Once and future antiquities in science fiction and fantasy /:
"In 15 all-new essays, this volume explores how science fiction and fantasy draw on materials from ancient Greece and Rome, 'displacing' them from their original settings - in time and space, in points of origins and genre - and encouraging readers to consider similar 'displaceme...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
Bloomsbury Academic,
2019.
|
| Schriftenreihe: | Bloomsbury studies in classical reception.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In 15 all-new essays, this volume explores how science fiction and fantasy draw on materials from ancient Greece and Rome, 'displacing' them from their original settings - in time and space, in points of origins and genre - and encouraging readers to consider similar 'displacements' in the modern world. Modern examples from a wide range of media and genres - including Philip Pullman's His Dark Materials and the novels of Helen Oyeyemi, the Rocky Horror Picture Show and Hayao Miyazaki's Spirited Away, and the role-playing games Dungeons and Dragons and Warhammer 40K - are brought alongside episodes from ancient myth, important moments from history, and more. All together, these multifaceted studies add to our understanding of how science fiction and fantasy form important areas of classical reception, not only transmitting but also transmuting images of antiquity. The volume concludes with an inspiring personal reflection from the New York Times-bestselling author of speculative fiction, Catherynne M. Valente, offering her perspective on the limitless potential of the classical world to resonate with experience today."-- |
| Beschreibung: | 1 online resource (xii, 233 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781350068964 1350068969 9781350068957 1350068950 |
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| 245 | 0 | 0 | |a Once and future antiquities in science fiction and fantasy / |c edited by Brett M. Rogers and Benjamin Eldon Stevens. |
| 264 | 1 | |a London : |b Bloomsbury Academic, |c 2019. | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (xii, 233 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a PrefaceList of ContributorsList of IllustrationsIntroduction: Displacing Antiquity in Science Fiction and Fantasy (Brett M. Rogers, University of Puget Sound, USA; Benjamin Eldon Stevens, Trinity University, USA)Displacing Points of Origin1. More 'T, ' Vicar? Revisiting Models and Methodologies for Classical Receptions in Science Fiction (Tony Keen, Open University, UK)2. Saxa loquuntur?: Archaeological Fantasies in Wilhelm Jensen's Gradiva (Jesse Weiner, Hamilton College, USA)3. Time Travel and Self-Reflexivity in Receptions of Homer's Iliad (Claire Kenward, Oxford University, APGRD, UK)4. Monuments and Tradition in Jack McDevitt's The Engines of God (Laura Zientek, University of Washington, USA) Displaced in Space5. Lyra's Odyssey in Philip Pullman's His Dark Materials (Ortwin Knorr, Willamette University, USA)6. Displacing Nostos and the Ancient Greek Hero in Hayao Miyazaki's Spirited Away (Suzanne Lye, Dartmouth College, USA)7. 'The nearest technically impossible thing': Classical Antiquity in the Novels of Helen Oyeyemi (Benjamin Eldon Stevens, Trinity University, USA) Displaced in Time8. Dynamic Tensions: The Figure(s) of Atlas in The Rocky Horror Picture Show (Stephen B. Moses and Brett M. Rogers, University of Puget Sound, USA)9. Drinking Blood and Talking Ghosts in Diana Wynne Jones's The Time of the Ghost (Frances Foster, Cambridge University, UK)10. Finding Cassandra in Science Fiction: The Seer of Agamemnon and the Time-Traveling Protector of Continuum (Jennifer Ranck, Independent Scholar) Displacing Genre11. Classical Reception and the Half-Elf Cleric (C.W. Marshall, University of British Columbia, Canada)12. The Gods Problem in Gene Wolfe's Soldier of the Mist (Vincent Tomasso, Trinity College, USA)13. The Divine Emperor in Virgil's Aeneid and the Warhammer 40K Universe (Alexander McAuley, University of British Columbia, Canada) Epilogue: Finding a Place in Displacement14. Just Your Average Tuesday-Morning Minotaur (Catherynne M. Valente)Works CitedIndex. | |
