Steinformen :: Materialität, Qualität, Imitation /
"The natural genesis of stone is particularly suitable as a production paradigm of mimicking art; examples are rock and coral formations, or the veins in marble, that are an expression of the forces of natural creation. Art materials bridge the chasm between idea and execution and impact on the...
Gespeichert in:
Weitere Verfasser: | , , |
---|---|
Format: | Elektronisch E-Book |
Sprache: | German English |
Veröffentlicht: |
Berlin ; Boston :
De Gruyter,
[2019]
|
Schriftenreihe: | Naturbilder (Walter de Gruyter & Co.) ;
Bd. 8. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "The natural genesis of stone is particularly suitable as a production paradigm of mimicking art; examples are rock and coral formations, or the veins in marble, that are an expression of the forces of natural creation. Art materials bridge the chasm between idea and execution and impact on the working process; shaping the material reveals levels of meaning in the piece and, likewise, the specific form of the material offers opportunities for generating meaning. Imitating natural materials is much more than a replacement of the material or a demonstration of one's own artistic skills. The contributions in this book take a close look at the imitation of natural stone as artistic potential to express the interplay between natural and artificial material qualities"--Publisher's website |
Beschreibung: | Papers originally presented at a conference held at Warburg-Haus, Hamburg, Germany, January 2016. |
Beschreibung: | 1 online resource : illustrations |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9783110582062 3110582066 |
ISSN: | 2367-1955 ; |
Internformat
MARC
LEADER | 00000cam a2200000 i 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-on1084802560 | ||
003 | OCoLC | ||
005 | 20240705115654.0 | ||
006 | m o d | ||
007 | cr unu|||||||| | ||
008 | 190211s2019 gw a ob 101 0 ger d | ||
040 | |a YDX |b eng |e rda |e pn |c YDX |d OCLCQ |d N$T |d ORU |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
020 | |a 9783110582062 |q (electronic bk.) | ||
020 | |a 3110582066 |q (electronic bk.) | ||
020 | |z 311058199X | ||
020 | |z 9783110581997 | ||
035 | |a (OCoLC)1084802560 | ||
041 | 0 | |a ger |a eng |b eng | |
050 | 4 | |a N8251.S29 |b S78 2019eb | |
072 | 7 | |a N |2 lcco | |
082 | 7 | |a 111.85 |2 23 | |
049 | |a MAIN | ||
245 | 0 | 0 | |a Steinformen : |b Materialität, Qualität, Imitation / |c herausgegeben von Isabella Augart, Maurice Sass und Iris Wenderholm. |
264 | 1 | |a Berlin ; |a Boston : |b De Gruyter, |c [2019] | |
264 | 4 | |c ©2019 | |
300 | |a 1 online resource : |b illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Naturbilder = |a Images of nature, |x 2367-1955 ; |v Band 8 | |
588 | 0 | |a Print version record. | |
546 | |a 9 German, 9 English contributions; foreword in German; abstracts in English. | ||
500 | |a Papers originally presented at a conference held at Warburg-Haus, Hamburg, Germany, January 2016. | ||
504 | |a Includes bibliographical references and index. | ||
520 | 8 | |a "The natural genesis of stone is particularly suitable as a production paradigm of mimicking art; examples are rock and coral formations, or the veins in marble, that are an expression of the forces of natural creation. Art materials bridge the chasm between idea and execution and impact on the working process; shaping the material reveals levels of meaning in the piece and, likewise, the specific form of the material offers opportunities for generating meaning. Imitating natural materials is much more than a replacement of the material or a demonstration of one's own artistic skills. The contributions in this book take a close look at the imitation of natural stone as artistic potential to express the interplay between natural and artificial material qualities"--Publisher's website | |
