Making music American :: 1917 and the transformation of culture /
The year 1917 was unlike any other in American history, or in the history of American music. The United States entered World War I, jazz burst onto the national scene, and the German musicians who dominated classical music were forced from the stage. In this unsettled time, no one was safe from susp...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY :
Oxford University Press,
2018.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The year 1917 was unlike any other in American history, or in the history of American music. The United States entered World War I, jazz burst onto the national scene, and the German musicians who dominated classical music were forced from the stage. In this unsettled time, no one was safe from suspicion, but America's passion for music made the rewards high for those who could balance musical skill with diplomatic savvy. "Nineteen seventeen, the year the United States entered World War I, was transformative for American musical culture. The European performers who had dominated classical concert stages for generations came under intense scrutiny, and some of the compositions of Austro-German composers were banned. This year saw the concurrent rise of jazz music from a little-known regional style to a national craze. Significant improvements in recording technology facilitated both the first million-selling jazz record and the first commercial recordings of full symphony orchestras. In a segregated country, as the US military wrestled with how to make use of several million African Americans who had registered for the draft, James Reese Europe broke down racial barriers with his Fifteenth New York National Guard Band. This book tells the story of this year through the lives of eight performers: orchestral conductors Karl Muck and Walter Damrosch, violinist Fritz Kreisler, pianist Olga Samaroff, contralto Ernestine Schumann-Heink, jazz cornetists Dominic LaRocca and Freddie Keppard, and army bandmaster James Reese Europe. Their individual stories, traced month by month through the eventful year of 1917, illuminate the larger changes that convulsed the country's musical culture and transformed it in uniquely American ways." |
| Beschreibung: | 1 online resource (xv, 268 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 245-254) and index. |
| ISBN: | 9780190872328 0190872322 9780190872335 0190872330 9780190872342 0190872349 |
Internformat
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| 245 | 1 | 0 | |a Making music American : |b 1917 and the transformation of culture / |c E. Douglas Bomberger. |
| 264 | 1 | |a New York, NY : |b Oxford University Press, |c 2018. | |
| 300 | |a 1 online resource (xv, 268 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (pages 245-254) and index. | ||
| 588 | 0 | |a Online resource; title from digital title page (Oxford Scholarship Online, viewed March 28, 2019). | |
| 520 | |a The year 1917 was unlike any other in American history, or in the history of American music. The United States entered World War I, jazz burst onto the national scene, and the German musicians who dominated classical music were forced from the stage. In this unsettled time, no one was safe from suspicion, but America's passion for music made the rewards high for those who could balance musical skill with diplomatic savvy. | ||
| 520 | 3 | |a "Nineteen seventeen, the year the United States entered World War I, was transformative for American musical culture. The European performers who had dominated classical concert stages for generations came under intense scrutiny, and some of the compositions of Austro-German composers were banned. This year saw the concurrent rise of jazz music from a little-known regional style to a national craze. Significant improvements in recording technology facilitated both the first million-selling jazz record and the first commercial recordings of full symphony orchestras. In a segregated country, as the US military wrestled with how to make use of several million African Americans who had registered for the draft, James Reese Europe broke down racial barriers with his Fifteenth New York National Guard Band. This book tells the story of this year through the lives of eight performers: orchestral conductors Karl Muck and Walter Damrosch, violinist Fritz Kreisler, pianist Olga Samaroff, contralto Ernestine Schumann-Heink, jazz cornetists Dominic LaRocca and Freddie Keppard, and army bandmaster James Reese Europe. Their individual stories, traced month by month through the eventful year of 1917, illuminate the larger changes that convulsed the country's musical culture and transformed it in uniquely American ways." | |
| 505 | 0 | |a 1917 Chronology -- Prologue: New Year's Eve 1916 -- The old order: January 1917 -- Anxiety: February 1917 -- Noise: March 1917 -- Explosions: April 1917 -- Middle America: May 1917 -- Winding up: June 1917 -- Summer: July-August 1917 -- Anticipation: September 1917 -- Preparation: October 1917 -- Implosions: November 1917 -- Fallout: December 1917 -- Epilogue: New Year's Day 1918 -- Afterword. | |
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| 776 | 0 | 8 | |i Print version: |a Bomberger, E. Douglas, 1958- |t Making music American. |d ©2018 |z 9780190872311 |w (DLC) 2018001375 |w (OCoLC)1020298001 |
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Datensatz im Suchindex
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| author | Bomberger, E. Douglas, 1958- |
| author_GND | http://id.loc.gov/authorities/names/n99020842 |
| author_facet | Bomberger, E. Douglas, 1958- |
| author_role | aut |
| author_sort | Bomberger, E. Douglas, 1958- |
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| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | 1917 Chronology -- Prologue: New Year's Eve 1916 -- The old order: January 1917 -- Anxiety: February 1917 -- Noise: March 1917 -- Explosions: April 1917 -- Middle America: May 1917 -- Winding up: June 1917 -- Summer: July-August 1917 -- Anticipation: September 1917 -- Preparation: October 1917 -- Implosions: November 1917 -- Fallout: December 1917 -- Epilogue: New Year's Day 1918 -- Afterword. |
