Centre and periphery, roots and exile :: interpreting the music of István Anhalt, György Kurtág, and Sándor Veress /
This book examines the impact place and displacement can have on the composition and interpretation of Western art music, using as its primary objects of study the work of István Anhalt (1919-2012), György Kurtág (1926-), and Sándor Veress (1907-92). Although all three composers are of Hungaria...
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Format: | Elektronisch Tagungsbericht E-Book |
Sprache: | English French |
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Waterloo, Ont. :
Wilfrid Laurier University Press,
[2011]
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Zusammenfassung: | This book examines the impact place and displacement can have on the composition and interpretation of Western art music, using as its primary objects of study the work of István Anhalt (1919-2012), György Kurtág (1926-), and Sándor Veress (1907-92). Although all three composers are of Hungarian origin, their careers followed radically different paths. Whereas, Kurtág remained in Budapest for most of his career, Anhalt and Veress left: the former in 1946 and immigrated to Canada and the latter in 1948 and settled in Switzerland. All three composers have had an extraordinary impact in the cultural environments within which their work took place. In the first section, "Place and Displacement," contributors examine what happens when composers and their music migrate in the culturally complex world of the late twentieth century. The past one hundred years produced record numbers of refugees, and this fact is now beginning to resonate in the study of music. As Anhalt himself forcefully asserts, however, not all composers who emigrate should be understood as exiles. The first chapters of this book explore some of the problems and questions surrounding this issue. Essays in the second section, "Perspectives on Reception, Analysis, and Interpretation," look at how performing acts of interpretation on music implies bringing the time, place, and identity of the musician, the analyst, and the teacher to bear on the object of study. Like Kodály, Kurtág considers his work to be "naturally" embedded in Hungarian culture, but he is also a quintessentially European artist. Much of his production--he is one of the twentieth century's most prolific composers of vocal music--involves the setting of Hungarian texts, but in the late 1970s his cultural horizons expanded to include texts in Russian, German, French, English, and ancient Greek. The book explores how musicologists' divergent cultural perspectives impinge on the interpretation of this work. The final section, "The Presence of the Past and Memory in Contemporary Music," examines the impact time and memory can have on notions of place and identity in music. All living art taps into the personal and collective past in one way or another. The final four chapters look at various aspects of this relationship. |
Beschreibung: | Majority of essays initially presented at the symposium Centre and periphery, roots and exile, at the University of Calgary, 22-25 January, 2008. Cf. Introd. |
Beschreibung: | 1 online resource (xviii, 461 pages) : music |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781554581481 1554581486 9781554581726 1554581729 |
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245 | 0 | 0 | |a Centre and periphery, roots and exile : |b interpreting the music of István Anhalt, György Kurtág, and Sándor Veress / |c Friedemann Sallis, Robin Elliott, and Kenneth DeLong, editors ; with assistance from Aaron Dalton. |
264 | 1 | |a Waterloo, Ont. : |b Wilfrid Laurier University Press, |c [2011] | |
300 | |a 1 online resource (xviii, 461 pages) : |b music | ||
