Believing in film :: Christianity and classic European cinema /
"We live in a secular world and cinema is part of that secular edifice. There is no expectation, in modern times, that filmmakers should be believers? any more than we would expect that to be the case of novelists, poets and painters. Yet for all that this is true, many of the greatest director...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
I.B. Tauris,
2019.
|
| Schriftenreihe: | Cinema and society.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "We live in a secular world and cinema is part of that secular edifice. There is no expectation, in modern times, that filmmakers should be believers? any more than we would expect that to be the case of novelists, poets and painters. Yet for all that this is true, many of the greatest directors of classic European cinema (the period from the end of World War II to roughly the middle of the 1980s) were passionately interested not only in the spiritual life but in the complexities of religion itself. In his new book Mark Le Fanu examines religion, and specifically Christianity, not as the repository of theological dogma but rather as an energizing cultural force? an 'inflexion'? that has shaped the narrative of many of the most striking films of the twentieth century. Discussing the work of such cineastes as Eisenstein and Tarkovsky from Russia; Wajda, Zanussi and Kieslowski from Poland; France's Rohmer and Bresson; Pasolini, Fellini and Rossellini from Italy; the Spanish masterpieces of Buųel, and Bergman and Dreyer from Scandinavia, this book makes a singular contribution to both film and religious studies."-- |
| Beschreibung: | 1 online resource (1 volume) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781786724526 1786724529 9781788319041 1788319044 |
Internformat
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| 100 | 1 | |a Le Fanu, Mark. | |
| 245 | 1 | 0 | |a Believing in film : |b Christianity and classic European cinema / |c Mark Le Fanu. |
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| 520 | |a "We live in a secular world and cinema is part of that secular edifice. There is no expectation, in modern times, that filmmakers should be believers? any more than we would expect that to be the case of novelists, poets and painters. Yet for all that this is true, many of the greatest directors of classic European cinema (the period from the end of World War II to roughly the middle of the 1980s) were passionately interested not only in the spiritual life but in the complexities of religion itself. In his new book Mark Le Fanu examines religion, and specifically Christianity, not as the repository of theological dogma but rather as an energizing cultural force? an 'inflexion'? that has shaped the narrative of many of the most striking films of the twentieth century. Discussing the work of such cineastes as Eisenstein and Tarkovsky from Russia; Wajda, Zanussi and Kieslowski from Poland; France's Rohmer and Bresson; Pasolini, Fellini and Rossellini from Italy; the Spanish masterpieces of Buųel, and Bergman and Dreyer from Scandinavia, this book makes a singular contribution to both film and religious studies."-- |c Provided by publisher | ||
| 505 | 0 | |a General Editor's Introduction -- Introduction -- CHAPTER 1: Russia: Tarkovsky, Eisenstein and Christianity -- CHAPTER 2: Poland: A Trio of Catholics -- CHAPTER 3: France: The Apostasy of Robert Bresson -- CHAPTER 4: Italy: Christianity and Neo-Realism -- CHAPTER 5: Scandinavia: Lutheran Interludes -- CHAPTER 6: Spain: The Heresies of Don Luis -- CHAPTER 7: Russia Again: Millennial Faith and Nihilism -- Afterword -- Acknowledgements -- List of Illustrations -- Bibliography -- Index. | |
| 650 | 0 | |a Christianity in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2009000036 | |
| 650 | 6 | |a Christianisme au cinéma. | |
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| 650 | 7 | |a Christianity in motion pictures |2 fast | |
| 758 | |i has work: |a Believing in film (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGjWKjDKcYP98QqWGkDC8K |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| _version_ | 1816882484243070976 |
| adam_text | |
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| author | Le Fanu, Mark |
| author_facet | Le Fanu, Mark |
| author_role | |
| author_sort | Le Fanu, Mark |
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| building | Verbundindex |
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| callnumber-label | PN1995 |
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| contents | General Editor's Introduction -- Introduction -- CHAPTER 1: Russia: Tarkovsky, Eisenstein and Christianity -- CHAPTER 2: Poland: A Trio of Catholics -- CHAPTER 3: France: The Apostasy of Robert Bresson -- CHAPTER 4: Italy: Christianity and Neo-Realism -- CHAPTER 5: Scandinavia: Lutheran Interludes -- CHAPTER 6: Spain: The Heresies of Don Luis -- CHAPTER 7: Russia Again: Millennial Faith and Nihilism -- Afterword -- Acknowledgements -- List of Illustrations -- Bibliography -- Index. |
| ctrlnum | (OCoLC)1084727502 |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.436823 |
