Antipodean antiquities :: classical reception down under /
Leading and emerging, early career scholars in Classical Reception Studies come together in this volume to explore the under-represented area of the Australasian Classical Tradition. They interrogate the interactions between Mediterranean Antiquity and the antipodean worlds of New Zealand and Austra...
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| Weitere Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
Bloomsbury Academic,
[2019]
|
| Schriftenreihe: | Bloomsbury studies in classical reception.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Leading and emerging, early career scholars in Classical Reception Studies come together in this volume to explore the under-represented area of the Australasian Classical Tradition. They interrogate the interactions between Mediterranean Antiquity and the antipodean worlds of New Zealand and Australia through the lenses of literature, film, theatre and fine art. Of interest to scholars across the globe who research the influence of antiquity on modern literature, film, theatre and fine art, this volume fills a decisive gap in the literature by bringing antipodean research into the spotlight. Following a contextual introduction to the field, the six parts of the volume explore the latest research on subjects that range from the Lord of the Rings and Xena: Warrior Princess franchises to important artists such as Sidney Nolan and local authors whose work offers opportunities for cross-cultural and interdisciplinary analysis with well-known Western authors and artists. |
| Beschreibung: | 1 online resource (xi, 293 pages) : illustrations |
| ISBN: | 9781350021259 1350021253 9781350021242 1350021245 9781350021266 1350021261 |
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| 520 | 8 | |a Leading and emerging, early career scholars in Classical Reception Studies come together in this volume to explore the under-represented area of the Australasian Classical Tradition. They interrogate the interactions between Mediterranean Antiquity and the antipodean worlds of New Zealand and Australia through the lenses of literature, film, theatre and fine art. Of interest to scholars across the globe who research the influence of antiquity on modern literature, film, theatre and fine art, this volume fills a decisive gap in the literature by bringing antipodean research into the spotlight. Following a contextual introduction to the field, the six parts of the volume explore the latest research on subjects that range from the Lord of the Rings and Xena: Warrior Princess franchises to important artists such as Sidney Nolan and local authors whose work offers opportunities for cross-cultural and interdisciplinary analysis with well-known Western authors and artists. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; FIGURES; CONTRIBUTORS; INTRODUCTION; PART I THE COLONIAL PAST -- CLASSICAL INFLUENCES IN WHITE AUSTRALASIA; CHAPTER 1 BLACK OUT: CLASSICIZING INDIGENEITY IN AUSTRALIA AND NEW ZEALAND; The Monograph of John Hunter (1793); 'A Native Wounded while asleep'; 'New Zealand War Canoe bidding defiance to the Ship'; Black Out; CHAPTER 2 AUSTRALIA AS UNDERWORLD: CONVICT CLASSICS IN THE NINETEENTH CENTURY; Introduction; Infernal geography; A 'jaunty Dantesquerie'; 'As great a tyrant as Nero ever was'; The afterlife | |
