Resounding the rhetorical :: composition as a quasi-object /
Resounding the Rhetorical offers an original critical and theoretical examination of composition as a quasi-object. As composition flourishes in multiple media (digital, sonic, visual, etc.), Byron Hawk seeks to connect new materialism with current composition scholarship and critical theory. Using...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Pittsburgh, Pa. :
University of Pittsburgh Press,
[2018]
|
Schriftenreihe: | Pittsburgh series in composition, literacy, and culture.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Resounding the Rhetorical offers an original critical and theoretical examination of composition as a quasi-object. As composition flourishes in multiple media (digital, sonic, visual, etc.), Byron Hawk seeks to connect new materialism with current composition scholarship and critical theory. Using sound and music as his examples, he demonstrates how a quasi-object can and does materialize for communicative and affective expression, and becomes a useful mechanism for the study and execution of composition as a discipline. Through careful readings of Serres, Latour, Deleuze, Heidegger, and others, Hawk reconstructs key concepts in the field including composition, process, research, collaboration, publics, and rhetoric. His work delivers a cutting-edge response to the state of the field, where it is headed, and the possibilities for postprocess and postwriting composition and rhetoric. |
Beschreibung: | 1 online resource (viii, 310 pages) |
Bibliographie: | Includes bibliographical references (pages 281-298) and index. |
ISBN: | 9780822983477 0822983478 |
Internformat
MARC
LEADER | 00000cam a2200000 i 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-on1047778083 | ||
003 | OCoLC | ||
005 | 20241004212047.0 | ||
006 | m o d | ||
007 | cr |n||||||||| | ||
008 | 180803s2018 pau ob 001 0 eng d | ||
040 | |a YDX |b eng |e rda |e pn |c YDX |d N$T |d JSTOR |d EBLCP |d N$T |d P@U |d OCLCF |d MERUC |d IDB |d OCLCQ |d OTZ |d OCLCO |d ERL |d SFB |d OCLCQ |d OCLCA |d UKAHL |d OUN |d OCLCQ |d OCLCO |d OCLCQ |d YWS |d OCLCQ |d OCLCO |d DXU |d OCLCQ |d OCLCL |d OCLCQ |d UPM |d OCLCQ |d OCLCO |d OCLCQ | ||
019 | |a 1046977851 |a 1048101755 |a 1048389346 | ||
020 | |a 9780822983477 |q (electronic bk.) | ||
020 | |a 0822983478 |q (electronic bk.) | ||
020 | |z 0822965410 | ||
020 | |z 9780822965411 | ||
035 | |a (OCoLC)1047778083 |z (OCoLC)1046977851 |z (OCoLC)1048101755 |z (OCoLC)1048389346 | ||
037 | |a 22573/ctv42f4j8 |b JSTOR | ||
050 | 4 | |a P301 | |
072 | 7 | |a LAN |x 005000 |2 bisacsh | |
072 | 7 | |a LAN |x 015000 |2 bisacsh | |
072 | 7 | |a REF |x 026000 |2 bisacsh | |
082 | 7 | |a 808 |2 23 | |
049 | |a MAIN | ||
100 | 1 | |a Hawk, Byron, |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjBkFhXvWGWBGbxTtJQtTd |0 http://id.loc.gov/authorities/names/n2007043898 | |
245 | 1 | 0 | |a Resounding the rhetorical : |b composition as a quasi-object / |c Byron Hawk. |
264 | 1 | |a Pittsburgh, Pa. : |b University of Pittsburgh Press, |c [2018] | |
264 | 4 | |c ©2018 | |
300 | |a 1 online resource (viii, 310 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Pittsburgh series in composition, literacy, and culture | |
588 | |a Online resource; title from PDF title page (EBSCO, viewed February 5, 2020). | ||
505 | 0 | |a Introduction. Re-sounding -- Composition as quasi-object -- Process as refrain -- Research as transduction -- Collaboration as coordination -- Publics as spheres -- Rhetoric as resonance -- Conclusion. Resounding. | |
520 | |a Resounding the Rhetorical offers an original critical and theoretical examination of composition as a quasi-object. As composition flourishes in multiple media (digital, sonic, visual, etc.), Byron Hawk seeks to connect new materialism with current composition scholarship and critical theory. Using sound and music as his examples, he demonstrates how a quasi-object can and does materialize for communicative and affective expression, and becomes a useful mechanism for the study and execution of composition as a discipline. Through careful readings of Serres, Latour, Deleuze, Heidegger, and others, Hawk reconstructs key concepts in the field including composition, process, research, collaboration, publics, and rhetoric. His work delivers a cutting-edge response to the state of the field, where it is headed, and the possibilities for postprocess and postwriting composition and rhetoric. | ||
504 | |a Includes bibliographical references (pages 281-298) and index. | ||
