Temporality in American Filmic Autobiography :: Cinema, Automediality and Grammatology with 'Film Portrait' and 'Joyce at 34'.
Drawing on grammatology, historical semantics and discourse theory, Temporality in American Filmic Autobiography treats automediality in semiotic materiality and transmediality as processuality and relationality of agency at an intersection of auto/biography studies, film studies and media studies,...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Heidelberg :
Universitätsverlag Winter,
2018.
|
| Schriftenreihe: | American Studies - A Monograph Series.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Drawing on grammatology, historical semantics and discourse theory, Temporality in American Filmic Autobiography treats automediality in semiotic materiality and transmediality as processuality and relationality of agency at an intersection of auto/biography studies, film studies and media studies, reviews concepts of time in philosophy, sociology, cinema studies and narratology, and applies critical vocabularies of temporality and temporalization in an extended analysis of two classics of 1970s American filmic autobiography, Film Portrait, by Jerome Hill and Joyce at 34, by Joyce Chopra and Claudia Weill. The study of film, time and self-processing develops the grammatology of cinema from contemporary positions on cinematic semiosis, temporality, and contingency, filmic and postfilmic cinema, documentary-style film, deixis across media, and the trace as critical vocabulary. Among supplementary tables, a chapter offers an overview of the canonization and transnationalization of cinematic autobiography in anglophone research. |
| Beschreibung: | 31 to 34 Mirror Scenes in "Sherman's March, Playing the Part, Blackstar", and the Genre-Critical "David Holzman's Diary" with Camera Reflected in Mirror (Film Stills) |
| Beschreibung: | 1 online resource (536 pages) |
| Bibliographie: | Includes bibliographical references (pages 459-489) and indexes. |
| ISBN: | 3825377962 3825356841 9783825356842 9783825377960 |
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| 100 | 1 | |a Gernalzick, Nadja. | |
| 245 | 1 | 0 | |a Temporality in American Filmic Autobiography : |b Cinema, Automediality and Grammatology with 'Film Portrait' and 'Joyce at 34'. |
| 260 | |a Heidelberg : |b Universitätsverlag Winter, |c 2018. | ||
| 300 | |a 1 online resource (536 pages) | ||
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| 490 | 1 | |a American Studies - A Monograph Series ; |v v. 187 | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Titel; Imprint; Contents; Acknowledgements; Preface; List of Tables and Figures; 1 World Provenance of Cinematic Autobiography in Selected Anglophone Research of 1977 to 2014; 2 Provenance by Country of Cinematic Autobiography by Decade in Selected Anglophone Research of 1977 to 2014 (Synopsis of Table 1); 3 Cinema and Selected Time Vocabularies (Synopsis); 4 A-Series vs. B-Series after John M.E. McTaggart (Gell1992, 157); 5 Synopsis of Data on Segment Durations in Selected Filmic Autobiographies; 6 Segment Durations in Selected Filmic Autobiographies. | |
| 505 | 8 | |a 1 Two Cameras in "Playing the Part" (Film Still)2 Mounted Photograph in "Playing the Part" (Film Still); 3 Scratched and Perforated Film in "Dog Star Man" (1961-1964) (Film Still); 4 Infant Sarah at the Editing Table with Her Mother in "Joyce at 34" (Film Still); 5 Infant Sarah Fed by Her Father at Work with a Screenwriting Collaborator in "Joyce at 34" (Film Still); 6 to 9 Weill Negotiating Participants, Camera, Microphone and Airport Walk in "Joyce at 34" (Film Stills); 10 Hill with Oakes and Camera on Tripod at Cassis in1950 in "Film Portrait" (Film Still) | |
