Art and resistance in Germany /:
In light of the recent rise of right-wing populism in numerous political contexts and in the face of resurgent nationalism, racism, misogyny, homophobia, and demagoguery, this book investigates how historical and contemporary cultural producers have sought to resist, confront, confound, mock, or cal...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Bloomsbury Academic,
2019
|
| Schriftenreihe: | Visual cultures and German contexts.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In light of the recent rise of right-wing populism in numerous political contexts and in the face of resurgent nationalism, racism, misogyny, homophobia, and demagoguery, this book investigates how historical and contemporary cultural producers have sought to resist, confront, confound, mock, or call out situations of political oppression in Germany, a country which has seen a dramatic range of political extremes during the past century. While the current turn to nationalist populism is global, it is perhaps most disturbing in Germany, given its history with its stormy first democracy in the interwar Weimar Republic; its infamous National Socialist (Nazi) period of the 1930s and 1940s; and its split Cold-War existence, with Marxist-Leninist Totalitarianism in the German Democratic Republic and the Federal Republic of Germany's barely-hidden ties to the Nazi past. Equally important, Germans have long considered art and culture critical to constructions of national identity, which meant that they were frequently implicated in political action. This book therefore examines a range of work by artists from the early twentieth century to the present, work created in an array of contexts and media that demonstrates a wide range of possible resistance |
| Beschreibung: | 1 online resource (xviii, 265 pages) |
| Bibliographie: | Includes bibliographical references and index |
| ISBN: | 9781501344879 1501344870 9781501344886 1501344889 |
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| 490 | 1 | |a Visual cultures and German contexts | |
| 520 | |a In light of the recent rise of right-wing populism in numerous political contexts and in the face of resurgent nationalism, racism, misogyny, homophobia, and demagoguery, this book investigates how historical and contemporary cultural producers have sought to resist, confront, confound, mock, or call out situations of political oppression in Germany, a country which has seen a dramatic range of political extremes during the past century. While the current turn to nationalist populism is global, it is perhaps most disturbing in Germany, given its history with its stormy first democracy in the interwar Weimar Republic; its infamous National Socialist (Nazi) period of the 1930s and 1940s; and its split Cold-War existence, with Marxist-Leninist Totalitarianism in the German Democratic Republic and the Federal Republic of Germany's barely-hidden ties to the Nazi past. Equally important, Germans have long considered art and culture critical to constructions of national identity, which meant that they were frequently implicated in political action. This book therefore examines a range of work by artists from the early twentieth century to the present, work created in an array of contexts and media that demonstrates a wide range of possible resistance | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | 0 | |t How art resists / |r Deborah Ascher Barnstone and Elizabeth Otto -- |t Cut with the kitchen knife : visualizing politics in Berlin Dada / |r Patrizia McBride -- |t Walter Gropius's Dammerstock and the possibilities of an architectural resistance / |r Kevin Berry -- |t Authority and ambiguity: three sculptors in National Socialist Germany / |r Nina Lübbren -- |t Teach your children well: Hermynia zur Mühle, George Grosz, and the art of radical pedagogy in Germany between the world wars / |r Barbara McCloskey -- |t Parting shots: Ella Bergmann-Michel's Wahlkampf 1932 (Letzte Wahl) / |r Jennifer Kapczynski -- |t "War feeds its people better": Mother Courage and the limits of revolutionary theater / |r Noah Soltau -- |t Montage as meme: learning from the radical Avant-Gardes / |r Sabine Kriebel -- |t On the possibility of resistance in Two Silverpoints by Otto Dix / |r James van Dyke -- |t A whisper rather than a shout: Ursula Wilms and Heinz Hallmann's Topography of Terror / |r Kathleen James-Chakraborty -- |t From anti-Nazi postcards to anti-Trump social media: laughter as resistance, opposition, or cold comfort? / |r Peter Chametzky -- |t Opera as resistance: the Little March Girl and the Terrorist in Helmut Lachenmann's Mädchen mit den Schwefelhölzern / |r Joy Calico -- |t Montage as a form of aesthetic resistance today: Marcel Odenbach and Thomas Hirschhorn / |r Verena Krieger |
