Good music :: what it is and who gets to decide /
Over the past two centuries Western culture has largely valorized a particular kind of "good" music--highly serious, wondrously deep, stylistically authentic, heroically created, and strikingly original--and, at the same time, has marginalized music that does not live up to those ideals. I...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London :
The University of Chicago Press,
2018.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Over the past two centuries Western culture has largely valorized a particular kind of "good" music--highly serious, wondrously deep, stylistically authentic, heroically created, and strikingly original--and, at the same time, has marginalized music that does not live up to those ideals. In Good Music, John J. Sheinbaum explores these traditional models for valuing music. By engaging examples such as Handel oratorios, Beethoven and Mahler symphonies, jazz improvisations, Bruce Springsteen, and prog rock, he argues that metaphors of perfection do justice to neither the perceived strengths nor the assumed weaknesses of the music in question. Instead, he proposes an alternative model of appreciation where abstract notions of virtue need not dictate our understanding. Good music can, with pride, be playful rather than serious, diverse rather than unified, engaging to both body and mind, in dialogue with manifold styles and genres, and collaborative to the core. We can widen the scope of what music we value and reconsider the conventional rituals surrounding it, while retaining the joys of making music, listening closely, and caring passionately |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780226593418 022659341X |
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| 245 | 1 | 0 | |a Good music : |b what it is and who gets to decide / |c John J. Sheinbaum. |
| 264 | 1 | |a Chicago ; |a London : |b The University of Chicago Press, |c 2018. | |
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| 504 | |a Includes bibliographical references and index. | ||
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| 505 | 0 | |a Intro; Contents; List of Illustrations; Acknowledgments; Introduction-Good: What Values Do We Bring to Music?; 1. Serious: The Cultural Work of Classical Music and the Trap of Musical Sound; 2. Unified: Beethoven, the Beatles, and the Imperfect Ideology of the Masterpiece; 3. Deep: Classical Values and Musical Color in Mahler's Symphonies; 4. Authentic: Progressive Rock and the Inversion of Musical Values; 5. Heroic: "Classic" Jazz and Musical Dialogues; 6. Original: Handel Historiography and the Horizontal Remix; 7. Connected: What's at Stake in How We Love the Music We Love?; Notes | |
| 520 | |a Over the past two centuries Western culture has largely valorized a particular kind of "good" music--highly serious, wondrously deep, stylistically authentic, heroically created, and strikingly original--and, at the same time, has marginalized music that does not live up to those ideals. In Good Music, John J. Sheinbaum explores these traditional models for valuing music. By engaging examples such as Handel oratorios, Beethoven and Mahler symphonies, jazz improvisations, Bruce Springsteen, and prog rock, he argues that metaphors of perfection do justice to neither the perceived strengths nor the assumed weaknesses of the music in question. Instead, he proposes an alternative model of appreciation where abstract notions of virtue need not dictate our understanding. Good music can, with pride, be playful rather than serious, diverse rather than unified, engaging to both body and mind, in dialogue with manifold styles and genres, and collaborative to the core. We can widen the scope of what music we value and reconsider the conventional rituals surrounding it, while retaining the joys of making music, listening closely, and caring passionately | ||
| 650 | 0 | |a Music |x Philosophy and aesthetics. |0 http://id.loc.gov/authorities/subjects/sh85088808 | |
| 650 | 0 | |a Popular music and art music. |0 http://id.loc.gov/authorities/subjects/sh2004002311 | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 6 | |a Musique populaire et musique savante. | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 650 | 7 | |a Popular music and art music |2 fast | |
| 650 | 7 | |a Musik |2 gnd |0 http://d-nb.info/gnd/4040802-4 | |
| 650 | 7 | |a Qualität |2 gnd |0 http://d-nb.info/gnd/4047966-3 | |
| 650 | 7 | |a Wertordnung |2 gnd |0 http://d-nb.info/gnd/4135971-9 | |
| 653 | |a Bruce Springsteen. | ||
| 653 | |a George Frideric Handel. | ||
| 653 | |a Gustav Mahler. | ||
| 653 | |a Ludwig van Beethoven. | ||
| 653 | |a good music. | ||
| 653 | |a jazz. | ||
| 653 | |a marginalized music. | ||
| 653 | |a progressive rock. | ||
| 653 | |a the Beatles. | ||
| 653 | |a valuing music. | ||
| 758 | |i has work: |a Good music (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGtvDJKM8vVHXmjXktcybd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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Datensatz im Suchindex
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| adam_text | |
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| author | Sheinbaum, John J. |
| author_facet | Sheinbaum, John J. |
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| author_sort | Sheinbaum, John J. |
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| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3880 |
| callnumber-raw | ML3880 .S515 2018eb |
| callnumber-search | ML3880 .S515 2018eb |
| callnumber-sort | ML 43880 S515 42018EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Intro; Contents; List of Illustrations; Acknowledgments; Introduction-Good: What Values Do We Bring to Music?; 1. Serious: The Cultural Work of Classical Music and the Trap of Musical Sound; 2. Unified: Beethoven, the Beatles, and the Imperfect Ideology of the Masterpiece; 3. Deep: Classical Values and Musical Color in Mahler's Symphonies; 4. Authentic: Progressive Rock and the Inversion of Musical Values; 5. Heroic: "Classic" Jazz and Musical Dialogues; 6. Original: Handel Historiography and the Horizontal Remix; 7. Connected: What's at Stake in How We Love the Music We Love?; Notes |