| 505 | 8 | |a PART II THEATRE -- THEN AND NOWCHAPTER 3 AGAMEMNON COMES TO THE ANTIPODES: THE ORIGINS OF STUDENT DRAMA AT THE UNIVERSITY OF SYDNEY; Live on stage: a new departure; The earliest classical play at the University of Sydney; The first Agamemnon; Staging the play; The performances; From Agamemnon to a dramatic society; CHAPTER 4 SALAMIS AND GALLIPOLI: THE CAMPAIGNS OF PHILLIP MANN; CHAPTER 5 WESLEY ENOCH'S BLACK MEDEA; Euripides' Medea6; Enoch and Euripides; The Landscape of Jukurrpa; CHAPTER 6 WHAT WOMEN CRITICS KNOW THAT MEN DON'T; A theatrical frame; The comments; Afterlife | |
| 505 | 8 | |a PART III POETRY AND CLASSICAL ECHOES IN NEW ZEALANDCHAPTER 7 JAMES K. BAXTER AND THE GORGON MOON; CHAPTER 8 CLODIA THROUGH THE LOOKING GLASS; PART IV FICTIONALIZING ANTIPODEAN ANTIQUITIES; CHAPTER 9 PARILIA POSCOR -- DAVID MALOUF REMEMBERS THE PARILIA (FASTI 4.721FF.); Exiles and aetiologies: The Parilia in Augustan poetry; The repetition of ritual: Frazer and the Fasti; The Parilia in Tomis; CHAPTER 10 IMAGINATIVE DISPLACEMENT: CLASSICAL RECEPTION IN THE YOUNG ADULT FICTION OF MARGARET MAHY; Suburban Classical: The Changeover; Harry and the Minotaur: The Tricksters | |
| 505 | 8 | |a 'Partly mythological': The Catalogue of the UniverseMemory and the modern city; Holding the world together; CHAPTER 11 CLASSICAL INFLUENCES IN BERNARD BECKETT'S GENESIS, AUGUST AND LULLABY; Genesis; August; Lullaby; New Zealand settings and current topics; Philosophical questions; CHAPTER 12 DISPLACED PERSONS AND DISPLACED NARRATIVES IN S.D. GENTILL'S HERO TRILOGY; PART V AUSTRALASIA, GREECE AND ROME -- PAPER AND CANVAS; CHAPTER 13 PAINTING ANZACS IN AN EPIC LANDSCAPE: GREEK MYTH, THE TROJAN WAR AND SIDNEY NOLAN'S GALLIPOLI SERIES; The Trojan War, 1915; 'The Trojan War, 1915' -- Arthur Adams3 | |
| 505 | 8 | |a Painting an epic landscape'Gallipoli'; Ancient Greek art and mutilated Anzacs; CHAPTER 14 OF HEROES AND HUMANS: MARIAN MAGUIRE'S COLONIZATION OF HERAKLES' MYTHICAL WORLD; Scholarship and exhibitions; Narrative and time in the series; The lithographs; Conclusion; PART VI ANTIQUITY ON THE AUSTRALASIAN SCREEN; CHAPTER 15 TEMPORAL TURBULENCE: RECEPTION STUDIES(') NOW; Turbulent temporality; Xena: Warrior Princess; Xena 's turbulent temporalities; CHAPTER 16 CLASSICAL EPIC IN PETER JACKSON'S MIDDLE-EARTH TRILOGIES; Introduction; Tolkien, Jackson and epic heroism; The ending of epic | |
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| collection | ZDB-4-EBA |
| contents | Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; FIGURES; CONTRIBUTORS; INTRODUCTION; PART I THE COLONIAL PAST -- CLASSICAL INFLUENCES IN WHITE AUSTRALASIA; CHAPTER 1 BLACK OUT: CLASSICIZING INDIGENEITY IN AUSTRALIA AND NEW ZEALAND; The Monograph of John Hunter (1793); 'A Native Wounded while asleep'; 'New Zealand War Canoe bidding defiance to the Ship'; Black Out; CHAPTER 2 AUSTRALIA AS UNDERWORLD: CONVICT CLASSICS IN THE NINETEENTH CENTURY; Introduction; Infernal geography; A 'jaunty Dantesquerie'; 'As great a tyrant as Nero ever was'; The afterlife PART II THEATRE -- THEN AND NOWCHAPTER 3 