Advertising, Communications & Copyright /:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Strawberry Hills, N.S.W., Australia :
Australian Copyright Council,
2014.
|
| Schriftenreihe: | Publication (Australian Copyright Council) ;
B151v01. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | "December 2014." |
| Beschreibung: | 1 online resource |
| ISBN: | 9781875833313 1875833315 |
Internformat
MARC
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| 100 | 1 | |a Philips, Fiona, |e author. | |
| 245 | 1 | 0 | |a Advertising, Communications & Copyright / |c authors Fiona Phillips and Naomi Messenger. |
| 246 | 3 | |a Advertising, Comminucations and Copyright | |
| 264 | 4 | |c ©2014 | |
| 264 | 3 | 1 | |a Strawberry Hills, N.S.W., Australia : |b Australian Copyright Council, |c 2014. |
| 300 | |a 1 online resource | ||
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| 490 | 1 | |a [Publication] / Australian Copyright Council ; |v B151v01 | |
| 505 | 0 | |a Intro; 1. About this publication; 1.1 Who this guide is for; 1.2 How this guide is set out; 1.3 Information, not legal advice; 1.4 Glossary; 2. Introduction; 2.1 Introduction; 2.2 Copyright in copywriting; 2.3 What does copyright protect?; 2.4 Material not protected by copyright; 2.5 How long does copyright last?; 2.6 Ownership of copyright; 2.7 Copyright is a type of property; 2.8 The exclusive rights of the copyright owner; 2.9 Accessing material online; 2.10 When is copyright infringed?; 2.11 Moral rights; 2.12 Performers' rights; 2.13 Orphan works; 2.14 Character merchandising | |
| 505 | 8 | |a 3. Exceptions3.1 Introduction; 3.2 Contract and exceptions; 3.3 Fair dealing; 4. Contracts: assignments and licences; 4.1 Ownership; 4.2 Assignments; 4.3 Exclusive licences; 4.4 Non-exclusive licences; 4.5 Contractual licences; 4.6 "Bare" licences; 4.7 Express & implied licences; 4.8 What to cover in a licence; 4.9 Moral rights in advertising; 5. Practical pointers; 5.1 Start early and consider choosing content you can readily clear; 5.2 Work out your budget; 5.3 Learn when a clearance will be needed; 5.4 Learn where there are hidden risks; 5.5 Don't assume you'll get a clearance | |
| 505 | 8 | |a 5.6 Is the licence yours or your client's?5.7 Collecting societies and pre-licensed content; 5.8 Content available under "open" licences such as Creative Commons; 5.9 Build up your knowledge of sources and providers; 5.10 Set up a copyright register; 5.11 Manage your risks; 6. Managing the clearance process; 6.1 Identify what material is being used; 6.2 Develop alternative options for when you can't get a clearance; 6.3 Have guidelines & pro forma documents available; 6.4 Watch for "embedded" material; 6.5 Be wary of paraphrasing; 6.6 Identify how the material is going to be used | |
| 505 | 8 | |a 6.7 Identify the extent to which a permission may be needed6.8 Who is the contracting party?; 6.9 Ownership; 6.10 Request the clearance; 6.11 Document the clearance; 7. The digital space; 7.1 Digital is different; 7.2 Protecting the integrity of your content; 7.3 Ad placement; 7.4 Online risk management; 7.5 Other areas of the law; 8. Commercial products and clothing; 8.1 Filming & broadcasting artworks, clothing & products; 8.2 Photographing clothing & products; 8.3 Clothing packaging/logos; 8.4 Trains, planes & automobiles; 8.5 Making copies or replicas; 8.6 Sydney Opera House | |
| 505 | 8 | |a 9. Building compliance9.1 Building a copyright profile: step 1; 9.2 Building a compliance profile: step 2; 9.3 Building compliance procedures; 9.4 Assist colleagues & contractors to assist you; 10. Managing infringements; 10.1 Introduction; 10.2 Liability; 10.3 Dealing with infringement; Appendix A -- Copyright Collecting Societies; Copyright Agency; Viscopy; Australasian Performing Right Association (APRA); Australasian Mechanical Copyright Owners Society (AMCOS); Phonographic Performance Company of Australia (PPCA); Screenrights; Appendix B -- Other Useful Organisations | |
| 500 | |a "December 2014." | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Advertising laws |z Australia. | |
| 650 | 0 | |a Communication |x Law and legislation |z Australia. | |
| 650 | 0 | |a Copyright |z Australia. | |
| 650 | 6 | |a Droit d'auteur |z Australie. | |
| 650 | 7 | |a LAW |x Administrative Law & Regulatory Practice. |2 bisacsh | |
| 650 | 7 | |a Advertising laws |2 fast | |
| 650 | 7 | |a Communication |x Law and legislation |2 fast | |
| 650 | 7 | |a Copyright |2 fast | |
| 651 | 7 | |a Australia |2 fast |1 https://id.oclc.org/worldcat/entity/E39QbtfRv8PPH7gCqhkJ8DK8bM | |
