Tunes for all? :: music on Danish radio /
In ten original essays, Danish music and media scholars discuss aspects of music on the radio from the 1920s until today. Understanding music radio as a distributed phenomenon or as a multiplicity, the authors draw upon anthropology, cultural studies and media studies along with sociological and his...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Aarhus :
Aarhus University Press,
2018.
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| Online-Zugang: | Volltext |
| Zusammenfassung: | In ten original essays, Danish music and media scholars discuss aspects of music on the radio from the 1920s until today. Understanding music radio as a distributed phenomenon or as a multiplicity, the authors draw upon anthropology, cultural studies and media studies along with sociological and historiographical theory. The intention is to further develop interdisciplinary approaches that may grasp the complex interrelations between radio as an institution and as practices on the one hand and music, musical practices, and musical life on the other. 0The essays' examples and cases are all related to the Danish Broadcasting Corporation (DR) and offer a music radio production perspective. They span the period from when broadcast music was only live to today where almost all of it is prerecorded and digitized. Some of the essays approach broad topics like early music radio's contributions to the regulation of national centres and peripheries, the debates on music radio as mechanical music, and the general changes in music repertoires and in the status of the institution's live ensembles. Music radio's roles as gatekeeper through automatic music programming are discussed in several articles as are the many ways music genres and radio formats interact. Some of the authors turn to detailed analyses at programme level in order to explain aspects of modern music radio and to suggest analytical models. The essays come with an introduction consisting of an extended overview of international music radio studies since the 1930s, and overview of the development of Danish music radio, and a theoretical preamble. |
| Beschreibung: | 1 online resource |
| ISBN: | 9788771847109 8771847103 |
Internformat
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| 520 | 8 | |a In ten original essays, Danish music and media scholars discuss aspects of music on the radio from the 1920s until today. Understanding music radio as a distributed phenomenon or as a multiplicity, the authors draw upon anthropology, cultural studies and media studies along with sociological and historiographical theory. The intention is to further develop interdisciplinary approaches that may grasp the complex interrelations between radio as an institution and as practices on the one hand and music, musical practices, and musical life on the other. 0The essays' examples and cases are all related to the Danish Broadcasting Corporation (DR) and offer a music radio production perspective. They span the period from when broadcast music was only live to today where almost all of it is prerecorded and digitized. Some of the essays approach broad topics like early music radio's contributions to the regulation of national centres and peripheries, the debates on music radio as mechanical music, and the general changes in music repertoires and in the status of the institution's live ensembles. Music radio's roles as gatekeeper through automatic music programming are discussed in several articles as are the many ways music genres and radio formats interact. Some of the authors turn to detailed analyses at programme level in order to explain aspects of modern music radio and to suggest analytical models. The essays come with an introduction consisting of an extended overview of international music radio studies since the 1930s, and overview of the development of Danish music radio, and a theoretical preamble. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Titelside; Colophon; Contents; Foreword; Introduction Music Radio Perspectives; I: Music Radio Research by Morten Michelsen; Radio Studies; Radio Studies and Music; Early Music Radio Research and Sociology; German Music Radio Research in the 1980s and 1990s; Anglo-American Perspectives: Social History and Cultural Studies; Music Radio Anthropology in France, the US and Scandinavia; Music Radio and Multidisciplinarity after the Turn of the Millennium; II: Danish Music Radio by The RAMUND research team; Music, Mass Media and Democracy; Live Music on the Air (1925-1962) | |
