Sleeping with the lights on :: the unsettling story of horror /
Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It se...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Oxford, United Kingdom ; New York, NY :
Oxford University Press,
2018.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, games, and other forms of entertainment designed to do exactly that. As Darryl Jones shows, the horror genre is huge. Ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers, the cathartic release of scaring ourselves has made its appearance in everything from Shakespearean tragedies to internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, Darryl Jones discusses why horror stories disturb us, and how society responds toliterary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? Are there different levels of the horrific, and should we distinguish between the commonly reviled carnage of contemporary torture porn and the culturally acceptable bloodbaths of ancientGreek tragedies?Analysing the way in which horror manifests multiple personalities, and has been used throughout history to articulate the fears and taboos of the current generation, Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both ourown preconceptions and the terrifying capacity of human nature. |
Beschreibung: | 1 online resource (xii, 181 pages) |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780192561053 0192561057 |
Internformat
MARC
LEADER | 00000cam a2200000 i 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-on1056109138 | ||
003 | OCoLC | ||
005 | 20241004212047.0 | ||
006 | m o d | ||
007 | cr cnu|||unuuu | ||
008 | 181008s2018 enk ob 001 0 eng d | ||
040 | |a N$T |b eng |e rda |e pn |c N$T |d N$T |d YDX |d EBLCP |d OCLCF |d WAU |d OCLCQ |d UKAHL |d OCLCQ |d IHT |d OCLCO |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
020 | |a 9780192561053 |q (electronic bk.) | ||
020 | |a 0192561057 |q (electronic bk.) | ||
020 | |z 9780198826484 | ||
035 | |a (OCoLC)1056109138 | ||
050 | 4 | |a PN56.H6 |b J66 2018 | |
072 | 7 | |a BIO |x 007000 |2 bisacsh | |
082 | 7 | |a 809/.9164 |2 23 | |
049 | |a MAIN | ||
100 | 1 | |a Jones, Darryl, |d 1967- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjD8rxPy8Rhb7gmwHygKYd |0 http://id.loc.gov/authorities/names/nb2001039073 | |
245 | 1 | 0 | |a Sleeping with the lights on : |b the unsettling story of horror / |c Darryl Jones. |
264 | 1 | |a Oxford, United Kingdom ; |a New York, NY : |b Oxford University Press, |c 2018. | |
300 | |a 1 online resource (xii, 181 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed October 9, 2018). | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Introduction -- Monsters -- The occult and the supernatural -- Horror and the body -- Horror and the mind -- Science and horror -- Afterword: Horror since the millennium -- Further reading -- Index. | |
520 | |a Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, games, and other forms of entertainment designed to do exactly that. As Darryl Jones shows, the horror genre is huge. Ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers, the cathartic release of scaring ourselves has made its appearance in everything from Shakespearean tragedies to internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, Darryl Jones discusses why horror stories disturb us, and how society responds toliterary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? Are there different levels of the horrific, and should we distinguish between the commonly reviled carnage of contemporary torture porn and the culturally acceptable bloodbaths of ancientGreek tragedies?Analysing the way in which horror manifests multiple personalities, and has been used throughout history to articulate the fears and taboos of the current generation, Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both ourown preconceptions and the terrifying capacity of human nature. |c Publisher's description. | ||
650 | 0 | |a Horror tales |x History and criticism. | |
650 | 0 | |a Horror films |x History and criticism. | |
650 | 0 | |a Horror plays |x History and criticism. | |
650 | 0 | |a Horror in mass media. |0 http://id.loc.gov/authorities/subjects/sh85062080 | |
650 | 6 | |a Récits d'horreur |x Histoire et critique. | |
650 | 6 | |a Films d'horreur |x Histoire et critique. | |
650 | 6 | |a Théâtre d'horreur |x Histoire et critique. | |
650 | 6 | |a Horreur dans les médias. | |
650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x Literary. |2 bisacsh | |
650 | 7 | |a Horror films |2 fast | |
650 | 7 | |a Horror in mass media |2 fast | |
650 | 7 | |a Horror plays |2 fast | |
650 | 7 | |a Horror tales |2 fast | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
758 | |i has work: |a Sleeping with the lights on (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGjK9kDfxtTRKRhWR3MC6X |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1908838 |3 Volltext |
938 | |a Askews and Holts Library Services |b ASKH |n AH36414726 | ||
938 | |a Askews and Holts Library Services |b ASKH |n AH36414725 | ||
938 | |a ProQuest Ebook Central |b EBLB |n EBL5539018 | ||
938 | |a EBSCOhost |b EBSC |n 1908838 | ||
938 | |a YBP Library Services |b YANK |n 15744944 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
049 | |a DE-863 |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1056109138 |
---|---|
_version_ | 1816882473826516992 |
adam_text | |
any_adam_object | |
author | Jones, Darryl, 1967- |
author_GND | http://id.loc.gov/authorities/names/nb2001039073 |
