Arab American novels post-9/11 :: classical storytelling motifs against outsidership /
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Heidelberg :
Universitätsverlag Winter,
2018.
|
| Schriftenreihe: | American studies (Munich, Germany) ;
v. 293. |
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Beschreibung: | 1 online resource (ix, 301 pages) |
| Bibliographie: | Includes bibliographical references (pages 293-301). |
| ISBN: | 3825378284 3825369218 9783825369217 9783825378288 |
Internformat
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| 100 | 1 | |a Sawires-Masseli, Marie-Christin, |e author. |0 http://id.loc.gov/authorities/names/no2018168497 | |
| 245 | 1 | 0 | |a Arab American novels post-9/11 : |b classical storytelling motifs against outsidership / |c Marie-Christin Sawires-Masseli. |
| 264 | 1 | |a Heidelberg : |b Universitätsverlag Winter, |c 2018. | |
| 300 | |a 1 online resource (ix, 301 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a American Studies - A Monograph Series ; |v v. 293 | |
| 504 | |a Includes bibliographical references (pages 293-301). | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover -- Titel -- Imprint -- Acknowledgments -- Contents -- 1 Introduction -- 2 Storytelling in Rabih Alameddine's "The Hakawati" -- 2.1 Summary of the novel -- 2.2 Metafictional Comments on Storytelling -- 2.3 Religion and good vs. evil in the different narrative strands -- 2.3.1 King Kade, the army of light, and their fight against color -- 2.3.2 Afreet-Jehanam's story on hell and paradise -- 2.3.3 The prophet Shams and the color tyranny -- 2.3.4 A holy birth and the cult -- 2.3.5 Religious references in the Baybars story -- 2.3.6 Religious charades in Osama's family -- 2.3.7 Conclusive remarks on religion and storytelling -- 2.4 Homosexuality in the different narrative strands -- 2.4.1 Homosexuality in the frame narrative -- 2.4.2 Homosexuality in the Fatima strand -- 2.5 Women doubles in the different narrative strands -- 2.6 Recurring motifs and entwined narrative strands -- 2.7 Music as a core expression of cultural identity -- 2.8 Conclusion to "The Hakawati" -- 3 Storytelling in Diana Abu-Jaber's "Crescent" -- 3.1 A short summary of the novel's plot -- 3.2 Storytelling principles, the fable and its implications -- 3.2.1 Summary of the fable -- 3.2.2 Shifting identities and misleading assumptions in the fable -- 3.2.3 Arabness in the fable -- 3.2.4 The fable's purpose and implications for the novel as a whole -- 3.2.5 Han and Abdelrahman as alter egos -- 3.2.6 Other interfaces between frame narrative and fable -- 3.3 Arab Women in "Crescent" -- 3.4 Religion in "Crescent" -- 3.5 Immigrants in America -- outsidership or integration? -- 3.5.1 Arabs in the United States -- 3.5.2 Arab Americans and other immigrant groups in "Crescent" -- 3.6 The Image of America in "Crescent" -- 3.7 Conclusion to "Crescent" -- 4 Storytelling in Laila Halaby's "Once in A Promised Land" -- 4.1 Summary of the novel. | |
| 505 | 8 | |a 4.2 Storytelling principles in the novel's frame -- 4.2.1 The frame's first part: "Before" -- 4.2.2 The frame's second part: "After" -- 4.3 The fairy tale of Nus Nsays -- 4.4 American and Arab culture in the main narrative -- 4.4.1 The portrait of America -- 4.4.2 The image of Arabs in "Once in a Promised Land" -- 4.4.3 Outsiders in America -- the end of the American Dream -- 4.5 Conclusion to Once In A Promised Land -- 5 Storytelling in Alia Yunis' "The Night Counter" -- 5.1 Summary of the novel -- 5.2 Scheherazade as motif and structuring element -- 5.3 Metafictional comments on storytelling -- 5.4 The function of humor in "The Night Counter" -- 5.4.1 Humor and fate -- 5.4.2 Humor and religion -- 5.5 Women in The Night Counter -- 5.6 Arabs and America in The Night Counter: the established and the outsiders -- 5.6.1 The Abdullah family as outsiders in the USA: double-consciousness and assimilation -- 5.6.1.1 Nadia: ascension and group cohesion -- 5.6.1.2 Bassam: self-loathing and anomic condition -- 5.6.1.3 Randa: assimilation to annihilation -- 5.6.2 September 11 and its repercussions -- 5.6.2.1 September 11 and its effect on Arab outsiders -- 5.6.2.2 September 11 and the established's reactions -- 5.6.3 Different outsider groups and identity in "The Night Counter" -- 5.7 Conclusion to "The Night Counter" -- 6. Arab American storytelling after 9/11: entering public discourse -- Works Cited -- Backcover. | |