| 520 | |a "In 15 all-new essays, this volume explores how science fiction and fantasy draw on materials from ancient Greece and Rome, 'displacing' them from their original settings - in time and space, in points of origins and genre - and encouraging readers to consider similar 'displacements' in the modern world. Modern examples from a wide range of media and genres - including Philip Pullman's His Dark Materials and the novels of Helen Oyeyemi, the Rocky Horror Picture Show and Hayao Miyazaki's Spirited Away, and the role-playing games Dungeons and Dragons and Warhammer 40K - are brought alongside episodes from ancient myth, important moments from history, and more. All together, these multifaceted studies add to our understanding of how science fiction and fantasy form important areas of classical reception, not only transmitting but also transmuting images of antiquity. The volume concludes with an inspiring personal reflection from the New York Times-bestselling author of speculative fiction, Catherynne M. Valente, offering her perspective on the limitless potential of the classical world to resonate with experience today."-- |c Provided by publisher | ||
| 588 | 0 | |a Print version record. | |
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| contents | PrefaceList of ContributorsList of IllustrationsIntroduction: Displacing Antiquity in Science Fiction and Fantasy (Brett M. Rogers, University of Puget Sound, USA; Benjamin Eldon Stevens, Trinity University, USA)Displacing Points of Origin1. More 'T, ' Vicar? Revisiting Models and Methodologies for Classical Receptions in Science Fiction (Tony Keen, Open University, UK)2. Saxa loquuntur?: Archaeological Fantasies in Wilhelm Jensen's Gradiva (Jesse Weiner, Hamilton College, USA)3. Time Travel and Self-Reflexivity in Receptions of Homer's Iliad (Claire Kenward, Oxford University, APGRD, UK)4. Monuments and Tradition in Jack McDevitt's The Engines of God (Laura Zientek, University of Washington, USA) Displaced in Space5. Lyra's Odyssey in Philip Pullman's His Dark Materials (Ortwin Knorr, Willamette University, USA)6. Displacing Nostos and the Ancient Greek Hero in Hayao Miyazaki's Spirited Away (Suzanne Lye, Dartmouth College, USA)7. 'The nearest technically impossible thing': Classical Antiquity in the Novels of Helen Oyeyemi (Benjamin Eldon Stevens, Trinity University, USA) Displaced in Time8. Dynamic Tensions: The Figure(s) of Atlas in The Rocky Horror Picture Show (Stephen B. Moses and Brett M. Rogers, University of Puget Sound, USA)9. Drinking Blood and Talking Ghosts in Diana Wynne Jones's The Time of the Ghost (Frances Foster, Cambridge University, UK)10. Finding Cassandra in Science Fiction: The Seer of Agamemnon and the Time-Traveling Protector of Continuum (Jennifer Ranck, Independent Scholar) Displacing Genre11. Classical Reception and the Half-Elf Cleric (C.W. Marshall, University of British Columbia, Canada)12. The Gods Problem in Gene Wolfe's Soldier of the Mist (Vincent Tomasso, Trinity College, USA)13. The Divine Emperor in Virgil's Aeneid and the Warhammer 40K Universe (Alexander McAuley, University of British Columbia, Canada) Epilogue: Finding a Place in Displacement14. Just Your Average Tuesday-Morning Minotaur (Catherynne M. Valente)Works CitedIndex. |
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| record_format | marc |
| series | Bloomsbury studies in classical reception. |
| series2 | Bloomsbury studies in classical reception |
