Sound effects :: the object voice in fiction /
Sound Effects collects original articles on English and American prose fiction which analyse vocal phenomena by using the psychoanalytic concept of the object voice - introduced by J. Lacan and theorised by M. Dolar - as their interpretative tool.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leiden, Netherlands ; Boston [Massachusetts] :
Brill Rodopi,
2015.
|
| Schriftenreihe: | DQR studies in literature.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Sound Effects collects original articles on English and American prose fiction which analyse vocal phenomena by using the psychoanalytic concept of the object voice - introduced by J. Lacan and theorised by M. Dolar - as their interpretative tool. |
| Beschreibung: | 1 online resource (359 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9004304401 9789004304406 |
| ISSN: | 0921-2507 ; |
Internformat
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| 245 | 1 | 0 | |a Sound effects : |b the object voice in fiction / |c edited by Jorge Sacido-Romero, Sylvia Mieszkowski. |
| 264 | 1 | |a Leiden, Netherlands ; |a Boston [Massachusetts] : |b Brill Rodopi, |c 2015. | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (359 pages) | ||
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| 505 | 0 | |a Sound Effects: The Object Voice in Fiction; Copyright; Dedication; Contents; Acknowledgements; Preface: Is There a Voice in the Text?; 1. Revoicing Writing: An Introduction to Theorizing Vocality; 2. 'Secondary Vocality' and the Sound Defect; Section I: The Nineteenth Century; 3. The Object Voice in Romantic Irish Novels; 4. Poe, Voice and the Origin of Horror Fiction; 5. Double Voice and Extimate Singing in Trilby; Section II: The Twentieth Century; 6. Bloom's Neume: The Object Voice in the "Sirens" Episode in Joyce's Ulysses. | |
| 505 | 8 | |a 7. Fantasizing Agency and Otherness through Voice and Voicelessness in Ellison's Invisible Man8. The Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark; Section III: The Twenty-First Century; 9. Voices of Terror and Horror: Towards an Acoustics of Modern Gothic; 10. "That which cannot be said": Voice, Desire and the Uncanny in Armistead Maupin's The Night Listener; 11. "It's only combinations of letters, after all, isn't it": The "Voice" and Spirit Mediums in ThomasPynchon's Against the Day (2006) | |
| 505 | 8 | |a 12. 'Voice-Trace' in James Chapman's How Is This Going to Continue? (2007)Notes on Contributors; Index. | |
| 520 | |a Sound Effects collects original articles on English and American prose fiction which analyse vocal phenomena by using the psychoanalytic concept of the object voice - introduced by J. Lacan and theorised by M. Dolar - as their interpretative tool. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 650 | 0 | |a English fiction |x History and criticism |x Theory, etc. | |
| 650 | 0 | |a Voice in literature. |0 http://id.loc.gov/authorities/subjects/sh94008912 | |
| 650 | 0 | |a Psychoanalysis and literature. |0 http://id.loc.gov/authorities/subjects/sh85108417 | |
| 650 | 6 | |a Roman anglais |x Histoire et critique |x Théorie, etc. | |
| 650 | 6 | |a Voix dans la littérature. | |
| 650 | 6 | |a Psychanalyse et littérature. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Psychoanalysis and literature |2 fast | |
| 650 | 7 | |a Voice in literature |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Sacido-Romero, Jorge, |e editor. | |
| 700 | 1 | |a Mieszkowski, Sylvia, |e editor. | |
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|---|---|
| _version_ | 1816882475210637312 |
| adam_text | |
| any_adam_object | |
| author | Sacido-Romero, Jorge |
| author2 | Sacido-Romero, Jorge Mieszkowski, Sylvia |
| author2_role | edt edt |
| author2_variant | j s r jsr s m sm |
| author_facet | Sacido-Romero, Jorge Sacido-Romero, Jorge Mieszkowski, Sylvia |
| author_role | |
| author_sort | Sacido-Romero, Jorge |
| author_variant | j s r jsr |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR826 |