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500 | |a Majority of essays initially presented at the symposium Centre and periphery, roots and exile, at the University of Calgary, 22-25 January, 2008. Cf. Introd. | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a István Anhalt : a character sketch / John Beckwith -- Kurtág, as I know him / Gergely Szokolay -- "A kind of musical autobiography" : reading traces in Sándor Veress's Orbis tonorum / Claudio Veress -- Of the centre, periphery; exile, liberation; home and the self / István Anhalt -- István Anhalt's Kingston triptych / Robin Elliott -- István Anhalt's The tents of Abraham : where music cannot heal, let it be restored / William Benjamin -- Which displacement? : tracing exile in the postwar compositions of István Anhalt and Mátyás Seiber / Florian Scheding -- Letters to America / Rachel Beckles Willson -- Roots and routes : travel and translation in István Anhalt's operas / Gordon E. Smith -- Le fonds István Anhalt (MUS 164) à Bibliothèque et Archives Canada : auto-construction du compositeur et rôle du lieu dans son uvre / Rachelle Chiasson-Taylor -- Sewing earth to sky : István Anhalt and the pedagogy of transformation / Austin Clarkson -- György Kurtág's Játékok : a "voyage" into the child's musical mind / Stefano Melis -- Arracher la figure au figuratif : la musique vocale de György Kurtág / Alvaro Oviedo -- Dirges and ditties : György Kurtág's latest settings of poetry by Anna Akhmatova / Julia Galieva-Szokolay -- Interpreting György Kurtág and George Crumb : through the looking glass / Dina Lentsner -- György Kurtág et Walter Benjamin : considérations sur l'aura dans la musique / Jean-Paul Olive -- What presence of the past? : artistic autobiography in György Kurtág's music / Ulrich Mosch -- "Listening to inner voices" : István Anhalt Sonance * Resonance (Welche Töne?) / Alan Gillmor -- Music written from memory in the late work of István Anhalt / Friedemann Sallis -- On doubleness and life in Canada : an interview with István Anhalt. | |
546 | |a Most essays in English; includes 3 essays in French. | ||
520 | |a This book examines the impact place and displacement can have on the composition and interpretation of Western art music, using as its primary objects of study the work of István Anhalt (1919-2012), György Kurtág (1926-), and Sándor Veress (1907-92). Although all three composers are of Hungarian origin, their careers followed radically different paths. Whereas, Kurtág remained in Budapest for most of his career, Anhalt and Veress left: the former in 1946 and immigrated to Canada and the latter in 1948 and settled in Switzerland. All three composers have had an extraordinary impact in the cultural environments within which their work took place. In the first section, "Place and Displacement," contributors examine what happens when composers and their music migrate in the culturally complex world of the late twentieth century. The past one hundred years produced record numbers of refugees, and this fact is now beginning to resonate in the study of music. As Anhalt himself forcefully asserts, however, not all composers who emigrate should be understood as exiles. The first chapters of this book explore some of the problems and questions surrounding this issue. Essays in the second section, "Perspectives on Reception, Analysis, and Interpretation," look at how performing acts of interpretation on music implies bringing the time, place, and identity of the musician, the analyst, and the teacher to bear on the object of study. Like Kodály, Kurtág considers his work to be "naturally" embedded in Hungarian culture, but he is also a quintessentially European artist. Much of his production--he is one of the twentieth century's most prolific composers of vocal music--involves the setting of Hungarian texts, but in the late 1970s his cultural horizons expanded to include texts in Russian, German, French, English, and ancient Greek. The book explores how musicologists' divergent cultural perspectives impinge on the interpretation of this work. The final section, "The Presence of the Past and Memory in Contemporary Music," examines the impact time and memory can have on notions of place and identity in music. All living art taps into the personal and collective past in one way or another. The final four chapters look at various aspects of this relationship. | ||
600 | 1 | 0 | |a Anhalt, István, |d 1919- |
600 | 1 | 0 | |a Kurtág, György. |
600 | 1 | 0 | |a Veress, Sándor, |d 1907-1992. |
600 | 1 | 7 | |a Kurtág, György |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJbWwWTR4tCkXxcKVx8wG3 |
600 | 1 | 7 | |a Veress, Sándor, |d 1907-1992 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJm9b7WtRTDgFgCJDXwjYP |
650 | 0 | |a Composers |z Hungary |v Biography. | |