| 505 | 8 | |a Records, Profiles and P3 (1963-1991)Flows and Files (1992- ); III: Music Radio Multiplicities by Mads Krogh; A Century ... ; ... of Radio ... ; ... and Music ... ; ... in Denmark; Perspectives, Themes, Tracks and Traces; Main Themes; Concluding Remarks; Non/Linear Radio Genre, Format and Rationalisation in DR Programming (Mads Krogh); DR Rationalisation; Genre and Format -- Categorical Difference?; Genre and Format Rationality; DR Ir/Rationality; Concluding Remarks; To Go with the Flow and to Produce It The P3 Head of Music's Work in Practice (Katrine Wallevik) | |
| 505 | 8 | |a Hero or Villain? Myths About the Head of Music and DRA Practice Perspective: ANT and Empirical Sensibility; The Head: Ideas of 'Structural Identity', Corporate Thinking and Questions of Agency; The Head in a Network of Actors; The P3 Network of Humans and Things; Conclusion; A Lost Link Between Music and Hosts The Development of a Morning Music Radio Programme (Iben Have); Go' Morgen P3: A Classic Morning Music Radio Programme; Mapping the Host Constellations 1989-2015; Development of Content in Five Programmes; Comparative Observations and Development; Familiarity, Moods and Everyday Life | |
| 505 | 8 | |a Global Competition and 'Radiotised' Audio CultureAppendix; Oscillations, Interruptions and Interphonic Gearings On Music in Studio-Based Sports Radio (Nicolai Jørgensgaard Graakjær); Sports, Radio and Music; The Assortment of Playlist Tracks; The Placements of Playlist Tracks; The Introduction, Interruption and Ending of Playlist Tracks; Conclusions: On the 'Grammar' and Modes of Listening; Appendix; Presenting a World of Music Musical Diversity and Cosmopolitan Practices Within the Danish Broadcasting Corporation (Kristine Ringsager) | |
| 505 | 8 | |a Musical Globalisation, Cosmopolitan Awareness and the Agency of Radio PresentersBroadcasting Ethnomusicology: The Case of Poul Rovsing Olsen; A Popular 'Musical Missionary': The Case of Ole Reitov; Embedding the World: The Case of Sveta Rubin; In Closing; When the Hit Parade(s) Hit Denmark (Henrik Smith-Sivertsen); The Pre-History -- Hit Parades in Europe; Teenagers and Hit Parades; DR Hit Parades 1962-1968 Ti vi ka' li' -- Activating the Teenagers; Conclusion | |
| 650 | 0 | |a Radio music |z Denmark. | |
| 650 | 6 | |a Radio, Musique de |z Danemark. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
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| 650 | 7 | |a Radio music |2 fast | |
| 651 | 7 | |a Denmark |2 fast |1 https://id.oclc.org/worldcat/entity/E39QbtfRC7kMQT98kFPPM9vCkc | |
| 700 | 1 | |a Michelsen, Morten, |d 1958- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjvWfTPBTgkMBpYY8VCdBd |0 http://id.loc.gov/authorities/names/no2020026792 | |
| 700 | 1 | |a Krogh, Mads, |e editor. |0 http://id.loc.gov/authorities/names/no2009100543 | |
| 700 | 1 | |a Have, Iben, |d 1970- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjBQ9ybwWTdxdYCKHDqjkC |0 http://id.loc.gov/authorities/names/n2015022905 | |
| 700 | 1 | |a Nielsen, Steen Kaargaard, |e editor. |0 http://id.loc.gov/authorities/names/n2018047401 | |
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| author2 | Michelsen, Morten, 1958- Krogh, Mads Have, Iben, 1970- Nielsen, Steen Kaargaard |
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| author_GND | http://id.loc.gov/authorities/names/no2020026792 http://id.loc.gov/authorities/names/no2009100543 http://id.loc.gov/authorities/names/n2015022905 http://id.loc.gov/authorities/names/n2018047401 |
| author_facet | Michelsen, Morten, 1958- Krogh, Mads Have, Iben, 1970- Nielsen, Steen Kaargaard |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML68 |
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| callnumber-search | ML68 .T86 2018 |
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| callnumber-subject | ML - Literature on Music |
