Meyerbeer's Le Prophete :: a parable of politics, faith and transcendence /
For a period of close to half a century, French grand opéra, as exemplified by the works of Giacomo Meyerbeer and his school, was the preferred form of music for the theatre in most of the civilized world. During the July Monarchy, French grand operas, with their plots drawn from historical events,...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne, United Kingdom :
Cambridge Scholars Publishing,
2018.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | For a period of close to half a century, French grand opéra, as exemplified by the works of Giacomo Meyerbeer and his school, was the preferred form of music for the theatre in most of the civilized world. During the July Monarchy, French grand operas, with their plots drawn from historical events, tended to be received as metaphors for current political themes. Meyerbee's Le Prophète illustrates the complex, contested nature of political meaning during this period. This opera was set in the context of the emerging liberal historiography pioneered by Jules Michelet, and reactions to it illustr. |
| Beschreibung: | 1 online resource (xxii, 312 pages, 103 unnumbered pages of plates) : illustrations, music |
| Bibliographie: | Includes bibliographical references and indexes. |
| ISBN: | 9781527527188 1527527182 |
Internformat
MARC
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| 245 | 1 | 0 | |a Meyerbeer's Le Prophete : |b a parable of politics, faith and transcendence / |c by Robert Ignatius Letellier. |
| 264 | 1 | |a Newcastle upon Tyne, United Kingdom : |b Cambridge Scholars Publishing, |c 2018. | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (xxii, 312 pages, 103 unnumbered pages of plates) : |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and indexes. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed February 5, 2019). | |
| 505 | 8 | |a The Vacillating IdealistThe Religious Chorale; Coronation and Cottage; The Hymn and the March; The Pastorale; Harmonic Language; Orchestral Colour; Formal Continuity; The Cathedral Scene; The Prison Scene; Chapter Eight; Musical Application; Fidès; Leitmotif; Vocal Lyricism; Mannerist Elements; The Scenic Tableaux; The Overture; The Coronation March; The Ballet Music (The Pastoral as Implicit Reproof); Chapter Nine; 1) The rehearsals of Le Prophète from Meyerbeer's Diary; 2) The Original Score | |
| 505 | 8 | |a 3) The Evolution of Fidès's Act-5 Grand Aria From Meyerbeer's Le Prophète, "Ô Prêtres de Baal" (Alan Armstrong, 2007)Chapter Ten; The Première; Reception History; The Twentieth Century; Early recordings of Le Prophète from the Golden Age; Musical Arrangements of Le Prophète; Chapter Eleven; Chapter Twelve; Chapter Thirteen; Chapter Fourteen; Some Famous Interpreters of Le Prophète at Covent Garden; Chapter Fifteen; Prophetic Strain (Andrew Porter, The New Yorker, 7 February 1977); Chapter Sixteen; Chapter Seventeen; The prophetic ministry; The Religious Subtext and Submerged Biblical Models | |
| 505 | 8 | |a The mother of the prophet (Mary, Daughter of Zion, Seat of Wisdom, Mother of the Messiah, patroness and ark of salvation)The Beloved of the Prophet; Light and Darkness; Sacramental models; Liberation; Love and Power; Iconography; Appendix 1; Appendix 2; Appendix 3; Appendix 4; Appendix 5; Chapter Eighteen; Chapter Nineteen; 1) John W. Klein, Meyerbeer's Strangest Opera (1971); 2) Barrymore Laurence Scherer, Meyerbeer: the Man and his Music (1977, 2007); Notes; Bibliography; Scores; Arrangements; Literature; Index; General Index; Index of Arrangers; Index of Cities & Theatres; Index of Singers | |
| 505 | 8 | |a Index of ConductorsIndex of Designers; Index of Producers; Index of Scholars and Critics | |
| 520 | |a For a period of close to half a century, French grand opéra, as exemplified by the works of Giacomo Meyerbeer and his school, was the preferred form of music for the theatre in most of the civilized world. During the July Monarchy, French grand operas, with their plots drawn from historical events, tended to be received as metaphors for current political themes. Meyerbee's Le Prophète illustrates the complex, contested nature of political meaning during this period. This opera was set in the context of the emerging liberal historiography pioneered by Jules Michelet, and reactions to it illustr. | ||