author_facet | Jones, Darryl, 1967- |
author_role | aut |
author_sort | Jones, Darryl, 1967- |
author_variant | d j dj |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN56 |
callnumber-raw | PN56.H6 J66 2018 |
callnumber-search | PN56.H6 J66 2018 |
callnumber-sort | PN 256 H6 J66 42018 |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Introduction -- Monsters -- The occult and the supernatural -- Horror and the body -- Horror and the mind -- Science and horror -- Afterword: Horror since the millennium -- Further reading -- Index. |
ctrlnum | (OCoLC)1056109138 |
dewey-full | 809/.9164 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 809 - History, description & criticism |
dewey-raw | 809/.9164 |
dewey-search | 809/.9164 |
dewey-sort | 3809 49164 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Literaturwissenschaft |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04702cam a2200601 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1056109138</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu|||unuuu</controlfield><controlfield tag="008">181008s2018 enk ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">N$T</subfield><subfield code="d">YDX</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCF</subfield><subfield code="d">WAU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">IHT</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780192561053</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0192561057</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780198826484</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1056109138</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN56.H6</subfield><subfield code="b">J66 2018</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">BIO</subfield><subfield code="x">007000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">809/.9164</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Jones, Darryl,</subfield><subfield code="d">1967-</subfield><subfield code="e">author.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjD8rxPy8Rhb7gmwHygKYd</subfield><subfield code="0">http://id.loc.gov/authorities/names/nb2001039073</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Sleeping with the lights on :</subfield><subfield code="b">the unsettling story of horror /</subfield><subfield code="c">Darryl Jones.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford, United Kingdom ;</subfield><subfield code="a">New York, NY :</subfield><subfield code="b">Oxford University Press,</subfield><subfield code="c">2018.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xii, 181 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from PDF title page (EBSCO, viewed October 9, 2018).</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction -- Monsters -- The occult and the supernatural -- Horror and the body -- Horror and the mind -- Science and horror -- Afterword: Horror since the millennium -- Further reading -- Index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, games, and other forms of entertainment designed to do exactly that. As Darryl Jones shows, the horror genre is huge. Ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers, the cathartic release of scaring ourselves has made its appearance in everything from Shakespearean tragedies to internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, Darryl Jones discusses why horror stories disturb us, and how society responds toliterary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? Are there different levels of the horrific, and should we distinguish between the commonly reviled carnage of contemporary torture porn and the culturally acceptable bloodbaths of ancientGreek tragedies?Analysing the way in which horror manifests multiple personalities, and has been used throughout history to articulate the fears and taboos of the current generation, Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both ourown preconceptions and the terrifying capacity of human nature.</subfield><subfield code="c">Publisher's description.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Horror tales</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Horror films</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Horror plays</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Horror in mass media.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85062080</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Récits d'horreur</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Films d'horreur</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Théâtre d'horreur</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Horreur dans les médias.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">BIOGRAPHY & AUTOBIOGRAPHY</subfield><subfield code="x">Literary.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Horror films</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Horror in mass media</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Horror plays</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Horror tales</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Sleeping with the lights on (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGjK9kDfxtTRKRhWR3MC6X</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1908838</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH36414726</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH36414725</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL5539018</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1908838</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">15744944</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