650 | 0 | |a Composition (Language arts) |0 http://id.loc.gov/authorities/subjects/sh85029406 | |
650 | 0 | |a Rhetoric. | |
650 | 6 | |a Composition (Exercice littéraire) | |
650 | 6 | |a Rhétorique. | |
650 | 7 | |a rhetoric (discipline) |2 aat | |
650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Composition & Creative Writing. |2 bisacsh | |
650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Rhetoric. |2 bisacsh | |
650 | 7 | |a REFERENCE |x Writing Skills. |2 bisacsh | |
650 | 7 | |a Composition (Language arts) |2 fast | |
650 | 7 | |a Rhetoric |2 fast | |
758 | |i has work: |a Resounding the rhetorical (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGfHhMtyWk66CYPxmgrgJC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Hawk, Byron. |t Resounding the rhetorical. |d Pittsburgh : University of Pittsburgh Press, 2018 |z 0822965410 |z 9780822965411 |w (OCoLC)1016020496 |
830 | 0 | |a Pittsburgh series in composition, literacy, and culture. |0 http://id.loc.gov/authorities/names/n92015774 | |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1854982 |3 Volltext |
938 | |a Askews and Holts Library Services |b ASKH |n AH36651319 | ||
938 | |a EBL - Ebook Library |b EBLB |n EBL5482805 | ||
938 | |a EBSCOhost |b EBSC |n 1854982 | ||
938 | |a Project MUSE |b MUSE |n muse66768 | ||
938 | |a YBP Library Services |b YANK |n 15620639 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
049 | |a DE-863 |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1047778083 |
---|---|
_version_ | 1816882467607412736 |
adam_text | |
any_adam_object | |
author | Hawk, Byron |
author_GND | http://id.loc.gov/authorities/names/n2007043898 |
author_facet | Hawk, Byron |
author_role | aut |
author_sort | Hawk, Byron |
author_variant | b h bh |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | P301 |
callnumber-raw | P301 |
callnumber-search | P301 |
callnumber-sort | P 3301 |
callnumber-subject | P - Philology and Linguistics |
collection | ZDB-4-EBA |
contents | Introduction. Re-sounding -- Composition as quasi-object -- Process as refrain -- Research as transduction -- Collaboration as coordination -- Publics as spheres -- Rhetoric as resonance -- Conclusion. Resounding. |
ctrlnum | (OCoLC)1047778083 |
dewey-full | 808 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 808 - Rhetoric & collections of literature |
dewey-raw | 808 |
dewey-search | 808 |
dewey-sort | 3808 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Literaturwissenschaft |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04230cam a2200661 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1047778083</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |n|||||||||</controlfield><controlfield tag="008">180803s2018 pau ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">YDX</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">YDX</subfield><subfield code="d">N$T</subfield><subfield code="d">JSTOR</subfield><subfield code="d">EBLCP</subfield><subfield code="d">N$T</subfield><subfield code="d">P@U</subfield><subfield code="d">OCLCF</subfield><subfield code="d">MERUC</subfield><subfield code="d">IDB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OTZ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">ERL</subfield><subfield code="d">SFB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCA</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OUN</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YWS</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">DXU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UPM</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1046977851</subfield><subfield code="a">1048101755</subfield><subfield code="a">1048389346</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780822983477</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0822983478</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0822965410</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780822965411</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1047778083</subfield><subfield code="z">(OCoLC)1046977851</subfield><subfield code="z">(OCoLC)1048101755</subfield><subfield code="z">(OCoLC)1048389346</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv42f4j8</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">P301</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LAN</subfield><subfield code="x">005000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LAN</subfield><subfield code="x">015000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">REF</subfield><subfield code="x">026000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">808</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hawk, Byron,</subfield><subfield code="e">author.