Time, existential presence, and the cinematic image :: ethics and emergence to being in film /
In Time, Existential Presence and the Cinematic Image , Sam B. Girgus relates Laura Mulvey's theory of ÃǾ²ƠÅ₃delayed cinemaÃǾ²ƠÂ₊ to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others.
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh :
Edinburgh University Press,
[2018]
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | In Time, Existential Presence and the Cinematic Image , Sam B. Girgus relates Laura Mulvey's theory of ÃǾ²ƠÅ₃delayed cinemaÃǾ²ƠÂ₊ to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others. |
| Physical Description: | 1 online resource (vii, 191 pages) : illustrations |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9781474436250 1474436250 9781474436267 1474436269 |
Staff View
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| 245 | 1 | 0 | |a Time, existential presence, and the cinematic image : |b ethics and emergence to being in film / |c Sam B. Girgus. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (vii, 191 pages) : |b illustrations | ||
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| 588 | 0 | |a Print version record. | |
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| 650 | 0 | |a Motion pictures |x Moral and ethical aspects. |0 http://id.loc.gov/authorities/subjects/sh85088101 | |
| 650 | 6 | |a Cinéma |x Histoire. | |
| 650 | 6 | |a Cinéma |x Aspect moral. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
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| author | Girgus, Sam B., 1941- |
| author_GND | http://id.loc.gov/authorities/names/n78073888 |
| author_facet | Girgus, Sam B., 1941- |
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| contents | Delayed cinema and "this space-time of freedom": De Sica's Bicycle Thieves (1948) -- La Demora (2012) -- Existence and ethics in the Dardenne Brothers' Two Days, One Night (2015) -- El Viaje: Tommy Lee Jones and the violent times of the mission to Mexico -- The American way: time, death, and resurrection in Iñárritu's Western masterpiece. |
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| dewey-ones | 791 - Public performances |
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| dewey-search | 791.43/72 |
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| genre | History fast |
| genre_facet | History |
| id | ZDB-4-EBA-on1048428759 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:46:28Z |
| institution | BVB |
| isbn | 9781474436250 1474436250 9781474436267 1474436269 |
| language | English |
| oclc_num | 1048428759 |
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| physical | 1 online resource (vii, 191 pages) : illustrations |
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| spelling | Girgus, Sam B., 1941- author. https://id.oclc.org/worldcat/entity/E39PBJjtbdgXGpdVwMj9gxF3Qq http://id.loc.gov/authorities/names/n78073888 Time, existential presence, and the cinematic image : ethics and emergence to being in film / Sam B. Girgus. Edinburgh : Edinburgh University Press, [2018] ©2018 1 online resource (vii, 191 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Delayed cinema and "this space-time of freedom": De Sica's Bicycle Thieves (1948) -- La Demora (2012) -- Existence and ethics in the Dardenne Brothers' Two Days, One Night (2015) -- El Viaje: Tommy Lee Jones and the violent times of the mission to Mexico -- The American way: time, death, and resurrection in Iñárritu's Western masterpiece. Print version record. In Time, Existential Presence and the Cinematic Image , Sam B. Girgus relates Laura Mulvey's theory of ÃǾ²ƠÅ₃delayed cinemaÃǾ²ƠÂ₊ to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others. Motion pictures Philosophy. Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Motion pictures Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85088101 Cinéma Histoire. Cinéma Aspect moral. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh HISTORY Middle East General. bisacsh Motion pictures fast Motion pictures Moral and ethical aspects fast Motion pictures Philosophy fast History fast has work: Time, existential presence and the cinematic image (Text) https://id.oclc.org/worldcat/entity/E39PCGX9DYPwKp3wDvtmb3dM6C https://id.oclc.org/worldcat/ontology/hasWork Print version: GIRGUS, SAM B. TIME, EXISTENTIAL PRESENCE AND THE CINEMATIC IMAGE 9781474436236 (OCoLC)1030600470 |
| spellingShingle | Girgus, Sam B., 1941- Time, existential presence, and the cinematic image : ethics and emergence to being in film / Delayed cinema and "this space-time of freedom": De Sica's Bicycle Thieves (1948) -- La Demora (2012) -- Existence and ethics in the Dardenne Brothers' Two Days, One Night (2015) -- El Viaje: Tommy Lee Jones and the violent times of the mission to Mexico -- The American way: time, death, and resurrection in Iñárritu's Western masterpiece. Motion pictures Philosophy. Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Motion pictures Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85088101 Cinéma Histoire. Cinéma Aspect moral. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh HISTORY Middle East General. bisacsh Motion pictures fast Motion pictures Moral and ethical aspects fast Motion pictures Philosophy fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh87002438 http://id.loc.gov/authorities/subjects/sh85088101 |
| title | Time, existential presence, and the cinematic image : ethics and emergence to being in film / |
| title_auth | Time, existential presence, and the cinematic image : ethics and emergence to being in film / |
| title_exact_search | Time, existential presence, and the cinematic image : ethics and emergence to being in film / |
| title_full | Time, existential presence, and the cinematic image : ethics and emergence to being in film / Sam B. Girgus. |
| title_fullStr | Time, existential presence, and the cinematic image : ethics and emergence to being in film / Sam B. Girgus. |
| title_full_unstemmed | Time, existential presence, and the cinematic image : ethics and emergence to being in film / Sam B. Girgus. |
| title_short | Time, existential presence, and the cinematic image : |
| title_sort | time existential presence and the cinematic image ethics and emergence to being in film |
| title_sub | ethics and emergence to being in film / |
| topic | Motion pictures Philosophy. Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Motion pictures Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85088101 Cinéma Histoire. Cinéma Aspect moral. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh HISTORY Middle East General. bisacsh Motion pictures fast Motion pictures Moral and ethical aspects fast Motion pictures Philosophy fast |
| topic_facet | Motion pictures Philosophy. Motion pictures History. Motion pictures Moral and ethical aspects. Cinéma Histoire. Cinéma Aspect moral. Cinéma Philosophie. PERFORMING ARTS Reference. HISTORY Middle East General. Motion pictures Motion pictures Moral and ethical aspects Motion pictures Philosophy History |
| work_keys_str_mv | AT girgussamb timeexistentialpresenceandthecinematicimageethicsandemergencetobeinginfilm |