| 700 | 1 | |a Messenger, Naomi, |e author. | |
| 710 | 2 | |a Australian Copyright Council, |e issuing body. |0 http://id.loc.gov/authorities/names/n89616291 | |
| 776 | 0 | 8 | |i Print version: |a Philips, Fiona. |t Advertising, Communications and Copyright. |d Strawberry Hills, N.S.W., Australia Australian Copyright Council, 2014 |z 9781875833030 |w (OCoLC)900026994 |
| 830 | 0 | |a Publication (Australian Copyright Council) ; |v B151v01. |0 http://id.loc.gov/authorities/names/no98072386 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1051680542 |
|---|---|
| _version_ | 1813901628379496448 |
| adam_text | |
| any_adam_object | |
| author | Philips, Fiona Messenger, Naomi |
| author_facet | Philips, Fiona Messenger, Naomi |
| author_role | aut aut |
| author_sort | Philips, Fiona |
| author_variant | f p fp n m nm |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | K - Law |
| callnumber-label | KU982 |
| callnumber-raw | KU982.4 .P45 2014eb |
| callnumber-search | KU982.4 .P45 2014eb |
| callnumber-sort | KU 3982.4 P45 42014EB |
| collection | ZDB-4-EBA |
| contents | Intro; 1. About this publication; 1.1 Who this guide is for; 1.2 How this guide is set out; 1.3 Information, not legal advice; 1.4 Glossary; 2. Introduction; 2.1 Introduction; 2.2 Copyright in copywriting; 2.3 What does copyright protect?; 2.4 Material not protected by copyright; 2.5 How long does copyright last?; 2.6 Ownership of copyright; 2.7 Copyright is a type of property; 2.8 The exclusive rights of the copyright owner; 2.9 Accessing material online; 2.10 When is copyright infringed?; 2.11 Moral rights; 2.12 Performers' rights; 2.13 Orphan works; 2.14 Character merchandising 3. Exceptions3.1 Introduction; 3.2 Contract and exceptions; 3.3 Fair dealing; 4. Contracts: assignments and licences; 4.1 Ownership; 4.2 Assignments; 4.3 Exclusive licences; 4.4 Non-exclusive licences; 4.5 Contractual licences; 4.6 "Bare" licences; 4.7 Express & implied licences; 4.8 What to cover in a licence; 4.9 Moral rights in advertising; 5. Practical pointers; 5.1 Start early and consider choosing content you can readily clear; 5.2 Work out your budget; 5.3 Learn when a clearance will be needed; 5.4 Learn where there are hidden risks; 5.5 Don't assume you'll get a clearance 5.6 Is the licence yours or your client's?5.7 Collecting societies and pre-licensed content; 5.8 Content available under "open" licences such as Creative Commons; 5.9 Build up your knowledge of sources and providers; 5.10 Set up a copyright register; 5.11 Manage your risks; 6. Managing the clearance process; 6.1 Identify what material is being used; 6.2 Develop alternative options for when you can't get a clearance; 6.3 Have guidelines & pro forma documents available; 6.4 Watch for "embedded" material; 6.5 Be wary of paraphrasing; 6.6 Identify how the material is going to be used 6.7 Identify the extent to which a permission may be needed6.8 Who is the contracting party?; 6.9 Ownership; 6.10 Request the clearance; 6.11 Document the clearance; 7. The digital space; 7.1 Digital is different; 7.2 Protecting the integrity of your content; 7.3 Ad placement; 7.4 Online risk management; 7.5 Other areas of the law; 8. Commercial products and clothing; 8.1 Filming & broadcasting artworks, clothing & products; 8.2 Photographing clothing & products; 8.3 Clothing packaging/logos; 8.4 Trains, planes & automobiles; 8.5 Making copies or replicas; 8.6 Sydney Opera House 9. Building compliance9.1 Building a copyright profile: step 1; 9.2 Building a compliance profile: step 2; 9.3 Building compliance procedures; 9.4 Assist colleagues & contractors to assist you; 10. Managing infringements; 10.1 Introduction; 10.2 Liability; 10.3 Dealing with infringement; Appendix A -- Copyright Collecting Societies; Copyright Agency; Viscopy; Australasian Performing Right Association (APRA); Australasian Mechanical Copyright Owners Society (AMCOS); Phonographic Performance Company of Australia (PPCA); Screenrights; Appendix B -- Other Useful Organisations |
| ctrlnum | (OCoLC)1051680542 |
| dewey-full | 346.940482 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 346 - Private law |
| dewey-raw | 346.940482 |
| dewey-search | 346.940482 |
| dewey-sort | 3346.940482 |
| dewey-tens | 340 - Law |
| discipline | Rechtswissenschaft |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1051680542 |
| illustrated | Not Illustrated |
| indexdate | 2024-10-25T15:49:55Z |
| institution | BVB |
| institution_GND | http://id.loc.gov/authorities/names/n89616291 |
| isbn | 9781875833313 1875833315 |