| 505 | 8 | |a 11 Hill with Oakes and Camera on Tripod at Cassis in 1970 in "Film Portrait" (Film Still)12 to 14 Stairway at Cassis in 1930, 1950 and 1970 in "Film Portrait" (Film Stills); 15 Train at La Ciotat Station in 1895 from the Lumières' "L'Arrivée dún Train à La Ciotat" quoted in "Film Portrait" (Film Still); 16 Train at La Ciotat Station in 1970 in "Film Portrait" (Film Still); 17 Segments of Nine of the Filmmaker's Films with Simultaneous Movement by Split-Screen Device in "Film Portrait" (Film Still); 18 The Filmmaker at the Editing Table in "Film Portrait"(Film Still) | |
| 505 | 8 | |a 19 "A Scholar in His Study ('Faust')", Etching by Rembrandt,c. 1652, The Metropolitan Museum of Art, New York, Online Catalogue (Photographic Reproduction)20 Superimposition of Image of Etching by Rembrandt and Image of Filmmaker at Editing Table in "Film Portrait"(Film Still); 21 Completed Transformation into the Filmmaker at the Editing Table in "Film Portrait" (Film Still); 22 Sarah Pushing the Chair in "Joyce at 34" (Film Still); 23 Seder Ceremony in "Joyce at 34" (Film Still); 24 Protagonist in Nightgown before Mirror in "Joyce at 34" (Film Still) | |
| 505 | 8 | |a 25 Protagonist Musing on a Couch in "Joyce at 34" (FilmStill)26 Protagonist on a Filming Location in "Joyce at 34" (FilmStill); 27 Double Female Gaze after Keyssar in "Joyce at 34" (Film Still); 28 Chopra and Cole (left) after Birth of Sarah Rose Cole (Held by Obstetrician) in "Joyce at 34" (Film Still); 29 Animated Collage Sequence of View Through Train Window in "Film Portrait" (Film Still); 30 Hand-Colored Image of Water Whirl Used for Reverse Motion in "Film Portrait" (Film Still) | |
| 500 | |a 31 to 34 Mirror Scenes in "Sherman's March, Playing the Part, Blackstar", and the Genre-Critical "David Holzman's Diary" with Camera Reflected in Mirror (Film Stills) | ||
| 504 | |a Includes bibliographical references (pages 459-489) and indexes. | ||
| 520 | 8 | |a Drawing on grammatology, historical semantics and discourse theory, Temporality in American Filmic Autobiography treats automediality in semiotic materiality and transmediality as processuality and relationality of agency at an intersection of auto/biography studies, film studies and media studies, reviews concepts of time in philosophy, sociology, cinema studies and narratology, and applies critical vocabularies of temporality and temporalization in an extended analysis of two classics of 1970s American filmic autobiography, Film Portrait, by Jerome Hill and Joyce at 34, by Joyce Chopra and Claudia Weill. The study of film, time and self-processing develops the grammatology of cinema from contemporary positions on cinematic semiosis, temporality, and contingency, filmic and postfilmic cinema, documentary-style film, deixis across media, and the trace as critical vocabulary. Among supplementary tables, a chapter offers an overview of the canonization and transnationalization of cinematic autobiography in anglophone research. | |
| 600 | 1 | 0 | |a Hill, Jerome, |d 1905-1972. |0 http://id.loc.gov/authorities/names/no89001826 |
| 630 | 0 | 0 | |a Joyce at 34. |
| 600 | 1 | 7 | |a Hill, Jerome, |d 1905-1972 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJx4rT7gt7fQqhqq9hD8YP |
| 650 | 0 | |a Time in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85135414 | |
| 650 | 0 | |a Autobiography. |0 http://id.loc.gov/authorities/subjects/sh85010050 | |
| 650 | 0 | |a Motion pictures |x Plots, themes, etc. |0 http://id.loc.gov/authorities/subjects/sh85088103 | |
| 650 | 6 | |a Temps au cinéma. | |
| 650 | 6 | |a Autobiographie. | |
| 650 | 6 | |a Cinéma |x Intrigues, thèmes, etc. | |
| 650 | 7 | |a autobiography (genre) |2 aat | |
| 650 | 7 | |a Motion pictures |x Plots, themes, etc. |2 fast | |
| 650 | 7 | |a Autobiography |2 fast | |
| 650 | 7 | |a Time in motion pictures |2 fast | |
