wisconsin studies in classics. Intro; Contents; Acknowledgments; Introduction: Embodied Selves and the Body in Elegy; Part 1: Our Bodies, Ourselves; 1. Embodied Identity and the Scripta Puella in Propertius; 2. Tibullan Embodiments: Slaves, Soldiers, and the Body as Costume; 3. The Body in Bad Faith: Gender and Embodiment in the Amores; Part 2: Blood, Sex, and Tears: Problems of Embodiment in Roman Elegy; 4. Naked Selves: Sex, Violence, and Embodied Identities; 5. Body Talk: Cynthia Speaks; 6. Not the Elegiac Ideal: Gendering Blood, Wounds, and Gore in Roman Love Elegy; Conclusion; Notes; References; Index Locorum; Index Elegiac poetry, Latin History and criticism. Love poetry, Latin History and criticism. Human body in literature. http://id.loc.gov/authorities/subjects/sh85015234 Poésie élégiaque latine Histoire et critique. Poésie d'amour latine Histoire et critique. Corps humain dans la littérature. LITERARY CRITICISM Poetry. bisacsh LITERARY CRITICISM General. bisacsh Elegiac poetry, Latin fast Human body in literature fast Love poetry, Latin fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85015234 |
| title | In the flesh : embodied identities in Roman elegy / |
| title_auth | In the flesh : embodied identities in Roman elegy / |
| title_exact_search | In the flesh : embodied identities in Roman elegy / |
| title_full | In the flesh : embodied identities in Roman elegy / Erika Zimmermann Damer. |
| title_fullStr | In the flesh : embodied identities in Roman elegy / Erika Zimmermann Damer. |
| title_full_unstemmed | In the flesh : embodied identities in Roman elegy / Erika Zimmermann Damer. |
| title_short | In the flesh : |
| title_sort | in the flesh embodied identities in roman elegy |
| title_sub | embodied identities in Roman elegy / |
| topic | Elegiac poetry, Latin History and criticism. Love poetry, Latin History and criticism. Human body in literature. http://id.loc.gov/authorities/subjects/sh85015234 Poésie élégiaque latine Histoire et critique. Poésie d'amour latine Histoire et critique. Corps humain dans la littérature. LITERARY CRITICISM Poetry. bisacsh LITERARY CRITICISM General. bisacsh Elegiac poetry, Latin fast Human body in literature fast Love poetry, Latin fast |
| topic_facet | Elegiac poetry, Latin History and criticism. Love poetry, Latin History and criticism. Human body in literature. Poésie élégiaque latine Histoire et critique. Poésie d'amour latine Histoire et critique. Corps humain dans la littérature. LITERARY CRITICISM Poetry. LITERARY CRITICISM General. Elegiac poetry, Latin Human body in literature Love poetry, Latin Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2026262 |
| work_keys_str_mv | AT zimmermanndamererika inthefleshembodiedidentitiesinromanelegy |