505 | 0 | 0 | |t Steinformen : Stein formen / |r Isabella Augart, Maurice Sass, Iris Wenderholm -- |t Materialität -- |t Ornatus lapidum : Steine auf frühmittelalterlichen Büchern / |r David Ganz -- |t Luoghi aspri : Stone and Solitude in Trecento Painting / |r Isabella Augart -- |t Christʼs Side-Wound and Francis' Stigmatization at La-Verna : Reflections on the Rock of Golgotha / |r Yamit Rachman-Schrire -- |t Stonework and Crack in Giovanni Belliniʼs St. Francis in the Wilderness / |r David Young Kim -- |t A Stone Through the Window of Art History : Paintings on Stone and the Legacy of Pictorial Illusionism / |r Christopher J. Nygren -- |t Farbtafeln -- |t Dressed in Marble : Stoffwechsel and Ephemerality in Baroque Naples : the High Altar of San Domenico Maggiore / |r Joris van Gastel -- |t Qualität -- |t Bunte Steine : zur Rolle der Farbe in mittelalterlichen und frühneuzeitlichen Lapidarien / |r Karin Leonhard -- |t Matter of Life and Death? : The "Living Stones" and Medieval Gospel Books / |r Ilka Mestemacher -- |t Albertus Magnus und die Steine von Venedig : ein Beitrag zur "Bildwissenschaft" des 13. Jahrhunderts / |r Philippe Cordez -- |t The Art of Glassmaking and the Nature of Stones : the Role of Imitation in Anselm De Boodtʼs Classification of Stones / |r Sven Dupré -- |t Politik der Steine : zur Materialsemantik der Pietra dura-Tischplatten / |r Iris Wenderholm -- |t Adern im Stein und Adern im Bein : vom Material zur Skulptur / |r Monika Wagner -- |t Imitation -- |t Making a New Stone? : the Magical Powers of Carved Stones from Albert the Great to Camillo Leonardi / |r Nicolas Weill-Parot -- |t Versteinertes Blut : Heilig-Blut-Säulen in der flämischen Malerei um 1500 / |r Julia Kölle -- |t Cangiante Fabrics, Marble Cloths, and the Textility of Stone : Transmaterial Aesthetics in Ambrogio Lorenzettiʼs Presentation at the Temple and 13th- and 14th-century Tuscan Painting / |r Vera-Simone Schulz -- |t Annunziation und Petrifikation in der Malerei des Quattrocento / |r Markus Rath -- |t Als die Trauben des Zeuxis gegessen waren ... : Figuren der Kunsttheorie auf steinernen Oberflächen der Malerei / |r Robert Felfe -- |t "Meester snijt die keye ras" : Steinschneiden an Leib und Geist / |r Maurice Sass -- |g Abstracts -- |g Stein-Register -- |g Bildnachweise. |
650 | 0 | |a Stone in art |v Congresses. | |
650 | 0 | |a Imitation in art |v Congresses. | |
650 | 0 | |a Nature in art |v Congresses. | |
650 | 6 | |a Pierre dans l'art |v Congrès. | |
650 | 6 | |a Imitation (Art) |v Congrès. | |
650 | 6 | |a Nature dans l'art |v Congrès. | |
650 | 7 | |a Imitation in art |2 fast | |
650 | 7 | |a Nature in art |2 fast | |
650 | 7 | |a Stone in art |2 fast | |
655 | 2 | |a Congress |0 https://id.nlm.nih.gov/mesh/D016423 | |
655 | 7 | |a proceedings (reports) |2 aat | |
655 | 7 | |a Conference papers and proceedings |2 fast | |
655 | 7 | |a Conference papers and proceedings. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2014026068 | |
655 | 7 | |a Actes de congrès. |2 rvmgf | |
700 | 1 | |a Augart, Isabella, |e editor. |0 http://id.loc.gov/authorities/names/nb2019002023 | |
700 | 1 | |a Sass, Maurice, |e editor. |0 http://id.loc.gov/authorities/names/n2016048562 | |
700 | 1 | |a Wenderholm, Iris, |e editor. |0 http://id.loc.gov/authorities/names/nr2006016012 | |
710 | 2 | |a Warburg-Haus (Hamburg, Germany), |e host institution. |0 http://id.loc.gov/authorities/names/nr2001013893 | |
758 | |i has work: |a Steinformen (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFHRRmqGv6rrbyQYf8rwRX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |t Steinformen |z 9783110581997 |w (DLC) 2018960464 |w (OCoLC)1083098848 |
830 | 0 | |a Naturbilder (Walter de Gruyter & Co.) ; |v Bd. 8. |0 http://id.loc.gov/authorities/names/no2017072235 | |
856 | 1 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2018193 |3 Volltext | |
856 | 1 | |l CBO01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2018193 |3 Volltext | |
938 | |a EBSCOhost |b EBSC |n 2018193 | ||
938 | |a YBP Library Services |b YANK |n 16028070 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1084802560 |