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| publishDate | 2014 |
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| publisher | Australian Copyright Council, |
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| series | Publication (Australian Copyright Council) ; |
| series2 | [Publication] / Australian Copyright Council ; |
| spelling | Philips, Fiona, author. Advertising, Communications & Copyright / authors Fiona Phillips and Naomi Messenger. Advertising, Comminucations and Copyright ©2014 Strawberry Hills, N.S.W., Australia : Australian Copyright Council, 2014. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier [Publication] / Australian Copyright Council ; B151v01 Intro; 1. About this publication; 1.1 Who this guide is for; 1.2 How this guide is set out; 1.3 Information, not legal advice; 1.4 Glossary; 2. Introduction; 2.1 Introduction; 2.2 Copyright in copywriting; 2.3 What does copyright protect?; 2.4 Material not protected by copyright; 2.5 How long does copyright last?; 2.6 Ownership of copyright; 2.7 Copyright is a type of property; 2.8 The exclusive rights of the copyright owner; 2.9 Accessing material online; 2.10 When is copyright infringed?; 2.11 Moral rights; 2.12 Performers' rights; 2.13 Orphan works; 2.14 Character merchandising 3. Exceptions3.1 Introduction; 3.2 Contract and exceptions; 3.3 Fair dealing; 4. Contracts: assignments and licences; 4.1 Ownership; 4.2 Assignments; 4.3 Exclusive licences; 4.4 Non-exclusive licences; 4.5 Contractual licences; 4.6 "Bare" licences; 4.7 Express & implied licences; 4.8 What to cover in a licence; 4.9 Moral rights in advertising; 5. Practical pointers; 5.1 Start early and consider choosing content you can readily clear; 5.2 Work out your budget; 5.3 Learn when a clearance will be needed; 5.4 Learn where there are hidden risks; 5.5 Don't assume you'll get a clearance 5.6 Is the licence yours or your client's?5.7 Collecting societies and pre-licensed content; 5.8 Content available under "open" licences such as Creative Commons; 5.9 Build up your knowledge of sources and providers; 5.10 Set up a copyright register; 5.11 Manage your risks; 6. Managing the clearance process; 6.1 Identify what material is being used; 6.2 Develop alternative options for when you can't get a clearance; 6.3 Have guidelines & pro forma documents available; 6.4 Watch for "embedded" material; 6.5 Be wary of paraphrasing; 6.6 Identify how the material is going to be used 6.7 Identify the extent to which a permission may be needed6.8 Who is the contracting party?; 6.9 Ownership; 6.10 Request the clearance; 6.11 Document the clearance; 7. The digital space; 7.1 Digital is different; 7.2 Protecting the integrity of your content; 7.3 Ad placement; 7.4 Online risk management; 7.5 Other areas of the law; 8. Commercial products and clothing; 8.1 Filming & broadcasting artworks, clothing & products; 8.2 Photographing clothing & products; 8.3 Clothing packaging/logos; 8.4 Trains, planes & automobiles; 8.5 Making copies or replicas; 8.6 Sydney Opera House 9. Building compliance9.1 Building a copyright profile: step 1; 9.2 Building a compliance profile: step 2; 9.3 Building compliance procedures; 9.4 Assist colleagues & contractors to assist you; 10. Managing infringements; 10.1 Introduction; 10.2 Liability; 10.3 Dealing with infringement; Appendix A -- Copyright Collecting Societies; Copyright Agency; Viscopy; Australasian Performing Right Association (APRA); Australasian Mechanical Copyright Owners Society (AMCOS); Phonographic Performance Company of Australia (PPCA); Screenrights; Appendix B -- Other Useful Organisations "December 2014." Print version record. Advertising laws Australia. Communication Law and legislation Australia. Copyright Australia. Droit d'auteur Australie. LAW Administrative Law & Regulatory Practice. bisacsh Advertising laws fast Communication Law and legislation fast Copyright fast Australia fast https://id.oclc.org/worldcat/entity/E39QbtfRv8PPH7gCqhkJ8DK8bM Messenger, Naomi, author. Australian Copyright Council, issuing body. http://id.loc.gov/authorities/names/n89616291 Print version: Philips, Fiona. Advertising, Communications and Copyright. Strawberry Hills, N.S.W., Australia Australian Copyright Council, 2014 9781875833030 (OCoLC)900026994 Publication (Australian Copyright Council) ; B151v01. http://id.loc.gov/authorities/names/no98072386 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1222497 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1222497 Volltext |
