Sound in motion :: cinema, videogames, technology and audiences /
This book sheds more light on the intimate relationship between music and audiovisual culture in contemporary society. This book brings together researchers from different parts of the world, from the USA to Brazil, through Spain, Georgia, France and Austria, to understand, from different perspectiv...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Newcastle upon Tyne, UK :
Cambridge Scholars Publishing,
2018.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | This book sheds more light on the intimate relationship between music and audiovisual culture in contemporary society. This book brings together researchers from different parts of the world, from the USA to Brazil, through Spain, Georgia, France and Austria, to understand, from different perspectives, a global phenomenon. It includes indispensable studies on music and cinema (revisited from a multicultural perspective), as well as original research on music in videogames and television, and the study of the real impact of technological development on musical and artistic production. It also gathers chapters which explore the relationship between all these processes with the configuration of new audiences of which (maybe without knowing) we are already a part. |
Beschreibung: | 1 online resource (ix, 215 pages) : illustrations |
Bibliographie: | Includes bibliographical references. |
ISBN: | 9781527527294 1527527298 |
Internformat
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245 | 0 | 0 | |a Sound in motion : |b cinema, videogames, technology and audiences / |c edited by Enrique Encabo. |
264 | 1 | |a Newcastle upon Tyne, UK : |b Cambridge Scholars Publishing, |c 2018. | |
264 | 4 | |c ©2018 | |
300 | |a 1 online resource (ix, 215 pages) : |b illustrations | ||
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504 | |a Includes bibliographical references. | ||
505 | 0 | |a Preface: New horizons / David Walton -- Why there is not such a thing as popular music / Simon Frith -- Part 1, Music and technology : new horizons. Sound hyperreality in popular music : on the influence of audio production in our sound expectations / Jordi Roquer González. The influence of "audio correctors" in the creative process : between the performative reality and the artifices of the digital musical production / Marco Antonio Juan de Dios Cuartas. Mimetextuality : an approach to cultural studies from the phenomenon of music in streaming / Rubén Fernández Fernández -- Part 2, New audiences. The Berlin Philharmonic Digital Concert Hall : new strategies of music knowledge and conception / Álvaro G. Díaz Rodríguez. Music, sound and persuasion in YouTube advertising / Diego Calderón, Josep Gustems Carnicer and Caterina Calderon. How to learn with symphonic metal lyrics : an analysis of different songs and their relationship to literature / Eduardo Encabo Fernández, Isabel Jerez Martínez and Lourdes Hernández Delgado -- Part 3, Identities in movement. Phonographic industry and classical music in French modern cinema : image and sound of long play (LP) vinyl records in films / Luiza Alvim. The tragedy of fado in Portuguese cinema of the 40's and 50's : Amália Rodrigues and the cult of pure and delicate women / Pedro Miguel Oliveira Nunes. Theoretical proposal for the study of enunciation and focalisation within the framework of film music narrative / Celia Martínez García -- Part 4, Videogames & TV. Scoring for exploration gameplay / Luka Lebanidze. Music mediatisation as a matter of varlorisation : from performance to background music in French TV programs (1953-2015) / Guylaine Gueraud-Pinet. Hugo Niebeling and Herbert von Karajan : experimental music films from the perspective of artistic musical tradition / Ramón Sanjuán Minguez. | |
520 | 0 | |a This book sheds more light on the intimate relationship between music and audiovisual culture in contemporary society. This book brings together researchers from different parts of the world, from the USA to Brazil, through Spain, Georgia, France and Austria, to understand, from different perspectives, a global phenomenon. It includes indispensable studies on music and cinema (revisited from a multicultural perspective), as well as original research on music in videogames and television, and the study of the real impact of technological development on musical and artistic production. It also gathers chapters which explore the relationship between all these processes with the configuration of new audiences of which (maybe without knowing) we are already a part. | |
588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed February 5, 2019). | |
650 | 0 | |a Program music |x History and criticism. | |
650 | 0 | |a Video game music |x History and criticism. | |
650 | 0 | |a Popular music |x History and criticism. | |
650 | 6 | |a Musique à programme |x Histoire et critique. | |
650 | 6 | |a Jeux vidéo, Musique de |x Histoire et critique. | |
650 | 6 | |a Musique populaire |x Histoire et critique. | |
650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
650 | 7 | |a Popular music |2 fast | |
650 | 7 | |a Program music |2 fast | |
650 | 7 | |a Video game music |2 fast | |
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650 | 7 | |a Musik |2 gnd | |
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655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