---|---|
_version_ | 1813901642104307712 |
adam_text | |
any_adam_object | |
author2 | Augart, Isabella Sass, Maurice Wenderholm, Iris |
author2_role | edt edt edt |
author2_variant | i a ia m s ms i w iw |
author_GND | http://id.loc.gov/authorities/names/nb2019002023 http://id.loc.gov/authorities/names/n2016048562 http://id.loc.gov/authorities/names/nr2006016012 |
author_additional | Isabella Augart, Maurice Sass, Iris Wenderholm -- David Ganz -- Isabella Augart -- Yamit Rachman-Schrire -- David Young Kim -- Christopher J. Nygren -- Joris van Gastel -- Karin Leonhard -- Ilka Mestemacher -- Philippe Cordez -- Sven Dupré -- Iris Wenderholm -- Monika Wagner -- Nicolas Weill-Parot -- Julia Kölle -- Vera-Simone Schulz -- Markus Rath -- Robert Felfe -- Maurice Sass -- |
author_facet | Augart, Isabella Sass, Maurice Wenderholm, Iris |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | N - Fine Arts |
callnumber-label | N8251 |
callnumber-raw | N8251.S29 S78 2019eb |
callnumber-search | N8251.S29 S78 2019eb |
callnumber-sort | N 48251 S29 S78 42019EB |
callnumber-subject | N - Visual Arts |
collection | ZDB-4-EBA |
contents | Steinformen : Stein formen / Materialität -- Ornatus lapidum : Steine auf frühmittelalterlichen Büchern / Luoghi aspri : Stone and Solitude in Trecento Painting / Christʼs Side-Wound and Francis' Stigmatization at La-Verna : Reflections on the Rock of Golgotha / Stonework and Crack in Giovanni Belliniʼs St. Francis in the Wilderness / A Stone Through the Window of Art History : Paintings on Stone and the Legacy of Pictorial Illusionism / Farbtafeln -- Dressed in Marble : Stoffwechsel and Ephemerality in Baroque Naples : the High Altar of San Domenico Maggiore / Qualität -- Bunte Steine : zur Rolle der Farbe in mittelalterlichen und frühneuzeitlichen Lapidarien / Matter of Life and Death? : The "Living Stones" and Medieval Gospel Books / Albertus Magnus und die Steine von Venedig : ein Beitrag zur "Bildwissenschaft" des 13. Jahrhunderts / The Art of Glassmaking and the Nature of Stones : the Role of Imitation in Anselm De Boodtʼs Classification of Stones / Politik der Steine : zur Materialsemantik der Pietra dura-Tischplatten / Adern im Stein und Adern im Bein : vom Material zur Skulptur / Imitation -- Making a New Stone? : the Magical Powers of Carved Stones from Albert the Great to Camillo Leonardi / Versteinertes Blut : Heilig-Blut-Säulen in der flämischen Malerei um 1500 / Cangiante Fabrics, Marble Cloths, and the Textility of Stone : Transmaterial Aesthetics in Ambrogio Lorenzettiʼs Presentation at the Temple and 13th- and 14th-century Tuscan Painting / Annunziation und Petrifikation in der Malerei des Quattrocento / Als die Trauben des Zeuxis gegessen waren ... : Figuren der Kunsttheorie auf steinernen Oberflächen der Malerei / "Meester snijt die keye ras" : Steinschneiden an Leib und Geist / |
ctrlnum | (OCoLC)1084802560 |
dewey-full | 111.85 |
dewey-hundreds | 100 - Philosophy & psychology |
dewey-ones | 111 - Ontology |
dewey-raw | 111.85 |
dewey-search | 111.85 |
dewey-sort | 3111.85 |
dewey-tens | 110 - Metaphysics |
discipline | Philosophie |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06124cam a2200697 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1084802560</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20240705115654.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr unu||||||||</controlfield><controlfield tag="008">190211s2019 gw a ob 101 0 ger d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">YDX</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">YDX</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">N$T</subfield><subfield code="d">ORU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783110582062</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">3110582066</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">311058199X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9783110581997</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1084802560</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">ger</subfield><subfield