| ctrlnum | (OCoLC)1057725945 |
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| dewey-ones | 780 - Music |
| dewey-raw | 780.973/09041 |
| dewey-search | 780.973/09041 |
| dewey-sort | 3780.973 49041 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| publisher | Oxford University Press, |
| record_format | marc |
| spelling | Bomberger, E. Douglas, 1958- author. https://id.oclc.org/worldcat/entity/E39PCjrfFyWPdymYVVJGyKxx6q http://id.loc.gov/authorities/names/n99020842 Making music American : 1917 and the transformation of culture / E. Douglas Bomberger. New York, NY : Oxford University Press, 2018. 1 online resource (xv, 268 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 245-254) and index. Online resource; title from digital title page (Oxford Scholarship Online, viewed March 28, 2019). The year 1917 was unlike any other in American history, or in the history of American music. The United States entered World War I, jazz burst onto the national scene, and the German musicians who dominated classical music were forced from the stage. In this unsettled time, no one was safe from suspicion, but America's passion for music made the rewards high for those who could balance musical skill with diplomatic savvy. "Nineteen seventeen, the year the United States entered World War I, was transformative for American musical culture. The European performers who had dominated classical concert stages for generations came under intense scrutiny, and some of the compositions of Austro-German composers were banned. This year saw the concurrent rise of jazz music from a little-known regional style to a national craze. Significant improvements in recording technology facilitated both the first million-selling jazz record and the first commercial recordings of full symphony orchestras. In a segregated country, as the US military wrestled with how to make use of several million African Americans who had registered for the draft, James Reese Europe broke down racial barriers with his Fifteenth New York National Guard Band. This book tells the story of this year through the lives of eight performers: orchestral conductors Karl Muck and Walter Damrosch, violinist Fritz Kreisler, pianist Olga Samaroff, contralto Ernestine Schumann-Heink, jazz cornetists Dominic LaRocca and Freddie Keppard, and army bandmaster James Reese Europe. Their individual stories, traced month by month through the eventful year of 1917, illuminate the larger changes that convulsed the country's musical culture and transformed it in uniquely American ways." 1917 Chronology -- Prologue: New Year's Eve 1916 -- The old order: January 1917 -- Anxiety: February 1917 -- Noise: March 1917 -- Explosions: April 1917 -- Middle America: May 1917 -- Winding up: June 1917 -- Summer: July-August 1917 -- Anticipation: September 1917 -- Preparation: October 1917 -- Implosions: November 1917 -- Fallout: December 1917 -- Epilogue: New Year's Day 1918 -- Afterword. Music United States 20th century History and criticism. World War, 1914-1918 Music and the war. Nineteen seventeen, A.D. http://id.loc.gov/authorities/subjects/sh2001005471 Mil neuf cent dix-sept. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast Music and war fast Nineteen seventeen, A.D. fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq World War (1914-1918) fast (OCoLC)fst01180746 https://id.oclc.org/worldcat/entity/E39Qhp4vB9cvdKydGHm4yKx7Gb 1900-1999 fast Criticism, interpretation, etc. fast has work: Making music American (Text) https://id.oclc.org/worldcat/entity/E39PCFFvt4bC47v4mHqqX98P73 https://id.oclc.org/worldcat/ontology/hasWork Print version: Bomberger, E. Douglas, 1958- Making music American. ©2018 9780190872311 (DLC) 2018001375 (OCoLC)1020298001 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1918204 Volltext |
| spellingShingle | Bomberger, E. Douglas, 1958- Making music American : 1917 and the transformation of culture / 1917 Chronology -- Prologue: New Year's Eve 1916 -- The old order: January 1917 -- Anxiety: February 1917 -- Noise: March 1917 -- Explosions: April 1917 -- Middle America: May 1917 -- Winding up: June 1917 -- Summer: July-August 1917 -- Anticipation: September 1917 -- Preparation: October 1917 -- Implosions: November 1917 -- Fallout: December 1917 -- Epilogue: New Year's Day 1918 -- Afterword. Music United States 20th century History and criticism. World War, 1914-1918 Music and the war. Nineteen seventeen, A.D. http://id.loc.gov/authorities/subjects/sh2001005471 Mil neuf cent dix-sept. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast Music and war fast Nineteen seventeen, A.D. fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2001005471 (OCoLC)fst01180746 |
| title | Making music American : 1917 and the transformation of culture / |
| title_auth | Making music American : 1917 and the transformation of culture / |
| title_exact_search | Making music American : 1917 and the transformation of culture / |
| title_full | Making music American : 1917 and the transformation of culture / E. Douglas Bomberger. |
| title_fullStr | Making music American : 1917 and the transformation of culture / E. Douglas Bomberger. |
| title_full_unstemmed | Making music American : 1917 and the transformation of culture / E. Douglas Bomberger. |
| title_short | Making music American : |
| title_sort | making music american 1917 and the transformation of culture |
| title_sub | 1917 and the transformation of culture / |
| topic | Music United States 20th century History and criticism. World War, 1914-1918 Music and the war. Nineteen seventeen, A.D. http://id.loc.gov/authorities/subjects/sh2001005471 Mil neuf cent dix-sept. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast Music and war fast Nineteen seventeen, A.D. fast |
| topic_facet | Music United States 20th century History and criticism. World War, 1914-1918 Music and the war. Nineteen seventeen, A.D. Mil neuf cent dix-sept. MUSIC Genres & Styles Classical. MUSIC Reference. Music Music and war United States Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1918204 |
| work_keys_str_mv | AT bombergeredouglas makingmusicamerican1917andthetransformationofculture |