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| contents | Cover; Titelside; Colophon; Contents; Foreword; Introduction Music Radio Perspectives; I: Music Radio Research by Morten Michelsen; Radio Studies; Radio Studies and Music; Early Music Radio Research and Sociology; German Music Radio Research in the 1980s and 1990s; Anglo-American Perspectives: Social History and Cultural Studies; Music Radio Anthropology in France, the US and Scandinavia; Music Radio and Multidisciplinarity after the Turn of the Millennium; II: Danish Music Radio by The RAMUND research team; Music, Mass Media and Democracy; Live Music on the Air (1925-1962) Records, Profiles and P3 (1963-1991)Flows and Files (1992- ); III: Music Radio Multiplicities by Mads Krogh; A Century ... ; ... of Radio ... ; ... and Music ... ; ... in Denmark; Perspectives, Themes, Tracks and Traces; Main Themes; Concluding Remarks; Non/Linear Radio Genre, Format and Rationalisation in DR Programming (Mads Krogh); DR Rationalisation; Genre and Format -- Categorical Difference?; Genre and Format Rationality; DR Ir/Rationality; Concluding Remarks; To Go with the Flow and to Produce It The P3 Head of Music's Work in Practice (Katrine Wallevik) Hero or Villain? Myths About the Head of Music and DRA Practice Perspective: ANT and Empirical Sensibility; The Head: Ideas of 'Structural Identity', Corporate Thinking and Questions of Agency; The Head in a Network of Actors; The P3 Network of Humans and Things; Conclusion; A Lost Link Between Music and Hosts The Development of a Morning Music Radio Programme (Iben Have); Go' Morgen P3: A Classic Morning Music Radio Programme; Mapping the Host Constellations 1989-2015; Development of Content in Five Programmes; Comparative Observations and Development; Familiarity, Moods and Everyday Life Global Competition and 'Radiotised' Audio CultureAppendix; Oscillations, Interruptions and Interphonic Gearings On Music in Studio-Based Sports Radio (Nicolai Jørgensgaard Graakjær); Sports, Radio and Music; The Assortment of Playlist Tracks; The Placements of Playlist Tracks; The Introduction, Interruption and Ending of Playlist Tracks; Conclusions: On the 'Grammar' and Modes of Listening; Appendix; Presenting a World of Music Musical Diversity and Cosmopolitan Practices Within the Danish Broadcasting Corporation (Kristine Ringsager) Musical Globalisation, Cosmopolitan Awareness and the Agency of Radio PresentersBroadcasting Ethnomusicology: The Case of Poul Rovsing Olsen; A Popular 'Musical Missionary': The Case of Ole Reitov; Embedding the World: The Case of Sveta Rubin; In Closing; When the Hit Parade(s) Hit Denmark (Henrik Smith-Sivertsen); The Pre-History -- Hit Parades in Europe; Teenagers and Hit Parades; DR Hit Parades 1962-1968 Ti vi ka' li' -- Activating the Teenagers; Conclusion |
| ctrlnum | (OCoLC)1066248043 |
| dewey-full | 781.544 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.544 |
| dewey-search | 781.544 |
| dewey-sort | 3781.544 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| geographic_facet | Denmark |
| id | ZDB-4-EBA-on1066248043 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:14Z |
| institution | BVB |
| isbn | 9788771847109 8771847103 |
| language | English |
| oclc_num | 1066248043 |
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| publishDate | 2018 |
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| publisher | Aarhus University Press, |
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| spelling | Tunes for all? : music on Danish radio / Morten Michelsen, Mads Krogh, Iben Have, Steen Kaargaard Nielsen (eds.) Aarhus : Aarhus University Press, 2018. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier In ten original essays, Danish music and media scholars discuss aspects of music on the radio from the 1920s until today. Understanding music radio as a distributed phenomenon or as a multiplicity, the authors draw upon anthropology, cultural studies and media studies along with sociological and historiographical theory. The intention is to further develop interdisciplinary approaches that may grasp the complex interrelations between radio as an institution and as practices on the one hand and music, musical practices, and musical life on the other. 