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjBkFhXvWGWBGbxTtJQtTd</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2007043898</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Resounding the rhetorical :</subfield><subfield code="b">composition as a quasi-object /</subfield><subfield code="c">Byron Hawk.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Pittsburgh, Pa. :</subfield><subfield code="b">University of Pittsburgh Press,</subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (viii, 310 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Pittsburgh series in composition, literacy, and culture</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Online resource; title from PDF title page (EBSCO, viewed February 5, 2020).</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction. Re-sounding -- Composition as quasi-object -- Process as refrain -- Research as transduction -- Collaboration as coordination -- Publics as spheres -- Rhetoric as resonance -- Conclusion. Resounding.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Resounding the Rhetorical offers an original critical and theoretical examination of composition as a quasi-object. As composition flourishes in multiple media (digital, sonic, visual, etc.), Byron Hawk seeks to connect new materialism with current composition scholarship and critical theory. Using sound and music as his examples, he demonstrates how a quasi-object can and does materialize for communicative and affective expression, and becomes a useful mechanism for the study and execution of composition as a discipline. Through careful readings of Serres, Latour, Deleuze, Heidegger, and others, Hawk reconstructs key concepts in the field including composition, process, research, collaboration, publics, and rhetoric. His work delivers a cutting-edge response to the state of the field, where it is headed, and the possibilities for postprocess and postwriting composition and rhetoric.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 281-298) and index.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Composition (Language arts)</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85029406</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Rhetoric.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Composition (Exercice littéraire)</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Rhétorique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">rhetoric (discipline)</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LANGUAGE ARTS & DISCIPLINES</subfield><subfield code="x">Composition & Creative Writing.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LANGUAGE ARTS & DISCIPLINES</subfield><subfield code="x">Rhetoric.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">REFERENCE</subfield><subfield code="x">Writing Skills.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Composition (Language arts)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Rhetoric</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Resounding the rhetorical (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGfHhMtyWk66CYPxmgrgJC</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Hawk, Byron.</subfield><subfield code="t">Resounding the rhetorical.</subfield><subfield code="d">Pittsburgh : University of Pittsburgh Press, 2018</subfield><subfield code="z">0822965410</subfield><subfield code="z">9780822965411</subfield><subfield code="w">(OCoLC)1016020496</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Pittsburgh series in composition, literacy, and culture.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n92015774</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1854982</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH36651319</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL5482805</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1854982</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse66768</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">15620639</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
id | ZDB-4-EBA-on1047778083 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:29:05Z |
institution | BVB |
isbn | 9780822983477 0822983478 |
language | English |
oclc_num | 1047778083 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (viii, 310 pages) |
psigel | ZDB-4-EBA |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | University of Pittsburgh Press, |