code="a">eng</subfield><subfield code="b">eng</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">N8251.S29</subfield><subfield code="b">S78 2019eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">N</subfield><subfield code="2">lcco</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">111.85</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Steinformen :</subfield><subfield code="b">Materialität, Qualität, Imitation /</subfield><subfield code="c">herausgegeben von Isabella Augart, Maurice Sass und Iris Wenderholm.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin ;</subfield><subfield code="a">Boston :</subfield><subfield code="b">De Gruyter,</subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Naturbilder =</subfield><subfield code="a">Images of nature,</subfield><subfield code="x">2367-1955 ;</subfield><subfield code="v">Band 8</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">9 German, 9 English contributions; foreword in German; abstracts in English.</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Papers originally presented at a conference held at Warburg-Haus, Hamburg, Germany, January 2016.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">"The natural genesis of stone is particularly suitable as a production paradigm of mimicking art; examples are rock and coral formations, or the veins in marble, that are an expression of the forces of natural creation. Art materials bridge the chasm between idea and execution and impact on the working process; shaping the material reveals levels of meaning in the piece and, likewise, the specific form of the material offers opportunities for generating meaning. Imitating natural materials is much more than a replacement of the material or a demonstration of one's own artistic skills. The contributions in this book take a close look at the imitation of natural stone as artistic potential to express the interplay between natural and artificial material qualities"--Publisher's website</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Steinformen : Stein formen /</subfield><subfield code="r">Isabella Augart, Maurice Sass, Iris Wenderholm --</subfield><subfield code="t">Materialität --</subfield><subfield code="t">Ornatus lapidum : Steine auf frühmittelalterlichen Büchern /</subfield><subfield code="r">David Ganz --</subfield><subfield code="t">Luoghi aspri : Stone and Solitude in Trecento Painting /</subfield><subfield code="r">Isabella Augart --</subfield><subfield code="t">Christʼs Side-Wound and Francis' Stigmatization at La-Verna : Reflections on the Rock of Golgotha /</subfield><subfield code="r">Yamit Rachman-Schrire --</subfield><subfield code="t">Stonework and Crack in Giovanni Belliniʼs St. Francis in the Wilderness /</subfield><subfield code="r">David Young Kim --</subfield><subfield code="t">A Stone Through the Window of Art History : Paintings on Stone and the Legacy of Pictorial Illusionism /</subfield><subfield code="r">Christopher J. Nygren --</subfield><subfield code="t">Farbtafeln --</subfield><subfield code="t">Dressed in Marble : Stoffwechsel and Ephemerality in Baroque Naples : the High Altar of San Domenico Maggiore /</subfield><subfield code="r">Joris van Gastel --</subfield><subfield code="t">Qualität --</subfield><subfield code="t">Bunte Steine : zur Rolle der Farbe in mittelalterlichen und frühneuzeitlichen Lapidarien /</subfield><subfield code="r">Karin Leonhard --</subfield><subfield code="t">Matter of Life and Death? : The "Living Stones" and Medieval Gospel Books /</subfield><subfield code="r">Ilka Mestemacher --</subfield><subfield code="t">Albertus Magnus und die Steine von Venedig : ein Beitrag zur "Bildwissenschaft" des 13. Jahrhunderts /</subfield><subfield code="r">Philippe Cordez --</subfield><subfield code="t">The Art of Glassmaking and the Nature of Stones : the Role of Imitation in Anselm De Boodtʼs