Latin blackness in Parisian visual culture, 1852-1932 /:
Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term 'Latinize' is introduced to connect France's early 19th-century endeavors to create...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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New York, NY :
Bloomsbury Publishing Inc.,
2019.
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| Online-Zugang: | Volltext |
| Zusammenfassung: | Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term 'Latinize' is introduced to connect France's early 19th-century endeavors to create "Latin America," an expansion of the French empire into the Latin-language based Spanish and Portuguese Americas, to its perception of this population. 0Latin-American elites traveler to Paris in the 1840s from their newly independent nations were denigrated in representations rather than depicted as equals in a developing global economy. Darkened skin, etched onto images of Latin Americans of European descent mitigated their ability to claim the privileges of their ancestral heritage. Whitened skin, among other codes, imposed on turn-of-the-20th-century Black Latin Americans in Paris tempered their Blackness and rendered them relatively assimilatable compared to colonial Africans, Blacks from the Caribbean, and African Americans. After identifying mid-to-late 19th-century Latinizing codes, the study focuses on shifts in latinizing visuality between 1890-1933 in three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans executed by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925-1933 |
| Beschreibung: | "Bloomsbury visual arts." |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781501332371 1501332376 9781501332388 1501332384 |
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| 100 | 1 | |a Williams, Lyneise E. |q (Lyneise Elaine) |1 https://id.oclc.org/worldcat/entity/E39PCjDTHPxCHmcCHq7GYmMmv3 |0 http://id.loc.gov/authorities/names/nr2004033064 | |
| 245 | 1 | 0 | |a Latin blackness in Parisian visual culture, 1852-1932 / |c Lyneise E. Williams. |
| 264 | 1 | |a New York, NY : |b Bloomsbury Publishing Inc., |c 2019. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a "Bloomsbury visual arts." | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term 'Latinize' is introduced to connect France's early 19th-century endeavors to create "Latin America," an expansion of the French empire into the Latin-language based Spanish and Portuguese Americas, to its perception of this population. 0Latin-American elites traveler to Paris in the 1840s from their newly independent nations were denigrated in representations rather than depicted as equals in a developing global economy. Darkened skin, etched onto images of Latin Americans of European descent mitigated their ability to claim the privileges of their ancestral heritage. Whitened skin, among other codes, imposed on turn-of-the-20th-century Black Latin Americans in Paris tempered their Blackness and rendered them relatively assimilatable compared to colonial Africans, Blacks from the Caribbean, and African Americans. After identifying mid-to-late 19th-century Latinizing codes, the study focuses on shifts in latinizing visuality between 1890-1933 in three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans executed by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925-1933 | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed January 14, 2019). | |
| 505 | 0 | |a Intro; Title Page; Copyright Page; Contents; List of Illustrations; Color Plates; Figures; Acknowledgments; Introduction; The term "Latin American"; Why Paris?; Much more than primitivism; Reduced to Latin Americans; Parisian figurations of Blackness from the mid-nineteenth to the early twentieth centuries; Overview of the study; Notes; Chapter 1: Playing Up Blackness and Indianness, Downplaying Europeanness; Editing Francisco Laso: Racializing Spanish and Portuguese Americans; Justified by anthropology: Quatrefages, Hamy, and the casta paintings; Latin American self-representation | |