| callnumber-raw | PR826 .S686 2015 |
| callnumber-search | PR826 .S686 2015 |
| callnumber-sort | PR 3826 S686 42015 |
| callnumber-subject | PR - English Literature |
| collection | ZDB-4-EBA |
| contents | Sound Effects: The Object Voice in Fiction; Copyright; Dedication; Contents; Acknowledgements; Preface: Is There a Voice in the Text?; 1. Revoicing Writing: An Introduction to Theorizing Vocality; 2. 'Secondary Vocality' and the Sound Defect; Section I: The Nineteenth Century; 3. The Object Voice in Romantic Irish Novels; 4. Poe, Voice and the Origin of Horror Fiction; 5. Double Voice and Extimate Singing in Trilby; Section II: The Twentieth Century; 6. Bloom's Neume: The Object Voice in the "Sirens" Episode in Joyce's Ulysses. 7. Fantasizing Agency and Otherness through Voice and Voicelessness in Ellison's Invisible Man8. The Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark; Section III: The Twenty-First Century; 9. Voices of Terror and Horror: Towards an Acoustics of Modern Gothic; 10. "That which cannot be said": Voice, Desire and the Uncanny in Armistead Maupin's The Night Listener; 11. "It's only combinations of letters, after all, isn't it": The "Voice" and Spirit Mediums in ThomasPynchon's Against the Day (2006) 12. 'Voice-Trace' in James Chapman's How Is This Going to Continue? (2007)Notes on Contributors; Index. |
| ctrlnum | (OCoLC)1058975338 |
| dewey-full | 823.009 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 823 - English fiction |
| dewey-raw | 823.009 |
| dewey-search | 823.009 |
| dewey-sort | 3823.009 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-on1058975338 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:12Z |
| institution | BVB |
| isbn | 9004304401 9789004304406 |
| issn | 0921-2507 ; |
| language | English |
| oclc_num | 1058975338 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (359 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Brill Rodopi, |
| record_format | marc |
| series | DQR studies in literature. |
| series2 | DQR Studies in Literature, |
| spelling | Sacido-Romero, Jorge. Sound effects : the object voice in fiction / edited by Jorge Sacido-Romero, Sylvia Mieszkowski. Leiden, Netherlands ; Boston [Massachusetts] : Brill Rodopi, 2015. ©2015 1 online resource (359 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier DQR Studies in Literature, 0921-2507 ; Volume 59 Print version record. Sound Effects: The Object Voice in Fiction; Copyright; Dedication; Contents; Acknowledgements; Preface: Is There a Voice in the Text?; 1. Revoicing Writing: An Introduction to Theorizing Vocality; 2. 'Secondary Vocality' and the Sound Defect; Section I: The Nineteenth Century; 3. The Object Voice in Romantic Irish Novels; 4. Poe, Voice and the Origin of Horror Fiction; 5. Double Voice and Extimate Singing in Trilby; Section II: The Twentieth Century; 6. Bloom's Neume: The Object Voice in the "Sirens" Episode in Joyce's Ulysses. 7. Fantasizing Agency and Otherness through Voice and Voicelessness in Ellison's Invisible Man8. The Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark; Section III: The Twenty-First Century; 9. Voices of Terror and Horror: Towards an Acoustics of Modern Gothic; 10. "That which cannot be said": Voice, Desire and the Uncanny in Armistead Maupin's The Night Listener; 11. "It's only combinations of letters, after all, isn't it": The "Voice" and Spirit Mediums in ThomasPynchon's Against the Day (2006) 12. 'Voice-Trace' in James Chapman's How Is This Going to Continue? (2007)Notes on Contributors; Index. Sound Effects collects original articles on English and American prose fiction which analyse vocal phenomena by using the psychoanalytic concept of the object voice - introduced by J. Lacan and theorised by M. Dolar - as their interpretative tool. Includes bibliographical references and index. English fiction History and criticism Theory, etc. Voice in literature. http://id.loc.gov/authorities/subjects/sh94008912 Psychoanalysis and literature. http://id.loc.gov/authorities/subjects/sh85108417 Roman anglais Histoire et critique Théorie, etc. Voix dans la littérature. Psychanalyse et littérature. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Psychoanalysis and literature fast Voice in literature fast Criticism, interpretation, etc. fast Sacido-Romero, Jorge, editor. Mieszkowski, Sylvia, editor. has work: Sound effects: the object voice in fiction (Text) https://id.oclc.org/worldcat/entity/E39PCFwRfh3DXRR4pVc999Gk8P https://id.oclc.org/worldcat/ontology/hasWork Print version: 900430438X DQR studies in literature. http://id.loc.gov/authorities/names/n86733142 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1939908 Volltext |
| spellingShingle | Sacido-Romero, Jorge Sound effects : the object voice in fiction / DQR studies in literature. Sound Effects: The Object Voice in Fiction; Copyright; Dedication; Contents; Acknowledgements; Preface: Is There a Voice in the Text?; 1. Revoicing Writing: An Introduction to Theorizing Vocality; 2. 'Secondary Vocality' and the Sound Defect; Section I: The Nineteenth Century; 3. The Object Voice in Romantic Irish Novels; 4. Poe, Voice and the Origin of Horror Fiction; 5. Double Voice and Extimate Singing in Trilby; Section II: The Twentieth Century; 6. Bloom's Neume: The Object Voice in the "Sirens" Episode in Joyce's Ulysses. 7. Fantasizing Agency and Otherness through Voice and Voicelessness in Ellison's Invisible Man8. The Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark; Section III: The Twenty-First Century; 9. Voices of Terror and Horror: Towards an Acoustics of Modern Gothic; 10. "That which cannot be said": Voice, Desire and the Uncanny in Armistead Maupin's The Night Listener; 11. "It's only combinations of letters, after all, isn't it": The "Voice" and Spirit Mediums in ThomasPynchon's Against the Day (2006) 12. 'Voice-Trace' in James Chapman's How Is This Going to Continue? (2007)Notes on Contributors; Index. English fiction History and criticism Theory, etc. Voice in literature. http://id.loc.gov/authorities/subjects/sh94008912 Psychoanalysis and literature. http://id.loc.gov/authorities/subjects/sh85108417 Roman anglais Histoire et critique Théorie, etc. Voix dans la littérature. Psychanalyse et littérature. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Psychoanalysis and literature fast Voice in literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh94008912 http://id.loc.gov/authorities/subjects/sh85108417 |
| title | Sound effects : the object voice in fiction / |
| title_auth | Sound effects : the object voice in fiction / |
| title_exact_search | Sound effects : the object voice in fiction / |
| title_full | Sound effects : the object voice in fiction / edited by Jorge Sacido-Romero, Sylvia Mieszkowski. |
| title_fullStr | Sound effects : the object voice in fiction / edited by Jorge Sacido-Romero, Sylvia Mieszkowski. |
| title_full_unstemmed | Sound effects : the object voice in fiction / edited by Jorge Sacido-Romero, Sylvia Mieszkowski. |
| title_short | Sound effects : |
| title_sort | sound effects the object voice in fiction |
| title_sub | the object voice in fiction / |
| topic | English fiction History and criticism Theory, etc. Voice in literature. http://id.loc.gov/authorities/subjects/sh94008912 Psychoanalysis and literature. http://id.loc.gov/authorities/subjects/sh85108417 Roman anglais Histoire et critique Théorie, etc. Voix dans la littérature. Psychanalyse et littérature. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Psychoanalysis and literature fast Voice in literature fast |
| topic_facet | English fiction History and criticism Theory, etc. Voice in literature. Psychoanalysis and literature. Roman anglais Histoire et critique Théorie, etc. Voix dans la littérature. Psychanalyse et littérature. LITERARY CRITICISM European English, Irish, Scottish, Welsh. Psychoanalysis and literature Voice in literature Criticism, interpretation, etc. |
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