| 758 | |i has work: |a Temporality in American filmic autobiography (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGdjcmgtGrpF3DtPYc3Yj3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Gernalzick, Nadja. |t Temporality in American Filmic Autobiography : Cinema, Automediality and Grammatology with 'Film Portrait' and 'Joyce at 34'. |d Heidelberg : Universitätsverlag Winter, ©2018 |z 9783825356842 |
| 830 | 0 | |a American Studies - A Monograph Series. | |
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| author | Gernalzick, Nadja |
| author_facet | Gernalzick, Nadja |
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| callnumber-raw | PN1995.9.T55 G47 2018 |
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| contents | Cover; Titel; Imprint; Contents; Acknowledgements; Preface; List of Tables and Figures; 1 World Provenance of Cinematic Autobiography in Selected Anglophone Research of 1977 to 2014; 2 Provenance by Country of Cinematic Autobiography by Decade in Selected Anglophone Research of 1977 to 2014 (Synopsis of Table 1); 3 Cinema and Selected Time Vocabularies (Synopsis); 4 A-Series vs. B-Series after John M.E. McTaggart (Gell1992, 157); 5 Synopsis of Data on Segment Durations in Selected Filmic Autobiographies; 6 Segment Durations in Selected Filmic Autobiographies. 1 Two Cameras in "Playing the Part" (Film Still)2 Mounted Photograph in "Playing the Part" (Film Still); 3 Scratched and Perforated Film in "Dog Star Man" (1961-1964) (Film Still); 4 Infant Sarah at the Editing Table with Her Mother in "Joyce at 34" (Film Still); 5 Infant Sarah Fed by Her Father at Work with a Screenwriting Collaborator in "Joyce at 34" (Film Still); 6 to 9 Weill Negotiating Participants, Camera, Microphone and Airport Walk in "Joyce at 34" (Film Stills); 10 Hill with Oakes and Camera on Tripod at Cassis in1950 in "Film Portrait" (Film Still) 11 Hill with Oakes and Camera on Tripod at Cassis in 1970 in "Film Portrait" (Film Still)12 to 14 Stairway at Cassis in 1930, 1950 and 1970 in "Film Portrait" (Film Stills); 15 Train at La Ciotat Station in 1895 from the Lumières' "L'Arrivée dún Train à La Ciotat" quoted in "Film Portrait" (Film Still); 16 Train at La Ciotat Station in 1970 in "Film Portrait" (Film Still); 17 Segments of Nine of the Filmmaker's Films with Simultaneous Movement by Split-Screen Device in "Film Portrait" (Film Still); 18 The Filmmaker at the Editing Table in "Film Portrait"(Film Still) 19 "A Scholar in His Study ('Faust')", Etching by Rembrandt,c. 1652, The Metropolitan Museum of Art, New York, Online Catalogue (Photographic Reproduction)20 Superimposition of Image of Etching by Rembrandt and Image of Filmmaker at Editing Table in "Film Portrait"(Film Still); 21 Completed Transformation into the Filmmaker at the Editing Table in "Film Portrait" (Film Still); 22 Sarah Pushing the Chair in "Joyce at 34" (Film Still); 23 Seder Ceremony in "Joyce at 34" (Film Still); 24 Protagonist in Nightgown before Mirror in "Joyce at 34" (Film Still) 25 Protagonist Musing on a Couch in "Joyce at 34" (FilmStill)26 Protagonist on a Filming Location in "Joyce at 34" (FilmStill); 27 Double Female Gaze after Keyssar in "Joyce at 34" (Film Still); 28 Chopra and Cole (left) after Birth of Sarah Rose Cole (Held by Obstetrician) in "Joyce at 34" (Film Still); 29 Animated Collage Sequence of View Through Train Window in "Film Portrait" (Film Still); 30 Hand-Colored Image of Water Whirl Used for Reverse Motion in "Film Portrait" (Film Still) |
| ctrlnum | (OCoLC)1065414884 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1065414884 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:13Z |
| institution | BVB |
| isbn | 3825377962 3825356841 9783825356842 9783825377960 |
| language | English |
| oclc_num | 1065414884 |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (536 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
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| publisher | Universitätsverlag Winter, |