| 505 | 8 | |a The shifting rastaquouèreMaintaining anthropological interpretations in the early twentieth century; Conclusion; Notes; Chapter 2: Chocolat the Clown: Not Just Black; Chocolat and Footit: Partners in contrast; Chocolat as brand image; Chocolat the contaminant; Chocolat, that special ingredient: The racially mixed object of desire; Complicating notions of minstrelsy; Representations through clothing; Sexualizing Black dandies; Assimilating the Latin; Beyond the circus; Conclusion; Notes; Chapter 3: Alfonso Teofilo Brown: Agency and Complications of Blackness and Europeanness | |
| 505 | 8 | |a Sport and the imagined ideal male bodyBlack boxers in turn-of-the-century France; Gangly Brown; The purity and hybridity of gangly Brown; Brown the gentleman; Images of Black difference; Brown the philanthropist; Conclusion; Notes; Chapter 4: Figari's Blacks: Negotiating French and Latin Blackness; Figari and Paris; Contested Whiteness and the Black body; Conceptualizing regional identity; Through the anthropological gaze; Candombe as framing device; Gender and race in Candombe; Objects as markers; Figari as "naïf" painter; Increasing Latin American presence in Paris | |
| 505 | 8 | |a Perceptions of Black UruguayansFigari's evolution in Paris; Contradictions and contrasts between Figari's paintings and written work; Conclusion; Notes; Coda; Manuscripts and Archives; Newspapers/Journals/Magazines; Primary Sources (Pedro Figari); Secondary Sources; Index | |
| 650 | 0 | |a Black people in art. | |
| 650 | 0 | |a Latin Americans in art. | |
| 650 | 0 | |a Imperialism in art. |0 http://id.loc.gov/authorities/subjects/sh97000607 | |
| 650 | 0 | |a Art and society |z France |z Paris |x History |y 19th century. | |
| 650 | 0 | |a Art and society |z France |z Paris |x History |y 20th century. | |
| 650 | 6 | |a Personnes noires dans l'art. | |
| 650 | 6 | |a Impérialisme dans l'art. | |
| 650 | 6 | |a Art et société |z France |z Paris |x Histoire |y 19e siècle. | |
| 650 | 6 | |a Art et société |z France |z Paris |x Histoire |y 20e siècle. | |
| 650 | 7 | |a History of art & design styles: c 1800 to c 1900. |2 bicssc | |
| 650 | 7 | |a Human figures depicted in art. |2 bicssc | |
| 650 | 7 | |a Ethnic minorities & multicultural studies. |2 bicssc | |
| 650 | 7 | |a Hispanic & Latino studies. |2 bicssc | |
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| 648 | 7 | |a 1800-1999 |2 fast | |
| 653 | 0 | |a Art and Visual Culture - Other | |
| 653 | 0 | |a European History (History) | |
| 653 | 0 | |a Latin American History (History) | |
| 653 | 0 | |a Visual Anthropology | |
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| 758 | |i has work: |a Latin blackness in Parisian visual culture, 1852-1932 (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGtQRqk3Kc8tvYTBM8ftXd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Williams, Lyneise E. (Lyneise Elaine). |t Latin blackness in Parisian visual culture, 1852-1932. |d New York, NY : Bloomsbury Publishing Inc., 2019 |z 9781501332357 |z 150133235X |w (DLC) 2018058762 |
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| _version_ | 1816882481977098240 |
| adam_text | |
| any_adam_object | |
| author | Williams, Lyneise E. (Lyneise Elaine) |
| author_GND | http://id.loc.gov/authorities/names/nr2004033064 |
| author_facet | Williams, Lyneise E. (Lyneise Elaine) |
| author_role | |
| author_sort | Williams, Lyneise E. |
| author_variant | l e w le lew |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N8232 |
| callnumber-raw | N8232 .W55 2019eb |
| callnumber-search | N8232 .W55 2019eb |
