Music on stage.: Volume III /
The Music on Stage conferences are a unique engine for interdisciplinary interaction, which is reflected in this compendium of the latest research by international scholars. Scholars and practitioners of operas by Handel, Mozart, Thomas, Chabrier, Korngold and Taktakishvili will find new ""...
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| Format: | Elektronisch Tagungsbericht E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne :
Cambridge Scholars Publishing,
2018.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The Music on Stage conferences are a unique engine for interdisciplinary interaction, which is reflected in this compendium of the latest research by international scholars. Scholars and practitioners of operas by Handel, Mozart, Thomas, Chabrier, Korngold and Taktakishvili will find new ""readings"" from hitherto unexplored contexts and contemporary fine art. Also discussed is operatic lighting and the problematics of traditional lighting schemes apropos recent inventive methodologies. Popular sound development of the late 1960s is highlighted through unique oral transcripts. Other chapters d. |
| Beschreibung: | "The sixth international, interdisciplinary Music on Stage conference at Rose Bruford College attracted numerous papers on various aspects of opera, popular music and film, some of which are represented in this volume"--Unnumbered page 1 |
| Beschreibung: | 1 online resource (viii, 234 pages) : illustrations, music |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781527526952 152752695X |
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |g Introduction / |r Fiona Jane Schopf -- |g Chapter one. |t Opera arias on and off the stage : the strange case of Handel's "Lascia ch'io pianga" / |r Tim Carter -- |g Chapter two. |t Pocket opera, the new discipline and public space : the intermedia composer Brigitta Muntendorf and "Practical Aesthetics" / |r Karl Katschthaler -- |g Chapter three. |t The "Easthetics" of Laibach / |r Simon Bell -- |g Chapter four. |t Re-presenting the beautiful/insane : filmic Ekphrasis and the staging of Ophélie's mad scene from Thomas' Hamlet (1898) at the Met / |r Melissa Gerber -- |g Chapter five. |t "Playing it straight" : subverting Travesti identities in Chabrier's L'étoile / |r Elisabeth Honn Hoegberg -- |g Chapter six. |t Harems, pashas, and mistaken identities : mis/representations of the Orient in Western adaptations of Mozart's Die Entführung aus dem Serail / |r Julia Szoltysek -- |g Chapter seven. |t Feminine arms, goat legs, and little monkeys : performing masculinity in Daphnis et Chloé / |r Russell Millard -- |g Chapter eight. |t Interpreting dreams : Korngold's "Pierrot-Lied" in perspective / |r Kate Stringer -- |g Chapter nine. |t Otar Taktakishvili's Mindia : idea, tradition, style / |r Maia Sigua -- |g Chapter ten. |t Loud rock music? Live sound on stage, 1967-1973 / |r Sergio Pisfil -- |g Chapter eleven. |t The political evolution of Copla / |r Alejandro Postigo -- |g Chapter twelve. |t Imaging Wagner's leitmotif technique / |r Fiona Jane Schopf -- |g Chapter thirteen. |t Light and truth : an exploration of light in opera / |r Hansjörg Schmidt -- |g Chapter fourteen. |t Sound and emotions : the theory of musical equilibration / |r Daniela Willimek and Bernd Willimek. |
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| author_additional | Fiona Jane Schopf -- Tim Carter -- Karl Katschthaler -- Simon Bell -- Melissa Gerber -- Elisabeth Honn Hoegberg -- Julia Szoltysek -- Russell Millard -- Kate Stringer -- Maia Sigua -- Sergio Pisfil -- Alejandro Postigo -- Hansjörg Schmidt -- Daniela Willimek and Bernd Willimek. |