| record_format | marc |
| series | American Studies - A Monograph Series. |
| series2 | American Studies - A Monograph Series ; |
| spelling | Gernalzick, Nadja. Temporality in American Filmic Autobiography : Cinema, Automediality and Grammatology with 'Film Portrait' and 'Joyce at 34'. Heidelberg : Universitätsverlag Winter, 2018. 1 online resource (536 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier American Studies - A Monograph Series ; v. 187 Print version record. Cover; Titel; Imprint; Contents; Acknowledgements; Preface; List of Tables and Figures; 1 World Provenance of Cinematic Autobiography in Selected Anglophone Research of 1977 to 2014; 2 Provenance by Country of Cinematic Autobiography by Decade in Selected Anglophone Research of 1977 to 2014 (Synopsis of Table 1); 3 Cinema and Selected Time Vocabularies (Synopsis); 4 A-Series vs. B-Series after John M.E. McTaggart (Gell1992, 157); 5 Synopsis of Data on Segment Durations in Selected Filmic Autobiographies; 6 Segment Durations in Selected Filmic Autobiographies. 1 Two Cameras in "Playing the Part" (Film Still)2 Mounted Photograph in "Playing the Part" (Film Still); 3 Scratched and Perforated Film in "Dog Star Man" (1961-1964) (Film Still); 4 Infant Sarah at the Editing Table with Her Mother in "Joyce at 34" (Film Still); 5 Infant Sarah Fed by Her Father at Work with a Screenwriting Collaborator in "Joyce at 34" (Film Still); 6 to 9 Weill Negotiating Participants, Camera, Microphone and Airport Walk in "Joyce at 34" (Film Stills); 10 Hill with Oakes and Camera on Tripod at Cassis in1950 in "Film Portrait" (Film Still) 11 Hill with Oakes and Camera on Tripod at Cassis in 1970 in "Film Portrait" (Film Still)12 to 14 Stairway at Cassis in 1930, 1950 and 1970 in "Film Portrait" (Film Stills); 15 Train at La Ciotat Station in 1895 from the Lumières' "L'Arrivée dún Train à La Ciotat" quoted in "Film Portrait" (Film Still); 16 Train at La Ciotat Station in 1970 in "Film Portrait" (Film Still); 17 Segments of Nine of the Filmmaker's Films with Simultaneous Movement by Split-Screen Device in "Film Portrait" (Film Still); 18 The Filmmaker at the Editing Table in "Film Portrait"(Film Still) 19 "A Scholar in His Study ('Faust')", Etching by Rembrandt,c. 1652, The Metropolitan Museum of Art, New York, Online Catalogue (Photographic Reproduction)20 Superimposition of Image of Etching by Rembrandt and Image of Filmmaker at Editing Table in "Film Portrait"(Film Still); 21 Completed Transformation into the Filmmaker at the Editing Table in "Film Portrait" (Film Still); 22 Sarah Pushing the Chair in "Joyce at 34" (Film Still); 23 Seder Ceremony in "Joyce at 34" (Film Still); 24 Protagonist in Nightgown before Mirror in "Joyce at 34" (Film Still) 25 Protagonist Musing on a Couch in "Joyce at 34" (FilmStill)26 Protagonist on a Filming Location in "Joyce at 34" (FilmStill); 27 Double Female Gaze after Keyssar in "Joyce at 34" (Film Still); 28 Chopra and Cole (left) after Birth of Sarah Rose Cole (Held by Obstetrician) in "Joyce at 34" (Film Still); 29 Animated Collage Sequence of View Through Train Window in "Film Portrait" (Film Still); 30 Hand-Colored Image of Water Whirl Used for Reverse Motion in "Film Portrait" (Film Still) 31 to 34 Mirror Scenes in "Sherman's March, Playing the Part, Blackstar", and the Genre-Critical "David Holzman's Diary" with Camera Reflected in Mirror (Film Stills) Includes bibliographical references (pages 459-489) and indexes. Drawing on grammatology, historical semantics and discourse theory, Temporality in American Filmic Autobiography treats automediality in semiotic materiality and transmediality as processuality and relationality of agency at an intersection of auto/biography studies, film studies and media studies, reviews concepts of time in philosophy, sociology, cinema studies and