| callnumber-sort | N 48232 W55 42019EB |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | Intro; Title Page; Copyright Page; Contents; List of Illustrations; Color Plates; Figures; Acknowledgments; Introduction; The term "Latin American"; Why Paris?; Much more than primitivism; Reduced to Latin Americans; Parisian figurations of Blackness from the mid-nineteenth to the early twentieth centuries; Overview of the study; Notes; Chapter 1: Playing Up Blackness and Indianness, Downplaying Europeanness; Editing Francisco Laso: Racializing Spanish and Portuguese Americans; Justified by anthropology: Quatrefages, Hamy, and the casta paintings; Latin American self-representation The shifting rastaquouèreMaintaining anthropological interpretations in the early twentieth century; Conclusion; Notes; Chapter 2: Chocolat the Clown: Not Just Black; Chocolat and Footit: Partners in contrast; Chocolat as brand image; Chocolat the contaminant; Chocolat, that special ingredient: The racially mixed object of desire; Complicating notions of minstrelsy; Representations through clothing; Sexualizing Black dandies; Assimilating the Latin; Beyond the circus; Conclusion; Notes; Chapter 3: Alfonso Teofilo Brown: Agency and Complications of Blackness and Europeanness Sport and the imagined ideal male bodyBlack boxers in turn-of-the-century France; Gangly Brown; The purity and hybridity of gangly Brown; Brown the gentleman; Images of Black difference; Brown the philanthropist; Conclusion; Notes; Chapter 4: Figari's Blacks: Negotiating French and Latin Blackness; Figari and Paris; Contested Whiteness and the Black body; Conceptualizing regional identity; Through the anthropological gaze; Candombe as framing device; Gender and race in Candombe; Objects as markers; Figari as "naïf" painter; Increasing Latin American presence in Paris Perceptions of Black UruguayansFigari's evolution in Paris; Contradictions and contrasts between Figari's paintings and written work; Conclusion; Notes; Coda; Manuscripts and Archives; Newspapers/Journals/Magazines; Primary Sources (Pedro Figari); Secondary Sources; Index |
| ctrlnum | (OCoLC)1082136822 |
| dewey-full | 701/.03 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701/.03 |
| dewey-search | 701/.03 |
| dewey-sort | 3701 13 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | 1800-1999 fast |
| era_facet | 1800-1999 |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | France Paris fast https://id.oclc.org/worldcat/entity/E39QbtfRkKTXcHQJ477vgbjTxc |
| geographic_facet | France Paris |
| id | ZDB-4-EBA-on1082136822 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:18Z |
| institution | BVB |
| isbn | 9781501332371 1501332376 9781501332388 1501332384 |
| language | English |
| oclc_num | 1082136822 |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Bloomsbury Publishing Inc., |
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| spelling | Williams, Lyneise E. (Lyneise Elaine) https://id.oclc.org/worldcat/entity/E39PCjDTHPxCHmcCHq7GYmMmv3 http://id.loc.gov/authorities/names/nr2004033064 Latin blackness in Parisian visual culture, 1852-1932 / Lyneise E. Williams. New York, NY : Bloomsbury Publishing Inc., 2019. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier "Bloomsbury visual arts." Includes bibliographical references and index. Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term 'Latinize' is introduced to connect France's early 19th-century endeavors to create "Latin America," an expansion of the French empire into the Latin-language based Spanish and Portuguese Americas, to its perception of this population. 0Latin-American elites traveler to Paris in the 1840s from their newly independent nations were denigrated in representations rather than depicted as equals in a developing global economy. Darkened skin, etched onto images of Latin Americans of European descent mitigated their ability to claim the privileges of their ancestral heritage. Whitened skin, among other codes, imposed on turn-of-the-20th-century Black Latin Americans in Paris tempered their Blackness and rendered them relatively assimilatable compared to colonial Africans, Blacks from the Caribbean, and African Americans. After identifying mid-to-late 19th-century Latinizing codes, the study focuses on shifts in latinizing visuality between 1890-1933 in three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans executed by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925-1933 Online resource; title from PDF title page (EBSCO, viewed January 14, 2019). Intro; Title