Violent minds :: modernism and the criminal /
Just as cultural attitudes toward criminality were undergoing profound shifts in the late nineteenth and early twentieth centuries, modernist authors became fascinated by crime and its perpetrators, as well as the burgeoning genre of crime fiction. Throughout the period, a diverse range of British a...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York :
Cambridge University Press,
2019.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Just as cultural attitudes toward criminality were undergoing profound shifts in the late nineteenth and early twentieth centuries, modernist authors became fascinated by crime and its perpetrators, as well as the burgeoning genre of crime fiction. Throughout the period, a diverse range of British and American novelists took the criminal as a case study for experimenting with forms of psychological representation while also drawing on the conventions of crime fiction in order to imagine new ways of conceptualizing the criminal mind. Matthew Levay traces the history of that attention to criminal psychology in modernist fiction, placing understudied authors like Wyndham Lewis, Dorothy Sayers, Graham Greene, and Patricia Highsmith in dialogue with more canonical contemporaries like Joseph Conrad, Henry James, Dashiell Hammett, and Gertrude Stein. Levay demonstrates criminality's pivotal role in establishing quintessentially modernist forms of psychological representation and brings to light modernism's deep but understudied connections to popular literature, especially crime fiction. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781108676366 1108676367 9781108553698 1108553699 |
Internformat
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| 520 | |a Just as cultural attitudes toward criminality were undergoing profound shifts in the late nineteenth and early twentieth centuries, modernist authors became fascinated by crime and its perpetrators, as well as the burgeoning genre of crime fiction. Throughout the period, a diverse range of British and American novelists took the criminal as a case study for experimenting with forms of psychological representation while also drawing on the conventions of crime fiction in order to imagine new ways of conceptualizing the criminal mind. Matthew Levay traces the history of that attention to criminal psychology in modernist fiction, placing understudied authors like Wyndham Lewis, Dorothy Sayers, Graham Greene, and Patricia Highsmith in dialogue with more canonical contemporaries like Joseph Conrad, Henry James, Dashiell Hammett, and Gertrude Stein. Levay demonstrates criminality's pivotal role in establishing quintessentially modernist forms of psychological representation and brings to light modernism's deep but understudied connections to popular literature, especially crime fiction. | ||
| 505 | 0 | |a Introduction: modernism's violent minds -- 1. Modernist detection: minds, mindlessness, and the logic of criminal pursuit -- 2. Criminal types: anarchism, terrorism, and the violence of chance -- 3. The modernist crime novel: popular literature and the forms of experiment -- 4. Cases of identity: late modernism and the life of crime -- Conclusion: the criminal after modernism. | |
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| 650 | 0 | |a Criminals in literature. |0 http://id.loc.gov/authorities/subjects/sh94004447 | |
| 650 | 0 | |a Modernism (Literature) |z England. | |
| 650 | 0 | |a Modernism (Literature) |z United States. | |
| 650 | 0 | |a English fiction |y 19th century |x History and criticism. | |
| 650 | 0 | |a English fiction |y 20th century |x History and criticism. | |
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| 650 | 6 | |a Criminalité dans la littérature. | |
| 650 | 6 | |a Criminels dans la littérature. | |
| 650 | 6 | |a Modernisme (Littérature) |z Angleterre. | |
| 650 | 6 | |a Modernisme (Littérature) |z États-Unis. | |
| 650 | 6 | |a Roman anglais |y 19e siècle |x Histoire et critique. | |
| 650 | 6 | |a Roman anglais |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Roman américain |y 19e siècle |x Histoire et critique. | |
| 650 | 6 | |a Roman américain |y 20e siècle |x Histoire et critique. | |
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| 650 | 7 | |a American fiction |2 fast | |
| 650 | 7 | |a Crime in literature |2 fast | |
| 650 | 7 | |a Criminals in literature |2 fast | |
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| contents | Introduction: modernism's violent minds -- 1. Modernist detection: minds, mindlessness, and the logic of criminal pursuit -- 2. Criminal types: anarchism, terrorism, and the violence of chance -- 3. The modernist crime novel: popular literature and the forms of experiment -- 4. Cases of identity: late modernism and the life of crime -- Conclusion: the criminal after modernism. |
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| dewey-ones | 823 - English fiction |
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| dewey-search | 823/.8093556 |
| dewey-sort | 3823 78093556 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | 1800-1999 fast |
| era_facet | 1800-1999 |
| format | Electronic eBook |
