Sonic flux :: sound, art, and metaphysics /
From Edison's invention of the phonograph through contemporary field recording and sound installation, artists have become attracted to those domains against which music has always defined itself: noise, silence, and environmental sound. Christoph Cox argues that these developments in the sonic...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London :
The University of Chicago Press,
2018.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | From Edison's invention of the phonograph through contemporary field recording and sound installation, artists have become attracted to those domains against which music has always defined itself: noise, silence, and environmental sound. Christoph Cox argues that these developments in the sonic arts are not only aesthetically but also philosophically significant, revealing sound to be a continuous material flow to which human expressions contribute but which precedes and exceeds those expressions. Cox shows how, over the course of the twentieth and twenty-first centuries, philosophers and sonic artists have explored this "sonic flux." Through the philosophical analysis of works by John Cage, Maryanne Amacher, Max Neuhaus, Christian Marclay, and many others, Sonic Flux contributes to the development of a materialist metaphysics and poses a challenge to the prevailing positions in cultural theory, proposing a realist and materialist aesthetics able to account not only for sonic art but for artistic production in general |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780226543208 022654320X |
Internformat
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| 100 | 1 | |a Cox, Christoph, |d 1965- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJvxrvqgXr38rMQKQdq84q |0 http://id.loc.gov/authorities/names/n99034991 | |
| 245 | 1 | 0 | |a Sonic flux : |b sound, art, and metaphysics / |c Christoph Cox. |
| 264 | 1 | |a Chicago ; |a London : |b The University of Chicago Press, |c 2018. | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Intro; Contents; Acknowledgments; Introduction; Part I. The Sonic Flux and Sonic Materialism; 1. Toward a Sonic Materialism; Signification, Discourse, and Materialism; Representation and the Sonic Arts; Schopenhauer: Below Representation; Nietzsche: The Naturalization of Art; Dionysus, or the Intensive; Sound as an Immemorial Flux; Sonic Events and Sound Effects; A Materialist Aesthetics; 2. A Brief History of the Sonic Flux; Noise, Deterritorialization, and Self-Organization; Systems of Sonic Capture; Interlude-Christian Marclay: Repetition and Difference | |
| 505 | 8 | |a Digitality, Decommodification, and Deterritorialization3. The Symbolic and the Real: Phonography from Music to Sound; Hearing Things; Alvin Lucier: From Signification to Noise; Part II. Being and Time in the Sonic Arts; 4. Signal to Noise: An Ontology of Sound Art; Noise; Leibniz and the Auditory Unconscious; Sound Art and the Sonic Flux; Room Tone; Sound, Symbol, Sample; Music and Sound Art; 5. Sound, Time, and Duration; Beyond the Musical Object: From Being to Becoming, Time to Duration; Installing Duration: Postminimalism in the Visual Arts; Time's Square; Time Pieces | |
| 505 | 8 | |a Against Becoming and Duration? The Sound of Hyper-ChaosPart III. The Optical and the Sonic; 6. Audio/Visual: Against Synaesthetics; From Gesamtkunstwerk to Synaesthesia; Sound/Image; Synaesthetics 2.0; Sound Figures; Dubs and Versions; Sound Cinema: Film and Video as Sonic Art; A Transcendental Exercise of the Faculties; Notes; Index | |
| 520 | 8 | |a From Edison's invention of the phonograph through contemporary field recording and sound installation, artists have become attracted to those domains against which music has always defined itself: noise, silence, and environmental sound. Christoph Cox argues that these developments in the sonic arts are not only aesthetically but also philosophically significant, revealing sound to be a continuous material flow to which human expressions contribute but which precedes and exceeds those expressions. Cox shows how, over the course of the twentieth and twenty-first centuries, philosophers and sonic artists have explored this "sonic flux." Through the philosophical analysis of works by John Cage, Maryanne Amacher, Max Neuhaus, Christian Marclay, and many others, Sonic Flux contributes to the development of a materialist metaphysics and poses a challenge to the prevailing positions in cultural theory, proposing a realist and materialist aesthetics able to account not only for sonic art but for artistic production in general | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. |0 http://id.loc.gov/authorities/subjects/sh85088808 | |
