Anonymity performance in electronic pop music :: a performance ethnography of critical practices /
In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performa...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bielefeld :
Transcript Verlag,
[2018]
|
| Schriftenreihe: | Studien zur Popularmusik
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performative play with identity involving fake or parafictive identities or collaborative persona imaginations. This study sketches two musico-artistic projects of anonymity performance as forms of immanent and particulate `critical practice' in the sense of Judith Butler and Michel Foucault. Adopting performance in a reflexive and performative writing style, this `performance ethnography' calls for a radical performative turn in the cultural studies of music. |
| Beschreibung: | 1 online resource (232 pages) : photographs |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 3839442567 9783839442562 |
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| 520 | |a In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performative play with identity involving fake or parafictive identities or collaborative persona imaginations. This study sketches two musico-artistic projects of anonymity performance as forms of immanent and particulate `critical practice' in the sense of Judith Butler and Michel Foucault. Adopting performance in a reflexive and performative writing style, this `performance ethnography' calls for a radical performative turn in the cultural studies of music. | ||
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| contents | Frontmatter -- Contents -- Acknowledgments -- 1. Laboratory Case I: Moodymann and the study of pop music persona construction -- 2. Performance in music (studies) -- 3. Laboratory Case II: Ursula Bogner and performance research -- Conclusion: Towards a reconceptualisation of ethnographic practice as collaborative imagination -- Appendix |
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| spelling | Menrath, Stefanie Kiwi, author. Anonymity performance in electronic pop music : a performance ethnography of critical practices / Stefanie Kiwi Menrath. Bielefeld : Transcript Verlag, [2018] ©2018 1 online resource (232 pages) : photographs text txt rdacontent computer c rdamedia online resource cr rdacarrier text file Studien zur Popularmusik Includes bibliographical references. Frontmatter -- Contents -- Acknowledgments -- 1. Laboratory Case I: Moodymann and the study of pop music persona construction -- 2. Performance in music (studies) -- 3. Laboratory Case II: Ursula Bogner and performance research -- Conclusion: Towards a reconceptualisation of ethnographic practice as collaborative imagination -- Appendix In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performative play with identity involving fake or parafictive identities or collaborative persona imaginations. This study sketches two musico-artistic projects of anonymity performance as forms of immanent and particulate `critical practice' in the sense of Judith Butler and Michel Foucault. Adopting performance in a reflexive and performative writing style, this `performance ethnography' calls for a radical performative turn in the cultural studies of music. In English. Online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019). Electronica (Music) History and criticism. Anonymous persons. http://id.loc.gov/authorities/subjects/sh2008008440 Électronica (Musique) Histoire et critique. Personnes anonymes. MUSIC History & Criticism. bisacsh MUSIC / History & Criticism bisacsh Electronica (Music) fast Anonymous persons fast Popular music Social aspects fast Criticism, interpretation, etc. fast has work: Anonymity performance in electronic pop music (Text) https://id.oclc.org/worldcat/entity/E39PCFKGdhT3rJWJPBWkVpJ6mm https://id.oclc.org/worldcat/ontology/hasWork FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2011593 Volltext |
| spellingShingle | Menrath, Stefanie Kiwi Anonymity performance in electronic pop music : a performance ethnography of critical practices / Frontmatter -- Contents -- Acknowledgments -- 1. Laboratory Case I: Moodymann and the study of pop music persona construction -- 2. Performance in music (studies) -- 3. Laboratory Case II: Ursula Bogner and performance research -- Conclusion: Towards a reconceptualisation of ethnographic practice as collaborative imagination -- Appendix Electronica (Music) History and criticism. Anonymous persons. http://id.loc.gov/authorities/subjects/sh2008008440 Électronica (Musique) Histoire et critique. Personnes anonymes. MUSIC History & Criticism. bisacsh MUSIC / History & Criticism bisacsh Electronica (Music) fast Anonymous persons fast Popular music Social aspects fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2008008440 |
| title | Anonymity performance in electronic pop music : a performance ethnography of critical practices / |
| title_alt | Frontmatter -- Contents -- Acknowledgments -- 1. Laboratory Case I: Moodymann and the study of pop music persona construction -- 2. Performance in music (studies) -- 3. Laboratory Case II: Ursula Bogner and performance research -- Conclusion: Towards a reconceptualisation of ethnographic practice as collaborative imagination -- Appendix |
| title_auth | Anonymity performance in electronic pop music : a performance ethnography of critical practices / |
| title_exact_search | Anonymity performance in electronic pop music : a performance ethnography of critical practices / |
| title_full | Anonymity performance in electronic pop music : a performance ethnography of critical practices / Stefanie Kiwi Menrath. |
| title_fullStr | Anonymity performance in electronic pop music : a performance ethnography of critical practices / Stefanie Kiwi Menrath. |
| title_full_unstemmed | Anonymity performance in electronic pop music : a performance ethnography of critical practices / Stefanie Kiwi Menrath. |
| title_short | Anonymity performance in electronic pop music : |
| title_sort | anonymity performance in electronic pop music a performance ethnography of critical practices |
| title_sub | a performance ethnography of critical practices / |
| topic | Electronica (Music) History and criticism. Anonymous persons. http://id.loc.gov/authorities/subjects/sh2008008440 Électronica (Musique) Histoire et critique. Personnes anonymes. MUSIC History & Criticism. bisacsh MUSIC / History & Criticism bisacsh Electronica (Music) fast Anonymous persons fast Popular music Social aspects fast |
| topic_facet | Electronica (Music) History and criticism. Anonymous persons. Électronica (Musique) Histoire et critique. Personnes anonymes. MUSIC History & Criticism. MUSIC / History & Criticism Electronica (Music) Anonymous persons Popular music Social aspects Criticism, interpretation, etc. |
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