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| spelling | Levay, Matthew, author. Violent minds : modernism and the criminal / Matthew Levay. Cambridge ; New York : Cambridge University Press, 2019. ©2019 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Online resource; title from PDF title page (EBSCO, viewed February 15, 2019). Includes bibliographical references and index. Just as cultural attitudes toward criminality were undergoing profound shifts in the late nineteenth and early twentieth centuries, modernist authors became fascinated by crime and its perpetrators, as well as the burgeoning genre of crime fiction. Throughout the period, a diverse range of British and American novelists took the criminal as a case study for experimenting with forms of psychological representation while also drawing on the conventions of crime fiction in order to imagine new ways of conceptualizing the criminal mind. Matthew Levay traces the history of that attention to criminal psychology in modernist fiction, placing understudied authors like Wyndham Lewis, Dorothy Sayers, Graham Greene, and Patricia Highsmith in dialogue with more canonical contemporaries like Joseph Conrad, Henry James, Dashiell Hammett, and Gertrude Stein. Levay demonstrates criminality's pivotal role in establishing quintessentially modernist forms of psychological representation and brings to light modernism's deep but understudied connections to popular literature, especially crime fiction. Introduction: modernism's violent minds -- 1. Modernist detection: minds, mindlessness, and the logic of criminal pursuit -- 2. Criminal types: anarchism, terrorism, and the violence of chance -- 3. The modernist crime novel: popular literature and the forms of experiment -- 4. Cases of identity: late modernism and the life of crime -- Conclusion: the criminal after modernism. Crime in literature. http://id.loc.gov/authorities/subjects/sh94004444 Criminals in literature. http://id.loc.gov/authorities/subjects/sh94004447 Modernism (Literature) England. Modernism (Literature) United States. English fiction 19th century History and criticism. English fiction 20th century History and criticism. American fiction 19th century History and criticism. American fiction 20th century History and criticism. Criminalité dans la littérature. Criminels dans la littérature. Modernisme (Littérature) Angleterre. Modernisme (Littérature) États-Unis. Roman anglais 19e siècle Histoire et critique. Roman anglais 20e siècle Histoire et critique. Roman américain 19e siècle Histoire et critique. Roman américain 20e siècle Histoire et critique. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh American fiction fast Crime in literature fast Criminals in literature fast English fiction fast Modernism (Literature) fast England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1800-1999 fast Criticism, interpretation, etc. fast Print version: 9781108428866 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2026069 Volltext |
| spellingShingle | Levay, Matthew Violent minds : modernism and the criminal / Introduction: modernism's violent minds -- 1. Modernist detection: minds, mindlessness, and the logic of criminal pursuit -- 2. Criminal types: anarchism, terrorism, and the violence of chance -- 3. The modernist crime novel: popular literature and the forms of experiment -- 4. Cases of identity: late modernism and the life of crime -- Conclusion: the criminal after modernism. Crime in literature. http://id.loc.gov/authorities/subjects/sh94004444 Criminals in literature. http://id.loc.gov/authorities/subjects/sh94004447 Modernism (Literature) England. Modernism (Literature) United States. English fiction 19th century History and criticism. English fiction 20th century History and criticism. American fiction 19th century History and criticism. American fiction 20th century History and criticism. Criminalité dans la littérature. Criminels dans la littérature. Modernisme (Littérature) Angleterre. Modernisme (Littérature) États-Unis. Roman anglais 19e siècle Histoire et critique. Roman anglais 20e siècle Histoire et critique. Roman américain 19e siècle Histoire et critique. Roman américain 20e siècle Histoire et critique. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh American fiction fast Crime in literature fast Criminals in literature fast English fiction fast Modernism (Literature) fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh94004444 http://id.loc.gov/authorities/subjects/sh94004447 |
| title | Violent minds : modernism and the criminal / |
| title_auth | Violent minds : modernism and the criminal / |
| title_exact_search | Violent minds : modernism and the criminal / |
| title_full | Violent minds : modernism and the criminal / Matthew Levay. |
| title_fullStr | Violent minds : modernism and the criminal / Matthew Levay. |
| title_full_unstemmed | Violent minds : modernism and the criminal / Matthew Levay. |
| title_short | Violent minds : |
| title_sort | violent minds modernism and the criminal |
| title_sub | modernism and the criminal / |
| topic | Crime in literature. http://id.loc.gov/authorities/subjects/sh94004444 Criminals in literature. http://id.loc.gov/authorities/subjects/sh94004447 Modernism (Literature) England. Modernism (Literature) United States. English fiction 19th century History and criticism. English fiction 20th century History and criticism. American fiction 19th century History and criticism. American fiction 20th century History and criticism. Criminalité dans la littérature. Criminels dans la littérature. Modernisme (Littérature) Angleterre. Modernisme (Littérature) États-Unis. Roman anglais 19e siècle Histoire et critique. Roman anglais 20e siècle Histoire et critique. Roman américain 19e siècle Histoire et critique. Roman américain 20e siècle Histoire et critique. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh American fiction fast Crime in literature fast Criminals in literature fast English fiction fast Modernism (Literature) fast |
| topic_facet | Crime in literature. Criminals in literature. Modernism (Literature) England. Modernism (Literature) United States. English fiction 19th century History and criticism. English fiction 20th century History and criticism. American fiction 19th century History and criticism. American fiction 20th century History and criticism. Criminalité dans la littérature. Criminels dans la littérature. Modernisme (Littérature) Angleterre. Modernisme (Littérature) États-Unis. Roman anglais 19e siècle Histoire et critique. Roman anglais 20e siècle Histoire et critique. Roman américain 19e siècle Histoire et critique. Roman américain 20e siècle Histoire et critique. LITERARY CRITICISM European English, Irish, Scottish, Welsh. American fiction Crime in literature Criminals in literature English fiction Modernism (Literature) England United States Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2026069 |
| work_keys_str_mv | AT levaymatthew violentmindsmodernismandthecriminal |