Page; Copyright Page; Contents; List of Illustrations; Color Plates; Figures; Acknowledgments; Introduction; The term "Latin American"; Why Paris?; Much more than primitivism; Reduced to Latin Americans; Parisian figurations of Blackness from the mid-nineteenth to the early twentieth centuries; Overview of the study; Notes; Chapter 1: Playing Up Blackness and Indianness, Downplaying Europeanness; Editing Francisco Laso: Racializing Spanish and Portuguese Americans; Justified by anthropology: Quatrefages, Hamy, and the casta paintings; Latin American self-representation The shifting rastaquouèreMaintaining anthropological interpretations in the early twentieth century; Conclusion; Notes; Chapter 2: Chocolat the Clown: Not Just Black; Chocolat and Footit: Partners in contrast; Chocolat as brand image; Chocolat the contaminant; Chocolat, that special ingredient: The racially mixed object of desire; Complicating notions of minstrelsy; Representations through clothing; Sexualizing Black dandies; Assimilating the Latin; Beyond the circus; Conclusion; Notes; Chapter 3: Alfonso Teofilo Brown: Agency and Complications of Blackness and Europeanness Sport and the imagined ideal male bodyBlack boxers in turn-of-the-century France; Gangly Brown; The purity and hybridity of gangly Brown; Brown the gentleman; Images of Black difference; Brown the philanthropist; Conclusion; Notes; Chapter 4: Figari's Blacks: Negotiating French and Latin Blackness; Figari and Paris; Contested Whiteness and the Black body; Conceptualizing regional identity; Through the anthropological gaze; Candombe as framing device; Gender and race in Candombe; Objects as markers; Figari as "naïf" painter; Increasing Latin American presence in Paris Perceptions of Black UruguayansFigari's evolution in Paris; Contradictions and contrasts between Figari's paintings and written work; Conclusion; Notes; Coda; Manuscripts and Archives; Newspapers/Journals/Magazines; Primary Sources (Pedro Figari); Secondary Sources; Index Black people in art. Latin Americans in art. Imperialism in art. http://id.loc.gov/authorities/subjects/sh97000607 Art and society France Paris History 19th century. Art and society France Paris History 20th century. Personnes noires dans l'art. Impérialisme dans l'art. Art et société France Paris Histoire 19e siècle. Art et société France Paris Histoire 20e siècle. History of art & design styles: c 1800 to c 1900. bicssc Human figures depicted in art. bicssc Ethnic minorities & multicultural studies. bicssc Hispanic & Latino studies. bicssc ART General. bisacsh Art and society fast Black people in art fast Imperialism in art fast France Paris fast https://id.oclc.org/worldcat/entity/E39QbtfRkKTXcHQJ477vgbjTxc 1800-1999 fast Art and Visual Culture - Other European History (History) Latin American History (History) Visual Anthropology History fast has work: Latin blackness in Parisian visual culture, 1852-1932 (Text) https://id.oclc.org/worldcat/entity/E39PCGtQRqk3Kc8tvYTBM8ftXd https://id.oclc.org/worldcat/ontology/hasWork Print version: Williams, Lyneise E. (Lyneise Elaine). Latin blackness in Parisian visual culture, 1852-1932. New York, NY : Bloomsbury Publishing Inc., 2019 9781501332357 150133235X (DLC) 2018058762 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1999398 Volltext |
| spellingShingle | Williams, Lyneise E. (Lyneise Elaine) Latin blackness in Parisian visual culture, 1852-1932 / Intro; Title Page; Copyright Page; Contents; List of Illustrations; Color Plates; Figures; Acknowledgments; Introduction; The term "Latin American"; Why Paris?; Much more than primitivism; Reduced to Latin Americans; Parisian figurations of Blackness from the mid-nineteenth to the early twentieth centuries; Overview of the study; Notes; Chapter 1: Playing Up Blackness and Indianness, Downplaying Europeanness; Editing Francisco Laso: Racializing Spanish and Portuguese Americans; Justified by anthropology: Quatrefages, Hamy, and the casta paintings; Latin American self-representation The shifting rastaquouèreMaintaining anthropological interpretations