| spellingShingle | Philips, Fiona Messenger, Naomi Advertising, Communications & Copyright / Publication (Australian Copyright Council) ; Intro; 1. About this publication; 1.1 Who this guide is for; 1.2 How this guide is set out; 1.3 Information, not legal advice; 1.4 Glossary; 2. Introduction; 2.1 Introduction; 2.2 Copyright in copywriting; 2.3 What does copyright protect?; 2.4 Material not protected by copyright; 2.5 How long does copyright last?; 2.6 Ownership of copyright; 2.7 Copyright is a type of property; 2.8 The exclusive rights of the copyright owner; 2.9 Accessing material online; 2.10 When is copyright infringed?; 2.11 Moral rights; 2.12 Performers' rights; 2.13 Orphan works; 2.14 Character merchandising 3. Exceptions3.1 Introduction; 3.2 Contract and exceptions; 3.3 Fair dealing; 4. Contracts: assignments and licences; 4.1 Ownership; 4.2 Assignments; 4.3 Exclusive licences; 4.4 Non-exclusive licences; 4.5 Contractual licences; 4.6 "Bare" licences; 4.7 Express & implied licences; 4.8 What to cover in a licence; 4.9 Moral rights in advertising; 5. Practical pointers; 5.1 Start early and consider choosing content you can readily clear; 5.2 Work out your budget; 5.3 Learn when a clearance will be needed; 5.4 Learn where there are hidden risks; 5.5 Don't assume you'll get a clearance 5.6 Is the licence yours or your client's?5.7 Collecting societies and pre-licensed content; 5.8 Content available under "open" licences such as Creative Commons; 5.9 Build up your knowledge of sources and providers; 5.10 Set up a copyright register; 5.11 Manage your risks; 6. Managing the clearance process; 6.1 Identify what material is being used; 6.2 Develop alternative options for when you can't get a clearance; 6.3 Have guidelines & pro forma documents available; 6.4 Watch for "embedded" material; 6.5 Be wary of paraphrasing; 6.6 Identify how the material is going to be used 6.7 Identify the extent to which a permission may be needed6.8 Who is the contracting party?; 6.9 Ownership; 6.10 Request the clearance; 6.11 Document the clearance; 7. The digital space; 7.1 Digital is different; 7.2 Protecting the integrity of your content; 7.3 Ad placement; 7.4 Online risk management; 7.5 Other areas of the law; 8. Commercial products and clothing; 8.1 Filming & broadcasting artworks, clothing & products; 8.2 Photographing clothing & products; 8.3 Clothing packaging/logos; 8.4 Trains, planes & automobiles; 8.5 Making copies or replicas; 8.6 Sydney Opera House 9. Building compliance9.1 Building a copyright profile: step 1; 9.2 Building a compliance profile: step 2; 9.3 Building compliance procedures; 9.4 Assist colleagues & contractors to assist you; 10. Managing infringements; 10.1 Introduction; 10.2 Liability; 10.3 Dealing with infringement; Appendix A -- Copyright Collecting Societies; Copyright Agency; Viscopy; Australasian Performing Right Association (APRA); Australasian Mechanical Copyright Owners Society (AMCOS); Phonographic Performance Company of Australia (PPCA); Screenrights; Appendix B -- Other Useful Organisations Advertising laws Australia. Communication Law and legislation Australia. Copyright Australia. Droit d'auteur Australie. LAW Administrative Law & Regulatory Practice. bisacsh Advertising laws fast Communication Law and legislation fast Copyright fast |
| title | Advertising, Communications & Copyright / |
| title_alt | Advertising, Comminucations and Copyright |
| title_auth | Advertising, Communications & Copyright / |
| title_exact_search | Advertising, Communications & Copyright / |
| title_full | Advertising, Communications & Copyright / authors Fiona Phillips and Naomi Messenger. |
| title_fullStr | Advertising, Communications & Copyright / authors Fiona Phillips and Naomi Messenger. |
| title_full_unstemmed | Advertising, Communications & Copyright / authors Fiona Phillips and Naomi Messenger. |
| title_short | Advertising, Communications & Copyright / |
| title_sort | advertising communications copyright |
| topic | Advertising laws Australia. Communication Law and legislation Australia. Copyright Australia. Droit d'auteur Australie. LAW Administrative Law & Regulatory Practice. bisacsh Advertising laws fast Communication Law and legislation fast Copyright fast |
| topic_facet | Advertising laws Australia. Communication Law and legislation Australia. Copyright Australia. Droit d'auteur Australie. LAW Administrative Law & Regulatory Practice. Advertising laws Communication Law and legislation Copyright Australia |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1222497 |
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