Being time :: case studies in musical temporality /
"Being Time invites a deep consideration of the personal experience of temporality in music, focusing on the perceptual role of the listener. Through individual case studies, this book centers on musical works that deal with time in radical ways. These include pieces by Morton Feldman, James Sa...
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY :
Bloomsbury Academic,
2019.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | "Being Time invites a deep consideration of the personal experience of temporality in music, focusing on the perceptual role of the listener. Through individual case studies, this book centers on musical works that deal with time in radical ways. These include pieces by Morton Feldman, James Saunders, Chiyoko Szlavnics, Ryoji Ikeda, Toshiya Tsunoda, Laurie Spiegel and André O. Möller. Multiple perspectives are explored through a series of encounters, initially between an individual and a work, and subsequently with each author's varying experiences of temporality. The authors compare their responses to features such as repetition, speed, duration and scale from a perceptual standpoint, drawing in reflections on aspects such as musical memory and anticipation. The observations made in this book are accessible and relevant to readers who are interested in exploring issues of temporality from a broad range of disciplinary perspectives."--Bloomsbury Publishing. |
| Beschreibung: | 1 online resource (vi, 189 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781628927016 1628927011 |
Internformat
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| 100 | 1 | |a Glover, Richard |c (Composer), |e author. |0 http://id.loc.gov/authorities/names/nb2017021652 | |
| 245 | 1 | 0 | |a Being time : |b case studies in musical temporality / |c Richard Glover, Jennie Gottschalk, and Bryn Harrison. |
| 264 | 1 | |a New York, NY : |b Bloomsbury Academic, |c 2019. | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (vi, 189 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
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| 505 | 0 | |a Introduction -- Foreshadowing and recollection : listening through Morton Feldman's Piano, violin, viola, cello / Bryn Harrison ; Postlude to Chapter one / Richard Glover -- Musical brevity in James Saunders' Compatibility hides itself and 511 possible mosaics / Bryn Harrison ; Postlude to Chapter two / Jennie Gottschalk -- Separation and continuity in Chiyoko Szlavnics' Gradients of detail / Richard Glover ; Postlude to Chapter three / Jennie Gottschalk -- Filtering temporality in Ryoji Ikeda's +/- / Richard Glover ; Postlude to Chapter four / Bryn Harrison -- Granulated time : Toshiya Tsunoda's O kokos tis anixis / Jennie Gottschalk ; Postlude to Chapter five / Bryn Harrison -- Monoliths : Laurie Spiegel's The expanding universe and André O. Möller's Musik für Orgel und eine(n) Tonsetzer(in) / Jennie Gottschalk ; Postlude to Chapter six / Richard Glover -- Observations on musical behaviors and temporality -- Epilogue. | |
| 520 | |a "Being Time invites a deep consideration of the personal experience of temporality in music, focusing on the perceptual role of the listener. Through individual case studies, this book centers on musical works that deal with time in radical ways. These include pieces by Morton Feldman, James Saunders, Chiyoko Szlavnics, Ryoji Ikeda, Toshiya Tsunoda, Laurie Spiegel and André O. Möller. Multiple perspectives are explored through a series of encounters, initially between an individual and a work, and subsequently with each author's varying experiences of temporality. The authors compare their responses to features such as repetition, speed, duration and scale from a perceptual standpoint, drawing in reflections on aspects such as musical memory and anticipation. The observations made in this book are accessible and relevant to readers who are interested in exploring issues of temporality from a broad range of disciplinary perspectives."--Bloomsbury Publishing. | ||
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Datensatz im Suchindex
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| _version_ | 1829095290309705728 |
| adam_text | |
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| author | Glover, Richard (Composer) Harrison, Bryn Gottschalk, Jennie |
| author_GND | http://id.loc.gov/authorities/names/nb2017021652 http://id.loc.gov/authorities/names/nr2005009848 http://id.loc.gov/authorities/names/n2016004045 |
| author_facet | Glover, Richard (Composer) Harrison, Bryn Gottschalk, Jennie |
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| author_sort | Glover, Richard (Composer) |
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| callnumber-search | ML3845 .G56 2019 |
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| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Introduction -- Foreshadowing and recollection : listening through Morton Feldman's Piano, violin, viola, cello / Bryn Harrison ; Postlude to Chapter one / Richard Glover -- Musical brevity in James Saunders' Compatibility hides itself and 511 possible mosaics / Bryn Harrison ; Postlude to Chapter two / Jennie Gottschalk -- Separation and continuity in Chiyoko Szlavnics' Gradients of detail / Richard Glover ; Postlude to Chapter three / Jennie Gottschalk -- Filtering temporality in Ryoji Ikeda's +/- / Richard Glover ; Postlude to Chapter four / Bryn Harrison -- Granulated time : Toshiya Tsunoda's O kokos tis anixis / Jennie Gottschalk ; Postlude to Chapter five / Bryn Harrison -- Monoliths : Laurie Spiegel's The expanding universe and André O. Möller's Musik für Orgel und eine(n) Tonsetzer(in) / Jennie Gottschalk ; Postlude to Chapter six / Richard Glover -- Observations on musical behaviors and temporality -- Epilogue. |