| 650 | 0 | |a Soundscapes (Music) |x Philosophy and aesthetics. | |
| 650 | 0 | |a Sound (Philosophy) |0 http://id.loc.gov/authorities/subjects/sh2010005351 | |
| 650 | 0 | |a Sound installations (Art) |0 http://id.loc.gov/authorities/subjects/sh2003006170 | |
| 650 | 0 | |a Metaphysics. |0 http://id.loc.gov/authorities/subjects/sh85084286 | |
| 650 | 2 | |a Metaphysics |0 https://id.nlm.nih.gov/mesh/D008678 | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 6 | |a Paysages sonores (Musique) |x Philosophie et esthétique. | |
| 650 | 6 | |a Son (Philosophie) | |
| 650 | 6 | |a Installations sonores (Art) | |
| 650 | 6 | |a Métaphysique. | |
| 650 | 7 | |a sound installations. |2 aat | |
| 650 | 7 | |a metaphysics. |2 aat | |
| 650 | 7 | |a SCIENCE |x Acoustics & Sound. |2 bisacsh | |
| 650 | 7 | |a Metaphysics |2 fast | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
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| 653 | |a aesthetics. | ||
| 653 | |a materialism. | ||
| 653 | |a metaphysics. | ||
| 653 | |a noise. | ||
| 653 | |a ontology. | ||
| 653 | |a sonic flux. | ||
| 653 | |a sound art. | ||
| 653 | |a temporality. | ||
| 758 | |i has work: |a Sonic flux (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFWFBmQ6fMWBwgYKPCYhgX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Cox, Christoph, 1965- |t Sonic flux. |d Chicago ; London : The University of Chicago Press, 2018 |z 9780226543031 |w (DLC) 2018015041 |w (OCoLC)1028589001 |
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Datensatz im Suchindex
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| _version_ | 1816882474240704512 |
| adam_text | |
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| author | Cox, Christoph, 1965- |
| author_GND | http://id.loc.gov/authorities/names/n99034991 |
| author_facet | Cox, Christoph, 1965- |
| author_role | aut |
| author_sort | Cox, Christoph, 1965- |
| author_variant | c c cc |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3877 |
| callnumber-raw | ML3877 .C77 2018eb |
| callnumber-search | ML3877 .C77 2018eb |
| callnumber-sort | ML 43877 C77 42018EB |
| callnumber-subject | ML - Literature on Music |
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| contents | Intro; Contents; Acknowledgments; Introduction; Part I. The Sonic Flux and Sonic Materialism; 1. Toward a Sonic Materialism; Signification, Discourse, and Materialism; Representation and the Sonic Arts; Schopenhauer: Below Representation; Nietzsche: The Naturalization of Art; Dionysus, or the Intensive; Sound as an Immemorial Flux; Sonic Events and Sound Effects; A Materialist Aesthetics; 2. A Brief History of the Sonic Flux; Noise, Deterritorialization, and Self-Organization; Systems of Sonic Capture; Interlude-Christian Marclay: Repetition and Difference Digitality, Decommodification, and Deterritorialization3. The Symbolic and the Real: Phonography from Music to Sound; Hearing Things; Alvin Lucier: From Signification to Noise; Part II. Being and Time in the Sonic Arts; 4. Signal to Noise: An Ontology of Sound Art; Noise; Leibniz and the Auditory Unconscious; Sound Art and the Sonic Flux; Room Tone; Sound, Symbol, Sample; Music and Sound Art; 5. Sound, Time, and Duration; Beyond the Musical Object: From Being to Becoming, Time to Duration; Installing Duration: Postminimalism in the Visual Arts; Time's Square; Time Pieces Against Becoming and Duration? The Sound of Hyper-ChaosPart III. The Optical and the Sonic; 6. Audio/Visual: Against Synaesthetics; From Gesamtkunstwerk to Synaesthesia; Sound/Image; Synaesthetics 2.0; Sound Figures; Dubs and Versions; Sound Cinema: Film and Video as Sonic Art; A Transcendental Exercise of the Faculties; Notes; Index |
| ctrlnum | (OCoLC)1056952220 |
| dewey-full | 534 |
| dewey-hundreds | 500 - Natural sciences and mathematics |
| dewey-ones | 534 - Sound and related vibrations |
| dewey-raw | 534 |
| dewey-search | 534 |
| dewey-sort | 3534 |
| dewey-tens | 530 - Physics |
| discipline | Physik Philosophie |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:11Z |
| institution | BVB |
| isbn | 9780226543208 022654320X |