650 | 0 | |a Immigrants |x History |y 20th century. | |
650 | 0 | |a Music |y 20th century |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2001000180 | |
650 | 0 | |a Music |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh85088794 | |
650 | 6 | |a Compositeurs |z Hongrie |v Biographies. | |
650 | 6 | |a Immigrants |x Histoire |y 20e siècle. | |
650 | 6 | |a Musique |x Histoire et critique. | |
650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x Composers & Musicians. |2 bisacsh | |
650 | 7 | |a MUSIC |x Individual Composer & Musician. |2 bisacsh | |
650 | 7 | |a Composers |2 fast | |
650 | 7 | |a Immigrants |2 fast | |
650 | 7 | |a Music |2 fast | |
651 | 7 | |a Hungary |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJqBtb4QKCYGrVyyWtMQMP | |
648 | 7 | |a 1900-1999 |2 fast | |
653 | |a Hungarian composers. | ||
653 | |a Hungarian music. | ||
653 | |a Hungary. | ||
653 | |a Western music composition. | ||
653 | |a biography of composer. | ||
653 | |a classical music biography. | ||
653 | |a composers. | ||
653 | |a composition. | ||
653 | |a displacement. | ||
653 | |a music biography. | ||
653 | |a music criticism. | ||
655 | 0 | |a Electronic books. | |
655 | 7 | |a Biographies |2 fast | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
655 | 7 | |a History |2 fast | |
700 | 1 | |a Elliott, Robin, |d 1956- |1 https://id.oclc.org/worldcat/entity/E39PCjKThcKtJFkggHW4xfj8JC |0 http://id.loc.gov/authorities/names/no93001372 | |
700 | 1 | |a Sallis, Friedemann. | |
700 | 1 | |a DeLong, Kenneth, |d 1944- |1 https://id.oclc.org/worldcat/entity/E39PCjqDJRRVtYQv93QmT8dkH3 |0 http://id.loc.gov/authorities/names/n86859400 | |
711 | 2 | |a Centre and periphery, roots and exile (Conference) |d (2008 : |c University of Calgary) | |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1055824175 |
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adam_text | |
any_adam_object | |
author2 | Elliott, Robin, 1956- Sallis, Friedemann DeLong, Kenneth, 1944- |
author2_role | |
author2_variant | r e re f s fs k d kd |
author_GND | http://id.loc.gov/authorities/names/no93001372 http://id.loc.gov/authorities/names/n86859400 |
author_corporate | Centre and periphery, roots and exile (Conference) |
author_corporate_role | |
author_facet | Elliott, Robin, 1956- Sallis, Friedemann DeLong, Kenneth, 1944- Centre and periphery, roots and exile (Conference) |
author_sort | Elliott, Robin, 1956- |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML390 |
callnumber-raw | ML390 .C39 2011 ML390 |
callnumber-search | ML390 .C39 2011 ML390 |
callnumber-sort | ML 3390 C39 42011 |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | István Anhalt : a character sketch / John Beckwith -- Kurtág, as I know him / Gergely Szokolay -- "A kind of musical autobiography" : reading traces in Sándor Veress's Orbis tonorum / Claudio Veress -- Of the centre, periphery; exile, liberation; home and the self / István Anhalt -- István Anhalt's Kingston triptych / Robin Elliott -- István Anhalt's The tents of Abraham : where music cannot heal, let it be restored / William Benjamin -- Which displacement? : tracing exile in the postwar compositions of István Anhalt and Mátyás Seiber / Florian Scheding -- Letters to America / Rachel Beckles Willson -- Roots and routes : travel and translation in István Anhalt's operas / Gordon E. Smith -- Le fonds István Anhalt (MUS 164) à Bibliothèque et Archives Canada : auto-construction du compositeur et rôle du lieu dans son uvre / Rachelle Chiasson-Taylor -- Sewing earth to sky : István Anhalt and the pedagogy of transformation / Austin Clarkson -- György Kurtág's Játékok : a "voyage" into the child's musical mind / Stefano Melis -- Arracher la figure au figuratif : la musique vocale de György Kurtág / Alvaro Oviedo -- Dirges and ditties : György Kurtág's latest settings of poetry by Anna Akhmatova / Julia Galieva-Szokolay -- Interpreting György Kurtág and George Crumb : through the looking glass / Dina Lentsner -- György Kurtág et Walter Benjamin : considérations sur l'aura dans la musique / Jean-Paul Olive -- What presence of the past? : artistic autobiography in György Kurtág's music / Ulrich Mosch -- "Listening to inner voices" : István Anhalt Sonance * Resonance (Welche Töne?) / Alan Gillmor -- Music written from memory in the late work of István Anhalt / Friedemann Sallis -- On doubleness and life in Canada : an interview with István Anhalt. |