| 600 | 1 | 0 | |a Meyerbeer, Giacomo, |d 1791-1864. |0 http://id.loc.gov/authorities/names/n79140961 |
| 600 | 1 | 7 | |a Meyerbeer, Giacomo, |d 1791-1864 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJbGYh6k7hdtrH7QvYHt8C |
| 600 | 1 | 7 | |a Meyerbeer, Giacomo |d 1791-1864 |t Le prophète |2 gnd |0 http://d-nb.info/gnd/300104286 |
| 650 | 0 | |a Operas |z France |y 19th century. | |
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| 650 | 0 | |a Religion in art. |0 http://id.loc.gov/authorities/subjects/sh97000745 | |
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| 650 | 6 | |a Religion dans l'art. | |
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| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
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| 776 | 0 | 8 | |i Print version: |a Letellier, Robert Ignatius. |t Meyerbeer's Le Prophete. |d Newcastle upon Tyne, United Kingdom : Cambridge Scholars Publishing, 2018 |z 1527511324 |z 9781527511323 |w (OCoLC)1038057175 |
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| _version_ | 1816882483953664001 |
| adam_text | |
| any_adam_object | |
| author | Letellier, Robert Ignatius |
| author_GND | http://id.loc.gov/authorities/names/n83048843 |
| author_facet | Letellier, Robert Ignatius |
| author_role | aut |
| author_sort | Letellier, Robert Ignatius |
| author_variant | r i l ri ril |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.M61 L47 2018eb |
| callnumber-search | ML410.M61 L47 2018eb |
| callnumber-sort | ML 3410 M61 L47 42018EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | The Vacillating IdealistThe Religious Chorale; Coronation and Cottage; The Hymn and the March; The Pastorale; Harmonic Language; Orchestral Colour; Formal Continuity; The Cathedral Scene; The Prison Scene; Chapter Eight; Musical Application; Fidès; Leitmotif; Vocal Lyricism; Mannerist Elements; The Scenic Tableaux; The Overture; The Coronation March; The Ballet Music (The Pastoral as Implicit Reproof); Chapter Nine; 1) The rehearsals of Le Prophète from Meyerbeer's Diary; 2) The Original Score 3) The Evolution of Fidès's Act-5 Grand Aria From Meyerbeer's Le Prophète, "Ô Prêtres de Baal" (Alan Armstrong, 2007)Chapter Ten; The Première; Reception History; The Twentieth Century; Early recordings of Le Prophète from the Golden Age; Musical Arrangements of Le Prophète; Chapter Eleven; Chapter Twelve; Chapter Thirteen; Chapter Fourteen; Some Famous Interpreters of Le Prophète at Covent Garden; Chapter Fifteen; Prophetic Strain (Andrew Porter, The New Yorker, 7 February 1977); Chapter Sixteen; Chapter Seventeen; The prophetic ministry; The Religious Subtext and Submerged Biblical Models The mother of the prophet (Mary, Daughter of Zion, Seat of Wisdom, Mother of the Messiah, patroness and ark of salvation)The Beloved of the Prophet; Light and Darkness; Sacramental models; Liberation; Love and Power; Iconography; Appendix 1; Appendix 2; Appendix 3; Appendix 4; Appendix 5; Chapter Eighteen; Chapter Nineteen; 1) John W. Klein, Meyerbeer's Strangest Opera (1971); 2) Barrymore Laurence Scherer, Meyerbeer: the Man and his Music (1977, 2007); Notes; Bibliography; Scores; Arrangements; Literature; Index; General Index; Index of Arrangers; Index of Cities & Theatres; Index of Singers Index of ConductorsIndex of Designers; Index of Producers; Index of Scholars and Critics |
| ctrlnum | (OCoLC)1084474946 |
| dewey-full | 782.1092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1092 |
| dewey-search | 782.1092 |
| dewey-sort | 3782.1092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1800-1899 fast |
| era_facet | 1800-1899 |
| format | Electronic eBook |
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| geographic_facet | France |
| id | ZDB-4-EBA-on1084474946 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:29:20Z |
| institution | BVB |
| isbn | 9781527527188 1527527182 |
| language | English |
| oclc_num | 1084474946 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xxii, 312 pages, 103 unnumbered pages of plates) : illustrations, music |
| psigel | ZDB-4-EBA |
| publishDate | 2018 |
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| publisher | Cambridge Scholars Publishing, |