| spelling | Once and future antiquities in science fiction and fantasy / edited by Brett M. Rogers and Benjamin Eldon Stevens. London : Bloomsbury Academic, 2019. ©2019 1 online resource (xii, 233 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Bloomsbury studies in classical reception Includes bibliographical references and index. PrefaceList of ContributorsList of IllustrationsIntroduction: Displacing Antiquity in Science Fiction and Fantasy (Brett M. Rogers, University of Puget Sound, USA; Benjamin Eldon Stevens, Trinity University, USA)Displacing Points of Origin1. More 'T, ' Vicar? Revisiting Models and Methodologies for Classical Receptions in Science Fiction (Tony Keen, Open University, UK)2. Saxa loquuntur?: Archaeological Fantasies in Wilhelm Jensen's Gradiva (Jesse Weiner, Hamilton College, USA)3. Time Travel and Self-Reflexivity in Receptions of Homer's Iliad (Claire Kenward, Oxford University, APGRD, UK)4. Monuments and Tradition in Jack McDevitt's The Engines of God (Laura Zientek, University of Washington, USA) Displaced in Space5. Lyra's Odyssey in Philip Pullman's His Dark Materials (Ortwin Knorr, Willamette University, USA)6. Displacing Nostos and the Ancient Greek Hero in Hayao Miyazaki's Spirited Away (Suzanne Lye, Dartmouth College, USA)7. 'The nearest technically impossible thing': Classical Antiquity in the Novels of Helen Oyeyemi (Benjamin Eldon Stevens, Trinity University, USA) Displaced in Time8. Dynamic Tensions: The Figure(s) of Atlas in The Rocky Horror Picture Show (Stephen B. Moses and Brett M. Rogers, University of Puget Sound, USA)9. Drinking Blood and Talking Ghosts in Diana Wynne Jones's The Time of the Ghost (Frances Foster, Cambridge University, UK)10. Finding Cassandra in Science Fiction: The Seer of Agamemnon and the Time-Traveling Protector of Continuum (Jennifer Ranck, Independent Scholar) Displacing Genre11. Classical Reception and the Half-Elf Cleric (C.W. Marshall, University of British Columbia, Canada)12. The Gods Problem in Gene Wolfe's Soldier of the Mist (Vincent Tomasso, Trinity College, USA)13. The Divine Emperor in Virgil's Aeneid and the Warhammer 40K Universe (Alexander McAuley, University of British Columbia, Canada) Epilogue: Finding a Place in Displacement14. Just Your Average Tuesday-Morning Minotaur (Catherynne M. Valente)Works CitedIndex. "In 15 all-new essays, this volume explores how science fiction and fantasy draw on materials from ancient Greece and Rome, 'displacing' them from their original settings - in time and space, in points of origins and genre - and encouraging readers to consider similar 'displacements' in the modern world. Modern examples from a wide range of media and genres - including Philip Pullman's His Dark Materials and the novels of Helen Oyeyemi, the Rocky Horror Picture Show and Hayao Miyazaki's Spirited Away, and the role-playing games Dungeons and Dragons and Warhammer 40K - are brought alongside episodes from ancient myth, important moments from history, and more. All together, these multifaceted studies add to our understanding of how science fiction and fantasy form important areas of classical reception, not only transmitting but also transmuting images of antiquity. The volume concludes with an inspiring personal reflection from the New York Times-bestselling author of speculative fiction, Catherynne M. Valente, offering her perspective on the limitless potential of the classical world to resonate with experience today."-- Provided by publisher Print version record. Science fiction Classical influences. Classical literature Influence. Littérature ancienne Influence. Fantasy. bicssc Literature: history & criticism. bicssc Classical history classical civilisation. bicssc Science fiction. bicssc BIOGRAPHY & AUTOBIOGRAPHY Literary. bisacsh Classical literature Influence fast Rogers, Brett M., editor. http://id.loc.gov/authorities/names/n2013069057 Stevens, Benjamin Eldon, editor. http://id.loc.gov/authorities/names/no2013035569 has work: Once and future antiquities in science fiction and fantasy (Text) https://id.oclc.org/worldcat/entity/E39PCGTHRFHQfYJbwDwRd6Qpfq https://id.oclc.org/worldcat/ontology/hasWork Print version: Once and future antiquities in science fiction and fantasy. London : Bloomsbury Academic, 2019 9781350074880 (DLC) 2018040890 (OCoLC)1054260426 Bloomsbury studies in classical reception. http://id.loc.gov/authorities/names/no2015002294 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1947616 Volltext |