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| author_additional | Deborah Ascher Barnstone and Elizabeth Otto -- Patrizia McBride -- Kevin Berry -- Nina Lübbren -- Barbara McCloskey -- Jennifer Kapczynski -- Noah Soltau -- Sabine Kriebel -- James van Dyke -- Kathleen James-Chakraborty -- Peter Chametzky -- Joy Calico -- Verena Krieger |
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| contents | How art resists / Cut with the kitchen knife : visualizing politics in Berlin Dada / Walter Gropius's Dammerstock and the possibilities of an architectural resistance / Authority and ambiguity: three sculptors in National Socialist Germany / Teach your children well: Hermynia zur Mühle, George Grosz, and the art of radical pedagogy in Germany between the world wars / Parting shots: Ella Bergmann-Michel's Wahlkampf 1932 (Letzte Wahl) / "War feeds its people better": Mother Courage and the limits of revolutionary theater / Montage as meme: learning from the radical Avant-Gardes / On the possibility of resistance in Two Silverpoints by Otto Dix / A whisper rather than a shout: Ursula Wilms and Heinz Hallmann's Topography of Terror / From anti-Nazi postcards to anti-Trump social media: laughter as resistance, opposition, or cold comfort? / Opera as resistance: the Little March Girl and the Terrorist in Helmut Lachenmann's Mädchen mit den Schwefelhölzern / Montage as a form of aesthetic resistance today: Marcel Odenbach and Thomas Hirschhorn / |
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| dewey-raw | 700.943 |
| dewey-search | 700.943 |
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| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
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| series | Visual cultures and German contexts. |
| series2 | Visual cultures and German contexts |
| spelling | Art and resistance in Germany / edited by Deborah Ascher Barnstone and Elizabeth Otto New York : Bloomsbury Academic, 2019 ©2019 1 online resource (xviii, 265 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Visual cultures and German contexts In light of the recent rise of right-wing populism in numerous political contexts and in the face of resurgent nationalism, racism, misogyny, homophobia, and demagoguery, this book investigates how historical and contemporary cultural producers have sought to resist, confront, confound, mock, or call out situations of political oppression in Germany, a country which has seen a dramatic range of political extremes during the past century. While the current turn to nationalist populism is global, it is perhaps most disturbing in Germany, given its history with its stormy first democracy in the interwar Weimar Republic; its infamous National Socialist (Nazi) period of the 1930s and 1940s; and its split Cold-War existence, with Marxist-Leninist Totalitarianism in the German Democratic Republic and the Federal Republic of Germany's barely-hidden ties to the Nazi past. Equally important, Germans have long considered art and culture critical to constructions of national identity, which meant that they were frequently implicated in political action. This book therefore examines a range of work by artists from the early twentieth century to the present, work created in an array of contexts and media that demonstrates a wide range of possible resistance Includes bibliographical references and index How art resists / Deborah Ascher Barnstone and Elizabeth Otto -- Cut with the kitchen knife : visualizing politics in Berlin Dada / Patrizia McBride -- Walter Gropius's Dammerstock and the possibilities of an architectural resistance / Kevin Berry -- Authority and ambiguity: three sculptors in National Socialist Germany / Nina Lübbren -- Teach your children well: Hermynia zur Mühle, George Grosz, and the art of radical pedagogy in Germany between the world wars / Barbara McCloskey -- Parting shots: Ella Bergmann-Michel's Wahlkampf 1932 (Letzte Wahl) / Jennifer Kapczynski -- "War feeds its people better": Mother Courage and the limits of revolutionary theater / Noah Soltau -- Montage as meme: learning from the radical Avant-Gardes / Sabine Kriebel -- On the possibility of resistance in Two Silverpoints by Otto Dix / James van Dyke -- A whisper rather than a shout: Ursula Wilms and Heinz Hallmann's Topography of Terror / Kathleen James-Chakraborty -- From anti-Nazi postcards to anti-Trump social media: laughter as resistance, opposition, or cold comfort? / Peter Chametzky -- Opera as resistance: the Little March Girl and the Terrorist in Helmut Lachenmann's Mädchen mit den Schwefelhölzern / Joy Calico -- Montage as a form of aesthetic resistance today: Marcel Odenbach and Thomas Hirschhorn / Verena