700 | 1 | |a Encabo, Enrique, |d 1979- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjwQdwkmDPQCCgWQ97KWpd |0 http://id.loc.gov/authorities/names/n2008050434 | |
758 | |i has work: |a Sound in motion (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG3pRWVKF4WFbFCJ7VxKv3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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DE-BY-FWS_katkey | ZDB-4-EBA-on1084474998 |
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adam_text | |
any_adam_object | |
author2 | Encabo, Enrique, 1979- |
author2_role | edt |
author2_variant | e e ee |
author_GND | http://id.loc.gov/authorities/names/n2008050434 |
author_facet | Encabo, Enrique, 1979- |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML3855 |
callnumber-raw | ML3855 .S68 2018eb |
callnumber-search | ML3855 .S68 2018eb |
callnumber-sort | ML 43855 S68 42018EB |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | Preface: New horizons / David Walton -- Why there is not such a thing as popular music / Simon Frith -- Part 1, Music and technology : new horizons. Sound hyperreality in popular music : on the influence of audio production in our sound expectations / Jordi Roquer González. The influence of "audio correctors" in the creative process : between the performative reality and the artifices of the digital musical production / Marco Antonio Juan de Dios Cuartas. Mimetextuality : an approach to cultural studies from the phenomenon of music in streaming / Rubén Fernández Fernández -- Part 2, New audiences. The Berlin Philharmonic Digital Concert Hall : new strategies of music knowledge and conception / Álvaro G. Díaz Rodríguez. Music, sound and persuasion in YouTube advertising / Diego Calderón, Josep Gustems Carnicer and Caterina Calderon. How to learn with symphonic metal lyrics : an analysis of different songs and their relationship to literature / Eduardo Encabo Fernández, Isabel Jerez Martínez and Lourdes Hernández Delgado -- Part 3, Identities in movement. Phonographic industry and classical music in French modern cinema : image and sound of long play (LP) vinyl records in films / Luiza Alvim. The tragedy of fado in Portuguese cinema of the 40's and 50's : Amália Rodrigues and the cult of pure and delicate women / Pedro Miguel Oliveira Nunes. Theoretical proposal for the study of enunciation and focalisation within the framework of film music narrative / Celia Martínez García -- Part 4, Videogames & TV. Scoring for exploration gameplay / Luka Lebanidze. Music mediatisation as a matter of varlorisation : from performance to background music in French TV programs (1953-2015) / Guylaine Gueraud-Pinet. Hugo Niebeling and Herbert von Karajan : experimental music films from the perspective of artistic musical tradition / Ramón Sanjuán Minguez. |
ctrlnum | (OCoLC)1084474998 |
dewey-full | 781.562 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.562 |
dewey-search | 781.562 |
dewey-sort | 3781.562 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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spelling | Sound in motion : cinema, videogames, technology and audiences / edited by Enrique Encabo. Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2018. ©2018 1 online resource (ix, 215 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references. Preface: New horizons / David Walton -- Why there is not such a thing as popular music / Simon Frith -- Part 1, Music and technology : new horizons. Sound hyperreality in popular music : on the influence of audio production in our sound expectations / Jordi Roquer González. The influence of "audio correctors" in the creative process : between the performative reality and the artifices of the digital musical production / Marco Antonio Juan de Dios Cuartas. Mimetextuality : an approach to cultural studies from the phenomenon of music in streaming / Rubén Fernández Fernández -- Part 2, New audiences. The Berlin Philharmonic Digital Concert Hall : new strategies of music knowledge and conception / Álvaro G. Díaz Rodríguez. Music, sound and persuasion in YouTube advertising / Diego Calderón, Josep Gustems Carnicer and Caterina Calderon. How to learn with symphonic metal lyrics : an analysis of different songs and their relationship to literature / Eduardo Encabo Fernández, Isabel Jerez Martínez and Lourdes Hernández Delgado -- Part 3, Identities in movement. Phonographic industry and classical music in French modern cinema : image and sound of long play (LP) vinyl records in films / Luiza Alvim. The tragedy of fado in Portuguese cinema of the 40's and 50's : Amália Rodrigues and the cult of pure and delicate women / Pedro Miguel Oliveira Nunes. Theoretical proposal for the study of enunciation and focalisation within the framework of film music narrative / Celia Martínez García -- Part 4, Videogames & TV. Scoring for exploration gameplay / Luka Lebanidze. Music mediatisation as a matter of varlorisation : from performance to background music in French TV programs (1953-2015) / Guylaine Gueraud-Pinet. Hugo Niebeling and Herbert von Karajan : experimental music films from the perspective of artistic musical tradition / Ramón Sanjuán Minguez. This book sheds more light on the intimate relationship between music and audiovisual culture in contemporary society. This book brings together researchers from different parts of the world, from the USA to Brazil, through Spain, Georgia, France and