narratology, and applies critical vocabularies of temporality and temporalization in an extended analysis of two classics of 1970s American filmic autobiography, Film Portrait, by Jerome Hill and Joyce at 34, by Joyce Chopra and Claudia Weill. The study of film, time and self-processing develops the grammatology of cinema from contemporary positions on cinematic semiosis, temporality, and contingency, filmic and postfilmic cinema, documentary-style film, deixis across media, and the trace as critical vocabulary. Among supplementary tables, a chapter offers an overview of the canonization and transnationalization of cinematic autobiography in anglophone research. Hill, Jerome, 1905-1972. http://id.loc.gov/authorities/names/no89001826 Joyce at 34. Hill, Jerome, 1905-1972 fast https://id.oclc.org/worldcat/entity/E39PBJx4rT7gt7fQqhqq9hD8YP Time in motion pictures. http://id.loc.gov/authorities/subjects/sh85135414 Autobiography. http://id.loc.gov/authorities/subjects/sh85010050 Motion pictures Plots, themes, etc. http://id.loc.gov/authorities/subjects/sh85088103 Temps au cinéma. Autobiographie. Cinéma Intrigues, thèmes, etc. autobiography (genre) aat Motion pictures Plots, themes, etc. fast Autobiography fast Time in motion pictures fast has work: Temporality in American filmic autobiography (Text) https://id.oclc.org/worldcat/entity/E39PCGdjcmgtGrpF3DtPYc3Yj3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Gernalzick, Nadja. Temporality in American Filmic Autobiography : Cinema, Automediality and Grammatology with 'Film Portrait' and 'Joyce at 34'. Heidelberg : Universitätsverlag Winter, ©2018 9783825356842 American Studies - A Monograph Series. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2040760 Volltext |
| spellingShingle | Gernalzick, Nadja Temporality in American Filmic Autobiography : Cinema, Automediality and Grammatology with 'Film Portrait' and 'Joyce at 34'. American Studies - A Monograph Series. Cover; Titel; Imprint; Contents; Acknowledgements; Preface; List of Tables and Figures; 1 World Provenance of Cinematic Autobiography in Selected Anglophone Research of 1977 to 2014; 2 Provenance by Country of Cinematic Autobiography by Decade in Selected Anglophone Research of 1977 to 2014 (Synopsis of Table 1); 3 Cinema and Selected Time Vocabularies (Synopsis); 4 A-Series vs. B-Series after John M.E. McTaggart (Gell1992, 157); 5 Synopsis of Data on Segment Durations in Selected Filmic Autobiographies; 6 Segment Durations in Selected Filmic Autobiographies. 1 Two Cameras in "Playing the Part" (Film Still)2 Mounted Photograph in "Playing the Part" (Film Still); 3 Scratched and Perforated Film in "Dog Star Man" (1961-1964) (Film Still); 4 Infant Sarah at the Editing Table with Her Mother in "Joyce at 34" (Film Still); 5 Infant Sarah Fed by Her Father at Work with a Screenwriting Collaborator in "Joyce at 34" (Film Still); 6 to 9 Weill Negotiating Participants, Camera, Microphone and Airport Walk in "Joyce at 34" (Film Stills); 10 Hill with Oakes and Camera on Tripod at Cassis in1950 in "Film Portrait" (Film Still) 11 Hill with Oakes and Camera on Tripod at Cassis in 1970 in "Film Portrait" (Film Still)12 to 14 Stairway at Cassis in 1930, 1950 and 1970 in "Film Portrait" (Film Stills); 15 Train at La Ciotat Station in 1895 from the Lumières' "L'Arrivée dún Train à La Ciotat" quoted in "Film Portrait" (Film Still); 16 Train at La Ciotat Station in 1970 in "Film Portrait" (Film Still); 17 Segments of Nine of the Filmmaker's Films with Simultaneous Movement by Split-Screen Device in "Film Portrait" (Film Still); 18 The Filmmaker at the Editing Table in "Film Portrait"(Film Still) 19 "A Scholar in His Study ('Faust')", Etching by Rembrandt,c. 1652, The Metropolitan Museum of Art, New York, Online Catalogue (Photographic Reproduction)20 Superimposition of Image of Etching by Rembrandt and Image