| spellingShingle | Once and future antiquities in science fiction and fantasy / Bloomsbury studies in classical reception. PrefaceList of ContributorsList of IllustrationsIntroduction: Displacing Antiquity in Science Fiction and Fantasy (Brett M. Rogers, University of Puget Sound, USA; Benjamin Eldon Stevens, Trinity University, USA)Displacing Points of Origin1. More 'T, ' Vicar? Revisiting Models and Methodologies for Classical Receptions in Science Fiction (Tony Keen, Open University, UK)2. Saxa loquuntur?: Archaeological Fantasies in Wilhelm Jensen's Gradiva (Jesse Weiner, Hamilton College, USA)3. Time Travel and Self-Reflexivity in Receptions of Homer's Iliad (Claire Kenward, Oxford University, APGRD, UK)4. Monuments and Tradition in Jack McDevitt's The Engines of God (Laura Zientek, University of Washington, USA) Displaced in Space5. Lyra's Odyssey in Philip Pullman's His Dark Materials (Ortwin Knorr, Willamette University, USA)6. Displacing Nostos and the Ancient Greek Hero in Hayao Miyazaki's Spirited Away (Suzanne Lye, Dartmouth College, USA)7. 'The nearest technically impossible thing': Classical Antiquity in the Novels of Helen Oyeyemi (Benjamin Eldon Stevens, Trinity University, USA) Displaced in Time8. Dynamic Tensions: The Figure(s) of Atlas in The Rocky Horror Picture Show (Stephen B. Moses and Brett M. Rogers, University of Puget Sound, USA)9. Drinking Blood and Talking Ghosts in Diana Wynne Jones's The Time of the Ghost (Frances Foster, Cambridge University, UK)10. Finding Cassandra in Science Fiction: The Seer of Agamemnon and the Time-Traveling Protector of Continuum (Jennifer Ranck, Independent Scholar) Displacing Genre11. Classical Reception and the Half-Elf Cleric (C.W. Marshall, University of British Columbia, Canada)12. The Gods Problem in Gene Wolfe's Soldier of the Mist (Vincent Tomasso, Trinity College, USA)13. The Divine Emperor in Virgil's Aeneid and the Warhammer 40K Universe (Alexander McAuley, University of British Columbia, Canada) Epilogue: Finding a Place in Displacement14. Just Your Average Tuesday-Morning Minotaur (Catherynne M. Valente)Works CitedIndex. Science fiction Classical influences. Classical literature Influence. Littérature ancienne Influence. Fantasy. bicssc Literature: history & criticism. bicssc Classical history classical civilisation. bicssc Science fiction. bicssc BIOGRAPHY & AUTOBIOGRAPHY Literary. bisacsh Classical literature Influence fast |
| title | Once and future antiquities in science fiction and fantasy / |
| title_auth | Once and future antiquities in science fiction and fantasy / |
| title_exact_search | Once and future antiquities in science fiction and fantasy / |
| title_full | Once and future antiquities in science fiction and fantasy / edited by Brett M. Rogers and Benjamin Eldon Stevens. |
| title_fullStr | Once and future antiquities in science fiction and fantasy / edited by Brett M. Rogers and Benjamin Eldon Stevens. |
| title_full_unstemmed | Once and future antiquities in science fiction and fantasy / edited by Brett M. Rogers and Benjamin Eldon Stevens. |
| title_short | Once and future antiquities in science fiction and fantasy / |
| title_sort | once and future antiquities in science fiction and fantasy |
| topic | Science fiction Classical influences. Classical literature Influence. Littérature ancienne Influence. Fantasy. bicssc Literature: history & criticism. bicssc Classical history classical civilisation. bicssc Science fiction. bicssc BIOGRAPHY & AUTOBIOGRAPHY Literary. bisacsh Classical literature Influence fast |
| topic_facet | Science fiction Classical influences. Classical literature Influence. Littérature ancienne Influence. Fantasy. Literature: history & criticism. Classical history classical civilisation. Science fiction. BIOGRAPHY & AUTOBIOGRAPHY Literary. Classical literature Influence |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1947616 |
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