Time, existential presence, and the cinematic image :: ethics and emergence to being in film /
In Time, Existential Presence and the Cinematic Image , Sam B. Girgus relates Laura Mulvey's theory of ÃǾ²ƠÅ₃delayed cinemaÃǾ²ƠÂ₊ to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2018]
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | In Time, Existential Presence and the Cinematic Image , Sam B. Girgus relates Laura Mulvey's theory of ÃǾ²ƠÅ₃delayed cinemaÃǾ²ƠÂ₊ to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others. |
| Beschreibung: | 1 online resource (vii, 191 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781474436250 1474436250 9781474436267 1474436269 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1048428759 | ||
| 003 | OCoLC | ||
| 005 | 20250103110447.0 | ||
| 006 | m o d | ||
| 007 | cr mn||||||||| | ||
| 008 | 180814t20182018stka ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d N$T |d YDX |d OCLCF |d NLE |d CAMBR |d JSTOR |d UKMGB |d OTZ |d AUD |d AU@ |d OSU |d OCL |d OCLCQ |d UX1 |d UKAHL |d UIU |d OCLCO |d S2H |d OCLCQ |d OCLCO |d SFB |d LUU |d OCLCQ |d OCLCO |d OCLCL |d OCLCQ | ||
| 015 | |a GBB8G0798 |2 bnb | ||
| 015 | |a GBB8D6786 |2 bnb | ||
| 016 | 7 | |a 018988202 |2 Uk | |
| 016 | 7 | |a 019027809 |2 Uk | |
| 019 | |a 1048934343 |a 1049818679 |a 1049820017 |a 1076308827 |a 1119589020 |a 1162329674 |a 1175640016 |a 1241938002 |a 1242477482 |a 1391790530 | ||
| 020 | |a 9781474436250 |q (electronic bk.) | ||
| 020 | |a 1474436250 |q (electronic bk.) | ||
| 020 | |a 9781474436267 |q (electronic bk.) | ||
| 020 | |a 1474436269 |q (electronic bk.) | ||
| 020 | |z 9781474436236 |q (hardcover) | ||
| 020 | |z 1474436234 |q (hardcover) | ||
| 035 | |a (OCoLC)1048428759 |z (OCoLC)1048934343 |z (OCoLC)1049818679 |z (OCoLC)1049820017 |z (OCoLC)1076308827 |z (OCoLC)1119589020 |z (OCoLC)1162329674 |z (OCoLC)1175640016 |z (OCoLC)1241938002 |z (OCoLC)1242477482 |z (OCoLC)1391790530 | ||
| 037 | |a 22573/ctv7j6964 |b JSTOR | ||
| 050 | 4 | |a PN1995.5 |b .G524 2018eb | |
| 072 | 7 | |a PER |x 009000 |2 bisacsh | |
| 072 | 7 | |a HIS |x 026000 |2 bisacsh | |
| 082 | 7 | |a 791.43/72 |2 22 | |
| 084 | |a AP 45500 |q DE-25/sred20 |2 rvk |0 (DE-625)rvk/7523: | ||
| 049 | |a MAIN | ||
| 100 | 1 | |a Girgus, Sam B., |d 1941- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJjtbdgXGpdVwMj9gxF3Qq |0 http://id.loc.gov/authorities/names/n78073888 | |
| 245 | 1 | 0 | |a Time, existential presence, and the cinematic image : |b ethics and emergence to being in film / |c Sam B. Girgus. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (vii, 191 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Delayed cinema and "this space-time of freedom": De Sica's Bicycle Thieves (1948) -- La Demora (2012) -- Existence and ethics in the Dardenne Brothers' Two Days, One Night (2015) -- El Viaje: Tommy Lee Jones and the violent times of the mission to Mexico -- The American way: time, death, and resurrection in Iñárritu's Western masterpiece. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a In Time, Existential Presence and the Cinematic Image , Sam B. Girgus relates Laura Mulvey's theory of ÃǾ²ƠÅ₃delayed cinemaÃǾ²ƠÂ₊ to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others. | ||
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Motion pictures |x History. |0 http://id.loc.gov/authorities/subjects/sh87002438 | |
| 650 | 0 | |a Motion pictures |x Moral and ethical aspects. |0 http://id.loc.gov/authorities/subjects/sh85088101 | |
| 650 | 6 | |a Cinéma |x Histoire. | |
| 650 | 6 | |a Cinéma |x Aspect moral. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a HISTORY |z Middle East |x General. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Moral and ethical aspects |2 fast | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Time, existential presence and the cinematic image (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGX9DYPwKp3wDvtmb3dM6C |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a GIRGUS, SAM B. |t TIME, EXISTENTIAL PRESENCE AND THE CINEMATIC IMAGE |z 9781474436236 |w (OCoLC)1030600470 |
| 966 | 4 | 0 | |l DE-862 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1868496 |3 Volltext |
| 966 | 4 | 0 | |l DE-863 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1868496 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH35129958 | ||
| 938 | |a EBSCOhost |b EBSC |n 1868496 | ||
| 938 | |a YBP Library Services |b YANK |n 15647156 | ||
| 938 | |a YBP Library Services |b YANK |n 15649425 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-862 | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1048428759 |
|---|---|
| _version_ | 1829095277808582656 |
| adam_text | |
| any_adam_object | |
| author | Girgus, Sam B., 1941- |
| author_GND | http://id.loc.gov/authorities/names/n78073888 |
| author_facet | Girgus, Sam B., 1941- |
| author_role | aut |
| author_sort | Girgus, Sam B., 1941- |
| author_variant | s b g sb sbg |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.5 .G524 2018eb |
| callnumber-search | PN1995.5 .G524 2018eb |
| callnumber-sort | PN 41995.5 G524 42018EB |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 45500 |
| collection | ZDB-4-EBA |
| contents | Delayed cinema and "this space-time of freedom": De Sica's Bicycle Thieves (1948) -- La Demora (2012) -- Existence and ethics in the Dardenne Brothers' Two Days, One Night (2015) -- El Viaje: Tommy Lee Jones and the violent times of the mission to Mexico -- The American way: time, death, and resurrection in Iñárritu's Western masterpiece. |
| ctrlnum | (OCoLC)1048428759 |
| dewey-full | 791.43/72 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/72 |