| 650 | 0 | |a American fiction |x Arab American authors |x History and criticism. | |
| 650 | 0 | |a American literature |y 21st century |x History and criticism. | |
| 650 | 0 | |a September 11 Terrorist Attacks, 2001 |x Influence. |0 http://id.loc.gov/authorities/subjects/sh2004005513 | |
| 650 | 6 | |a Littérature américaine |y 21e siècle |x Histoire et critique. | |
| 650 | 7 | |a American fiction |x Arab American authors |2 fast | |
| 650 | 7 | |a American literature |2 fast | |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast | |
| 647 | 7 | |a September 11 Terrorist Attacks |d (2001) |2 fast |1 https://id.oclc.org/worldcat/entity/E39Qhp4vBbhpXFv9XtDc43JFHK | |
| 648 | 7 | |a 2000-2099 |2 fast | |
| 655 | 7 | |a Literary criticism |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Literary criticism. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2017026126 | |
| 655 | 7 | |a Critiques littéraires. |2 rvmgf | |
| 758 | |i has work: |a Arab American novels post-9/11 (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGMXrbttkYmb6R7DDYqWWC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Sawires-Masseli, Marie-Christin. |t Arab American novels post-9/11. |d Heidelberg : Universitätsverlag Winter, [2018] |z 9783825369217 |w (OCoLC)1057694458 |
| 830 | 0 | |a American studies (Munich, Germany) ; |v v. 293. |x 0178-1987 |0 http://id.loc.gov/authorities/names/n83734799 | |
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Datensatz im Suchindex
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| author | Sawires-Masseli, Marie-Christin |
| author_GND | http://id.loc.gov/authorities/names/no2018168497 |
| author_facet | Sawires-Masseli, Marie-Christin |
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| callnumber-raw | PS153.A73 S295 2018eb |
| callnumber-search | PS153.A73 S295 2018eb |
| callnumber-sort | PS 3153 A73 S295 42018EB |
| callnumber-subject | PS - American Literature |
| collection | ZDB-4-EBA |
| contents | Cover -- Titel -- Imprint -- Acknowledgments -- Contents -- 1 Introduction -- 2 Storytelling in Rabih Alameddine's "The Hakawati" -- 2.1 Summary of the novel -- 2.2 Metafictional Comments on Storytelling -- 2.3 Religion and good vs. evil in the different narrative strands -- 2.3.1 King Kade, the army of light, and their fight against color -- 2.3.2 Afreet-Jehanam's story on hell and paradise -- 2.3.3 The prophet Shams and the color tyranny -- 2.3.4 A holy birth and the cult -- 2.3.5 Religious references in the Baybars story -- 2.3.6 Religious charades in Osama's family -- 2.3.7 Conclusive remarks on religion and storytelling -- 2.4 Homosexuality in the different narrative strands -- 2.4.1 Homosexuality in the frame narrative -- 2.4.2 Homosexuality in the Fatima strand -- 2.5 Women doubles in the different narrative strands -- 2.6 Recurring motifs and entwined narrative strands -- 2.7 Music as a core expression of cultural identity -- 2.8 Conclusion to "The Hakawati" -- 3 Storytelling in Diana Abu-Jaber's "Crescent" -- 3.1 A short summary of the novel's plot -- 3.2 Storytelling principles, the fable and its implications -- 3.2.1 Summary of the fable -- 3.2.2 Shifting identities and misleading assumptions in the fable -- 3.2.3 Arabness in the fable -- 3.2.4 The fable's purpose and implications for the novel as a whole -- 3.2.5 Han and Abdelrahman as alter egos -- 3.2.6 Other interfaces between frame narrative and fable -- 3.3 Arab Women in "Crescent" -- 3.4 Religion in "Crescent" -- 3.5 Immigrants in America -- outsidership or integration? -- 3.5.1 Arabs in the United States -- 3.5.2 Arab Americans and other immigrant groups in "Crescent" -- 3.6 The Image of America in "Crescent" -- 3.7 Conclusion to "Crescent" -- 4 Storytelling in Laila Halaby's "Once in A Promised Land" -- 4.1 Summary of the novel. 