0The essays' examples and cases are all related to the Danish Broadcasting Corporation (DR) and offer a music radio production perspective. They span the period from when broadcast music was only live to today where almost all of it is prerecorded and digitized. Some of the essays approach broad topics like early music radio's contributions to the regulation of national centres and peripheries, the debates on music radio as mechanical music, and the general changes in music repertoires and in the status of the institution's live ensembles. Music radio's roles as gatekeeper through automatic music programming are discussed in several articles as are the many ways music genres and radio formats interact. Some of the authors turn to detailed analyses at programme level in order to explain aspects of modern music radio and to suggest analytical models. The essays come with an introduction consisting of an extended overview of international music radio studies since the 1930s, and overview of the development of Danish music radio, and a theoretical preamble. Print version record. Cover; Titelside; Colophon; Contents; Foreword; Introduction Music Radio Perspectives; I: Music Radio Research by Morten Michelsen; Radio Studies; Radio Studies and Music; Early Music Radio Research and Sociology; German Music Radio Research in the 1980s and 1990s; Anglo-American Perspectives: Social History and Cultural Studies; Music Radio Anthropology in France, the US and Scandinavia; Music Radio and Multidisciplinarity after the Turn of the Millennium; II: Danish Music Radio by The RAMUND research team; Music, Mass Media and Democracy; Live Music on the Air (1925-1962) Records, Profiles and P3 (1963-1991)Flows and Files (1992- ); III: Music Radio Multiplicities by Mads Krogh; A Century ... ; ... of Radio ... ; ... and Music ... ; ... in Denmark; Perspectives, Themes, Tracks and Traces; Main Themes; Concluding Remarks; Non/Linear Radio Genre, Format and Rationalisation in DR Programming (Mads Krogh); DR Rationalisation; Genre and Format -- Categorical Difference?; Genre and Format Rationality; DR Ir/Rationality; Concluding Remarks; To Go with the Flow and to Produce It The P3 Head of Music's Work in Practice (Katrine Wallevik) Hero or Villain? Myths About the Head of Music and DRA Practice Perspective: ANT and Empirical Sensibility; The Head: Ideas of 'Structural Identity', Corporate Thinking and Questions of Agency; The Head in a Network of Actors; The P3 Network of Humans and Things; Conclusion; A Lost Link Between Music and Hosts The Development of a Morning Music Radio Programme (Iben Have); Go' Morgen P3: A Classic Morning Music Radio Programme; Mapping the Host Constellations 1989-2015; Development of Content in Five Programmes; Comparative Observations and Development; Familiarity, Moods and Everyday Life Global Competition and 'Radiotised' Audio CultureAppendix; Oscillations, Interruptions and Interphonic Gearings On Music in Studio-Based Sports Radio (Nicolai Jørgensgaard Graakjær); Sports, Radio and Music; The Assortment of Playlist Tracks; The Placements of Playlist Tracks; The Introduction, Interruption and Ending of Playlist Tracks; Conclusions: On the 'Grammar' and Modes of Listening; Appendix; Presenting a World of Music Musical Diversity and Cosmopolitan Practices Within the Danish Broadcasting Corporation (Kristine Ringsager) Musical Globalisation, Cosmopolitan Awareness and the Agency of Radio PresentersBroadcasting Ethnomusicology: The Case of Poul Rovsing Olsen; A Popular 'Musical Missionary': The Case of Ole Reitov; Embedding the World: The Case of Sveta Rubin; In Closing; When the Hit Parade(s) Hit Denmark (Henrik Smith-Sivertsen); The Pre-History -- Hit Parades in Europe; Teenagers and Hit Parades; DR Hit Parades 1962-1968 Ti vi ka' li' -- Activating the Teenagers; Conclusion Radio music Denmark. Radio, Musique de Danemark. PERFORMING ARTS Reference. bisacsh MUSIC / General bisacsh Radio music fast Denmark fast https://id.oclc.org/worldcat/entity/E39QbtfRC7kMQT98kFPPM9vCkc Michelsen, Morten, 1958- editor. https://id.oclc.org/worldcat/entity/E39PCjvWfTPBTgkMBpYY8VCdBd http://id.loc.gov/authorities/names/no2020026792 Krogh, Mads, editor. http://id.loc.gov/authorities/names/no2009100543 Have, Iben, 1970- editor. https://id.oclc.org/worldcat/entity/E39PCjBQ9ybwWTdxdYCKHDqjkC http://id.loc.gov/authorities/names/n2015022905 Nielsen, Steen Kaargaard, editor. http://id.loc.gov/authorities/names/n2018047401 has work: Tunes for all? (Text) https://id.oclc.org/worldcat/entity/E39PCFvgdgcTMJXX68GD3Gdfbd https://id.oclc.org/worldcat/ontology/hasWork Print version: TUNES FOR ALL? AARHUS : AARHUS UNIVERSITY PRESS, 2018 8771843795 (OCoLC)1043161426 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1939607 Volltext |