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| contents | Opera arias on and off the stage : the strange case of Handel's "Lascia ch'io pianga" / Pocket opera, the new discipline and public space : the intermedia composer Brigitta Muntendorf and "Practical Aesthetics" / The "Easthetics" of Laibach / Re-presenting the beautiful/insane : filmic Ekphrasis and the staging of Ophélie's mad scene from Thomas' Hamlet (1898) at the Met / "Playing it straight" : subverting Travesti identities in Chabrier's L'étoile / Harems, pashas, and mistaken identities : mis/representations of the Orient in Western adaptations of Mozart's Die Entführung aus dem Serail / Feminine arms, goat legs, and little monkeys : performing masculinity in Daphnis et Chloé / Interpreting dreams : Korngold's "Pierrot-Lied" in perspective / Otar Taktakishvili's Mindia : idea, tradition, style / Loud rock music? Live sound on stage, 1967-1973 / The political evolution of Copla / Imaging Wagner's leitmotif technique / Light and truth : an exploration of light in opera / Sound and emotions : the theory of musical equilibration / |
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| publisher | Cambridge Scholars Publishing, |
| record_format | marc |
| spelling | Music on stage. Volume III / edited by Fiona Jane Schopf. Newcastle upon Tyne : Cambridge Scholars Publishing, 2018. ©2018 1 online resource (viii, 234 pages) : illustrations, music text txt rdacontent computer c rdamedia online resource cr rdacarrier "The sixth international, interdisciplinary Music on Stage conference at Rose Bruford College attracted numerous papers on various aspects of opera, popular music and film, some of which are represented in this volume"--Unnumbered page 1 Includes bibliographical references and index. Introduction / Fiona Jane Schopf -- Chapter one. Opera arias on and off the stage : the strange case of Handel's "Lascia ch'io pianga" / Tim Carter -- Chapter two. Pocket opera, the new discipline and public space : the intermedia composer Brigitta Muntendorf and "Practical Aesthetics" / Karl Katschthaler -- Chapter three. The "Easthetics" of Laibach / Simon Bell -- Chapter four. Re-presenting the beautiful/insane : filmic Ekphrasis and the staging of Ophélie's mad scene from Thomas' Hamlet (1898) at the Met / Melissa Gerber -- Chapter five. "Playing it straight" : subverting Travesti identities in Chabrier's L'étoile / Elisabeth Honn Hoegberg -- Chapter six. Harems, pashas, and mistaken identities : mis/representations of the Orient in Western adaptations of Mozart's Die Entführung aus dem Serail / Julia Szoltysek -- Chapter seven. Feminine arms, goat legs, and little monkeys : performing masculinity in Daphnis et Chloé / Russell Millard -- Chapter eight. Interpreting dreams : Korngold's "Pierrot-Lied" in perspective / Kate Stringer -- Chapter nine. Otar Taktakishvili's Mindia : idea, tradition, style / Maia Sigua -- Chapter ten. Loud rock music? Live sound on stage, 1967-1973 / Sergio Pisfil -- Chapter eleven. The political evolution of Copla / Alejandro Postigo -- Chapter twelve. Imaging Wagner's leitmotif technique / Fiona Jane Schopf -- Chapter thirteen. Light and truth : an exploration of light in opera / Hansjörg Schmidt -- Chapter fourteen. Sound and emotions : the theory of musical equilibration / Daniela Willimek and Bernd Willimek. Print version record. The Music on Stage conferences are a unique engine for interdisciplinary interaction, which is reflected in this compendium of the latest research by international scholars. Scholars and practitioners of operas by Handel, Mozart, Thomas, Chabrier, Korngold and Taktakishvili will find new ""readings"" from hitherto unexplored contexts and contemporary fine art. Also discussed is operatic lighting and the problematics of traditional lighting schemes apropos recent inventive methodologies. Popular sound development of the late 1960s is highlighted through unique oral transcripts. Other chapters d. Wagner, Richard, 1813-1883 In motion pictures Congresses. Wagner, Richard, 1813-1883 fast https://id.oclc.org/worldcat/entity/E39PBJvMCYbW9m9kmHKrwph4MP Opera Congresses. Popular music Congresses. Music Performance Congresses. Music Congresses. Musique populaire Congrès. Musique Exécution Congrès. Musique Congrès. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Motion pictures fast Music fast Music Performance fast Opera fast Popular music fast Conference papers and proceedings fast Schopf, Fiona Jane, editor. Music on Stage (Conference) (6th : 2016 : Rose Bruford College) http://id.loc.gov/authorities/names/no2021096004 has work: Music on stage Volume III (Text) https://id.oclc.org/worldcat/entity/E39PCGTF7RcGXF4tpWGdDxrvMd https://id.oclc.org/worldcat/ontology/hasWork Print version: Music on stage. Volume III. Newcastle upon Tyne : Cambridge Scholars Publishing, 2018 1527511618 (OCoLC)1040657228 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2012311 Volltext |