ctrlnum | (OCoLC)1055824175 |
dewey-full | 780.92/2 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.92/2 |
dewey-search | 780.92/2 |
dewey-sort | 3780.92 12 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | 1900-1999 fast |
era_facet | 1900-1999 |
format | Electronic Conference Proceeding eBook |
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with assistance from Aaron Dalton.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Waterloo, Ont. :</subfield><subfield code="b">Wilfrid Laurier University Press,</subfield><subfield code="c">[2011]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xviii, 461 pages) :</subfield><subfield code="b">music</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Majority of essays initially presented at the symposium Centre and periphery, roots and exile, at the University of Calgary, 22-25 January, 2008. 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Smith -- Le fonds István Anhalt (MUS 164) à Bibliothèque et Archives Canada : auto-construction du compositeur et rôle du lieu dans son uvre / Rachelle Chiasson-Taylor -- Sewing earth to sky : István Anhalt and the pedagogy of transformation / Austin Clarkson -- György Kurtág's Játékok : a "voyage" into the child's musical mind / Stefano Melis -- Arracher la figure au figuratif : la musique vocale de György Kurtág / Alvaro Oviedo -- Dirges and ditties : György Kurtág's latest settings of poetry by Anna Akhmatova / Julia Galieva-Szokolay -- Interpreting György Kurtág and George Crumb : through the looking glass / Dina Lentsner -- György Kurtág et Walter Benjamin : considérations sur l'aura dans la musique / Jean-Paul Olive -- What presence of the past? : artistic autobiography in György Kurtág's music / Ulrich Mosch -- "Listening to inner voices" : István Anhalt Sonance * Resonance (Welche Töne?) / Alan Gillmor -- Music written from memory in the late work of István Anhalt / Friedemann Sallis -- On doubleness and life in Canada : an interview with István Anhalt.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">Most essays in English; includes 3 essays in French.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This book examines the impact place and displacement can have on the composition and interpretation of Western art music, using as its primary objects of study the work of István Anhalt (1919-2012), György Kurtág (1926-), and Sándor Veress (1907-92). Although all three composers are of Hungarian origin, their careers followed radically different paths. Whereas, Kurtág remained in Budapest for most of his career, Anhalt and Veress left: the former in 1946 and immigrated to Canada and the latter in 1948 and settled in Switzerland. All three composers have had an extraordinary impact in the cultural environments within which their work took place. In the first section, "Place and Displacement," contributors examine what happens when composers and their music migrate in the culturally complex world of the late twentieth century. The past one hundred years produced record numbers of refugees, and this fact is now beginning to resonate in the study of music. As Anhalt himself forcefully asserts, however, not all composers who emigrate should be understood as exiles. The first chapters of this book explore some of the problems and questions surrounding this issue. Essays in the second section, "Perspectives on Reception, Analysis, and Interpretation," look at how performing acts of interpretation on music implies bringing the time, place, and identity of the musician, the analyst, and the teacher to bear on the object of study. Like Kodály, Kurtág considers his work to be "naturally" embedded in Hungarian culture, but he is also a quintessentially European artist. Much of his production--he is one of the twentieth century's most prolific composers of vocal music--involves the setting of Hungarian texts, but in the late 1970s his cultural horizons expanded to include texts in Russian, German, French, English, and ancient Greek. The book explores how musicologists' divergent cultural perspectives impinge on the interpretation of this work. The final section, "The Presence of the Past and Memory in Contemporary Music," examines the impact time and memory can have on notions of place and identity in music. 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genre | Electronic books. Biographies fast Criticism, interpretation, etc. fast History fast |