4.2 Storytelling principles in the novel's frame -- 4.2.1 The frame's first part: "Before" -- 4.2.2 The frame's second part: "After" -- 4.3 The fairy tale of Nus Nsays -- 4.4 American and Arab culture in the main narrative -- 4.4.1 The portrait of America -- 4.4.2 The image of Arabs in "Once in a Promised Land" -- 4.4.3 Outsiders in America -- the end of the American Dream -- 4.5 Conclusion to Once In A Promised Land -- 5 Storytelling in Alia Yunis' "The Night Counter" -- 5.1 Summary of the novel -- 5.2 Scheherazade as motif and structuring element -- 5.3 Metafictional comments on storytelling -- 5.4 The function of humor in "The Night Counter" -- 5.4.1 Humor and fate -- 5.4.2 Humor and religion -- 5.5 Women in The Night Counter -- 5.6 Arabs and America in The Night Counter: the established and the outsiders -- 5.6.1 The Abdullah family as outsiders in the USA: double-consciousness and assimilation -- 5.6.1.1 Nadia: ascension and group cohesion -- 5.6.1.2 Bassam: self-loathing and anomic condition -- 5.6.1.3 Randa: assimilation to annihilation -- 5.6.2 September 11 and its repercussions -- 5.6.2.1 September 11 and its effect on Arab outsiders -- 5.6.2.2 September 11 and the established's reactions -- 5.6.3 Different outsider groups and identity in "The Night Counter" -- 5.7 Conclusion to "The Night Counter" -- 6. Arab American storytelling after 9/11: entering public discourse -- Works Cited -- Backcover. |
| ctrlnum | (OCoLC)1065408310 |
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| dewey-ones | 810 - American literature in English |
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| era_facet | 2000-2099 |
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| genre | Literary criticism fast Criticism, interpretation, etc. fast Literary criticism. lcgft http://id.loc.gov/authorities/genreForms/gf2017026126 Critiques littéraires. rvmgf |
| genre_facet | Literary criticism Criticism, interpretation, etc. Literary criticism. Critiques littéraires. |
| id | ZDB-4-EBA-on1065408310 |
| illustrated | Not Illustrated |
| indexdate | 2025-04-11T08:46:37Z |
| institution | BVB |
| isbn | 3825378284 3825369218 9783825369217 9783825378288 |
| language | English |
| oclc_num | 1065408310 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (ix, 301 pages) |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Universitätsverlag Winter, |
| record_format | marc |
| series | American studies (Munich, Germany) ; |
| series2 | American Studies - A Monograph Series ; |
| spelling | Sawires-Masseli, Marie-Christin, author. http://id.loc.gov/authorities/names/no2018168497 Arab American novels post-9/11 : classical storytelling motifs against outsidership / Marie-Christin Sawires-Masseli. Heidelberg : Universitätsverlag Winter, 2018. 1 online resource (ix, 301 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier American Studies - A Monograph Series ; v. 293 Includes bibliographical references (pages 293-301). Print version record. Cover -- Titel -- Imprint -- Acknowledgments -- Contents -- 1 Introduction -- 2 Storytelling in Rabih Alameddine's "The Hakawati" -- 2.1 Summary of the novel -- 2.2 Metafictional Comments on Storytelling -- 2.3 Religion and good vs. evil in the different narrative strands -- 2.3.1 King Kade, the army of light, and their fight against color -- 2.3.2 Afreet-Jehanam's story on hell and paradise -- 2.3.3 The prophet Shams and the color tyranny -- 2.3.4 A holy birth and the cult -- 2.3.5 Religious references in the Baybars story -- 2.3.6 Religious charades in Osama's family -- 2.3.7 Conclusive remarks on religion and storytelling -- 2.4 Homosexuality in the different narrative strands -- 2.4.1 Homosexuality in the frame narrative -- 2.4.2 Homosexuality in the Fatima strand -- 2.5 Women doubles in the different narrative strands -- 2.6 Recurring motifs and entwined narrative strands -- 2.7 Music as a core expression of cultural identity -- 2.8 Conclusion to "The Hakawati" -- 3 Storytelling in Diana Abu-Jaber's "Crescent" -- 3.1 A short summary of the novel's plot -- 3.2 Storytelling principles, the fable and its implications -- 3.2.1 Summary of the fable -- 3.2.2 Shifting identities and misleading assumptions in the fable -- 3.2.3 Arabness in the fable -- 3.2.4 The fable's purpose and implications for the novel as a whole -- 3.2.5 Han and Abdelrahman as alter egos -- 3.2.6 Other interfaces between frame narrative and fable -- 3.3 Arab Women in "Crescent" -- 3.4 Religion in "Crescent" -- 3.5 Immigrants in America -- outsidership or integration? -- 3.5.1 Arabs in the United States -- 3.5.2 Arab Americans and other immigrant groups in "Crescent" -- 3.6 The Image of America in "Crescent" -- 3.7 Conclusion to "Crescent" -- 4 Storytelling in Laila Halaby's "Once in A Promised Land" -- 4.1 Summary of the novel. 