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| spelling | Letellier, Robert Ignatius, author. http://id.loc.gov/authorities/names/n83048843 Meyerbeer's Le Prophete : a parable of politics, faith and transcendence / by Robert Ignatius Letellier. Newcastle upon Tyne, United Kingdom : Cambridge Scholars Publishing, 2018. ©2018 1 online resource (xxii, 312 pages, 103 unnumbered pages of plates) : illustrations, music text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and indexes. Online resource; title from PDF title page (EBSCO, viewed February 5, 2019). The Vacillating IdealistThe Religious Chorale; Coronation and Cottage; The Hymn and the March; The Pastorale; Harmonic Language; Orchestral Colour; Formal Continuity; The Cathedral Scene; The Prison Scene; Chapter Eight; Musical Application; Fidès; Leitmotif; Vocal Lyricism; Mannerist Elements; The Scenic Tableaux; The Overture; The Coronation March; The Ballet Music (The Pastoral as Implicit Reproof); Chapter Nine; 1) The rehearsals of Le Prophète from Meyerbeer's Diary; 2) The Original Score 3) The Evolution of Fidès's Act-5 Grand Aria From Meyerbeer's Le Prophète, "Ô Prêtres de Baal" (Alan Armstrong, 2007)Chapter Ten; The Première; Reception History; The Twentieth Century; Early recordings of Le Prophète from the Golden Age; Musical Arrangements of Le Prophète; Chapter Eleven; Chapter Twelve; Chapter Thirteen; Chapter Fourteen; Some Famous Interpreters of Le Prophète at Covent Garden; Chapter Fifteen; Prophetic Strain (Andrew Porter, The New Yorker, 7 February 1977); Chapter Sixteen; Chapter Seventeen; The prophetic ministry; The Religious Subtext and Submerged Biblical Models The mother of the prophet (Mary, Daughter of Zion, Seat of Wisdom, Mother of the Messiah, patroness and ark of salvation)The Beloved of the Prophet; Light and Darkness; Sacramental models; Liberation; Love and Power; Iconography; Appendix 1; Appendix 2; Appendix 3; Appendix 4; Appendix 5; Chapter Eighteen; Chapter Nineteen; 1) John W. Klein, Meyerbeer's Strangest Opera (1971); 2) Barrymore Laurence Scherer, Meyerbeer: the Man and his Music (1977, 2007); Notes; Bibliography; Scores; Arrangements; Literature; Index; General Index; Index of Arrangers; Index of Cities & Theatres; Index of Singers Index of ConductorsIndex of Designers; Index of Producers; Index of Scholars and Critics For a period of close to half a century, French grand opéra, as exemplified by the works of Giacomo Meyerbeer and his school, was the preferred form of music for the theatre in most of the civilized world. During the July Monarchy, French grand operas, with their plots drawn from historical events, tended to be received as metaphors for current political themes. Meyerbee's Le Prophète illustrates the complex, contested nature of political meaning during this period. This opera was set in the context of the emerging liberal historiography pioneered by Jules Michelet, and reactions to it illustr. Meyerbeer, Giacomo, 1791-1864. http://id.loc.gov/authorities/names/n79140961 Meyerbeer, Giacomo, 1791-1864 fast https://id.oclc.org/worldcat/entity/E39PBJbGYh6k7hdtrH7QvYHt8C Meyerbeer, Giacomo 1791-1864 Le prophète gnd http://d-nb.info/gnd/300104286 Operas France 19th century. Music Religious aspects Christianity. http://id.loc.gov/authorities/subjects/sh85088819 Operas Themes, motives. Religion in art. http://id.loc.gov/authorities/subjects/sh97000745 Opéras France 19e siècle. Religion dans l'art. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Music Religious aspects Christianity fast Operas fast Religion in art fast France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP Religion Motiv gnd http://d-nb.info/gnd/4207560-9 1800-1899 fast has work: Meyerbeer's le prophète (Text) https://id.oclc.org/worldcat/entity/E39PCFG7yYRhB9FdxJTCPdvRw3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Letellier, Robert Ignatius. Meyerbeer's Le Prophete. Newcastle upon Tyne, United Kingdom : Cambridge Scholars Publishing, 2018 1527511324 9781527511323 (OCoLC)1038057175 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2018105 Volltext |