| language | English |
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| spelling | Cox, Christoph, 1965- author. https://id.oclc.org/worldcat/entity/E39PBJvxrvqgXr38rMQKQdq84q http://id.loc.gov/authorities/names/n99034991 Sonic flux : sound, art, and metaphysics / Christoph Cox. Chicago ; London : The University of Chicago Press, 2018. ©2018 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Intro; Contents; Acknowledgments; Introduction; Part I. The Sonic Flux and Sonic Materialism; 1. Toward a Sonic Materialism; Signification, Discourse, and Materialism; Representation and the Sonic Arts; Schopenhauer: Below Representation; Nietzsche: The Naturalization of Art; Dionysus, or the Intensive; Sound as an Immemorial Flux; Sonic Events and Sound Effects; A Materialist Aesthetics; 2. A Brief History of the Sonic Flux; Noise, Deterritorialization, and Self-Organization; Systems of Sonic Capture; Interlude-Christian Marclay: Repetition and Difference Digitality, Decommodification, and Deterritorialization3. The Symbolic and the Real: Phonography from Music to Sound; Hearing Things; Alvin Lucier: From Signification to Noise; Part II. Being and Time in the Sonic Arts; 4. Signal to Noise: An Ontology of Sound Art; Noise; Leibniz and the Auditory Unconscious; Sound Art and the Sonic Flux; Room Tone; Sound, Symbol, Sample; Music and Sound Art; 5. Sound, Time, and Duration; Beyond the Musical Object: From Being to Becoming, Time to Duration; Installing Duration: Postminimalism in the Visual Arts; Time's Square; Time Pieces Against Becoming and Duration? The Sound of Hyper-ChaosPart III. The Optical and the Sonic; 6. Audio/Visual: Against Synaesthetics; From Gesamtkunstwerk to Synaesthesia; Sound/Image; Synaesthetics 2.0; Sound Figures; Dubs and Versions; Sound Cinema: Film and Video as Sonic Art; A Transcendental Exercise of the Faculties; Notes; Index From Edison's invention of the phonograph through contemporary field recording and sound installation, artists have become attracted to those domains against which music has always defined itself: noise, silence, and environmental sound. Christoph Cox argues that these developments in the sonic arts are not only aesthetically but also philosophically significant, revealing sound to be a continuous material flow to which human expressions contribute but which precedes and exceeds those expressions. Cox shows how, over the course of the twentieth and twenty-first centuries, philosophers and sonic artists have explored this "sonic flux." Through the philosophical analysis of works by John Cage, Maryanne Amacher, Max Neuhaus, Christian Marclay, and many others, Sonic Flux contributes to the development of a materialist metaphysics and poses a challenge to the prevailing positions in cultural theory, proposing a realist and materialist aesthetics able to account not only for sonic art but for artistic production in general Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Soundscapes (Music) Philosophy and aesthetics. Sound (Philosophy) http://id.loc.gov/authorities/subjects/sh2010005351 Sound installations (Art) http://id.loc.gov/authorities/subjects/sh2003006170 Metaphysics. http://id.loc.gov/authorities/subjects/sh85084286 Metaphysics https://id.nlm.nih.gov/mesh/D008678 Musique Philosophie et esthétique. Paysages sonores (Musique) Philosophie et esthétique. Son (Philosophie) Installations sonores (Art) Métaphysique. sound installations. aat metaphysics. aat SCIENCE Acoustics & Sound. bisacsh Metaphysics fast Music Philosophy and aesthetics fast Sound installations (Art) fast Sound (Philosophy) fast Musik gnd http://d-nb.info/gnd/4040802-4 Philosophie gnd http://d-nb.info/gnd/4045791-6 Ästhetik gnd http://d-nb.info/gnd/4000626-8 aesthetics. materialism. metaphysics. noise. ontology. sonic flux. sound art. temporality. has work: Sonic flux (Text) https://id.oclc.org/worldcat/entity/E39PCFWFBmQ6fMWBwgYKPCYhgX https://id.oclc.org/worldcat/ontology/hasWork Print version: Cox, Christoph, 1965- Sonic flux. Chicago ; London : The University of Chicago Press, 2018 9780226543031 (DLC) 2018015041 (OCoLC)1028589001 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1796138 Volltext |