AGAMEMNON COMES TO THE ANTIPODES: THE ORIGINS OF STUDENT DRAMA AT THE UNIVERSITY OF SYDNEY; Live on stage: a new departure; The earliest classical play at the University of Sydney; The first Agamemnon; Staging the play; The performances; From Agamemnon to a dramatic society; CHAPTER 4 SALAMIS AND GALLIPOLI: THE CAMPAIGNS OF PHILLIP MANN; CHAPTER 5 WESLEY ENOCH'S BLACK MEDEA; Euripides' Medea6; Enoch and Euripides; The Landscape of Jukurrpa; CHAPTER 6 WHAT WOMEN CRITICS KNOW THAT MEN DON'T; A theatrical frame; The comments; Afterlife PART III POETRY AND CLASSICAL ECHOES IN NEW ZEALANDCHAPTER 7 JAMES K. BAXTER AND THE GORGON MOON; CHAPTER 8 CLODIA THROUGH THE LOOKING GLASS; PART IV FICTIONALIZING ANTIPODEAN ANTIQUITIES; CHAPTER 9 PARILIA POSCOR -- DAVID MALOUF REMEMBERS THE PARILIA (FASTI 4.721FF.); Exiles and aetiologies: The Parilia in Augustan poetry; The repetition of ritual: Frazer and the Fasti; The Parilia in Tomis; CHAPTER 10 IMAGINATIVE DISPLACEMENT: CLASSICAL RECEPTION IN THE YOUNG ADULT FICTION OF MARGARET MAHY; Suburban Classical: The Changeover; Harry and the Minotaur: The Tricksters 'Partly mythological': The Catalogue of the UniverseMemory and the modern city; Holding the world together; CHAPTER 11 CLASSICAL INFLUENCES IN BERNARD BECKETT'S GENESIS, AUGUST AND LULLABY; Genesis; August; Lullaby; New Zealand settings and current topics; Philosophical questions; CHAPTER 12 DISPLACED PERSONS AND DISPLACED NARRATIVES IN S.D. GENTILL'S HERO TRILOGY; PART V AUSTRALASIA, GREECE AND ROME -- PAPER AND CANVAS; CHAPTER 13 PAINTING ANZACS IN AN EPIC LANDSCAPE: GREEK MYTH, THE TROJAN WAR AND SIDNEY NOLAN'S GALLIPOLI SERIES; The Trojan War, 1915; 'The Trojan War, 1915' -- Arthur Adams3 Painting an epic landscape'Gallipoli'; Ancient Greek art and mutilated Anzacs; CHAPTER 14 OF HEROES AND HUMANS: MARIAN MAGUIRE'S COLONIZATION OF HERAKLES' MYTHICAL WORLD; Scholarship and exhibitions; Narrative and time in the series; The lithographs; Conclusion; PART VI ANTIQUITY ON THE AUSTRALASIAN SCREEN; CHAPTER 15 TEMPORAL TURBULENCE: RECEPTION STUDIES(') NOW; Turbulent temporality; Xena: Warrior Princess; Xena 's turbulent temporalities; CHAPTER 16 CLASSICAL EPIC IN PETER JACKSON'S MIDDLE-EARTH TRILOGIES; Introduction; Tolkien, Jackson and epic heroism; The ending of epic |
| ctrlnum | (OCoLC)1083096548 |
| dewey-full | 880.09 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 880 - Classical Greek & Hellenic literatures |
| dewey-raw | 880.09 |
| dewey-search | 880.09 |
| dewey-sort | 3880.09 |
| dewey-tens | 880 - Classical Greek & Hellenic literatures |
| discipline | Philologie / Byzantinistik / Neulatein |
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| geographic | Australia fast https://id.oclc.org/worldcat/entity/E39QbtfRv8PPH7gCqhkJ8DK8bM New Zealand fast https://id.oclc.org/worldcat/entity/E39QbtfRmXBg7mpKX7p4DJ8Kqp |
| geographic_facet | Australia New Zealand |
| id | ZDB-4-EBA-on1083096548 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:29:19Z |
| institution | BVB |
| isbn | 9781350021259 1350021253 9781350021242 1350021245 9781350021266 1350021261 |
| language | English |
| oclc_num | 1083096548 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xi, 293 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Bloomsbury Academic, |