| spellingShingle | Letellier, Robert Ignatius Meyerbeer's Le Prophete : a parable of politics, faith and transcendence / The Vacillating IdealistThe Religious Chorale; Coronation and Cottage; The Hymn and the March; The Pastorale; Harmonic Language; Orchestral Colour; Formal Continuity; The Cathedral Scene; The Prison Scene; Chapter Eight; Musical Application; Fidès; Leitmotif; Vocal Lyricism; Mannerist Elements; The Scenic Tableaux; The Overture; The Coronation March; The Ballet Music (The Pastoral as Implicit Reproof); Chapter Nine; 1) The rehearsals of Le Prophète from Meyerbeer's Diary; 2) The Original Score 3) The Evolution of Fidès's Act-5 Grand Aria From Meyerbeer's Le Prophète, "Ô Prêtres de Baal" (Alan Armstrong, 2007)Chapter Ten; The Première; Reception History; The Twentieth Century; Early recordings of Le Prophète from the Golden Age; Musical Arrangements of Le Prophète; Chapter Eleven; Chapter Twelve; Chapter Thirteen; Chapter Fourteen; Some Famous Interpreters of Le Prophète at Covent Garden; Chapter Fifteen; Prophetic Strain (Andrew Porter, The New Yorker, 7 February 1977); Chapter Sixteen; Chapter Seventeen; The prophetic ministry; The Religious Subtext and Submerged Biblical Models The mother of the prophet (Mary, Daughter of Zion, Seat of Wisdom, Mother of the Messiah, patroness and ark of salvation)The Beloved of the Prophet; Light and Darkness; Sacramental models; Liberation; Love and Power; Iconography; Appendix 1; Appendix 2; Appendix 3; Appendix 4; Appendix 5; Chapter Eighteen; Chapter Nineteen; 1) John W. Klein, Meyerbeer's Strangest Opera (1971); 2) Barrymore Laurence Scherer, Meyerbeer: the Man and his Music (1977, 2007); Notes; Bibliography; Scores; Arrangements; Literature; Index; General Index; Index of Arrangers; Index of Cities & Theatres; Index of Singers Index of ConductorsIndex of Designers; Index of Producers; Index of Scholars and Critics Meyerbeer, Giacomo, 1791-1864. http://id.loc.gov/authorities/names/n79140961 Meyerbeer, Giacomo, 1791-1864 fast https://id.oclc.org/worldcat/entity/E39PBJbGYh6k7hdtrH7QvYHt8C Meyerbeer, Giacomo 1791-1864 Le prophète gnd http://d-nb.info/gnd/300104286 Operas France 19th century. Music Religious aspects Christianity. http://id.loc.gov/authorities/subjects/sh85088819 Operas Themes, motives. Religion in art. http://id.loc.gov/authorities/subjects/sh97000745 Opéras France 19e siècle. Religion dans l'art. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Music Religious aspects Christianity fast Operas fast Religion in art fast Religion Motiv gnd http://d-nb.info/gnd/4207560-9 |
| subject_GND | http://id.loc.gov/authorities/names/n79140961 http://d-nb.info/gnd/300104286 http://id.loc.gov/authorities/subjects/sh85088819 http://id.loc.gov/authorities/subjects/sh97000745 http://d-nb.info/gnd/4207560-9 |
| title | Meyerbeer's Le Prophete : a parable of politics, faith and transcendence / |
| title_auth | Meyerbeer's Le Prophete : a parable of politics, faith and transcendence / |
| title_exact_search | Meyerbeer's Le Prophete : a parable of politics, faith and transcendence / |
| title_full | Meyerbeer's Le Prophete : a parable of politics, faith and transcendence / by Robert Ignatius Letellier. |
| title_fullStr | Meyerbeer's Le Prophete : a parable of politics, faith and transcendence / by Robert Ignatius Letellier. |
| title_full_unstemmed | Meyerbeer's Le Prophete : a parable of politics, faith and transcendence / by Robert Ignatius Letellier. |
| title_short | Meyerbeer's Le Prophete : |
| title_sort | meyerbeer s le prophete a parable of politics faith and transcendence |
| title_sub | a parable of politics, faith and transcendence / |
| topic | Meyerbeer, Giacomo, 1791-1864. http://id.loc.gov/authorities/names/n79140961 Meyerbeer, Giacomo, 1791-1864 fast https://id.oclc.org/worldcat/entity/E39PBJbGYh6k7hdtrH7QvYHt8C Meyerbeer, Giacomo 1791-1864 Le prophète gnd http://d-nb.info/gnd/300104286 Operas France 19th century. Music Religious aspects Christianity. http://id.loc.gov/authorities/subjects/sh85088819 Operas Themes, motives. Religion in art. http://id.loc.gov/authorities/subjects/sh97000745 Opéras France 19e siècle. Religion dans l'art. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Music Religious aspects Christianity fast Operas fast Religion in art fast Religion Motiv gnd http://d-nb.info/gnd/4207560-9 |
| topic_facet | Meyerbeer, Giacomo, 1791-1864. Meyerbeer, Giacomo, 1791-1864 Meyerbeer, Giacomo 1791-1864 Le prophète Operas France 19th century. Music Religious aspects Christianity. Operas Themes, motives. Religion in art. Opéras France 19e siècle. Religion dans l'art. MUSIC Instruction & Study Voice. MUSIC Lyrics. MUSIC Printed Music Vocal. Music Religious aspects Christianity Operas Religion in art France Religion Motiv |
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