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geographic | Hungary fast https://id.oclc.org/worldcat/entity/E39PBJqBtb4QKCYGrVyyWtMQMP |
geographic_facet | Hungary |
id | ZDB-4-EBA-on1055824175 |
illustrated | Illustrated |
indexdate | 2024-10-25T15:49:57Z |
institution | BVB |
isbn | 9781554581481 1554581486 9781554581726 1554581729 |
language | English French |
oclc_num | 1055824175 |
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owner_facet | MAIN |
physical | 1 online resource (xviii, 461 pages) : music |
psigel | ZDB-4-EBA |
publishDate | 2011 |
publishDateSearch | 2011 |
publishDateSort | 2011 |
publisher | Wilfrid Laurier University Press, |
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spelling | Centre and periphery, roots and exile : interpreting the music of István Anhalt, György Kurtág, and Sándor Veress / Friedemann Sallis, Robin Elliott, and Kenneth DeLong, editors ; with assistance from Aaron Dalton. Waterloo, Ont. : Wilfrid Laurier University Press, [2011] 1 online resource (xviii, 461 pages) : music text txt rdacontent computer c rdamedia online resource cr rdacarrier Majority of essays initially presented at the symposium Centre and periphery, roots and exile, at the University of Calgary, 22-25 January, 2008. Cf. Introd. Includes bibliographical references and index. István Anhalt : a character sketch / John Beckwith -- Kurtág, as I know him / Gergely Szokolay -- "A kind of musical autobiography" : reading traces in Sándor Veress's Orbis tonorum / Claudio Veress -- Of the centre, periphery; exile, liberation; home and the self / István Anhalt -- István Anhalt's Kingston triptych / Robin Elliott -- István Anhalt's The tents of Abraham : where music cannot heal, let it be restored / William Benjamin -- Which displacement? : tracing exile in the postwar compositions of István Anhalt and Mátyás Seiber / Florian Scheding -- Letters to America / Rachel Beckles Willson -- Roots and routes : travel and translation in István Anhalt's operas / Gordon E. Smith -- Le fonds István Anhalt (MUS 164) à Bibliothèque et Archives Canada : auto-construction du compositeur et rôle du lieu dans son uvre / Rachelle Chiasson-Taylor -- Sewing earth to sky : István Anhalt and the pedagogy of transformation / Austin Clarkson -- György Kurtág's Játékok : a "voyage" into the child's musical mind / Stefano Melis -- Arracher la figure au figuratif : la musique vocale de György Kurtág / Alvaro Oviedo -- Dirges and ditties : György Kurtág's latest settings of poetry by Anna Akhmatova / Julia Galieva-Szokolay -- Interpreting György Kurtág and George Crumb : through the looking glass / Dina Lentsner -- György Kurtág et Walter Benjamin : considérations sur l'aura dans la musique / Jean-Paul Olive -- What presence of the past? : artistic autobiography in György Kurtág's music / Ulrich Mosch -- "Listening to inner voices" : István Anhalt Sonance * Resonance (Welche Töne?) / Alan Gillmor -- Music written from memory in the late work of István Anhalt / Friedemann Sallis -- On doubleness and life in Canada : an interview with István Anhalt. Most essays in English; includes 3 essays in French. This book examines the impact place and displacement can have on the composition and interpretation of Western art music, using as its primary objects of study the work of István Anhalt (1919-2012), György Kurtág (1926-), and Sándor Veress (1907-92). Although all three composers are of Hungarian origin, their careers followed radically different paths. Whereas, Kurtág remained in Budapest for most of his career, Anhalt and Veress left: the former in 1946 and immigrated to Canada and the latter in 1948 and settled in Switzerland. All three composers have had an extraordinary impact in the cultural environments within which their work took place. In the first section, "Place and Displacement," contributors examine what happens when composers and their music migrate in the culturally complex world of the late twentieth century. The past one hundred years