| dewey-search | 791.43/72 |
| dewey-sort | 3791.43 272 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04080cam a2200721 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1048428759</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20250103110447.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr mn|||||||||</controlfield><controlfield tag="008">180814t20182018stka ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">N$T</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCF</subfield><subfield code="d">NLE</subfield><subfield code="d">CAMBR</subfield><subfield code="d">JSTOR</subfield><subfield code="d">UKMGB</subfield><subfield code="d">OTZ</subfield><subfield code="d">AUD</subfield><subfield code="d">AU@</subfield><subfield code="d">OSU</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UX1</subfield><subfield code="d">UKAHL</subfield><subfield code="d">UIU</subfield><subfield code="d">OCLCO</subfield><subfield code="d">S2H</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">SFB</subfield><subfield code="d">LUU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB8G0798</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB8D6786</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">018988202</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">019027809</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1048934343</subfield><subfield code="a">1049818679</subfield><subfield code="a">1049820017</subfield><subfield code="a">1076308827</subfield><subfield code="a">1119589020</subfield><subfield code="a">1162329674</subfield><subfield code="a">1175640016</subfield><subfield code="a">1241938002</subfield><subfield code="a">1242477482</subfield><subfield code="a">1391790530</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474436250</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1474436250</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474436267</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1474436269</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781474436236</subfield><subfield code="q">(hardcover)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1474436234</subfield><subfield code="q">(hardcover)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1048428759</subfield><subfield code="z">(OCoLC)1048934343</subfield><subfield code="z">(OCoLC)1049818679</subfield><subfield code="z">(OCoLC)1049820017</subfield><subfield code="z">(OCoLC)1076308827</subfield><subfield code="z">(OCoLC)1119589020</subfield><subfield code="z">(OCoLC)1162329674</subfield><subfield code="z">(OCoLC)1175640016</subfield><subfield code="z">(OCoLC)1241938002</subfield><subfield code="z">(OCoLC)1242477482</subfield><subfield code="z">(OCoLC)1391790530</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv7j6964</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1995.5</subfield><subfield code="b">.G524 2018eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">009000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">HIS</subfield><subfield code="x">026000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.43/72</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 45500</subfield><subfield code="q">DE-25/sred20</subfield><subfield code="2">rvk</subfield><subfield code="0">(DE-625)rvk/7523:</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Girgus, Sam B.,</subfield><subfield code="d">1941-</subfield><subfield code="e">author.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJjtbdgXGpdVwMj9gxF3Qq</subfield><subfield code="0">http://id.loc.gov/authorities/names/n78073888</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Time, existential presence, and the cinematic image :</subfield><subfield code="b">ethics and emergence to being in film /</subfield><subfield code="c">Sam B. Girgus.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh :</subfield><subfield code="b">Edinburgh University Press,</subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (vii, 191 pages) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Delayed cinema and "this space-time of freedom": De Sica's Bicycle Thieves (1948) -- La Demora (2012) -- Existence and ethics in the Dardenne Brothers' Two Days, One Night (2015) -- El Viaje: Tommy Lee Jones and the violent times of the mission to Mexico -- The American way: time, death, and resurrection in Iñárritu's Western masterpiece.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In Time, Existential Presence and the Cinematic Image , Sam B. Girgus relates Laura Mulvey's theory of ÃǾ²ƠÅ₃delayed cinemaÃǾ²ƠÂ₊ to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">Philosophy.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">History.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh87002438</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">Moral and ethical aspects.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088101</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="x">Histoire.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="x">Aspect moral.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="x">Philosophie.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">HISTORY</subfield><subfield code="z">Middle East</subfield><subfield code="x">General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="x">Moral and ethical aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="x">Philosophy</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">History</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Time, existential presence and the cinematic image (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGX9DYPwKp3wDvtmb3dM6C</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">GIRGUS, SAM B.