of Filmmaker at Editing Table in "Film Portrait"(Film Still); 21 Completed Transformation into the Filmmaker at the Editing Table in "Film Portrait" (Film Still); 22 Sarah Pushing the Chair in "Joyce at 34" (Film Still); 23 Seder Ceremony in "Joyce at 34" (Film Still); 24 Protagonist in Nightgown before Mirror in "Joyce at 34" (Film Still) 25 Protagonist Musing on a Couch in "Joyce at 34" (FilmStill)26 Protagonist on a Filming Location in "Joyce at 34" (FilmStill); 27 Double Female Gaze after Keyssar in "Joyce at 34" (Film Still); 28 Chopra and Cole (left) after Birth of Sarah Rose Cole (Held by Obstetrician) in "Joyce at 34" (Film Still); 29 Animated Collage Sequence of View Through Train Window in "Film Portrait" (Film Still); 30 Hand-Colored Image of Water Whirl Used for Reverse Motion in "Film Portrait" (Film Still) Hill, Jerome, 1905-1972. http://id.loc.gov/authorities/names/no89001826 Joyce at 34. Hill, Jerome, 1905-1972 fast https://id.oclc.org/worldcat/entity/E39PBJx4rT7gt7fQqhqq9hD8YP Time in motion pictures. http://id.loc.gov/authorities/subjects/sh85135414 Autobiography. http://id.loc.gov/authorities/subjects/sh85010050 Motion pictures Plots, themes, etc. http://id.loc.gov/authorities/subjects/sh85088103 Temps au cinéma. Autobiographie. Cinéma Intrigues, thèmes, etc. autobiography (genre) aat Motion pictures Plots, themes, etc. fast Autobiography fast Time in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/names/no89001826 http://id.loc.gov/authorities/subjects/sh85135414 http://id.loc.gov/authorities/subjects/sh85010050 http://id.loc.gov/authorities/subjects/sh85088103 |
| title | Temporality in American Filmic Autobiography : Cinema, Automediality and Grammatology with 'Film Portrait' and 'Joyce at 34'. |
| title_auth | Temporality in American Filmic Autobiography : Cinema, Automediality and Grammatology with 'Film Portrait' and 'Joyce at 34'. |
| title_exact_search | Temporality in American Filmic Autobiography : Cinema, Automediality and Grammatology with 'Film Portrait' and 'Joyce at 34'. |
| title_full | Temporality in American Filmic Autobiography : Cinema, Automediality and Grammatology with 'Film Portrait' and 'Joyce at 34'. |
| title_fullStr | Temporality in American Filmic Autobiography : Cinema, Automediality and Grammatology with 'Film Portrait' and 'Joyce at 34'. |
| title_full_unstemmed | Temporality in American Filmic Autobiography : Cinema, Automediality and Grammatology with 'Film Portrait' and 'Joyce at 34'. |
| title_short | Temporality in American Filmic Autobiography : |
| title_sort | temporality in american filmic autobiography cinema automediality and grammatology with film portrait and joyce at 34 |
| title_sub | Cinema, Automediality and Grammatology with 'Film Portrait' and 'Joyce at 34'. |
| topic | Hill, Jerome, 1905-1972. http://id.loc.gov/authorities/names/no89001826 Joyce at 34. Hill, Jerome, 1905-1972 fast https://id.oclc.org/worldcat/entity/E39PBJx4rT7gt7fQqhqq9hD8YP Time in motion pictures. http://id.loc.gov/authorities/subjects/sh85135414 Autobiography. http://id.loc.gov/authorities/subjects/sh85010050 Motion pictures Plots, themes, etc. http://id.loc.gov/authorities/subjects/sh85088103 Temps au cinéma. Autobiographie. Cinéma Intrigues, thèmes, etc. autobiography (genre) aat Motion pictures Plots, themes, etc. fast Autobiography fast Time in motion pictures fast |
| topic_facet | Hill, Jerome, 1905-1972. Joyce at 34. Hill, Jerome, 1905-1972 Time in motion pictures. Autobiography. Motion pictures Plots, themes, etc. Temps au cinéma. Autobiographie. Cinéma Intrigues, thèmes, etc. autobiography (genre) Autobiography Time in motion pictures |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2040760 |
| work_keys_str_mv | AT gernalzicknadja temporalityinamericanfilmicautobiographycinemaautomedialityandgrammatologywithfilmportraitandjoyceat34 |