On the screen :: displaying the moving image, 1926-1942 /
"Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema's golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how exp...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Columbia University Press,
[2019]
|
| Schriftenreihe: | Film and culture.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema's golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced. Marshalling extensive archival research, Rogers reveals the role screens played at the height of the era of 'classical' Hollywood cinema. She shows how filmmakers, technicians, architects, and exhibitors employed a variety of screens within diverse spaces, including studio soundstages, theaters, homes, stores, and train stations. Far from inert, screens served as means of structuring mediated space and time, contributing to the transformations of modern culture. On the Screen demonstrates how particular approaches to the use of screens traversed production and exhibition, theatrical and extratheatrical practice, mainstream and avant-garde modes, and even cinema and television. Rogers's history challenges conventional narratives about the novelty of the twenty-first-century multiscreen environment, showing how attention to the variety of historical screen practices opens up new ways to understand contemporary media"-- |
| Beschreibung: | 1 online resource (ix, 299 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780231548038 0231548036 |
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| 300 | |a 1 online resource (ix, 299 pages) : |b illustrations | ||
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| 490 | 1 | |a Film and culture series | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema's golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced. Marshalling extensive archival research, Rogers reveals the role screens played at the height of the era of 'classical' Hollywood cinema. She shows how filmmakers, technicians, architects, and exhibitors employed a variety of screens within diverse spaces, including studio soundstages, theaters, homes, stores, and train stations. Far from inert, screens served as means of structuring mediated space and time, contributing to the transformations of modern culture. On the Screen demonstrates how particular approaches to the use of screens traversed production and exhibition, theatrical and extratheatrical practice, mainstream and avant-garde modes, and even cinema and television. Rogers's history challenges conventional narratives about the novelty of the twenty-first-century multiscreen environment, showing how attention to the variety of historical screen practices opens up new ways to understand contemporary media"-- |c Provided by publisher | ||
| 505 | 0 | |a Production screens in the long 1930s : rear projection and special effects -- Theatrical screens, 1926-1931 : transforming the screen -- Theatrical screens, 1931-1940 : integrating the screen -- Extratheatrical screens in the long 1930s : film and television at home and in transit -- Coda. Multiplicity, immersion, and the new screens | |
| 588 | 0 | |a Online resource; title from PDF title page (JSTOR, viewed on September 10, 2019). | |
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| 650 | 7 | |a 1900 - 1999. |2 ascl | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
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| 758 | |i has work: |a On the screen (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGg8M3XMRdXTWFPWPPqTQC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Rogers, Ariel. |t On the screen. |d New York : Columbia University Press, [2019] |z 9780231188845 |w (DLC) 2018058579 |w (OCoLC)1066089660 |
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| contents | Production screens in the long 1930s : rear projection and special effects -- Theatrical screens, 1926-1931 : transforming the screen -- Theatrical screens, 1931-1940 : integrating the screen -- Extratheatrical screens in the long 1930s : film and television at home and in transit -- Coda. Multiplicity, immersion, and the new screens |
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| dewey-search | 791.430973 |
| dewey-sort | 3791.430973 |
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| discipline | Allgemeines |
| era | 1900-1999 fast |
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| indexdate | 2024-11-27T13:29:20Z |
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| isbn | 9780231548038 0231548036 |
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| spelling | Rogers, Ariel, author. http://id.loc.gov/authorities/names/n2013020984 On the screen : displaying the moving image, 1926-1942 / Ariel Rogers. New York : Columbia University Press, [2019] 1 online resource (ix, 299 pages) : illustrations text txt rdacontent computer n rdamedia online resource nc rdacarrier Film and culture series Includes bibliographical references and index. "Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema's golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced. Marshalling extensive archival research, Rogers reveals the role screens played at the height of the era of 'classical' Hollywood cinema. She shows how filmmakers, technicians, architects, and exhibitors employed a variety of screens within diverse spaces, including studio soundstages, theaters, homes, stores, and train stations. Far from inert, screens served as means of structuring mediated space and time, contributing to the transformations of modern culture. On the Screen demonstrates how particular approaches to the use of screens traversed production and exhibition, theatrical and extratheatrical practice, mainstream and avant-garde modes, and even cinema and television. Rogers's history challenges conventional narratives about the novelty of the twenty-first-century multiscreen environment, showing how attention to the variety of historical screen practices opens up new ways to understand contemporary media"-- Provided by publisher Production screens in the long 1930s : rear projection and special effects -- Theatrical screens, 1926-1931 : transforming the screen -- Theatrical screens, 1931-1940 : integrating the screen -- Extratheatrical screens in the long 1930s : film and television at home and in transit -- Coda. Multiplicity, immersion, and the new screens Online resource; title from PDF title page (JSTOR, viewed on September 10, 2019). Motion pictures United States History 20th century. Motion picture industry Technological innovations. Cinéma États-Unis Histoire 20e siècle. Cinéma Industrie Innovations. 1900 - 1999. ascl PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion picture industry Technological innovations fast Motion pictures fast United States fast 1900-1999 fast History fast has work: On the screen (Text) https://id.oclc.org/worldcat/entity/E39PCGg8M3XMRdXTWFPWPPqTQC https://id.oclc.org/worldcat/ontology/hasWork Print version: Rogers, Ariel. On the screen. New York : Columbia University Press, [2019] 9780231188845 (DLC) 2018058579 (OCoLC)1066089660 Film and culture. http://id.loc.gov/authorities/names/n92059833 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2088001 Volltext |
| spellingShingle | Rogers, Ariel On the screen : displaying the moving image, 1926-1942 / Film and culture. Production screens in the long 1930s : rear projection and special effects -- Theatrical screens, 1926-1931 : transforming the screen -- Theatrical screens, 1931-1940 : integrating the screen -- Extratheatrical screens in the long 1930s : film and television at home and in transit -- Coda. Multiplicity, immersion, and the new screens Motion pictures United States History 20th century. Motion picture industry Technological innovations. Cinéma États-Unis Histoire 20e siècle. Cinéma Industrie Innovations. 1900 - 1999. ascl PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion picture industry Technological innovations fast Motion pictures fast |
| title | On the screen : displaying the moving image, 1926-1942 / |
| title_auth | On the screen : displaying the moving image, 1926-1942 / |
| title_exact_search | On the screen : displaying the moving image, 1926-1942 / |
| title_full | On the screen : displaying the moving image, 1926-1942 / Ariel Rogers. |
| title_fullStr | On the screen : displaying the moving image, 1926-1942 / Ariel Rogers. |
| title_full_unstemmed | On the screen : displaying the moving image, 1926-1942 / Ariel Rogers. |
| title_short | On the screen : |
| title_sort | on the screen displaying the moving image 1926 1942 |
| title_sub | displaying the moving image, 1926-1942 / |
| topic | Motion pictures United States History 20th century. Motion picture industry Technological innovations. Cinéma États-Unis Histoire 20e siècle. Cinéma Industrie Innovations. 1900 - 1999. ascl PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion picture industry Technological innovations fast Motion pictures fast |
| topic_facet | Motion pictures United States History 20th century. Motion picture industry Technological innovations. Cinéma États-Unis Histoire 20e siècle. Cinéma Industrie Innovations. 1900 - 1999. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video History & Criticism. Motion picture industry Technological innovations Motion pictures United States History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2088001 |
| work_keys_str_mv | AT rogersariel onthescreendisplayingthemovingimage19261942 |