Classification of Stones /</subfield><subfield code="r">Sven Dupré --</subfield><subfield code="t">Politik der Steine : zur Materialsemantik der Pietra dura-Tischplatten /</subfield><subfield code="r">Iris Wenderholm --</subfield><subfield code="t">Adern im Stein und Adern im Bein : vom Material zur Skulptur /</subfield><subfield code="r">Monika Wagner --</subfield><subfield code="t">Imitation --</subfield><subfield code="t">Making a New Stone? : the Magical Powers of Carved Stones from Albert the Great to Camillo Leonardi /</subfield><subfield code="r">Nicolas Weill-Parot --</subfield><subfield code="t">Versteinertes Blut : Heilig-Blut-Säulen in der flämischen Malerei um 1500 /</subfield><subfield code="r">Julia Kölle --</subfield><subfield code="t">Cangiante Fabrics, Marble Cloths, and the Textility of Stone : Transmaterial Aesthetics in Ambrogio Lorenzettiʼs Presentation at the Temple and 13th- and 14th-century Tuscan Painting /</subfield><subfield code="r">Vera-Simone Schulz --</subfield><subfield code="t">Annunziation und Petrifikation in der Malerei des Quattrocento /</subfield><subfield code="r">Markus Rath --</subfield><subfield code="t">Als die Trauben des Zeuxis gegessen waren ... : Figuren der Kunsttheorie auf steinernen Oberflächen der Malerei /</subfield><subfield code="r">Robert Felfe --</subfield><subfield code="t">"Meester snijt die keye ras" : Steinschneiden an Leib und Geist /</subfield><subfield code="r">Maurice Sass --</subfield><subfield code="g">Abstracts --</subfield><subfield code="g">Stein-Register --</subfield><subfield code="g">Bildnachweise.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Stone in art</subfield><subfield code="v">Congresses.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Imitation in art</subfield><subfield code="v">Congresses.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Nature in art</subfield><subfield code="v">Congresses.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Pierre dans l'art</subfield><subfield code="v">Congrès.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Imitation (Art)</subfield><subfield code="v">Congrès.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Nature dans l'art</subfield><subfield code="v">Congrès.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Imitation in art</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Nature in art</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Stone in art</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="2"><subfield code="a">Congress</subfield><subfield code="0">https://id.nlm.nih.gov/mesh/D016423</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">proceedings (reports)</subfield><subfield code="2">aat</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Conference papers and proceedings</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Conference papers and proceedings.</subfield><subfield code="2">lcgft</subfield><subfield code="0">http://id.loc.gov/authorities/genreForms/gf2014026068</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Actes de congrès.</subfield><subfield code="2">rvmgf</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Augart, Isabella,</subfield><subfield code="e">editor.</subfield><subfield code="0">http://id.loc.gov/authorities/names/nb2019002023</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sass, Maurice,</subfield><subfield code="e">editor.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2016048562</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wenderholm, Iris,</subfield><subfield code="e">editor.</subfield><subfield code="0">http://id.loc.gov/authorities/names/nr2006016012</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Warburg-Haus (Hamburg, Germany),</subfield><subfield code="e">host institution.