</subfield><subfield code="t">TIME, EXISTENTIAL PRESENCE AND THE CINEMATIC IMAGE</subfield><subfield code="z">9781474436236</subfield><subfield code="w">(OCoLC)1030600470</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-862</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1868496</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-863</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1868496</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH35129958</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1868496</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">15647156</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">15649425</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-862</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | History fast |
| genre_facet | History |
| id | ZDB-4-EBA-on1048428759 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:46:28Z |
| institution | BVB |
| isbn | 9781474436250 1474436250 9781474436267 1474436269 |
| language | English |
| oclc_num | 1048428759 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (vii, 191 pages) : illustrations |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| spelling | Girgus, Sam B., 1941- author. https://id.oclc.org/worldcat/entity/E39PBJjtbdgXGpdVwMj9gxF3Qq http://id.loc.gov/authorities/names/n78073888 Time, existential presence, and the cinematic image : ethics and emergence to being in film / Sam B. Girgus. Edinburgh : Edinburgh University Press, [2018] ©2018 1 online resource (vii, 191 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Delayed cinema and "this space-time of freedom": De Sica's Bicycle Thieves (1948) -- La Demora (2012) -- Existence and ethics in the Dardenne Brothers' Two Days, One Night (2015) -- El Viaje: Tommy Lee Jones and the violent times of the mission to Mexico -- The American way: time, death, and resurrection in Iñárritu's Western masterpiece. Print version record. In Time, Existential Presence and the Cinematic Image , Sam B. Girgus relates Laura Mulvey's theory of ÃǾ²ƠÅ₃delayed cinemaÃǾ²ƠÂ₊ to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others. Motion pictures Philosophy. Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Motion pictures Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85088101 Cinéma Histoire. Cinéma Aspect moral. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh HISTORY Middle East General. bisacsh Motion pictures fast Motion pictures Moral and ethical aspects fast Motion pictures Philosophy fast History fast has work: Time, existential presence and the cinematic image (Text) https://id.oclc.org/worldcat/entity/E39PCGX9DYPwKp3wDvtmb3dM6C https://id.oclc.org/worldcat/ontology/hasWork Print version: GIRGUS, SAM B. TIME, EXISTENTIAL PRESENCE AND THE CINEMATIC IMAGE 9781474436236 (OCoLC)1030600470 |
| spellingShingle | Girgus, Sam B., 1941- Time, existential presence, and the cinematic image : ethics and emergence to being in film / Delayed cinema and "this space-time of freedom": De Sica's Bicycle Thieves (1948) -- La Demora (2012) -- Existence and ethics in the Dardenne Brothers' Two Days, One Night (2015) -- El Viaje: Tommy Lee Jones and the violent times of the mission to Mexico -- The American way: time, death, and resurrection in Iñárritu's Western masterpiece. Motion pictures Philosophy. Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Motion pictures Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85088101 Cinéma Histoire. Cinéma Aspect moral. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh HISTORY Middle East General. bisacsh Motion pictures fast Motion pictures Moral and ethical aspects fast Motion pictures Philosophy fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh87002438 http://id.loc.gov/authorities/subjects/sh85088101 |
| title | Time, existential presence, and the cinematic image : ethics and emergence to being in film / |
| title_auth | Time, existential presence, and the cinematic image : ethics and emergence to being in film / |
| title_exact_search | Time, existential presence, and the cinematic image : ethics and emergence to being in film / |
| title_full | Time, existential presence, and the cinematic image : ethics and emergence to being in film / Sam B. Girgus. |
| title_fullStr | Time, existential presence, and the cinematic image : ethics and emergence to being in film / Sam B. Girgus. |
| title_full_unstemmed | Time, existential presence, and the cinematic image : ethics and emergence to being in film / Sam B. Girgus. |
| title_short | Time, existential presence, and the cinematic image : |
| title_sort | time existential presence and the cinematic image ethics and emergence to being in film |
| title_sub | ethics and emergence to being in film / |
| topic | Motion pictures Philosophy. Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Motion pictures Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85088101 Cinéma Histoire. Cinéma Aspect moral. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh HISTORY Middle East General. bisacsh Motion pictures fast Motion pictures Moral and ethical aspects fast Motion pictures Philosophy fast |
| topic_facet | Motion pictures Philosophy. Motion pictures History. Motion pictures Moral and ethical aspects. Cinéma Histoire. Cinéma Aspect moral. Cinéma Philosophie. PERFORMING ARTS Reference. HISTORY Middle East General. Motion pictures Motion pictures Moral and ethical aspects Motion pictures Philosophy History |
| work_keys_str_mv | AT girgussamb timeexistentialpresenceandthecinematicimageethicsandemergencetobeinginfilm |