in the early twentieth century; Conclusion; Notes; Chapter 2: Chocolat the Clown: Not Just Black; Chocolat and Footit: Partners in contrast; Chocolat as brand image; Chocolat the contaminant; Chocolat, that special ingredient: The racially mixed object of desire; Complicating notions of minstrelsy; Representations through clothing; Sexualizing Black dandies; Assimilating the Latin; Beyond the circus; Conclusion; Notes; Chapter 3: Alfonso Teofilo Brown: Agency and Complications of Blackness and Europeanness Sport and the imagined ideal male bodyBlack boxers in turn-of-the-century France; Gangly Brown; The purity and hybridity of gangly Brown; Brown the gentleman; Images of Black difference; Brown the philanthropist; Conclusion; Notes; Chapter 4: Figari's Blacks: Negotiating French and Latin Blackness; Figari and Paris; Contested Whiteness and the Black body; Conceptualizing regional identity; Through the anthropological gaze; Candombe as framing device; Gender and race in Candombe; Objects as markers; Figari as "naïf" painter; Increasing Latin American presence in Paris Perceptions of Black UruguayansFigari's evolution in Paris; Contradictions and contrasts between Figari's paintings and written work; Conclusion; Notes; Coda; Manuscripts and Archives; Newspapers/Journals/Magazines; Primary Sources (Pedro Figari); Secondary Sources; Index Black people in art. Latin Americans in art. Imperialism in art. http://id.loc.gov/authorities/subjects/sh97000607 Art and society France Paris History 19th century. Art and society France Paris History 20th century. Personnes noires dans l'art. Impérialisme dans l'art. Art et société France Paris Histoire 19e siècle. Art et société France Paris Histoire 20e siècle. History of art & design styles: c 1800 to c 1900. bicssc Human figures depicted in art. bicssc Ethnic minorities & multicultural studies. bicssc Hispanic & Latino studies. bicssc ART General. bisacsh Art and society fast Black people in art fast Imperialism in art fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh97000607 |
| title | Latin blackness in Parisian visual culture, 1852-1932 / |
| title_auth | Latin blackness in Parisian visual culture, 1852-1932 / |
| title_exact_search | Latin blackness in Parisian visual culture, 1852-1932 / |
| title_full | Latin blackness in Parisian visual culture, 1852-1932 / Lyneise E. Williams. |
| title_fullStr | Latin blackness in Parisian visual culture, 1852-1932 / Lyneise E. Williams. |
| title_full_unstemmed | Latin blackness in Parisian visual culture, 1852-1932 / Lyneise E. Williams. |
| title_short | Latin blackness in Parisian visual culture, 1852-1932 / |
| title_sort | latin blackness in parisian visual culture 1852 1932 |
| topic | Black people in art. Latin Americans in art. Imperialism in art. http://id.loc.gov/authorities/subjects/sh97000607 Art and society France Paris History 19th century. Art and society France Paris History 20th century. Personnes noires dans l'art. Impérialisme dans l'art. Art et société France Paris Histoire 19e siècle. Art et société France Paris Histoire 20e siècle. History of art & design styles: c 1800 to c 1900. bicssc Human figures depicted in art. bicssc Ethnic minorities & multicultural studies. bicssc Hispanic & Latino studies. bicssc ART General. bisacsh Art and society fast Black people in art fast Imperialism in art fast |
| topic_facet | Black people in art. Latin Americans in art. Imperialism in art. Art and society France Paris History 19th century. Art and society France Paris History 20th century. Personnes noires dans l'art. Impérialisme dans l'art. Art et société France Paris Histoire 19e siècle. Art et société France Paris Histoire 20e siècle. History of art & design styles: c 1800 to c 1900. Human figures depicted in art. Ethnic minorities & multicultural studies. Hispanic & Latino studies. ART General. Art and society Black people in art Imperialism in art France Paris History |
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| work_keys_str_mv | AT williamslyneisee latinblacknessinparisianvisualculture18521932 |