Austria, to understand, from different perspectives, a global phenomenon. It includes indispensable studies on music and cinema (revisited from a multicultural perspective), as well as original research on music in videogames and television, and the study of the real impact of technological development on musical and artistic production. It also gathers chapters which explore the relationship between all these processes with the configuration of new audiences of which (maybe without knowing) we are already a part. Online resource; title from PDF title page (EBSCO, viewed February 5, 2019). Program music History and criticism. Video game music History and criticism. Popular music History and criticism. Musique à programme Histoire et critique. Jeux vidéo, Musique de Histoire et critique. Musique populaire Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Popular music fast Program music fast Video game music fast Film gnd Musik gnd Videospiel gnd http://d-nb.info/gnd/4063465-6 Criticism, interpretation, etc. fast Encabo, Enrique, 1979- editor. https://id.oclc.org/worldcat/entity/E39PCjwQdwkmDPQCCgWQ97KWpd http://id.loc.gov/authorities/names/n2008050434 has work: Sound in motion (Text) https://id.oclc.org/worldcat/entity/E39PCG3pRWVKF4WFbFCJ7VxKv3 https://id.oclc.org/worldcat/ontology/hasWork FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2018113 Volltext |
spellingShingle | Sound in motion : cinema, videogames, technology and audiences / Preface: New horizons / David Walton -- Why there is not such a thing as popular music / Simon Frith -- Part 1, Music and technology : new horizons. Sound hyperreality in popular music : on the influence of audio production in our sound expectations / Jordi Roquer González. The influence of "audio correctors" in the creative process : between the performative reality and the artifices of the digital musical production / Marco Antonio Juan de Dios Cuartas. Mimetextuality : an approach to cultural studies from the phenomenon of music in streaming / Rubén Fernández Fernández -- Part 2, New audiences. The Berlin Philharmonic Digital Concert Hall : new strategies of music knowledge and conception / Álvaro G. Díaz Rodríguez. Music, sound and persuasion in YouTube advertising / Diego Calderón, Josep Gustems Carnicer and Caterina Calderon. How to learn with symphonic metal lyrics : an analysis of different songs and their relationship to literature / Eduardo Encabo Fernández, Isabel Jerez Martínez and Lourdes Hernández Delgado -- Part 3, Identities in movement. Phonographic industry and classical music in French modern cinema : image and sound of long play (LP) vinyl records in films / Luiza Alvim. The tragedy of fado in Portuguese cinema of the 40's and 50's : Amália Rodrigues and the cult of pure and delicate women / Pedro Miguel Oliveira Nunes. Theoretical proposal for the study of enunciation and focalisation within the framework of film music narrative / Celia Martínez García -- Part 4, Videogames & TV. Scoring for exploration gameplay / Luka Lebanidze. Music mediatisation as a matter of varlorisation : from performance to background music in French TV programs (1953-2015) / Guylaine Gueraud-Pinet. Hugo Niebeling and Herbert von Karajan : experimental music films from the perspective of artistic musical tradition / Ramón Sanjuán Minguez. Program music History and criticism. Video game music History and criticism. Popular music History and criticism. Musique à programme Histoire et critique. Jeux vidéo, Musique de Histoire et critique. Musique populaire Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Popular music fast Program music fast Video game music fast Film gnd Musik gnd Videospiel gnd http://d-nb.info/gnd/4063465-6 |
subject_GND | http://d-nb.info/gnd/4063465-6 |
title | Sound in motion : cinema, videogames, technology and audiences / |
title_auth | Sound in motion : cinema, videogames, technology and audiences / |
title_exact_search | Sound in motion : cinema, videogames, technology and audiences / |
title_full | Sound in motion : cinema, videogames, technology and audiences / edited by Enrique Encabo. |
title_fullStr | Sound in motion : cinema, videogames, technology and audiences / edited by Enrique Encabo. |
title_full_unstemmed | Sound in motion : cinema, videogames, technology and audiences / edited by Enrique Encabo. |
title_short | Sound in motion : |
title_sort | sound in motion cinema videogames technology and audiences |
title_sub | cinema, videogames, technology and audiences / |
topic | Program music History and criticism. Video game music History and criticism. Popular music History and criticism. Musique à programme Histoire et critique. Jeux vidéo, Musique de Histoire et critique. Musique populaire Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Popular music fast Program music fast Video game music fast Film gnd Musik gnd Videospiel gnd http://d-nb.info/gnd/4063465-6 |
topic_facet | Program music History and criticism. Video game music History and criticism. Popular music History and criticism. Musique à programme Histoire et critique. Jeux vidéo, Musique de Histoire et critique. Musique populaire Histoire et critique. MUSIC Instruction & Study Theory. Popular music Program music Video game music Film Musik Videospiel Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2018113 |
work_keys_str_mv | AT encaboenrique soundinmotioncinemavideogamestechnologyandaudiences |