| spellingShingle | Cox, Christoph, 1965- Sonic flux : sound, art, and metaphysics / Intro; Contents; Acknowledgments; Introduction; Part I. The Sonic Flux and Sonic Materialism; 1. Toward a Sonic Materialism; Signification, Discourse, and Materialism; Representation and the Sonic Arts; Schopenhauer: Below Representation; Nietzsche: The Naturalization of Art; Dionysus, or the Intensive; Sound as an Immemorial Flux; Sonic Events and Sound Effects; A Materialist Aesthetics; 2. A Brief History of the Sonic Flux; Noise, Deterritorialization, and Self-Organization; Systems of Sonic Capture; Interlude-Christian Marclay: Repetition and Difference Digitality, Decommodification, and Deterritorialization3. The Symbolic and the Real: Phonography from Music to Sound; Hearing Things; Alvin Lucier: From Signification to Noise; Part II. Being and Time in the Sonic Arts; 4. Signal to Noise: An Ontology of Sound Art; Noise; Leibniz and the Auditory Unconscious; Sound Art and the Sonic Flux; Room Tone; Sound, Symbol, Sample; Music and Sound Art; 5. Sound, Time, and Duration; Beyond the Musical Object: From Being to Becoming, Time to Duration; Installing Duration: Postminimalism in the Visual Arts; Time's Square; Time Pieces Against Becoming and Duration? The Sound of Hyper-ChaosPart III. The Optical and the Sonic; 6. Audio/Visual: Against Synaesthetics; From Gesamtkunstwerk to Synaesthesia; Sound/Image; Synaesthetics 2.0; Sound Figures; Dubs and Versions; Sound Cinema: Film and Video as Sonic Art; A Transcendental Exercise of the Faculties; Notes; Index Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Soundscapes (Music) Philosophy and aesthetics. Sound (Philosophy) http://id.loc.gov/authorities/subjects/sh2010005351 Sound installations (Art) http://id.loc.gov/authorities/subjects/sh2003006170 Metaphysics. http://id.loc.gov/authorities/subjects/sh85084286 Metaphysics https://id.nlm.nih.gov/mesh/D008678 Musique Philosophie et esthétique. Paysages sonores (Musique) Philosophie et esthétique. Son (Philosophie) Installations sonores (Art) Métaphysique. sound installations. aat metaphysics. aat SCIENCE Acoustics & Sound. bisacsh Metaphysics fast Music Philosophy and aesthetics fast Sound installations (Art) fast Sound (Philosophy) fast Musik gnd http://d-nb.info/gnd/4040802-4 Philosophie gnd http://d-nb.info/gnd/4045791-6 Ästhetik gnd http://d-nb.info/gnd/4000626-8 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088808 http://id.loc.gov/authorities/subjects/sh2010005351 http://id.loc.gov/authorities/subjects/sh2003006170 http://id.loc.gov/authorities/subjects/sh85084286 https://id.nlm.nih.gov/mesh/D008678 http://d-nb.info/gnd/4040802-4 http://d-nb.info/gnd/4045791-6 http://d-nb.info/gnd/4000626-8 |
| title | Sonic flux : sound, art, and metaphysics / |
| title_auth | Sonic flux : sound, art, and metaphysics / |
| title_exact_search | Sonic flux : sound, art, and metaphysics / |
| title_full | Sonic flux : sound, art, and metaphysics / Christoph Cox. |
| title_fullStr | Sonic flux : sound, art, and metaphysics / Christoph Cox. |
| title_full_unstemmed | Sonic flux : sound, art, and metaphysics / Christoph Cox. |
| title_short | Sonic flux : |
| title_sort | sonic flux sound art and metaphysics |
| title_sub | sound, art, and metaphysics / |
| topic | Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Soundscapes (Music) Philosophy and aesthetics. Sound (Philosophy) http://id.loc.gov/authorities/subjects/sh2010005351 Sound installations (Art) http://id.loc.gov/authorities/subjects/sh2003006170 Metaphysics. http://id.loc.gov/authorities/subjects/sh85084286 Metaphysics https://id.nlm.nih.gov/mesh/D008678 Musique Philosophie et esthétique. Paysages sonores (Musique) Philosophie et esthétique. Son (Philosophie) Installations sonores (Art) Métaphysique. sound installations. aat metaphysics. aat SCIENCE Acoustics & Sound. bisacsh Metaphysics fast Music Philosophy and aesthetics fast Sound installations (Art) fast Sound (Philosophy) fast Musik gnd http://d-nb.info/gnd/4040802-4 Philosophie gnd http://d-nb.info/gnd/4045791-6 Ästhetik gnd http://d-nb.info/gnd/4000626-8 |
| topic_facet | Music Philosophy and aesthetics. Soundscapes (Music) Philosophy and aesthetics. Sound (Philosophy) Sound installations (Art) Metaphysics. Metaphysics Musique Philosophie et esthétique. Paysages sonores (Musique) Philosophie et esthétique. Son (Philosophie) Installations sonores (Art) Métaphysique. sound installations. metaphysics. SCIENCE Acoustics & Sound. Music Philosophy and aesthetics Musik Philosophie Ästhetik |
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| work_keys_str_mv | AT coxchristoph sonicfluxsoundartandmetaphysics |