Krieger Print version record Art Political aspects Germany. Dissident art Germany. Art Aspect politique Allemagne. Art dissident Allemagne. Demonstrations & protest movements. bicssc The arts. bicssc ART Performance. bisacsh ART Reference. bisacsh Art Political aspects fast Dissident art fast Germany fast https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd Electronic book. Barnstone, Deborah Ascher, editor. Otto, Elizabeth, 1970- editor. https://id.oclc.org/worldcat/entity/E39PBJbGVHHCpK4dpTbPGfPqQq http://id.loc.gov/authorities/names/no2006050874 has work: Art and resistance in Germany (Text) https://id.oclc.org/worldcat/entity/E39PCFxrK8X8TFHKRMYb7yHh6q https://id.oclc.org/worldcat/ontology/hasWork Print version: Art and resistance in Germany. New York : Bloomsbury Academic, 2018 9781501344862 (DLC) 2018038281 (OCoLC)1038490155 Visual cultures and German contexts. http://id.loc.gov/authorities/names/no2019001321 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1914547 Volltext |
| spellingShingle | Art and resistance in Germany / Visual cultures and German contexts. How art resists / Cut with the kitchen knife : visualizing politics in Berlin Dada / Walter Gropius's Dammerstock and the possibilities of an architectural resistance / Authority and ambiguity: three sculptors in National Socialist Germany / Teach your children well: Hermynia zur Mühle, George Grosz, and the art of radical pedagogy in Germany between the world wars / Parting shots: Ella Bergmann-Michel's Wahlkampf 1932 (Letzte Wahl) / "War feeds its people better": Mother Courage and the limits of revolutionary theater / Montage as meme: learning from the radical Avant-Gardes / On the possibility of resistance in Two Silverpoints by Otto Dix / A whisper rather than a shout: Ursula Wilms and Heinz Hallmann's Topography of Terror / From anti-Nazi postcards to anti-Trump social media: laughter as resistance, opposition, or cold comfort? / Opera as resistance: the Little March Girl and the Terrorist in Helmut Lachenmann's Mädchen mit den Schwefelhölzern / Montage as a form of aesthetic resistance today: Marcel Odenbach and Thomas Hirschhorn / Art Political aspects Germany. Dissident art Germany. Art Aspect politique Allemagne. Art dissident Allemagne. Demonstrations & protest movements. bicssc The arts. bicssc ART Performance. bisacsh ART Reference. bisacsh Art Political aspects fast Dissident art fast |
| title | Art and resistance in Germany / |
| title_alt | How art resists / Cut with the kitchen knife : visualizing politics in Berlin Dada / Walter Gropius's Dammerstock and the possibilities of an architectural resistance / Authority and ambiguity: three sculptors in National Socialist Germany / Teach your children well: Hermynia zur Mühle, George Grosz, and the art of radical pedagogy in Germany between the world wars / Parting shots: Ella Bergmann-Michel's Wahlkampf 1932 (Letzte Wahl) / "War feeds its people better": Mother Courage and the limits of revolutionary theater / Montage as meme: learning from the radical Avant-Gardes / On the possibility of resistance in Two Silverpoints by Otto Dix / A whisper rather than a shout: Ursula Wilms and Heinz Hallmann's Topography of Terror / From anti-Nazi postcards to anti-Trump social media: laughter as resistance, opposition, or cold comfort? / Opera as resistance: the Little March Girl and the Terrorist in Helmut Lachenmann's Mädchen mit den Schwefelhölzern / Montage as a form of aesthetic resistance today: Marcel Odenbach and Thomas Hirschhorn / |
| title_auth | Art and resistance in Germany / |
| title_exact_search | Art and resistance in Germany / |
| title_full | Art and resistance in Germany / edited by Deborah Ascher Barnstone and Elizabeth Otto |
| title_fullStr | Art and resistance in Germany / edited by Deborah Ascher Barnstone and Elizabeth Otto |
| title_full_unstemmed | Art and resistance in Germany / edited by Deborah Ascher Barnstone and Elizabeth Otto |
| title_short | Art and resistance in Germany / |
| title_sort | art and resistance in germany |
| topic | Art Political aspects Germany. Dissident art Germany. Art Aspect politique Allemagne. Art dissident Allemagne. Demonstrations & protest movements. bicssc The arts. bicssc ART Performance. bisacsh ART Reference. bisacsh Art Political aspects fast Dissident art fast |
| topic_facet | Art Political aspects Germany. Dissident art Germany. Art Aspect politique Allemagne. Art dissident Allemagne. Demonstrations & protest movements. The arts. ART Performance. ART Reference. Art Political aspects Dissident art Germany Electronic book. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1914547 |
| work_keys_str_mv | AT barnstonedeborahascher artandresistanceingermany AT ottoelizabeth artandresistanceingermany |