Music and sonic art :: theories and practices /
This volume brings together practitioners and theorists of music and sonic art. Contributions explore a wide range of historical, artistic, pedagogical and critical issues from multiple perspectives, emphasizing the continuities and links along a broad spectrum of hearing and listening practices and...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Newcastle upon Tyne, UK :
Cambridge Scholars Publishing,
2018.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | This volume brings together practitioners and theorists of music and sonic art. Contributions explore a wide range of historical, artistic, pedagogical and critical issues from multiple perspectives, emphasizing the continuities and links along a broad spectrum of hearing and listening practices and art-making that use sound. |
Beschreibung: | 1 online resource (xii, 245 pages) |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781527524743 1527524744 |
Internformat
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520 | |a This volume brings together practitioners and theorists of music and sonic art. Contributions explore a wide range of historical, artistic, pedagogical and critical issues from multiple perspectives, emphasizing the continuities and links along a broad spectrum of hearing and listening practices and art-making that use sound. | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | 0 | |t Beyond the fixity fallacy: rethinking the work concept in the age of electronic music / |r Adam Stanović -- |t The listener's perspective / |r Per Dahl -- |t A sketch for a hermeneutic phenomenology of the piano / |r Mine Doğantan-Dack -- |t Hugh Davies' Shozyg I / |r Settimio Fiorenzo Palermo -- |t The sound world of guitar multiphonics / |r Rita Torres and Paulo Ferreira-Lopes -- |t Feldman, sonic art and the aesthetics of surface / |r Francis Heery -- |t Multimodal references in Schaeffer's Treatise on Musical Objects / |r John Dack -- |t Composing the performing as problem solving / |r Charise Hastings -- An experimental turn: a composer's perspective on a changing practice / |r Tom Armstrong -- |t From the scientific to the sonic: Vera Rubin and the sound of dark matter / |r Nina Whiteman -- |t Artistic research in jazz: a case study and potential developments / |r Michael Kahr -- |t Negotiating sonic space for group electronics / |r Owen Green and Sean Williams -- |t Sound practices: the sonic and the musical in interdisciplinary improvisation / |r James Andean and Alejandro Olarte. |
650 | 0 | |a Sound in art. |0 http://id.loc.gov/authorities/subjects/sh97001016 | |
650 | 7 | |a ART |x History |x General. |2 bisacsh | |
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author2 | Doğantan, Mine |
author2_role | edt |
author2_variant | m d md |
author_additional | Adam Stanović -- Per Dahl -- Mine Doğantan-Dack -- Settimio Fiorenzo Palermo -- Rita Torres and Paulo Ferreira-Lopes -- Francis Heery -- John Dack -- Charise Hastings -- An experimental turn: a composer's perspective on a changing practice / Tom Armstrong -- Nina Whiteman -- Michael Kahr -- Owen Green and Sean Williams -- James Andean and Alejandro Olarte. |
author_facet | Doğantan, Mine |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | N - Fine Arts |
callnumber-label | NX650 |
callnumber-raw | NX650.S68 M87 2018eb |
callnumber-search | NX650.S68 M87 2018eb |
callnumber-sort | NX 3650 S68 M87 42018EB |
callnumber-subject | NX - Arts in General |
collection | ZDB-4-EBA |
contents | Beyond the fixity fallacy: rethinking the work concept in the age of electronic music / The listener's perspective / A sketch for a hermeneutic phenomenology of the piano / Hugh Davies' Shozyg I / The sound world of guitar multiphonics / Feldman, sonic art and the aesthetics of surface / Multimodal references in Schaeffer's Treatise on Musical Objects / Composing the performing as problem solving / From the scientific to the sonic: Vera Rubin and the sound of dark matter / Artistic research in jazz: a case study and potential developments / Negotiating sonic space for group electronics / Sound practices: the sonic and the musical in interdisciplinary improvisation / |
ctrlnum | (OCoLC)1082259771 |
dewey-full | 709.04/07 |
dewey-hundreds | 700 - The arts |
dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.04/07 |
dewey-search | 709.04/07 |
dewey-sort | 3709.04 17 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
format | Electronic eBook |
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id | ZDB-4-EBA-on1082259771 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:29:18Z |
institution | BVB |
isbn | 9781527524743 1527524744 |
language | English |
oclc_num | 1082259771 |
open_access_boolean | |
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physical | 1 online resource (xii, 245 pages) |