record_format | marc |
series | Pittsburgh series in composition, literacy, and culture. |
series2 | Pittsburgh series in composition, literacy, and culture |
spelling | Hawk, Byron, author. https://id.oclc.org/worldcat/entity/E39PCjBkFhXvWGWBGbxTtJQtTd http://id.loc.gov/authorities/names/n2007043898 Resounding the rhetorical : composition as a quasi-object / Byron Hawk. Pittsburgh, Pa. : University of Pittsburgh Press, [2018] ©2018 1 online resource (viii, 310 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Pittsburgh series in composition, literacy, and culture Online resource; title from PDF title page (EBSCO, viewed February 5, 2020). Introduction. Re-sounding -- Composition as quasi-object -- Process as refrain -- Research as transduction -- Collaboration as coordination -- Publics as spheres -- Rhetoric as resonance -- Conclusion. Resounding. Resounding the Rhetorical offers an original critical and theoretical examination of composition as a quasi-object. As composition flourishes in multiple media (digital, sonic, visual, etc.), Byron Hawk seeks to connect new materialism with current composition scholarship and critical theory. Using sound and music as his examples, he demonstrates how a quasi-object can and does materialize for communicative and affective expression, and becomes a useful mechanism for the study and execution of composition as a discipline. Through careful readings of Serres, Latour, Deleuze, Heidegger, and others, Hawk reconstructs key concepts in the field including composition, process, research, collaboration, publics, and rhetoric. His work delivers a cutting-edge response to the state of the field, where it is headed, and the possibilities for postprocess and postwriting composition and rhetoric. Includes bibliographical references (pages 281-298) and index. Composition (Language arts) http://id.loc.gov/authorities/subjects/sh85029406 Rhetoric. Composition (Exercice littéraire) Rhétorique. rhetoric (discipline) aat LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh Composition (Language arts) fast Rhetoric fast has work: Resounding the rhetorical (Text) https://id.oclc.org/worldcat/entity/E39PCGfHhMtyWk66CYPxmgrgJC https://id.oclc.org/worldcat/ontology/hasWork Print version: Hawk, Byron. Resounding the rhetorical. Pittsburgh : University of Pittsburgh Press, 2018 0822965410 9780822965411 (OCoLC)1016020496 Pittsburgh series in composition, literacy, and culture. http://id.loc.gov/authorities/names/n92015774 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1854982 Volltext |
spellingShingle | Hawk, Byron Resounding the rhetorical : composition as a quasi-object / Pittsburgh series in composition, literacy, and culture. Introduction. Re-sounding -- Composition as quasi-object -- Process as refrain -- Research as transduction -- Collaboration as coordination -- Publics as spheres -- Rhetoric as resonance -- Conclusion. Resounding. Composition (Language arts) http://id.loc.gov/authorities/subjects/sh85029406 Rhetoric. Composition (Exercice littéraire) Rhétorique. rhetoric (discipline) aat LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh Composition (Language arts) fast Rhetoric fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85029406 |
title | Resounding the rhetorical : composition as a quasi-object / |
title_auth | Resounding the rhetorical : composition as a quasi-object / |
title_exact_search | Resounding the rhetorical : composition as a quasi-object / |
title_full | Resounding the rhetorical : composition as a quasi-object / Byron Hawk. |
title_fullStr | Resounding the rhetorical : composition as a quasi-object / Byron Hawk. |
title_full_unstemmed | Resounding the rhetorical : composition as a quasi-object / Byron Hawk. |
title_short | Resounding the rhetorical : |
title_sort | resounding the rhetorical composition as a quasi object |
title_sub | composition as a quasi-object / |
topic | Composition (Language arts) http://id.loc.gov/authorities/subjects/sh85029406 Rhetoric. Composition (Exercice littéraire) Rhétorique. rhetoric (discipline) aat LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh Composition (Language arts) fast Rhetoric fast |
topic_facet | Composition (Language arts) Rhetoric. Composition (Exercice littéraire) Rhétorique. rhetoric (discipline) LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. LANGUAGE ARTS & DISCIPLINES Rhetoric. REFERENCE Writing Skills. Rhetoric |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1854982 |
work_keys_str_mv | AT hawkbyron resoundingtherhetoricalcompositionasaquasiobject |