| record_format | marc |
| series | Bloomsbury studies in classical reception. |
| series2 | Bloomsbury studies in classical reception |
| spelling | Antipodean antiquities : classical reception down under / edited by Marguerite Johnson. London : Bloomsbury Academic, [2019] ©2019 1 online resource (xi, 293 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Bloomsbury studies in classical reception Leading and emerging, early career scholars in Classical Reception Studies come together in this volume to explore the under-represented area of the Australasian Classical Tradition. They interrogate the interactions between Mediterranean Antiquity and the antipodean worlds of New Zealand and Australia through the lenses of literature, film, theatre and fine art. Of interest to scholars across the globe who research the influence of antiquity on modern literature, film, theatre and fine art, this volume fills a decisive gap in the literature by bringing antipodean research into the spotlight. Following a contextual introduction to the field, the six parts of the volume explore the latest research on subjects that range from the Lord of the Rings and Xena: Warrior Princess franchises to important artists such as Sidney Nolan and local authors whose work offers opportunities for cross-cultural and interdisciplinary analysis with well-known Western authors and artists. Print version record. Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; FIGURES; CONTRIBUTORS; INTRODUCTION; PART I THE COLONIAL PAST -- CLASSICAL INFLUENCES IN WHITE AUSTRALASIA; CHAPTER 1 BLACK OUT: CLASSICIZING INDIGENEITY IN AUSTRALIA AND NEW ZEALAND; The Monograph of John Hunter (1793); 'A Native Wounded while asleep'; 'New Zealand War Canoe bidding defiance to the Ship'; Black Out; CHAPTER 2 AUSTRALIA AS UNDERWORLD: CONVICT CLASSICS IN THE NINETEENTH CENTURY; Introduction; Infernal geography; A 'jaunty Dantesquerie'; 'As great a tyrant as Nero ever was'; The afterlife PART II THEATRE -- THEN AND NOWCHAPTER 3 AGAMEMNON COMES TO THE ANTIPODES: THE ORIGINS OF STUDENT DRAMA AT THE UNIVERSITY OF SYDNEY; Live on stage: a new departure; The earliest classical play at the University of Sydney; The first Agamemnon; Staging the play; The performances; From Agamemnon to a dramatic society; CHAPTER 4 SALAMIS AND GALLIPOLI: THE CAMPAIGNS OF PHILLIP MANN; CHAPTER 5 WESLEY ENOCH'S BLACK MEDEA; Euripides' Medea6; Enoch and Euripides; The Landscape of Jukurrpa; CHAPTER 6 WHAT WOMEN CRITICS KNOW THAT MEN DON'T; A theatrical frame; The comments; Afterlife PART III POETRY AND CLASSICAL ECHOES IN NEW ZEALANDCHAPTER 7 JAMES K. BAXTER AND THE GORGON MOON; CHAPTER 8 CLODIA THROUGH THE LOOKING GLASS; PART IV FICTIONALIZING ANTIPODEAN ANTIQUITIES; CHAPTER 9 PARILIA POSCOR -- DAVID MALOUF REMEMBERS THE PARILIA (FASTI 4.721FF.); Exiles and aetiologies: The Parilia in Augustan poetry; The repetition of ritual: Frazer and the Fasti; The Parilia in Tomis; CHAPTER 10 IMAGINATIVE DISPLACEMENT: CLASSICAL RECEPTION IN THE YOUNG ADULT FICTION OF MARGARET MAHY; Suburban Classical: The Changeover; Harry and the Minotaur: The Tricksters 'Partly mythological': The Catalogue of the UniverseMemory and the modern