| ctrlnum | (OCoLC)1078875085 |
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| dewey-ones | 780 - Music |
| dewey-raw | 780 |
| dewey-search | 780 |
| dewey-sort | 3780 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1078875085 |
| illustrated | Not Illustrated |
| indexdate | 2025-04-11T08:46:40Z |
| institution | BVB |
| isbn | 9781628927016 1628927011 |
| language | English |
| oclc_num | 1078875085 |
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| physical | 1 online resource (vi, 189 pages) |
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| publishDate | 2019 |
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| spelling | Glover, Richard (Composer), author. http://id.loc.gov/authorities/names/nb2017021652 Being time : case studies in musical temporality / Richard Glover, Jennie Gottschalk, and Bryn Harrison. New York, NY : Bloomsbury Academic, 2019. ©2019 1 online resource (vi, 189 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Online resource; title from digital title page (viewed on January 18, 2019). Introduction -- Foreshadowing and recollection : listening through Morton Feldman's Piano, violin, viola, cello / Bryn Harrison ; Postlude to Chapter one / Richard Glover -- Musical brevity in James Saunders' Compatibility hides itself and 511 possible mosaics / Bryn Harrison ; Postlude to Chapter two / Jennie Gottschalk -- Separation and continuity in Chiyoko Szlavnics' Gradients of detail / Richard Glover ; Postlude to Chapter three / Jennie Gottschalk -- Filtering temporality in Ryoji Ikeda's +/- / Richard Glover ; Postlude to Chapter four / Bryn Harrison -- Granulated time : Toshiya Tsunoda's O kokos tis anixis / Jennie Gottschalk ; Postlude to Chapter five / Bryn Harrison -- Monoliths : Laurie Spiegel's The expanding universe and André O. Möller's Musik für Orgel und eine(n) Tonsetzer(in) / Jennie Gottschalk ; Postlude to Chapter six / Richard Glover -- Observations on musical behaviors and temporality -- Epilogue. "Being Time invites a deep consideration of the personal experience of temporality in music, focusing on the perceptual role of the listener. Through individual case studies, this book centers on musical works that deal with time in radical ways. These include pieces by Morton Feldman, James Saunders, Chiyoko Szlavnics, Ryoji Ikeda, Toshiya Tsunoda, Laurie Spiegel and André O. Möller. Multiple perspectives are explored through a series of encounters, initially between an individual and a work, and subsequently with each author's varying experiences of temporality. The authors compare their responses to features such as repetition, speed, duration and scale from a perceptual standpoint, drawing in reflections on aspects such as musical memory and anticipation. The observations made in this book are accessible and relevant to readers who are interested in exploring issues of temporality from a broad range of disciplinary perspectives."--Bloomsbury Publishing. Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Musique Philosophie et esthétique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music Philosophy and aesthetics fast Harrison, Bryn, author. http://id.loc.gov/authorities/names/nr2005009848 Gottschalk, Jennie, author. http://id.loc.gov/authorities/names/n2016004045 has work: Being time (Text) https://id.oclc.org/worldcat/entity/E39PCGf48YHqrFJypbhCbMKDFX https://id.oclc.org/worldcat/ontology/hasWork |
| spellingShingle | Glover, Richard (Composer) Harrison, Bryn Gottschalk, Jennie Being time : case studies in musical temporality / Introduction -- Foreshadowing and recollection : listening through Morton Feldman's Piano, violin, viola, cello / Bryn Harrison ; Postlude to Chapter one / Richard Glover -- Musical brevity in James Saunders' Compatibility hides itself and 511 possible mosaics / Bryn Harrison ; Postlude to Chapter two / Jennie Gottschalk -- Separation and continuity in Chiyoko Szlavnics' Gradients of detail / Richard Glover ; Postlude to Chapter three / Jennie Gottschalk -- Filtering temporality in Ryoji Ikeda's +/- / Richard Glover ; Postlude to Chapter four / Bryn Harrison -- Granulated time : Toshiya Tsunoda's O kokos tis anixis / Jennie Gottschalk ; Postlude to Chapter five / Bryn Harrison -- Monoliths : Laurie Spiegel's The expanding universe and André O. Möller's Musik für Orgel und eine(n) Tonsetzer(in) / Jennie Gottschalk ; Postlude to Chapter six / Richard Glover -- Observations on musical behaviors and temporality -- Epilogue. Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Musique Philosophie et esthétique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music Philosophy and aesthetics fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088808 |
| title | Being time : case studies in musical temporality / |
| title_auth | Being time : case studies in musical temporality / |
| title_exact_search | Being time : case studies in musical temporality / |
| title_full | Being time : case studies in musical temporality / Richard Glover, Jennie Gottschalk, and Bryn Harrison. |
| title_fullStr | Being time : case studies in musical temporality / Richard Glover, Jennie Gottschalk, and Bryn Harrison. |
| title_full_unstemmed | Being time : case studies in musical temporality / Richard Glover, Jennie Gottschalk, and Bryn Harrison. |
| title_short | Being time : |
| title_sort | being time case studies in musical temporality |
| title_sub | case studies in musical temporality / |
| topic | Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Musique Philosophie et esthétique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music Philosophy and aesthetics fast |
| topic_facet | Music Philosophy and aesthetics. Musique Philosophie et esthétique. MUSIC Genres & Styles Classical. MUSIC Reference. Music Philosophy and aesthetics |
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