4.2 Storytelling principles in the novel's frame -- 4.2.1 The frame's first part: "Before" -- 4.2.2 The frame's second part: "After" -- 4.3 The fairy tale of Nus Nsays -- 4.4 American and Arab culture in the main narrative -- 4.4.1 The portrait of America -- 4.4.2 The image of Arabs in "Once in a Promised Land" -- 4.4.3 Outsiders in America -- the end of the American Dream -- 4.5 Conclusion to Once In A Promised Land -- 5 Storytelling in Alia Yunis' "The Night Counter" -- 5.1 Summary of the novel -- 5.2 Scheherazade as motif and structuring element -- 5.3 Metafictional comments on storytelling -- 5.4 The function of humor in "The Night Counter" -- 5.4.1 Humor and fate -- 5.4.2 Humor and religion -- 5.5 Women in The Night Counter -- 5.6 Arabs and America in The Night Counter: the established and the outsiders -- 5.6.1 The Abdullah family as outsiders in the USA: double-consciousness and assimilation -- 5.6.1.1 Nadia: ascension and group cohesion -- 5.6.1.2 Bassam: self-loathing and anomic condition -- 5.6.1.3 Randa: assimilation to annihilation -- 5.6.2 September 11 and its repercussions -- 5.6.2.1 September 11 and its effect on Arab outsiders -- 5.6.2.2 September 11 and the established's reactions -- 5.6.3 Different outsider groups and identity in "The Night Counter" -- 5.7 Conclusion to "The Night Counter" -- 6. Arab American storytelling after 9/11: entering public discourse -- Works Cited -- Backcover. American fiction Arab American authors History and criticism. American literature 21st century History and criticism. September 11 Terrorist Attacks, 2001 Influence. http://id.loc.gov/authorities/subjects/sh2004005513 Littérature américaine 21e siècle Histoire et critique. American fiction Arab American authors fast American literature fast Influence (Literary, artistic, etc.) fast September 11 Terrorist Attacks (2001) fast https://id.oclc.org/worldcat/entity/E39Qhp4vBbhpXFv9XtDc43JFHK 2000-2099 fast Literary criticism fast Criticism, interpretation, etc. fast Literary criticism. lcgft http://id.loc.gov/authorities/genreForms/gf2017026126 Critiques littéraires. rvmgf has work: Arab American novels post-9/11 (Text) https://id.oclc.org/worldcat/entity/E39PCGMXrbttkYmb6R7DDYqWWC https://id.oclc.org/worldcat/ontology/hasWork Print version: Sawires-Masseli, Marie-Christin. Arab American novels post-9/11. Heidelberg : Universitätsverlag Winter, [2018] 9783825369217 (OCoLC)1057694458 American studies (Munich, Germany) ; v. 293. 0178-1987 http://id.loc.gov/authorities/names/n83734799 |
| spellingShingle | Sawires-Masseli, Marie-Christin Arab American novels post-9/11 : classical storytelling motifs against outsidership / American studies (Munich, Germany) ; Cover -- Titel -- Imprint -- Acknowledgments -- Contents -- 1 Introduction -- 2 Storytelling in Rabih Alameddine's "The Hakawati" -- 2.1 Summary of the novel -- 2.2 Metafictional Comments on Storytelling -- 2.3 Religion and good vs. evil in the different narrative strands -- 2.3.1 King Kade, the army of light, and their fight against color -- 2.3.2 Afreet-Jehanam's story on hell and paradise -- 2.3.3 The prophet Shams and the color tyranny -- 2.3.4 A holy birth and the cult -- 2.3.5 Religious references in the Baybars story -- 2.3.6 Religious charades in Osama's family -- 2.3.7 Conclusive remarks on religion and storytelling -- 2.4 Homosexuality in the different narrative strands -- 2.4.1 Homosexuality in the frame narrative -- 2.4.2 Homosexuality in the Fatima strand -- 2.5 Women doubles in the different narrative strands -- 2.6 Recurring motifs and entwined narrative strands -- 2.7 Music as a core expression of cultural identity -- 2.8 Conclusion to "The Hakawati" -- 3 Storytelling in Diana Abu-Jaber's "Crescent" -- 3.1 A short summary of the novel's plot -- 3.2 Storytelling principles, the fable and its implications -- 3.2.1 Summary of the fable -- 3.2.2 Shifting identities and misleading assumptions in the fable -- 3.2.3 Arabness in the fable -- 3.2.4 The fable's purpose and implications for the novel as a whole -- 3.2.5 Han and Abdelrahman as alter egos -- 3.2.6 Other interfaces between frame narrative and fable -- 3.3 Arab Women in "Crescent" -- 3.4 Religion in "Crescent" -- 3.5 Immigrants in America -- outsidership or integration? -- 3.5.1 Arabs in the United States -- 3.5.2 Arab Americans and other immigrant groups in "Crescent" -- 3.6 The Image of America in "Crescent" -- 3.7 Conclusion to "Crescent" -- 4 Storytelling in Laila Halaby's "Once in A Promised Land" -- 4.1 Summary of the novel. 