| spellingShingle | Music on stage. Opera arias on and off the stage : the strange case of Handel's "Lascia ch'io pianga" / Pocket opera, the new discipline and public space : the intermedia composer Brigitta Muntendorf and "Practical Aesthetics" / The "Easthetics" of Laibach / Re-presenting the beautiful/insane : filmic Ekphrasis and the staging of Ophélie's mad scene from Thomas' Hamlet (1898) at the Met / "Playing it straight" : subverting Travesti identities in Chabrier's L'étoile / Harems, pashas, and mistaken identities : mis/representations of the Orient in Western adaptations of Mozart's Die Entführung aus dem Serail / Feminine arms, goat legs, and little monkeys : performing masculinity in Daphnis et Chloé / Interpreting dreams : Korngold's "Pierrot-Lied" in perspective / Otar Taktakishvili's Mindia : idea, tradition, style / Loud rock music? Live sound on stage, 1967-1973 / The political evolution of Copla / Imaging Wagner's leitmotif technique / Light and truth : an exploration of light in opera / Sound and emotions : the theory of musical equilibration / Wagner, Richard, 1813-1883 In motion pictures Congresses. Wagner, Richard, 1813-1883 fast https://id.oclc.org/worldcat/entity/E39PBJvMCYbW9m9kmHKrwph4MP Opera Congresses. Popular music Congresses. Music Performance Congresses. Music Congresses. Musique populaire Congrès. Musique Exécution Congrès. Musique Congrès. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Motion pictures fast Music fast Music Performance fast Opera fast Popular music fast |
| title | Music on stage. |
| title_alt | Opera arias on and off the stage : the strange case of Handel's "Lascia ch'io pianga" / Pocket opera, the new discipline and public space : the intermedia composer Brigitta Muntendorf and "Practical Aesthetics" / The "Easthetics" of Laibach / Re-presenting the beautiful/insane : filmic Ekphrasis and the staging of Ophélie's mad scene from Thomas' Hamlet (1898) at the Met / "Playing it straight" : subverting Travesti identities in Chabrier's L'étoile / Harems, pashas, and mistaken identities : mis/representations of the Orient in Western adaptations of Mozart's Die Entführung aus dem Serail / Feminine arms, goat legs, and little monkeys : performing masculinity in Daphnis et Chloé / Interpreting dreams : Korngold's "Pierrot-Lied" in perspective / Otar Taktakishvili's Mindia : idea, tradition, style / Loud rock music? Live sound on stage, 1967-1973 / The political evolution of Copla / Imaging Wagner's leitmotif technique / Light and truth : an exploration of light in opera / Sound and emotions : the theory of musical equilibration / |
| title_auth | Music on stage. |
| title_exact_search | Music on stage. |
| title_full | Music on stage. Volume III / edited by Fiona Jane Schopf. |
| title_fullStr | Music on stage. Volume III / edited by Fiona Jane Schopf. |
| title_full_unstemmed | Music on stage. Volume III / edited by Fiona Jane Schopf. |
| title_short | Music on stage. |
| title_sort | music on stage |
| topic | Wagner, Richard, 1813-1883 In motion pictures Congresses. Wagner, Richard, 1813-1883 fast https://id.oclc.org/worldcat/entity/E39PBJvMCYbW9m9kmHKrwph4MP Opera Congresses. Popular music Congresses. Music Performance Congresses. Music Congresses. Musique populaire Congrès. Musique Exécution Congrès. Musique Congrès. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Motion pictures fast Music fast Music Performance fast Opera fast Popular music fast |
| topic_facet | Wagner, Richard, 1813-1883 In motion pictures Congresses. Wagner, Richard, 1813-1883 Opera Congresses. Popular music Congresses. Music Performance Congresses. Music Congresses. Musique populaire Congrès. Musique Exécution Congrès. Musique Congrès. MUSIC Genres & Styles Classical. MUSIC Reference. Motion pictures Music Music Performance Opera Popular music Conference papers and proceedings |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2012311 |
| work_keys_str_mv | AT schopffionajane musiconstagevolumeiii AT musiconstageconferencerosebrufordcollege musiconstagevolumeiii |