city; Holding the world together; CHAPTER 11 CLASSICAL INFLUENCES IN BERNARD BECKETT'S GENESIS, AUGUST AND LULLABY; Genesis; August; Lullaby; New Zealand settings and current topics; Philosophical questions; CHAPTER 12 DISPLACED PERSONS AND DISPLACED NARRATIVES IN S.D. GENTILL'S HERO TRILOGY; PART V AUSTRALASIA, GREECE AND ROME -- PAPER AND CANVAS; CHAPTER 13 PAINTING ANZACS IN AN EPIC LANDSCAPE: GREEK MYTH, THE TROJAN WAR AND SIDNEY NOLAN'S GALLIPOLI SERIES; The Trojan War, 1915; 'The Trojan War, 1915' -- Arthur Adams3 Painting an epic landscape'Gallipoli'; Ancient Greek art and mutilated Anzacs; CHAPTER 14 OF HEROES AND HUMANS: MARIAN MAGUIRE'S COLONIZATION OF HERAKLES' MYTHICAL WORLD; Scholarship and exhibitions; Narrative and time in the series; The lithographs; Conclusion; PART VI ANTIQUITY ON THE AUSTRALASIAN SCREEN; CHAPTER 15 TEMPORAL TURBULENCE: RECEPTION STUDIES(') NOW; Turbulent temporality; Xena: Warrior Princess; Xena 's turbulent temporalities; CHAPTER 16 CLASSICAL EPIC IN PETER JACKSON'S MIDDLE-EARTH TRILOGIES; Introduction; Tolkien, Jackson and epic heroism; The ending of epic Classical literature Appreciation Australia. Classical literature Appreciation New Zealand. LITERARY CRITICISM Ancient & Classical. bisacsh Classical literature Appreciation fast Australia fast https://id.oclc.org/worldcat/entity/E39QbtfRv8PPH7gCqhkJ8DK8bM New Zealand fast https://id.oclc.org/worldcat/entity/E39QbtfRmXBg7mpKX7p4DJ8Kqp Johnson, Marguerite, 1965- editor. https://id.oclc.org/worldcat/entity/E39PBJrGy4hPVy4DCcVXvM3hHC http://id.loc.gov/authorities/names/n2004030086 has work: Antipodean antiquities (Text) https://id.oclc.org/worldcat/entity/E39PCGw6c3bxbHGDy6yVb3cGd3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Antipodean antiquities. London : Bloomsbury Academic, 2019 9781350021235 (DLC) 2018040894 (OCoLC)1055568675 Bloomsbury studies in classical reception. http://id.loc.gov/authorities/names/no2015002294 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2004286 Volltext |
| spellingShingle | Antipodean antiquities : classical reception down under / Bloomsbury studies in classical reception. Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; FIGURES; CONTRIBUTORS; INTRODUCTION; PART I THE COLONIAL PAST -- CLASSICAL INFLUENCES IN WHITE AUSTRALASIA; CHAPTER 1 BLACK OUT: CLASSICIZING INDIGENEITY IN AUSTRALIA AND NEW ZEALAND; The Monograph of John Hunter (1793); 'A Native Wounded while asleep'; 'New Zealand War Canoe bidding defiance to the Ship'; Black Out; CHAPTER 2 AUSTRALIA AS UNDERWORLD: CONVICT CLASSICS IN THE NINETEENTH CENTURY; Introduction; Infernal geography; A 'jaunty Dantesquerie'; 'As great a tyrant as Nero ever was'; The afterlife PART II THEATRE -- THEN AND NOWCHAPTER 3 AGAMEMNON COMES TO THE ANTIPODES: THE ORIGINS OF STUDENT DRAMA AT THE UNIVERSITY OF SYDNEY; Live on stage: a new departure; The earliest classical play at the University of Sydney; The first Agamemnon; Staging the play; The performances; From Agamemnon to a dramatic society; CHAPTER 4 SALAMIS AND GALLIPOLI: THE CAMPAIGNS OF PHILLIP MANN; CHAPTER 5 WESLEY ENOCH'S BLACK MEDEA; Euripides' Medea6; Enoch and Euripides; The Landscape of Jukurrpa; CHAPTER 6 WHAT WOMEN CRITICS KNOW THAT MEN DON'T; A