</subfield><subfield code="0">http://id.loc.gov/authorities/names/nr2001013893</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Steinformen (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCFHRRmqGv6rrbyQYf8rwRX</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="t">Steinformen</subfield><subfield code="z">9783110581997</subfield><subfield code="w">(DLC) 2018960464</subfield><subfield code="w">(OCoLC)1083098848</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Naturbilder (Walter de Gruyter & Co.) ;</subfield><subfield code="v">Bd. 8.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2017072235</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2018193</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">CBO01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2018193</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">2018193</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">16028070</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield></record></collection> |
genre | Congress https://id.nlm.nih.gov/mesh/D016423 proceedings (reports) aat Conference papers and proceedings fast Conference papers and proceedings. lcgft http://id.loc.gov/authorities/genreForms/gf2014026068 Actes de congrès. rvmgf |
genre_facet | Congress proceedings (reports) Conference papers and proceedings Conference papers and proceedings. Actes de congrès. |
id | ZDB-4-EBA-on1084802560 |
illustrated | Illustrated |
indexdate | 2024-10-25T15:50:08Z |
institution | BVB |
institution_GND | http://id.loc.gov/authorities/names/nr2001013893 |
isbn | 9783110582062 3110582066 |
issn | 2367-1955 ; |
language | German English |
oclc_num | 1084802560 |
open_access_boolean | |
owner | MAIN |
owner_facet | MAIN |
physical | 1 online resource : illustrations |
psigel | ZDB-4-EBA |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | De Gruyter, |
record_format | marc |
series | Naturbilder (Walter de Gruyter & Co.) ; |
series2 | Naturbilder = Images of nature, |
spelling | Steinformen : Materialität, Qualität, Imitation / herausgegeben von Isabella Augart, Maurice Sass und Iris Wenderholm. Berlin ; Boston : De Gruyter, [2019] ©2019 1 online resource : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Naturbilder = Images of nature, 2367-1955 ; Band 8 Print version record. 9 German, 9 English contributions; foreword in German; abstracts in English. Papers originally presented at a conference held at Warburg-Haus, Hamburg, Germany, January 2016. Includes bibliographical references and index. "The natural genesis of stone is particularly suitable as a production paradigm of mimicking art; examples are rock and coral formations, or the veins in marble, that are an expression of the forces of natural creation. Art materials bridge the chasm between idea and execution and impact on the working process; shaping the material reveals levels of meaning in the piece and, likewise, the specific form of the material offers opportunities for generating meaning. Imitating natural materials is much more than a replacement of the material or a demonstration of one's own artistic skills. The contributions in this book take a close look at the imitation of natural stone as artistic potential to express the interplay between natural and artificial material qualities"--Publisher's website Steinformen : Stein formen / Isabella Augart, Maurice Sass, Iris Wenderholm -- Materialität -- Ornatus lapidum : Steine auf frühmittelalterlichen Büchern / David Ganz -- Luoghi aspri : Stone and Solitude in Trecento Painting / Isabella Augart -- Christʼs Side-Wound and Francis' Stigmatization at La-Verna : Reflections on the Rock of Golgotha / Yamit Rachman-Schrire -- Stonework and Crack in Giovanni Belliniʼs St. Francis in the Wilderness / David Young Kim -- A Stone Through the Window of Art History : Paintings on Stone and the Legacy of Pictorial Illusionism / Christopher J. Nygren -- Farbtafeln -- Dressed in Marble : Stoffwechsel and Ephemerality in Baroque Naples : the High Altar of San Domenico Maggiore / Joris van Gastel -- Qualität -- Bunte Steine : zur Rolle der Farbe in mittelalterlichen und frühneuzeitlichen Lapidarien / Karin Leonhard -- Matter of Life and Death? : The "Living