| dewey-search | 791.436823 |
| dewey-sort | 3791.436823 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1084727502 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:21Z |
| institution | BVB |
| isbn | 9781786724526 1786724529 9781788319041 1788319044 |
| language | English |
| oclc_num | 1084727502 |
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| physical | 1 online resource (1 volume) |
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| publishDate | 2019 |
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| publisher | I.B. Tauris, |
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| series | Cinema and society. |
| series2 | Cinema and society series |
| spelling | Le Fanu, Mark. Believing in film : Christianity and classic European cinema / Mark Le Fanu. London : I.B. Tauris, 2019. 1 online resource (1 volume) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cinema and society series Includes bibliographical references and index. Print version record. "We live in a secular world and cinema is part of that secular edifice. There is no expectation, in modern times, that filmmakers should be believers? any more than we would expect that to be the case of novelists, poets and painters. Yet for all that this is true, many of the greatest directors of classic European cinema (the period from the end of World War II to roughly the middle of the 1980s) were passionately interested not only in the spiritual life but in the complexities of religion itself. In his new book Mark Le Fanu examines religion, and specifically Christianity, not as the repository of theological dogma but rather as an energizing cultural force? an 'inflexion'? that has shaped the narrative of many of the most striking films of the twentieth century. Discussing the work of such cineastes as Eisenstein and Tarkovsky from Russia; Wajda, Zanussi and Kieslowski from Poland; France's Rohmer and Bresson; Pasolini, Fellini and Rossellini from Italy; the Spanish masterpieces of Buųel, and Bergman and Dreyer from Scandinavia, this book makes a singular contribution to both film and religious studies."-- Provided by publisher General Editor's Introduction -- Introduction -- CHAPTER 1: Russia: Tarkovsky, Eisenstein and Christianity -- CHAPTER 2: Poland: A Trio of Catholics -- CHAPTER 3: France: The Apostasy of Robert Bresson -- CHAPTER 4: Italy: Christianity and Neo-Realism -- CHAPTER 5: Scandinavia: Lutheran Interludes -- CHAPTER 6: Spain: The Heresies of Don Luis -- CHAPTER 7: Russia Again: Millennial Faith and Nihilism -- Afterword -- Acknowledgements -- List of Illustrations -- Bibliography -- Index. Christianity in motion pictures. http://id.loc.gov/authorities/subjects/sh2009000036 Christianisme au cinéma. PERFORMING ARTS Reference. bisacsh Christianity in motion pictures fast has work: Believing in film (Text) https://id.oclc.org/worldcat/entity/E39PCGjWKjDKcYP98QqWGkDC8K https://id.oclc.org/worldcat/ontology/hasWork Print version: LE FANU, MARK. BELIEVING IN FILM. [Place of publication not identified] : I B TAURIS, 2018 1788311442 (OCoLC)993653079 Cinema and society. http://id.loc.gov/authorities/names/n83702361 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2023296 Volltext |
| spellingShingle | Le Fanu, Mark Believing in film : Christianity and classic European cinema / Cinema and society. General Editor's Introduction -- Introduction -- CHAPTER 1: Russia: Tarkovsky, Eisenstein and Christianity -- CHAPTER 2: Poland: A Trio of Catholics -- CHAPTER 3: France: The Apostasy of Robert Bresson -- CHAPTER 4: Italy: Christianity and Neo-Realism -- CHAPTER 5: Scandinavia: Lutheran Interludes -- CHAPTER 6: Spain: The Heresies of Don Luis -- CHAPTER 7: Russia Again: Millennial Faith and Nihilism -- Afterword -- Acknowledgements -- List of Illustrations -- Bibliography -- Index. Christianity in motion pictures. http://id.loc.gov/authorities/subjects/sh2009000036 Christianisme au cinéma. PERFORMING ARTS Reference. bisacsh Christianity in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2009000036 |
| title | Believing in film : Christianity and classic European cinema / |
| title_auth | Believing in film : Christianity and classic European cinema / |
| title_exact_search | Believing in film : Christianity and classic European cinema / |
| title_full | Believing in film : Christianity and classic European cinema / Mark Le Fanu. |
| title_fullStr | Believing in film : Christianity and classic European cinema / Mark Le Fanu. |
| title_full_unstemmed | Believing in film : Christianity and classic European cinema / Mark Le Fanu. |
| title_short | Believing in film : |
| title_sort | believing in film christianity and classic european cinema |
| title_sub | Christianity and classic European cinema / |
| topic | Christianity in motion pictures. http://id.loc.gov/authorities/subjects/sh2009000036 Christianisme au cinéma. PERFORMING ARTS Reference. bisacsh Christianity in motion pictures fast |
| topic_facet | Christianity in motion pictures. Christianisme au cinéma. PERFORMING ARTS Reference. Christianity in motion pictures |
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