produced record numbers of refugees, and this fact is now beginning to resonate in the study of music. As Anhalt himself forcefully asserts, however, not all composers who emigrate should be understood as exiles. The first chapters of this book explore some of the problems and questions surrounding this issue. Essays in the second section, "Perspectives on Reception, Analysis, and Interpretation," look at how performing acts of interpretation on music implies bringing the time, place, and identity of the musician, the analyst, and the teacher to bear on the object of study. Like Kodály, Kurtág considers his work to be "naturally" embedded in Hungarian culture, but he is also a quintessentially European artist. Much of his production--he is one of the twentieth century's most prolific composers of vocal music--involves the setting of Hungarian texts, but in the late 1970s his cultural horizons expanded to include texts in Russian, German, French, English, and ancient Greek. The book explores how musicologists' divergent cultural perspectives impinge on the interpretation of this work. The final section, "The Presence of the Past and Memory in Contemporary Music," examines the impact time and memory can have on notions of place and identity in music. All living art taps into the personal and collective past in one way or another. The final four chapters look at various aspects of this relationship. Anhalt, István, 1919- Kurtág, György. Veress, Sándor, 1907-1992. Kurtág, György fast https://id.oclc.org/worldcat/entity/E39PBJbWwWTR4tCkXxcKVx8wG3 Veress, Sándor, 1907-1992 fast https://id.oclc.org/worldcat/entity/E39PBJm9b7WtRTDgFgCJDXwjYP Composers Hungary Biography. Immigrants History 20th century. Music 20th century History and criticism. http://id.loc.gov/authorities/subjects/sh2001000180 Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Compositeurs Hongrie Biographies. Immigrants Histoire 20e siècle. Musique Histoire et critique. BIOGRAPHY & AUTOBIOGRAPHY Composers & Musicians. bisacsh MUSIC Individual Composer & Musician. bisacsh Composers fast Immigrants fast Music fast Hungary fast https://id.oclc.org/worldcat/entity/E39PBJqBtb4QKCYGrVyyWtMQMP 1900-1999 fast Hungarian composers. Hungarian music. Hungary. Western music composition. biography of composer. classical music biography. composers. composition. displacement. music biography. music criticism. Electronic books. Biographies fast Criticism, interpretation, etc. fast History fast Elliott, Robin, 1956- https://id.oclc.org/worldcat/entity/E39PCjKThcKtJFkggHW4xfj8JC http://id.loc.gov/authorities/names/no93001372 Sallis, Friedemann. DeLong, Kenneth, 1944- https://id.oclc.org/worldcat/entity/E39PCjqDJRRVtYQv93QmT8dkH3 http://id.loc.gov/authorities/names/n86859400 Centre and periphery, roots and exile (Conference) (2008 : University of Calgary) has work: Centre and periphery, roots and exile (Text) https://id.oclc.org/worldcat/entity/E39PCGrkYmkVMwq4QCbxMgGfv3 https://id.oclc.org/worldcat/ontology/hasWork Print version 9781554581481 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=452745 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=452745 Volltext |
spellingShingle | Centre and periphery, roots and exile : interpreting the music of István Anhalt, György Kurtág, and Sándor Veress / István Anhalt : a character sketch / John Beckwith -- Kurtág, as I know him / Gergely Szokolay -- "A kind of musical autobiography" : reading traces in Sándor Veress's Orbis tonorum / Claudio Veress -- Of the centre, periphery; exile, liberation; home and the self / István Anhalt -- István Anhalt's Kingston triptych / Robin Elliott -- István Anhalt's The tents of Abraham : where music cannot heal, let it be restored / William Benjamin -- Which displacement? : tracing exile in the postwar compositions of István Anhalt and Mátyás Seiber / Florian Scheding -- Letters to America / Rachel Beckles Willson -- Roots and routes : travel and translation in István Anhalt's operas / Gordon E. Smith -- Le fonds István Anhalt (MUS 164) à Bibliothèque et Archives Canada : auto-construction du compositeur et rôle du lieu dans son uvre / Rachelle Chiasson-Taylor -- Sewing earth to sky : István Anhalt and the pedagogy of transformation / Austin Clarkson -- György Kurtág's Játékok : a "voyage" into