Stones" and Medieval Gospel Books / Ilka Mestemacher -- Albertus Magnus und die Steine von Venedig : ein Beitrag zur "Bildwissenschaft" des 13. Jahrhunderts / Philippe Cordez -- The Art of Glassmaking and the Nature of Stones : the Role of Imitation in Anselm De Boodtʼs Classification of Stones / Sven Dupré -- Politik der Steine : zur Materialsemantik der Pietra dura-Tischplatten / Iris Wenderholm -- Adern im Stein und Adern im Bein : vom Material zur Skulptur / Monika Wagner -- Imitation -- Making a New Stone? : the Magical Powers of Carved Stones from Albert the Great to Camillo Leonardi / Nicolas Weill-Parot -- Versteinertes Blut : Heilig-Blut-Säulen in der flämischen Malerei um 1500 / Julia Kölle -- Cangiante Fabrics, Marble Cloths, and the Textility of Stone : Transmaterial Aesthetics in Ambrogio Lorenzettiʼs Presentation at the Temple and 13th- and 14th-century Tuscan Painting / Vera-Simone Schulz -- Annunziation und Petrifikation in der Malerei des Quattrocento / Markus Rath -- Als die Trauben des Zeuxis gegessen waren ... : Figuren der Kunsttheorie auf steinernen Oberflächen der Malerei / Robert Felfe -- "Meester snijt die keye ras" : Steinschneiden an Leib und Geist / Maurice Sass -- Abstracts -- Stein-Register -- Bildnachweise. Stone in art Congresses. Imitation in art Congresses. Nature in art Congresses. Pierre dans l'art Congrès. Imitation (Art) Congrès. Nature dans l'art Congrès. Imitation in art fast Nature in art fast Stone in art fast Congress https://id.nlm.nih.gov/mesh/D016423 proceedings (reports) aat Conference papers and proceedings fast Conference papers and proceedings. lcgft http://id.loc.gov/authorities/genreForms/gf2014026068 Actes de congrès. rvmgf Augart, Isabella, editor. http://id.loc.gov/authorities/names/nb2019002023 Sass, Maurice, editor. http://id.loc.gov/authorities/names/n2016048562 Wenderholm, Iris, editor. http://id.loc.gov/authorities/names/nr2006016012 Warburg-Haus (Hamburg, Germany), host institution. http://id.loc.gov/authorities/names/nr2001013893 has work: Steinformen (Text) https://id.oclc.org/worldcat/entity/E39PCFHRRmqGv6rrbyQYf8rwRX https://id.oclc.org/worldcat/ontology/hasWork Print version: Steinformen 9783110581997 (DLC) 2018960464 (OCoLC)1083098848 Naturbilder (Walter de Gruyter & Co.) ; Bd. 8. http://id.loc.gov/authorities/names/no2017072235 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2018193 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2018193 Volltext |
spellingShingle | Steinformen : Materialität, Qualität, Imitation / Naturbilder (Walter de Gruyter & Co.) ; Steinformen : Stein formen / Materialität -- Ornatus lapidum : Steine auf frühmittelalterlichen Büchern / Luoghi aspri : Stone and Solitude in Trecento Painting / Christʼs Side-Wound and Francis' Stigmatization at La-Verna : Reflections on the Rock of Golgotha / Stonework and Crack in Giovanni Belliniʼs St. Francis in the Wilderness / A Stone Through the Window of Art History : Paintings on Stone and the Legacy of Pictorial Illusionism / Farbtafeln -- Dressed in Marble : Stoffwechsel and Ephemerality in Baroque Naples : the High Altar of San Domenico Maggiore / Qualität -- Bunte Steine : zur Rolle der Farbe in mittelalterlichen und frühneuzeitlichen Lapidarien / Matter of Life and Death? : The "Living Stones" and Medieval Gospel Books / Albertus Magnus und die Steine von Venedig : ein Beitrag zur "Bildwissenschaft" des 13. Jahrhunderts / The Art of Glassmaking and the Nature of Stones : the Role of Imitation in Anselm De Boodtʼs Classification of Stones / Politik der Steine : zur Materialsemantik der Pietra dura-Tischplatten / Adern im Stein und Adern im Bein : vom Material zur Skulptur / Imitation -- Making a New Stone? : the Magical Powers of Carved Stones from Albert the Great to Camillo Leonardi / Versteinertes Blut : Heilig-Blut-Säulen in der flämischen Malerei um 1500 / Cangiante Fabrics, Marble Cloths, and the Textility of Stone : Transmaterial Aesthetics in Ambrogio Lorenzettiʼs Presentation at the Temple and 13th- and 14th-century Tuscan Painting / Annunziation und Petrifikation in der Malerei des Quattrocento / Als die Trauben des Zeuxis gegessen waren ... : Figuren der Kunsttheorie auf steinernen Oberflächen der Malerei / "Meester snijt die keye ras" : Steinschneiden an Leib und Geist / Stone in art Congresses. Imitation in art Congresses. Nature in art Congresses. Pierre dans l'art Congrès. Imitation (Art) Congrès. Nature dans l'art Congrès. Imitation in art fast Nature in art fast Stone in art fast |