theatrical frame; The comments; Afterlife PART III POETRY AND CLASSICAL ECHOES IN NEW ZEALANDCHAPTER 7 JAMES K. BAXTER AND THE GORGON MOON; CHAPTER 8 CLODIA THROUGH THE LOOKING GLASS; PART IV FICTIONALIZING ANTIPODEAN ANTIQUITIES; CHAPTER 9 PARILIA POSCOR -- DAVID MALOUF REMEMBERS THE PARILIA (FASTI 4.721FF.); Exiles and aetiologies: The Parilia in Augustan poetry; The repetition of ritual: Frazer and the Fasti; The Parilia in Tomis; CHAPTER 10 IMAGINATIVE DISPLACEMENT: CLASSICAL RECEPTION IN THE YOUNG ADULT FICTION OF MARGARET MAHY; Suburban Classical: The Changeover; Harry and the Minotaur: The Tricksters 'Partly mythological': The Catalogue of the UniverseMemory and the modern city; Holding the world together; CHAPTER 11 CLASSICAL INFLUENCES IN BERNARD BECKETT'S GENESIS, AUGUST AND LULLABY; Genesis; August; Lullaby; New Zealand settings and current topics; Philosophical questions; CHAPTER 12 DISPLACED PERSONS AND DISPLACED NARRATIVES IN S.D. GENTILL'S HERO TRILOGY; PART V AUSTRALASIA, GREECE AND ROME -- PAPER AND CANVAS; CHAPTER 13 PAINTING ANZACS IN AN EPIC LANDSCAPE: GREEK MYTH, THE TROJAN WAR AND SIDNEY NOLAN'S GALLIPOLI SERIES; The Trojan War, 1915; 'The Trojan War, 1915' -- Arthur Adams3 Painting an epic landscape'Gallipoli'; Ancient Greek art and mutilated Anzacs; CHAPTER 14 OF HEROES AND HUMANS: MARIAN MAGUIRE'S COLONIZATION OF HERAKLES' MYTHICAL WORLD; Scholarship and exhibitions; Narrative and time in the series; The lithographs; Conclusion; PART VI ANTIQUITY ON THE AUSTRALASIAN SCREEN; CHAPTER 15 TEMPORAL TURBULENCE: RECEPTION STUDIES(') NOW; Turbulent temporality; Xena: Warrior Princess; Xena 's turbulent temporalities; CHAPTER 16 CLASSICAL EPIC IN PETER JACKSON'S MIDDLE-EARTH TRILOGIES; Introduction; Tolkien, Jackson and epic heroism; The ending of epic Classical literature Appreciation Australia. Classical literature Appreciation New Zealand. LITERARY CRITICISM Ancient & Classical. bisacsh Classical literature Appreciation fast |
| title | Antipodean antiquities : classical reception down under / |
| title_auth | Antipodean antiquities : classical reception down under / |
| title_exact_search | Antipodean antiquities : classical reception down under / |
| title_full | Antipodean antiquities : classical reception down under / edited by Marguerite Johnson. |
| title_fullStr | Antipodean antiquities : classical reception down under / edited by Marguerite Johnson. |
| title_full_unstemmed | Antipodean antiquities : classical reception down under / edited by Marguerite Johnson. |
| title_short | Antipodean antiquities : |
| title_sort | antipodean antiquities classical reception down under |
| title_sub | classical reception down under / |
| topic | Classical literature Appreciation Australia. Classical literature Appreciation New Zealand. LITERARY CRITICISM Ancient & Classical. bisacsh Classical literature Appreciation fast |
| topic_facet | Classical literature Appreciation Australia. Classical literature Appreciation New Zealand. LITERARY CRITICISM Ancient & Classical. Classical literature Appreciation Australia New Zealand |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2004286 |
| work_keys_str_mv | AT johnsonmarguerite antipodeanantiquitiesclassicalreceptiondownunder |