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publisher | Cambridge Scholars Publishing, |
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spelling | Music and sonic art : theories and practices / edited by Mine Doğantan and John Dack. Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2018. 1 online resource (xii, 245 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. This volume brings together practitioners and theorists of music and sonic art. Contributions explore a wide range of historical, artistic, pedagogical and critical issues from multiple perspectives, emphasizing the continuities and links along a broad spectrum of hearing and listening practices and art-making that use sound. Includes bibliographical references and index. Beyond the fixity fallacy: rethinking the work concept in the age of electronic music / Adam Stanović -- The listener's perspective / Per Dahl -- A sketch for a hermeneutic phenomenology of the piano / Mine Doğantan-Dack -- Hugh Davies' Shozyg I / Settimio Fiorenzo Palermo -- The sound world of guitar multiphonics / Rita Torres and Paulo Ferreira-Lopes -- Feldman, sonic art and the aesthetics of surface / Francis Heery -- Multimodal references in Schaeffer's Treatise on Musical Objects / John Dack -- Composing the performing as problem solving / Charise Hastings -- An experimental turn: a composer's perspective on a changing practice / Tom Armstrong -- From the scientific to the sonic: Vera Rubin and the sound of dark matter / Nina Whiteman -- Artistic research in jazz: a case study and potential developments / Michael Kahr -- Negotiating sonic space for group electronics / Owen Green and Sean Williams -- Sound practices: the sonic and the musical in interdisciplinary improvisation / James Andean and Alejandro Olarte. Sound in art. http://id.loc.gov/authorities/subjects/sh97001016 ART History General. bisacsh Sound in art fast Klangkunst gnd Doğantan, Mine, editor. has work: Music and sonic art (Text) https://id.oclc.org/worldcat/entity/E39PCFtGYwY9vt3kKCrqpkkwbq https://id.oclc.org/worldcat/ontology/hasWork Print version: Music and sonic art. Newcastle upon Tyne, UK ; Cambridge Scholars Publishing, 2018 9781527513532 (OCoLC)1047549625 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2000126 Volltext |
spellingShingle | Music and sonic art : theories and practices / Beyond the fixity fallacy: rethinking the work concept in the age of electronic music / The listener's perspective / A sketch for a hermeneutic phenomenology of the piano / Hugh Davies' Shozyg I / The sound world of guitar multiphonics / Feldman, sonic art and the aesthetics of surface / Multimodal references in Schaeffer's Treatise on Musical Objects / Composing the performing as problem solving / From the scientific to the sonic: Vera Rubin and the sound of dark matter / Artistic research in jazz: a case study and potential developments / Negotiating sonic space for group electronics / Sound practices: the sonic and the musical in interdisciplinary improvisation / Sound in art. http://id.loc.gov/authorities/subjects/sh97001016 ART History General. bisacsh Sound in art fast Klangkunst gnd |
subject_GND | http://id.loc.gov/authorities/subjects/sh97001016 |
title | Music and sonic art : theories and practices / |
title_alt | Beyond the fixity fallacy: rethinking the work concept in the age of electronic music / The listener's perspective / A sketch for a hermeneutic phenomenology of the piano / Hugh Davies' Shozyg I / The sound world of guitar multiphonics / Feldman, sonic art and the aesthetics of surface / Multimodal references in Schaeffer's Treatise on Musical Objects / Composing the performing as problem solving / From the scientific to the sonic: Vera Rubin and the sound of dark matter / Artistic research in jazz: a case study and potential developments / Negotiating sonic space for group electronics / Sound practices: the sonic and the musical in interdisciplinary improvisation / |
title_auth | Music and sonic art : theories and practices / |
title_exact_search | Music and sonic art : theories and practices / |
title_full | Music and sonic art : theories and practices / edited by Mine Doğantan and John Dack. |
title_fullStr | Music and sonic art : theories and practices / edited by Mine Doğantan and John Dack. |
title_full_unstemmed | Music and sonic art : theories and practices / edited by Mine Doğantan and John Dack. |
title_short | Music and sonic art : |
title_sort | music and sonic art theories and practices |
title_sub | theories and practices / |
topic | Sound in art. http://id.loc.gov/authorities/subjects/sh97001016 ART History General. bisacsh Sound in art fast Klangkunst gnd |
topic_facet | Sound in art. ART History General. Sound in art Klangkunst |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2000126 |
work_keys_str_mv | AT dogantanmine musicandsonicarttheoriesandpractices |