subject_GND | https://id.nlm.nih.gov/mesh/D016423 http://id.loc.gov/authorities/genreForms/gf2014026068 |
title | Steinformen : Materialität, Qualität, Imitation / |
title_alt | Steinformen : Stein formen / Materialität -- Ornatus lapidum : Steine auf frühmittelalterlichen Büchern / Luoghi aspri : Stone and Solitude in Trecento Painting / Christʼs Side-Wound and Francis' Stigmatization at La-Verna : Reflections on the Rock of Golgotha / Stonework and Crack in Giovanni Belliniʼs St. Francis in the Wilderness / A Stone Through the Window of Art History : Paintings on Stone and the Legacy of Pictorial Illusionism / Farbtafeln -- Dressed in Marble : Stoffwechsel and Ephemerality in Baroque Naples : the High Altar of San Domenico Maggiore / Qualität -- Bunte Steine : zur Rolle der Farbe in mittelalterlichen und frühneuzeitlichen Lapidarien / Matter of Life and Death? : The "Living Stones" and Medieval Gospel Books / Albertus Magnus und die Steine von Venedig : ein Beitrag zur "Bildwissenschaft" des 13. Jahrhunderts / The Art of Glassmaking and the Nature of Stones : the Role of Imitation in Anselm De Boodtʼs Classification of Stones / Politik der Steine : zur Materialsemantik der Pietra dura-Tischplatten / Adern im Stein und Adern im Bein : vom Material zur Skulptur / Imitation -- Making a New Stone? : the Magical Powers of Carved Stones from Albert the Great to Camillo Leonardi / Versteinertes Blut : Heilig-Blut-Säulen in der flämischen Malerei um 1500 / Cangiante Fabrics, Marble Cloths, and the Textility of Stone : Transmaterial Aesthetics in Ambrogio Lorenzettiʼs Presentation at the Temple and 13th- and 14th-century Tuscan Painting / Annunziation und Petrifikation in der Malerei des Quattrocento / Als die Trauben des Zeuxis gegessen waren ... : Figuren der Kunsttheorie auf steinernen Oberflächen der Malerei / "Meester snijt die keye ras" : Steinschneiden an Leib und Geist / |
title_auth | Steinformen : Materialität, Qualität, Imitation / |
title_exact_search | Steinformen : Materialität, Qualität, Imitation / |
title_full | Steinformen : Materialität, Qualität, Imitation / herausgegeben von Isabella Augart, Maurice Sass und Iris Wenderholm. |
title_fullStr | Steinformen : Materialität, Qualität, Imitation / herausgegeben von Isabella Augart, Maurice Sass und Iris Wenderholm. |
title_full_unstemmed | Steinformen : Materialität, Qualität, Imitation / herausgegeben von Isabella Augart, Maurice Sass und Iris Wenderholm. |
title_short | Steinformen : |
title_sort | steinformen materialitat qualitat imitation |
title_sub | Materialität, Qualität, Imitation / |
topic | Stone in art Congresses. Imitation in art Congresses. Nature in art Congresses. Pierre dans l'art Congrès. Imitation (Art) Congrès. Nature dans l'art Congrès. Imitation in art fast Nature in art fast Stone in art fast |
topic_facet | Stone in art Congresses. Imitation in art Congresses. Nature in art Congresses. Pierre dans l'art Congrès. Imitation (Art) Congrès. Nature dans l'art Congrès. Imitation in art Nature in art Stone in art Congress proceedings (reports) Conference papers and proceedings Conference papers and proceedings. Actes de congrès. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2018193 |
work_keys_str_mv | AT augartisabella steinformenmaterialitatqualitatimitation AT sassmaurice steinformenmaterialitatqualitatimitation AT wenderholmiris steinformenmaterialitatqualitatimitation AT warburghaushamburggermany steinformenmaterialitatqualitatimitation |