id | ZDB-4-EBA-on1056109138 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:29:10Z |
institution | BVB |
isbn | 9780192561053 0192561057 |
language | English |
oclc_num | 1056109138 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (xii, 181 pages) |
psigel | ZDB-4-EBA |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Oxford University Press, |
record_format | marc |
spelling | Jones, Darryl, 1967- author. https://id.oclc.org/worldcat/entity/E39PCjD8rxPy8Rhb7gmwHygKYd http://id.loc.gov/authorities/names/nb2001039073 Sleeping with the lights on : the unsettling story of horror / Darryl Jones. Oxford, United Kingdom ; New York, NY : Oxford University Press, 2018. 1 online resource (xii, 181 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Online resource; title from PDF title page (EBSCO, viewed October 9, 2018). Includes bibliographical references and index. Introduction -- Monsters -- The occult and the supernatural -- Horror and the body -- Horror and the mind -- Science and horror -- Afterword: Horror since the millennium -- Further reading -- Index. Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, games, and other forms of entertainment designed to do exactly that. As Darryl Jones shows, the horror genre is huge. Ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers, the cathartic release of scaring ourselves has made its appearance in everything from Shakespearean tragedies to internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, Darryl Jones discusses why horror stories disturb us, and how society responds toliterary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? Are there different levels of the horrific, and should we distinguish between the commonly reviled carnage of contemporary torture porn and the culturally acceptable bloodbaths of ancientGreek tragedies?Analysing the way in which horror manifests multiple personalities, and has been used throughout history to articulate the fears and taboos of the current generation, Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both ourown preconceptions and the terrifying capacity of human nature. Publisher's description. Horror tales History and criticism. Horror films History and criticism. Horror plays History and criticism. Horror in mass media. http://id.loc.gov/authorities/subjects/sh85062080 Récits d'horreur Histoire et critique. Films d'horreur Histoire et critique. Théâtre d'horreur Histoire et critique. Horreur dans les médias. BIOGRAPHY & AUTOBIOGRAPHY Literary. bisacsh Horror films fast Horror in mass media fast Horror plays fast Horror tales fast Criticism, interpretation, etc. fast has work: Sleeping with the lights on (Text) https://id.oclc.org/worldcat/entity/E39PCGjK9kDfxtTRKRhWR3MC6X https://id.oclc.org/worldcat/ontology/hasWork FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1908838 Volltext |
spellingShingle | Jones, Darryl, 1967- Sleeping with the lights on : the unsettling story of horror / Introduction -- Monsters -- The occult and the supernatural -- Horror and the body -- Horror and the mind -- Science and horror -- Afterword: Horror since the millennium -- Further reading -- Index. Horror tales History and criticism. Horror films History and criticism. Horror plays History and criticism. Horror in mass media. http://id.loc.gov/authorities/subjects/sh85062080 Récits d'horreur Histoire et critique. Films d'horreur Histoire et critique. Théâtre d'horreur Histoire et critique. Horreur dans les médias. BIOGRAPHY & AUTOBIOGRAPHY Literary. bisacsh Horror films fast Horror in mass media fast Horror plays fast Horror tales fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85062080 |
title | Sleeping with the lights on : the unsettling story of horror / |
title_auth | Sleeping with the lights on : the unsettling story of horror / |
title_exact_search | Sleeping with the lights on : the unsettling story of horror / |
title_full | Sleeping with the lights on : the unsettling story of horror / Darryl Jones. |
title_fullStr | Sleeping with the lights on : the unsettling story of horror / Darryl Jones. |
title_full_unstemmed | Sleeping with the lights on : the unsettling story of horror / Darryl Jones. |
title_short | Sleeping with the lights on : |
title_sort | sleeping with the lights on the unsettling story of horror |
title_sub | the unsettling story of horror / |
topic | Horror tales History and criticism. Horror films History and criticism. Horror plays History and criticism. Horror in mass media. http://id.loc.gov/authorities/subjects/sh85062080 Récits d'horreur Histoire et critique. Films d'horreur Histoire et critique. Théâtre d'horreur Histoire et critique. Horreur dans les médias. BIOGRAPHY & AUTOBIOGRAPHY Literary. bisacsh Horror films fast Horror in mass media fast Horror plays fast Horror tales fast |
topic_facet | Horror tales History and criticism. Horror films History and criticism. Horror plays History and criticism. Horror in mass media. Récits d'horreur Histoire et critique. Films d'horreur Histoire et critique. Théâtre d'horreur Histoire et critique. Horreur dans les médias. BIOGRAPHY & AUTOBIOGRAPHY Literary. Horror films Horror in mass media Horror plays Horror tales Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1908838 |
work_keys_str_mv | AT jonesdarryl sleepingwiththelightsontheunsettlingstoryofhorror |