| spellingShingle | Tunes for all? : music on Danish radio / Cover; Titelside; Colophon; Contents; Foreword; Introduction Music Radio Perspectives; I: Music Radio Research by Morten Michelsen; Radio Studies; Radio Studies and Music; Early Music Radio Research and Sociology; German Music Radio Research in the 1980s and 1990s; Anglo-American Perspectives: Social History and Cultural Studies; Music Radio Anthropology in France, the US and Scandinavia; Music Radio and Multidisciplinarity after the Turn of the Millennium; II: Danish Music Radio by The RAMUND research team; Music, Mass Media and Democracy; Live Music on the Air (1925-1962) Records, Profiles and P3 (1963-1991)Flows and Files (1992- ); III: Music Radio Multiplicities by Mads Krogh; A Century ... ; ... of Radio ... ; ... and Music ... ; ... in Denmark; Perspectives, Themes, Tracks and Traces; Main Themes; Concluding Remarks; Non/Linear Radio Genre, Format and Rationalisation in DR Programming (Mads Krogh); DR Rationalisation; Genre and Format -- Categorical Difference?; Genre and Format Rationality; DR Ir/Rationality; Concluding Remarks; To Go with the Flow and to Produce It The P3 Head of Music's Work in Practice (Katrine Wallevik) Hero or Villain? Myths About the Head of Music and DRA Practice Perspective: ANT and Empirical Sensibility; The Head: Ideas of 'Structural Identity', Corporate Thinking and Questions of Agency; The Head in a Network of Actors; The P3 Network of Humans and Things; Conclusion; A Lost Link Between Music and Hosts The Development of a Morning Music Radio Programme (Iben Have); Go' Morgen P3: A Classic Morning Music Radio Programme; Mapping the Host Constellations 1989-2015; Development of Content in Five Programmes; Comparative Observations and Development; Familiarity, Moods and Everyday Life Global Competition and 'Radiotised' Audio CultureAppendix; Oscillations, Interruptions and Interphonic Gearings On Music in Studio-Based Sports Radio (Nicolai Jørgensgaard Graakjær); Sports, Radio and Music; The Assortment of Playlist Tracks; The Placements of Playlist Tracks; The Introduction, Interruption and Ending of Playlist Tracks; Conclusions: On the 'Grammar' and Modes of Listening; Appendix; Presenting a World of Music Musical Diversity and Cosmopolitan Practices Within the Danish Broadcasting Corporation (Kristine Ringsager) Musical Globalisation, Cosmopolitan Awareness and the Agency of Radio PresentersBroadcasting Ethnomusicology: The Case of Poul Rovsing Olsen; A Popular 'Musical Missionary': The Case of Ole Reitov; Embedding the World: The Case of Sveta Rubin; In Closing; When the Hit Parade(s) Hit Denmark (Henrik Smith-Sivertsen); The Pre-History -- Hit Parades in Europe; Teenagers and Hit Parades; DR Hit Parades 1962-1968 Ti vi ka' li' -- Activating the Teenagers; Conclusion Radio music Denmark. Radio, Musique de Danemark. PERFORMING ARTS Reference. bisacsh MUSIC / General bisacsh Radio music fast |
| title | Tunes for all? : music on Danish radio / |
| title_auth | Tunes for all? : music on Danish radio / |
| title_exact_search | Tunes for all? : music on Danish radio / |
| title_full | Tunes for all? : music on Danish radio / Morten Michelsen, Mads Krogh, Iben Have, Steen Kaargaard Nielsen (eds.) |
| title_fullStr | Tunes for all? : music on Danish radio / Morten Michelsen, Mads Krogh, Iben Have, Steen Kaargaard Nielsen (eds.) |
| title_full_unstemmed | Tunes for all? : music on Danish radio / Morten Michelsen, Mads Krogh, Iben Have, Steen Kaargaard Nielsen (eds.) |
| title_short | Tunes for all? : |
| title_sort | tunes for all music on danish radio |
| title_sub | music on Danish radio / |
| topic | Radio music Denmark. Radio, Musique de Danemark. PERFORMING ARTS Reference. bisacsh MUSIC / General bisacsh Radio music fast |
| topic_facet | Radio music Denmark. Radio, Musique de Danemark. PERFORMING ARTS Reference. MUSIC / General Radio music Denmark |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1939607 |
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