the child's musical mind / Stefano Melis -- Arracher la figure au figuratif : la musique vocale de György Kurtág / Alvaro Oviedo -- Dirges and ditties : György Kurtág's latest settings of poetry by Anna Akhmatova / Julia Galieva-Szokolay -- Interpreting György Kurtág and George Crumb : through the looking glass / Dina Lentsner -- György Kurtág et Walter Benjamin : considérations sur l'aura dans la musique / Jean-Paul Olive -- What presence of the past? : artistic autobiography in György Kurtág's music / Ulrich Mosch -- "Listening to inner voices" : István Anhalt Sonance * Resonance (Welche Töne?) / Alan Gillmor -- Music written from memory in the late work of István Anhalt / Friedemann Sallis -- On doubleness and life in Canada : an interview with István Anhalt. Anhalt, István, 1919- Kurtág, György. Veress, Sándor, 1907-1992. Kurtág, György fast https://id.oclc.org/worldcat/entity/E39PBJbWwWTR4tCkXxcKVx8wG3 Veress, Sándor, 1907-1992 fast https://id.oclc.org/worldcat/entity/E39PBJm9b7WtRTDgFgCJDXwjYP Composers Hungary Biography. Immigrants History 20th century. Music 20th century History and criticism. http://id.loc.gov/authorities/subjects/sh2001000180 Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Compositeurs Hongrie Biographies. Immigrants Histoire 20e siècle. Musique Histoire et critique. BIOGRAPHY & AUTOBIOGRAPHY Composers & Musicians. bisacsh MUSIC Individual Composer & Musician. bisacsh Composers fast Immigrants fast Music fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh2001000180 http://id.loc.gov/authorities/subjects/sh85088794 |
title | Centre and periphery, roots and exile : interpreting the music of István Anhalt, György Kurtág, and Sándor Veress / |
title_auth | Centre and periphery, roots and exile : interpreting the music of István Anhalt, György Kurtág, and Sándor Veress / |
title_exact_search | Centre and periphery, roots and exile : interpreting the music of István Anhalt, György Kurtág, and Sándor Veress / |
title_full | Centre and periphery, roots and exile : interpreting the music of István Anhalt, György Kurtág, and Sándor Veress / Friedemann Sallis, Robin Elliott, and Kenneth DeLong, editors ; with assistance from Aaron Dalton. |
title_fullStr | Centre and periphery, roots and exile : interpreting the music of István Anhalt, György Kurtág, and Sándor Veress / Friedemann Sallis, Robin Elliott, and Kenneth DeLong, editors ; with assistance from Aaron Dalton. |
title_full_unstemmed | Centre and periphery, roots and exile : interpreting the music of István Anhalt, György Kurtág, and Sándor Veress / Friedemann Sallis, Robin Elliott, and Kenneth DeLong, editors ; with assistance from Aaron Dalton. |
title_short | Centre and periphery, roots and exile : |
title_sort | centre and periphery roots and exile interpreting the music of istvan anhalt gyorgy kurtag and sandor veress |
title_sub | interpreting the music of István Anhalt, György Kurtág, and Sándor Veress / |
topic | Anhalt, István, 1919- Kurtág, György. Veress, Sándor, 1907-1992. Kurtág, György fast https://id.oclc.org/worldcat/entity/E39PBJbWwWTR4tCkXxcKVx8wG3 Veress, Sándor, 1907-1992 fast https://id.oclc.org/worldcat/entity/E39PBJm9b7WtRTDgFgCJDXwjYP Composers Hungary Biography. Immigrants History 20th century. Music 20th century History and criticism. http://id.loc.gov/authorities/subjects/sh2001000180 Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Compositeurs Hongrie Biographies. Immigrants Histoire 20e siècle. Musique Histoire et critique. BIOGRAPHY & AUTOBIOGRAPHY Composers & Musicians. bisacsh MUSIC Individual Composer & Musician. bisacsh Composers fast Immigrants fast Music fast |
topic_facet | Anhalt, István, 1919- Kurtág, György. Veress, Sándor, 1907-1992. Kurtág, György Veress, Sándor, 1907-1992 Composers Hungary Biography. Immigrants History 20th century. Music 20th century History and criticism. Music History and criticism. Compositeurs Hongrie Biographies. Immigrants Histoire 20e siècle. Musique Histoire et critique. BIOGRAPHY & AUTOBIOGRAPHY Composers & Musicians. MUSIC Individual Composer & Musician. Composers Immigrants Music Hungary Electronic books. Biographies Criticism, interpretation, etc. History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=452745 |
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