4.2 Storytelling principles in the novel's frame -- 4.2.1 The frame's first part: "Before" -- 4.2.2 The frame's second part: "After" -- 4.3 The fairy tale of Nus Nsays -- 4.4 American and Arab culture in the main narrative -- 4.4.1 The portrait of America -- 4.4.2 The image of Arabs in "Once in a Promised Land" -- 4.4.3 Outsiders in America -- the end of the American Dream -- 4.5 Conclusion to Once In A Promised Land -- 5 Storytelling in Alia Yunis' "The Night Counter" -- 5.1 Summary of the novel -- 5.2 Scheherazade as motif and structuring element -- 5.3 Metafictional comments on storytelling -- 5.4 The function of humor in "The Night Counter" -- 5.4.1 Humor and fate -- 5.4.2 Humor and religion -- 5.5 Women in The Night Counter -- 5.6 Arabs and America in The Night Counter: the established and the outsiders -- 5.6.1 The Abdullah family as outsiders in the USA: double-consciousness and assimilation -- 5.6.1.1 Nadia: ascension and group cohesion -- 5.6.1.2 Bassam: self-loathing and anomic condition -- 5.6.1.3 Randa: assimilation to annihilation -- 5.6.2 September 11 and its repercussions -- 5.6.2.1 September 11 and its effect on Arab outsiders -- 5.6.2.2 September 11 and the established's reactions -- 5.6.3 Different outsider groups and identity in "The Night Counter" -- 5.7 Conclusion to "The Night Counter" -- 6. Arab American storytelling after 9/11: entering public discourse -- Works Cited -- Backcover. American fiction Arab American authors History and criticism. American literature 21st century History and criticism. September 11 Terrorist Attacks, 2001 Influence. http://id.loc.gov/authorities/subjects/sh2004005513 Littérature américaine 21e siècle Histoire et critique. American fiction Arab American authors fast American literature fast Influence (Literary, artistic, etc.) fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2004005513 http://id.loc.gov/authorities/genreForms/gf2017026126 |
| title | Arab American novels post-9/11 : classical storytelling motifs against outsidership / |
| title_auth | Arab American novels post-9/11 : classical storytelling motifs against outsidership / |
| title_exact_search | Arab American novels post-9/11 : classical storytelling motifs against outsidership / |
| title_full | Arab American novels post-9/11 : classical storytelling motifs against outsidership / Marie-Christin Sawires-Masseli. |
| title_fullStr | Arab American novels post-9/11 : classical storytelling motifs against outsidership / Marie-Christin Sawires-Masseli. |
| title_full_unstemmed | Arab American novels post-9/11 : classical storytelling motifs against outsidership / Marie-Christin Sawires-Masseli. |
| title_short | Arab American novels post-9/11 : |
| title_sort | arab american novels post 9 11 classical storytelling motifs against outsidership |
| title_sub | classical storytelling motifs against outsidership / |
| topic | American fiction Arab American authors History and criticism. American literature 21st century History and criticism. September 11 Terrorist Attacks, 2001 Influence. http://id.loc.gov/authorities/subjects/sh2004005513 Littérature américaine 21e siècle Histoire et critique. American fiction Arab American authors fast American literature fast Influence (Literary, artistic, etc.) fast |
| topic_facet | American fiction Arab American authors History and criticism. American literature 21st century History and criticism. September 11 Terrorist Attacks, 2001 Influence. Littérature américaine 21e siècle Histoire et critique. American fiction Arab American authors American literature Influence (Literary, artistic, etc.) Literary criticism Criticism, interpretation, etc. Literary criticism. Critiques littéraires. |
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