| ctrlnum | (OCoLC)1062360941 |
| dewey-full | 781.1/7 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.1/7 |
| dewey-search | 781.1/7 |
| dewey-sort | 3781.1 17 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:29:13Z |
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| spelling | Sheinbaum, John J., author. Good music : what it is and who gets to decide / John J. Sheinbaum. Chicago ; London : The University of Chicago Press, 2018. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Intro; Contents; List of Illustrations; Acknowledgments; Introduction-Good: What Values Do We Bring to Music?; 1. Serious: The Cultural Work of Classical Music and the Trap of Musical Sound; 2. Unified: Beethoven, the Beatles, and the Imperfect Ideology of the Masterpiece; 3. Deep: Classical Values and Musical Color in Mahler's Symphonies; 4. Authentic: Progressive Rock and the Inversion of Musical Values; 5. Heroic: "Classic" Jazz and Musical Dialogues; 6. Original: Handel Historiography and the Horizontal Remix; 7. Connected: What's at Stake in How We Love the Music We Love?; Notes Over the past two centuries Western culture has largely valorized a particular kind of "good" music--highly serious, wondrously deep, stylistically authentic, heroically created, and strikingly original--and, at the same time, has marginalized music that does not live up to those ideals. In Good Music, John J. Sheinbaum explores these traditional models for valuing music. By engaging examples such as Handel oratorios, Beethoven and Mahler symphonies, jazz improvisations, Bruce Springsteen, and prog rock, he argues that metaphors of perfection do justice to neither the perceived strengths nor the assumed weaknesses of the music in question. Instead, he proposes an alternative model of appreciation where abstract notions of virtue need not dictate our understanding. Good music can, with pride, be playful rather than serious, diverse rather than unified, engaging to both body and mind, in dialogue with manifold styles and genres, and collaborative to the core. We can widen the scope of what music we value and reconsider the conventional rituals surrounding it, while retaining the joys of making music, listening closely, and caring passionately Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Popular music and art music. http://id.loc.gov/authorities/subjects/sh2004002311 Musique Philosophie et esthétique. Musique populaire et musique savante. MUSIC History & Criticism. bisacsh MUSIC Instruction & Study Theory. bisacsh Music Philosophy and aesthetics fast Popular music and art music fast Musik gnd http://d-nb.info/gnd/4040802-4 Qualität gnd http://d-nb.info/gnd/4047966-3 Wertordnung gnd http://d-nb.info/gnd/4135971-9 Bruce Springsteen. George Frideric Handel. Gustav Mahler. Ludwig van Beethoven. good music. jazz. marginalized music. progressive rock. the Beatles. valuing music. has work: Good music (Text) https://id.oclc.org/worldcat/entity/E39PCGtvDJKM8vVHXmjXktcybd https://id.oclc.org/worldcat/ontology/hasWork Print version: Sheinbaum, John J. Good music. Chicago ; London : The University of Chicago Press, 2018 9780226593241 (DLC) 2018017932 (OCoLC)1028904076 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1796100 Volltext |
| spellingShingle | Sheinbaum, John J. Good music : what it is and who gets to decide / Intro; Contents; List of Illustrations; Acknowledgments; Introduction-Good: What Values Do We Bring to Music?; 1. Serious: The Cultural Work of Classical Music and the Trap of Musical Sound; 2. Unified: Beethoven, the Beatles, and the Imperfect Ideology of the Masterpiece; 3. Deep: Classical Values and Musical Color in Mahler's Symphonies; 4. Authentic: Progressive Rock and the Inversion of Musical Values; 5. Heroic: "Classic" Jazz and Musical Dialogues; 6. Original: Handel Historiography and the Horizontal Remix; 7. Connected: What's at Stake in How We Love the Music We Love?; Notes Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Popular music and art music. http://id.loc.gov/authorities/subjects/sh2004002311 Musique Philosophie et esthétique. Musique populaire et musique savante. MUSIC History & Criticism. bisacsh MUSIC Instruction & Study Theory. bisacsh Music Philosophy and aesthetics fast Popular music and art music fast Musik gnd http://d-nb.info/gnd/4040802-4 Qualität gnd http://d-nb.info/gnd/4047966-3 Wertordnung gnd http://d-nb.info/gnd/4135971-9 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088808 http://id.loc.gov/authorities/subjects/sh2004002311 http://d-nb.info/gnd/4040802-4 http://d-nb.info/gnd/4047966-3 http://d-nb.info/gnd/4135971-9 |
| title | Good music : what it is and who gets to decide / |
| title_auth | Good music : what it is and who gets to decide / |
| title_exact_search | Good music : what it is and who gets to decide / |
| title_full | Good music : what it is and who gets to decide / John J. Sheinbaum. |
| title_fullStr | Good music : what it is and who gets to decide / John J. Sheinbaum. |
| title_full_unstemmed | Good music : what it is and who gets to decide / John J. Sheinbaum. |
| title_short | Good music : |
| title_sort | good music what it is and who gets to decide |
| title_sub | what it is and who gets to decide / |
| topic | Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Popular music and art music. http://id.loc.gov/authorities/subjects/sh2004002311 Musique Philosophie et esthétique. Musique populaire et musique savante. MUSIC History & Criticism. bisacsh MUSIC Instruction & Study Theory. bisacsh Music Philosophy and aesthetics fast Popular music and art music fast Musik gnd http://d-nb.info/gnd/4040802-4 Qualität gnd http://d-nb.info/gnd/4047966-3 Wertordnung gnd http://d-nb.info/gnd/4135971-9 |
| topic_facet | Music Philosophy and aesthetics. Popular music and art music. Musique Philosophie et esthétique. Musique populaire et musique savante. MUSIC History & Criticism. MUSIC Instruction & Study Theory. Music Philosophy and aesthetics Popular music and art music Musik Qualität Wertordnung |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1796100 |
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